“The Gudeman of Ballangeich”: rambles in the afterlife of James V

This article concerns a corpus of legends in which James V of Scotland disguised himself as the “Gudeman of Ballangeich” in order to enjoy amorous adventures. The traditions may or may not be contemporary, and equally there is no certainty about whether they reflect actual behaviour (although kings in general, including the Stuart kings, have been known to disguise themselves for a variety of reasons, including pleasure). However, in later centuries, allusions to the “Gudeman of Ballangeich” were used by Scots to refer surreptitiously to a Scots king, by Jacobites to refer to a Stuart king, and members of The Beggar's Benison, an eighteenth‐century libertine club, used tales of James V to evoke memories of a better, pre‐Union, pre‐Calvinist Scotland of cultural creativity and sexual liberty. The legends of James V helped maintain the positive, popular image of this monarch as the “poor man's king” in the face of less kind judgements from contemporary elites and subsequent generations of historians.     

The Body as Method? Reflections on the Place of the Body in Gender History

This article offers a critical examination of the term ‘body’ as an ambiguous and elusive historical concept. The first part of the essay probes the often unspecific yet seductive invocation of the body in many recent historical studies and reflects on the methodological implications of placing bodies at the heart of historical investigation. The second part analyses a particular moment of rupture in twentieth-century German history, when bodies became more powerful markers of the dichotomy between male and female citizens, namely at the end of the First World War, during the November Revolution and amidst the founding of Weimar democracy.     

What is the VAT? The policies and practices of value added tax on ebooks in Europe

This article addresses reduction of or exemption from value added tax (VAT) as a cultural- and media policy instrument and analyses the VAT policies on ebooks within the European Economic Area. Examining an area of media and policy studies that is largely overlooked, the article is partly an empirical analysis of VAT policies and partly a discussion paper raising issues applicable to other media sectors and of political and societal relevance. Section 1 of the article conceptualises VAT reduction/exemption as a media and cultural policy tool within national and supranational policy frameworks. Section 2 gives a comprehensive overview of the application of VAT on print books and ebooks in Europe and discusses some consequences of the concrete taxation practices. Section 3 reports and discusses initiatives to alter the European VAT policies on digital media and cultural products and services.     

Whose logic? Reflections on gender in the history of ideas

The paper challenges Bevir's failure to engage with issues of gender in his attempt to establish a logic of the history of ideas. It argues that this exclusion both compromises his claim to have articulated a comprehensive (and inclusive) logic, and suggests the limitations of his model as a way in which we might bring greater subtlety and texture to the understanding of history.     

Whose logic? Reflections on gender in the history of ideas

The paper challenges Bevir's failure to engage with issues of gender in his attempt to establish a logic of the history of ideas. It argues that this exclusion both compromises his claim to have articulated a comprehensive (and inclusive) logic, and suggests the limitations of his model as a way in which we might bring greater subtlety and texture to the understanding of history.     

Was there an Amerindian Atlantic? Reflections on the limits of a historiographical concept

Proponents of the increasingly prominent “Atlantic history” paradigm argue that ocean-centered, transnational perspectives shed crucial light on connections which tied together Europe, Africa and the Americas in the early modern period, and which older forms of national and imperial histories obscured. In spite of these scholars’ calls for the construction of a truly inclusive history of the Atlantic basin and all its inhabitants, Amerindian peoples have received relatively little attention in the work of Atlantic historians. This article examines the place Amerindians have held in scholarship on the early modern Atlantic. It argues that it is precisely because Atlantic history has been constructed from fundamentally Eurocentric categories like transatlantic empire and commerce that it has accorded little space to Amerindians. It points to this absence as an important shortcoming of such approaches, and suggests that Atlantic history will have to be reconceptualized in fundamental ways in order to bring Amerindians fully into the picture as historical actors.     

The south pacific ‘experiment’: Reflections on the origins of regional identity

Abstract

When colonial administrators decided to encourage a sense of unity among the members of the emergent élite of their Pacific Island territories in the late 1940s, they regarded their project as novel. Rather than a sense of tapping a pre‐existing affinity, it seemed that what was being attempted was social engineering on a grand scale. The first South Pacific Conference of Pacific Island representatives held at Nasinu, Fiji, in April‐May 1950, was seen by European officials and observers as an ‘experiment’.

The attempt to forge a sense of regional unity was seen as pushing against the perceived gulf between Melanesian and Polynesian cultures and as expecting too much in the way of conference skills from ‘undeveloped’ societies. But the ‘experiment’ was considered necessary for other important post‐war goals. Although the Nasinu conference is to be seen broadly as an experiment in the promotion of trusteeship, or ‘native welfare’, principles, there was by no means agreement on its ultimate purposes. For some it offered the best (if risky) chance of minimising United Nations interference in the continuation of colonial control, for others a way of ensuring the demise of empire by serving the needs of self‐determination. Finally, the promotion of a sense of region among Pacific Islanders was seen by some as part of an experiment in keeping the region from Communist influence.     

What Is the State? The Russian Concept of Gosudarstvo in the European Context

What allows us to talk about the state as an active agent when we understand that only individuals act? This article draws comparisons between Quentin Skinner's exposition of the history of the concept of the state in major European languages and the history of its equivalent Russian term gosudarstvo in order to provide some general hypotheses on the development of the phenomenon of the state, and on the origins of this baffling usage. First, summing up a vast number of historical and lexicographical works, it attempts a detailed reconstruction of the conceptual development of the term in the Russian language. Second, a peculiarity of the Russian case is discussed, in whichabsolutist thinkers (and not republicans, as in western Europe) stressed the difference between the person of the ruler and the state. Third, political interests in introducing such novel usage are discussed, together with the role of this usage in the formation of the state. This allows us to see better the origins of current faith in the existence of the state as a more or less clearly designated and independent actor, predicated on the mechanism of what Pierre Bourdieu described as “mysterious delegation.”     

The end(s) of national cultures? Cultural policy in the face of diversity

This paper analyses the impact of cultural diversity on cultural policies through an international overview of case studies and reflections. Cultural diversity is generally perceived as a threat toward national cultures. However, this paper argues that (1) there exist substantial national differences in the way in which diversity is perceived and integrated as a policy paradigm; and (2) cultural diversity can be used as an instrument for reconfiguring cultural policies, regardless of the governmental level in question. The authors discuss whether cultural policies of diversity exist and what they are. They also examine the practical consequences of the emergence of a new paradigm concerning the redefinition and implementation of cultural policies within a triple context: the plurality of the territorial configurations of diversity, the simultaneous coexistence of several levels of understanding this issue, and the economic dimensions of cultural diversity.     

The distribution of skeletal lesions in treponemal disease: is the lymphatic system responsible?

The differential diagnosis of bone lesions in treponemal disease is well established in palaeopathology. However, the actual mechanism responsible for the characteristic distribution of bone involvement is not as clear. Two mechanisms are proposed in the literature. Firstly, that bone lesions are the result of direct extension from the skin rash of the secondary stage of disease. Secondly, that bones situated closer to the skin are more vulnerable to local trauma and therefore more likely to elicit a subperiosteal bone response. We propose an alternative explanation for the characteristic distribution of bone lesions in treponemal disease. This explanation is based on the close association between the lymphatic and skeletal systems and the pathogenesis of treponemal disease. This paper argues that the position of the lymphatic nodes and vessels, with little soft tissue intervention between bone tissue, mirrors the characteristic pattern of skeletal involvement in treponemal disease. Copyright © 2002 John Wiley & Sons, Ltd.     

Are the global media and entertainment conglomerates having an impact on cultural diversity? A critical assessment of the argument in the case of the film industry

This paper critically examines the dominant discourse on the global media and its impact on cultural diversity. The term cultural diversity suffers from the lack of good definition and criteria to assess its degree and change over time in specific markets. The paper also argues from an economic perspective that the distinctive economic features of the film business has led to market concentration, which, however, is ‘natural’ and does not trigger the application of competition law to rectify it. A particular problem is the assumed link between the market structure and its performance, which is not definitively supported by theory or empirical research. It is argued that the discussion in the media and entertainment studies literature is sometimes based on flawed reasoning and insufficient evidence. It is suggested that we start with the important discussion on what state of cultural diversity cultural policy should strive to achieve.     

The democratisation of culture in France in the nineteenth & twentieth centuries: an obsolete ambition?

For generations of cultural administrators and players, extending the benefits of culture to the wider population, enabling the majority to access and be involved in cultural life, has been a moral and political priority; not only for the purposes of enjoyment but because the imparting of Enlightenment values, the acquisition of knowledge, the sharing of artistic creation and emotion and the transmission of cultural heritage have all been considered in this country as an integral part of both republican and democratic undertakings. Democratisation has been the guiding principle, both explicitly and implicitly, of a major part of French cultural policy over the last few decades, the primary reason for public involvement in cultural matters and the ultimate sign of the success or failure of all cultural policies. What have been the manifold faces of this ambition, what forms has it taken throughout the various eras and in what forms does it survive today? These are questions which this article seeks to address.     

The arts as an instrument? Notes on the controversy surrounding the value of art

In the last decade of the twentieth century a shift occurred in the way western governments defended their cultural policies. New, instrumental arguments were put forward. This collided with the way the arts had learned to see themselves in the twentieth century: autonomous, with a value of their own. This article elaborates this confrontation of the arts and policy in two ways. First, it is shown that the distinction between an instrumental and an intrinsic value of the arts originates in a misperception of recent history. It was the political constellation of the Cold War that made governments in the second half of the twentieth century support the arts to be free and independent. Next, an attempt is made to anchor the value of art in a unique kind of instrumentality. With the help of philosophers and historians of culture, it is argued that the arts should be considered instruments of experience.     

The best of times,the worst of times: Community-sector advocacy in the age of ‘compacts’

The recent introduction of written ‘compacts’ between government and community services organisations (CSOs) in Australia offers the promise of meaningful co-production of policy. However, recent research has highlighted that many in the community sector continue to perceive that there are significant constraints on their capacity to engage in advocacy. This paper examines the impact of the current governance regimes on the Australian community sector and explores the dimensions of these perceived constraints. The paper argues that both government and community sectors must make concessions and adjustments. Governments must accept that the use of contracting monopolies to stifle advocacy has weakened their capacity to deliver responsive services, while community organisations must accept that new governance regimes require new modes of participation in the policy process.