Memory and History: Liturgical Time and Historical Time

This article investigates the differential structure and representation of time in memory and history. It examines two moments in Jewish historical thought—in the Middle Ages, and in works written within and after the Holocaust—and demonstrates the fundamentally liturgical nature of Jewish historical memory in selected texts from these two periods. Following the groundbreaking work of Yerushalmi, it seeks to demonstrate that for Jews, historical experience is incorporated into the cyclical reenactment of paradigmatic events in Jewish sacred ritual. Recent or contemporary experiences acquire meaning only insofar as they can be subsumed within Biblical categories of events and their interpretation bequeathed to the community through the medium of Scripture, that is to say, only insofar as they can be transfigured, ritually and liturgically, into repetitions and reenactments of ancient happening. In such liturgical commemoration, the past exists only by means of recitation; the fundamental goal of such recitation is to make it live again in the present, to fuse past and present, chanter and hearer, into a single collective entity. History, in the sense that we understand it to consist of unique events unfolding within irreversible linear time, is absorbed into cyclical, liturgical memory.
This article argues that the question of Jewish history—both medieval and post-Holocaust—poses in a compelling fashion the question of the relationship between memory and history more generally, and serves to contest the current tendency in academic historiography to collapse history into memory. It claims that to the extent that memory "resurrects,""re-cycles," and makes the past "reappear" and live again in the present, it cannot perform historically, since it refuses to keep the past in the past, to draw the line, as it were, that is constitutive of the modern enterprise of historiography.     

History,tradition, and memory among the Basques

This article explores the historical commemoration, the Alarde of the Spanish-Basque town of Hondarribia, re-enacted for almost 400 years. It is a social account of the past portrayed through a history of local militarism and a history of commemorative performance. Since 1996, controversy has divided local inhabitants concerning wider female-inclusion in the male-dominated event, separating the town into factions, traditionalists (asserting traditions remain the same) and feminists (advocating broader female involvement). Theoretical concerns include examining traditions and their gradual transformations over time, rather than as episodic change; that interpreting the past can be competitive over rights of belonging; that history may be influenced by different agencies of gender, kin ties, memory, politics, and social experience; that people do not purposefully ignore the passage of time but may be protecting communal harmony; that commemorative rites are more than embodied performances; and that history can be a multiple, contested, and lived experience.     

Re/membering the town body: methodology and the work of local history

This paper seeks to rework connections between material productions of memory and formations of local identity, both theoretically and empirically. A growing literature about sites of memory suggests that social groups continually reconstruct the past for political-economic purposes. Often, this literature does not sufficiently theorize the production of social groups, particularly when these groups are taken to be a priori units of analysis. Identity is thereby presumed while showing that some version of history was invented. I suggest that presumed and contested histories embody the performance of group identifications just as social groups construct the past. Commemorative books from Stockbridge, a small rural New England community with national cultural prestige, are then used to outline a town narrative in «double-time» where history both structures and is structured by performances of identity. The projects of local historians, I argue, performatively reconstitute local identity through ongoing processes of union and differentiation. Yet in the production of literature memorializing a town body called Stockbridge, the projects have presumably drawn from localized resources. Narration in double time thus works methodologically both to erase and to evoke the small community, endeavouring to make it visible as a fundamental yet fictitious social formation.     

山西古村镇类型及社会记忆符号系统研究

社会记忆是依附于社会群体产生的一种趋同性的社会文化符号。本研究利用结构主义符号学的分析方法,通过“要素体-因子层-属性脉”的三维层次构建社会记忆的符号系统,基于中国传统社会生产、生活方式的视角,从地脉、人脉、文脉的“三脉”属性对古村镇的类型及特征进行解读,发现：①“农”型古村镇社会记忆的宜农宜居、望族乡贤、天人合一的三脉属性符号特征明显;②“商”型古村镇具有对外通达的地脉记忆,精致讲究的文脉记忆和名商名士的人脉记忆;③“军”型古村镇的社会记忆在据险扼要、防御之上、将军传奇的三脉属性特征更加突出;④“工”型古村镇具有矿藏丰富、炉旺风顺、匠人传奇的特色社会记忆的符号特征。     

Gastronomy or Geology? The Role of Nationalism in the Reconstruction of Nations

Abstract. This article considers the debate that has recently developed in studies of nationalism between those scholars who see the nation as a modern and constantly changing construction ex nihilo and those who see it as an immemorial, unchanging communal essence. It outlines the so-called ‘gastronomical’ and ‘geological’ metaphors of nation formation and suggests a synthetic model which balances the influence of the ethnic past and the impact of nationalist activity. It shows that the central question which has divided theorists of nationalism is the place of the past in the life of modern nations. The author recognises the role of nationalists in national mobilisation but stresses that nationalists are not social engineers or mere image makers as modernist and post-modernist accounts would have it, but rather social and political archaeologists whose activities consist in the rediscovery and reinterpretation of the ethnic past and through it the regeneration of their national community.     

From sedition to patriotism: performance, place, and the reinterpretation of American ethnic identity

Between the two World Wars, many Americans changed their attitudes toward ethnic minorities and their place within American civic culture. States such as Wisconsin, with its dense concentration of diverse immigrant groups, came under especially harsh fire during the Great War, only to be celebrated 20 years later as microcosms of a pluralist democracy. Although much has been written about this profound transformation of American ethnic identity from the perspective of «official culture», or those governing élites in power, less is known about the role of immigrant communities themselves in this change. Examination of the intertwining of ideology with the social manifestations of cultural performance in one Wisconsin community provides a way to interpret the elusive experience of ordinary people. In the case of two interwar Swiss American cultural performances, a view of ethnic culture emerges that sought to refashion a more inclusive definition of what it meant to be American. In the process of redefining their own identity, third generation Swiss strategically used such performance-based memory work. Their efforts not merely reflected, but shaped a discourse of ethnicity between the wars that became decreasingly antagonistic and gradually more open to ethnic and cultural difference.     

The social life of ruins: sites of memory and the politics of a Zimbabwean periphery

This article explores conflicts over a series of ruins located within Zimbabwe's flagship National Park. The relics have long been regarded as sacred places by local African communities evicted from their vicinity, and have come to be seen as their ethnic heritage. Local intellectuals' promotion of this heritage was an important aspect of a defensive mobilization of cultural difference on the part of a marginalized minority group. I explore both indigenous and colonial ideas about the ruins, the different social movements with which they have been associated and the changing social life they have given the stone relics. Although African and European ideas sometimes came into violent confrontation – as in the context of colonial era evictions – there were also mutual influences in emergent ideas about tribe, heritage and history. The article engages with Pierre Nora's notion of ‘sites of memory’, which has usefully drawn attention to the way in which ideas of the past are rooted and reproduced in representations of particular places. But it criticizes Nora's tendency to romanticize pre-modern ‘memory’, suppress narrative and depoliticize traditional connections with the past. Thus, the article highlights the historicity of traditional means of relating to the past, highlighting the often bitter and divisive politics of traditional ritual, myth, kinship, descent and ‘being first’. It also emphasizes the entanglement of modern and traditional ideas, inadequately captured by Nora's implied opposition between history and memory.     

Human rights politics and scaled performances of memory: conflicts among the Madres de Plaza de Mayo in Argentina

This paper builds on the geographies of commemoration literature extending the scope of inquiry to consider the scaled performances through which the politics of memory unfold. I focus on an analysis of conflicts over the creation of memorial landscapes that emerge from the intricate ways in which representations of the past and the everyday politics of social movements intersect. The paper analyses the competing politics of memory of two groups of Madres de Plaza de Mayo (mothers of people who ‘disappeared’ during Argentina's Dirty War). Their strategies underscore geographic dimensions of the politics of memory as the Madres clash over how to appropriately place memory in the landscape. While one group emphasizes making visible the events of the past to promote transmission of memory and to remember those who disappeared, the other group focuses on re‐interpreting symbols about the past in an attempt to encourage future activism. Such conflicting strategies manifest spatially in a variety of ways, ranging from the creation of physical markers in the built environment to the performance of collective rituals that centre on activists' bodies as sites for either commemoration of the past or future activism. The Madres' conflicts highlight how different spatialities contribute to validate or condemn competing politics of commemoration.     

A vernacular way of “safeguarding” intangible heritage: the fall and rise of rituals in Gouliang Miao village

This paper documents a vernacular method of interpreting and safeguarding intangible heritage in an ethnic Miao village in China. Tracing the conflicting discourses of ritual in different stages of the past and the present, it shows how ritual practices were transformed by imperial Qing officials in the mid-nineteenth century, demonised and denounced as feudal superstition during the Cultural Revolution (1966–1976), exploited as cultural resources for ethnic tourism since the early twentieth century and involved in the evaluation system of intangible cultural heritage in the twenty-first century. Based on ethnographic materials collected in 2008 and 2009, this paper argues that it is the inherited vernacular narratives and ritual performances that are negotiating with the state’s constant effort of shaping the ritual through various discourses, constructing the meaning of inheritance and safeguarding the intangible heritage within the community.     

New Directions in Classic Maya Household Archaeology

Over the past two decades, household studies have coalesced into a recognized subfield within archaeology. Despite this relatively short history, household archaeologists are now taking a leading role in epistemological shifts that are placing people and their practices and differences at the center of archaeological interpretations of the past, rather than subsuming these into the noise of passive and depersonalized depictions of ancient social systems. As Maya archaeologists have played a critical role in the development of household archaeology, examining recent trends in Maya household research provides a perspective on the directions of both Maya studies and household archaeology more generally. This article explores three interrelated trends: (1) understanding ordinary people; (2) understanding social diversity among households; (3) understanding households in articulation with the broder social universe. Through a discussion of these three trends, this review uses Classic Maya household archaeology as a case study to illustrate how household research has led to the development of theoretically rich and empirically substantive understandings of an ancient society, which repeople the past and foreground the active roles of and structural constraints on ancient people.     

东南亚华商与经济民族主义

在经济全球化的大潮中,东南亚华商面对居住国“原住民优先”政策的压力、民族主义情绪的高涨和对立,应该立足于各自国家的立场和根本利益,与各自国家的其他族裔加强合作,共谋发展,实现互利共赢。这是东南亚华商的唯一出路,也是化解东南亚国家原住民经济民族主义的正确途径。东南亚华商只有随着本国国民经济的发展才能获得自身发展的机会,不可能存在超越国家利益之外的所谓海外华人的利益。     

Authentic Kyrgyzstan: top down politics meet bottom up heritage

Abstract

Over the past twelve years I have collaborated with Kyrgyz citizens to promote a national conversation about heritage, based on grass roots interest and sentiment. Countering polarising political rhetoric about Kyrgyz nomadism as the only authentic national heritage identity, many citizens enthusiastically present the artefacts of ancient cities alongside the balbals (stele) of ancient nomads in their community museums, eagerly participate in discussions about a complex Kyrgyz past, and have collaborated with Uzbek speakers to create a national heritage society. In this paper I will describe several community museums and other grass roots education programmes that I have been involved with in Kyrgyzstan and consider their potential for countering ethnic conflict.     

网络结构对长沙电视剧产业发展的影响研究

本文以2004年-2013年长沙影视企业为制作单位的106部电视剧为样本,运用空间分析、社会网络分析法,揭示长沙电视剧产业网络的空间结构和拓扑结构特征:1空间结构上,长沙电视剧产业网络高度开放;网络节点空间分布显著不平衡,长沙本地企业只占节点总数的9.49%,本地配套并不完备;2拓扑结构上,长沙电视剧产业网络呈现"轮辐状",核心-边缘特征明显;核心企业多为占据"出品"和"前期拍摄"环节的长沙本地企业,其中拥有"事业单位"、"企业"双重身份的湖南广播电视台中心度最高,权力最大。此外还探讨了网络空间、拓扑结构对长沙电视剧产业发展的影响。并对得出结论与国际已有研究对比展开讨论。     

Introduction to Webs of Memory,Frames of Power: Collective Remembering in the Archaeological Record

Over the past few decades, archaeologists have increasingly viewed collective memory as critical to the establishment and legitimation of power relations. For societies in the past and present, collective memory can be drawn on to clarify group identity, justify or subvert hierarchies, invent traditions, and define behaviors. The contributors to this special issue focus on the process of remembering, how it produced multiple archaeologically visible understandings of the past, and how these viewpoints impacted power-laden social negotiations. To better elucidate this process, this introduction situates the concept of collective remembering within recent materialist frameworks that emphasize the integration of human and nonhuman actors into webs of interaction. We suggest that by viewing collective memory from the standpoint of interactions, multiple viewpoints can be recognized. We argue in turn that accounting for the diverse actors invested in memory production provides archaeologists a means to delineate how the past becomes a site of contested values that social groups are constantly reworking to define membership, justify social hierarchy, and validate resistance.     

Mongolian Deer Stones,European Menhirs,and Canadian Arctic Inuksuit: Collective Memory and the Function of Northern Monument Traditions

Northern peoples and those living in the Arctic and environments with broad vistas created cultural landscapes with distinctive monument traditions that supported their cultural and political systems. This paper explores three societies in different geographic regions and time periods during the past 10,000 years that used stone monuments to humanize their landscapes and invoke or honor gods or spirits, mythological ancestors, or deceased leaders. Canadian and Greenland Inuit and their predecessors of the past thousand years marked their lands with abstract human figures known as Inuksuit; Neolithic and Bronze Age Europeans built megaliths, henges, and passage graves; and Mongolian Bronze Age nomadic pastoralists populated the central Asian steppe with burial mounds (khirigsuurs) and anthropomorphic deer stone monuments. Each tradition contributed in different ways to shape and perpetuate the society’s values by invoking spirits, ancestors, or heroic leaders. The enduring presence of these creations reinforced cultural or ethnic identity through ritual, group ceremonialism, landscape values, communal enterprise and labor, and collective memory. This paper identifies commonalities and differences between these traditions and how they functioned. We also see how successive societies perpetuate, change, reinterpret, or invent new uses and meanings for ancient monuments and their landscape settings to create new ethnicities and histories for their own times.     

Illegible ethnicity and the invention of Scots-Irish narratives on the stages of Belfast and Appalachia

Theatrical stages have long been home to performances of identity, creating and sustaining legible visions of various peoples and groups for their audiences. Indeed, in the nineteenth century, the playwright/actor Dion Boucicault popularised the “stage Irishman” for Irish and American audiences alike, thus contributing to the invention of “Irish-America”. This paper examines a similar attempt in the late twentieth and early twenty-first centuries to query the definition of a distinct group of Irish-Americans: the Scots-Irish. Productions from Belfast, Northern Ireland, as well as from the southern Appalachian Mountains, demonstrate how the illegibility of the Scots-Irish – in other words, their status as a non-recognisable, incoherent segment of the white population in the USA – allows for narratives about this group to be highly malleable. Contemporary productions of the Scots-Irish story demonstrate the ways in which ethnic identities emerge as constructions of past and present, memory and history, and politics and culture.     

Locating processes of identification: studying the precipitates of re-memory through artefacts in the British Asian home

Memory has been figured as an important process of placing and locating people and communities, both geographically and socially. Memory has also been significant in research on people who are not part of a formal record of history. This memory work includes a focus on black identity, especially in the work of Toni Morrison and Paul Gilroy. This paper seeks to examine the relevance of memory and re-memory for the social geographies of the South Asian population in Britain. In the first section I examine visual and material cultures as mechanisms for memory, especially their role in figuring diasporic positioning, and identity politics. These memories are in the form of testimonies and biographical narratives. In the paper I have argued for the relevance and value of re-memory in understanding the narratives of British Asian heritage in the everyday domestic environment. Re-memory is an alternative social narrative to memory as it is a form of memory that is not an individual linear, biographical narrative. Re-memory is a conceptualization of encounters with memories, stimulated through scents, sounds and textures in the everyday. 'Home possessions' constitute precipitates of re-memories and narrated histories. These are souvenirs from the traversed landscapes of the journey, signifiers of 'other' narrations of the past not directly experienced but which incorporate narrations of other's oral histories or social histories that are part of the diasporic community's re-memories. Collectively, visual and material cultures are identified as precipitates of these re-memories in the form of historical artefacts of heritage and tradition.     

原始农耕信仰与祖先英雄崇拜的现代展演——湖南新晃侗族傩戏“咚咚推”调查

有"中国戏剧的活化石"之称的傩戏"咚咚推"保存了侗族先民遗留下来的多种傩戏剧目,向世人展现了侗族人民各种繁复有序和神秘有趣的习俗,是侗族先民原始农耕信仰的现代展演;"咚咚推"以盘古大王和飞山大王为傩神,除了在表演时对傩神举行各种请、迎、会、送的舞祭仪式外,演出的剧目也表现了作为移民后代的天井寨人为增强家族凝聚力而保持的祖先英雄崇拜。"咚咚推"作为天井寨人独有的一种戏剧形式,为研究南方民族在迁徙过程中的文化传承与文化交融提供了极为难得而生动的活动文本。     

以艺术为媒介：贵州山地交往文化视域中的侗戏

侗戏是本民族说唱传统与汉戏融合的艺术结晶;其发展历程也体现出汉侗文化的互动与交融;侗戏表演对于侗族社会具有重要的功能,主要表现在：促进族际交往、深化代际交往和强化寨际交往等方面。在全球化语境中,侗戏应该积极展开与外界的沟通与对话,凸显民族艺术的重要价值。     

‘Leger est aprendre mes fort est arendre’: wool,debt, and the dispersal of Pipewell Abbey (1280-1330)

The culturally syncretic character of medieval Southern Italy and Sicily was never so apparent as under Norman rule in the twelfth century. From the fusion of artistic styles in the Capella Palatina in Palermo to the organization of King Roger II’s Regno, the influence of Byzantine, Arab, Christian, Norman, and Lombard traditions is evident. This paper argues, however, that underlying these more obvious manifestations of cultural intersection was an enduring sense of ethnic identity. This self-conscious expression of identity is revealed through the articulation of ancestry and lineage in the eleventh- and twelfth-century charters of the aristocracy in the Principality of Salerno. The distinctions between conquerors and conquered, long considered irrelevant after decades of intermarriage, were remarkably durable throughout this period. Both Normans and Lombards employed genealogical memory as a strategy to enhance their status in the Principality: the Normans aimed to legitimize their present rule; the Lombards wished to recall their past dominance in the region. This paper suggests that the evidence for ancestral memory reveals both differences in self-perception and contemporary attitudes towards political change among the various religious and ethnic groups in the medieval Mezzogiorno. While the intersection of cultures in the South is unmistakable, this paper modifies previous theories to recognize the resistance to cultural absorption by both the new settlers and the indigenous peoples.