Noah’s Grandson and St. James: Rewriting the Past in Eighteenth-Century Spain

ABSTRACT

In the late seventeenth century, when Spain gradually emerged from the general crisis that had afflicted the country, several members of the cultural elite became acquainted with the new sophisticated theories and methods of modern science. This newly acquired knowledge inspired these novatores (innovators) to examine Spain’s history and historiography. They intended in the first place to integrate and align Spain with European culture at large, since the religious and ideological obstacles of the past were supposedly no longer in force. Their second purpose was to establish a scientifically based historical discourse focused on the genuine achievements of Spain over the centuries and its contribution to European civilization. They were thus willing to confront the long-standing distortions arising from propaganda, either from the outside—such as the “black legend” forged by the enemies of Spain—or from inside—such as the “fake glories” forged by earlier historians. Diverse circumstances, however, limited their enlightened endeavour, and whoever was eager to resume it in the eighteenth century came up against the restrictions imposed on modern culture by Enlightened despotism.     

Structures of feeling in seventeenth-century cultural expression

ABSTRACT

As the English church splintered during the mid-seventeenth century, the resultant religious diversity overwhelmed contemporary observers, who struggled to make sense of rapidly advancing theological, political, and cultural changes. This religious chaos has, in turn, produced a similar sense of disorientation among scholars attempting to understand it, and questions of how to best categorise radical religion have generated intense controversy. One of the most important, but perhaps most misunderstood, of these emerging religious expressions were the so-called General Baptists. This article reassesses the utility and coherence of “General Baptist” as an overarching conceptual category to describe historical actors between 1609 and 1660. Historians have traditionally applied this label to any religious dissenters who both rejected paedobaptism and embraced Arminian soteriology. This standard interpretation, however, is misleading and cannot account for the historical record. As the present article demonstrates, the label “General Baptist” had no coherent, stable historical referent during the first half of the seventeenth century.     

Alexander Ross’s Pansebeia (1653), religious compendia and the seventeenth-century study of religious diversity

Recently, our scholarly understanding of how religion was studied during the seventeenth century has changed. Contributions made by historians of scholarship have provided a more detailed picture through studies of the emerging genre of the history of idolatry. This article, however, looks at another new but overlooked genre in the seventeenth century: the religious catalogue. It does so through an examination of the most popular compendium of the age: the Scottish-born, England-based Alexander Ross’s Pansebeia: Or, A View of All the Religions (1653). Ross’s work contains the first attempt to comprehend and understand religious diversity on an exhaustive scale. Using Pansebeia, we can tell a story of how religious compendia gave the embattled, anxious Christian the information necessary to defend themselves against the threat of religious diversity in the seventeenth century, and which unintentionally contributed to the emergence of the modern concept of “religion” as a distinct sets of theological beliefs and rituals.     

“Neptune to the Common-wealth of England” (1652): the “Republican Britannia” and the continuity of interests

ABSTRACT

In the seventeenth century, John Kerrigan reminds us, “models of empire did not always turn on monarchy”. In this essay, I trace a vision of “Neptune’s empire” shared by royalists and republicans, binding English national interest to British overseas expansion. I take as my text a poem entitled “Neptune to the Common-wealth of England”, prefixed to Marchamont Nedham’s 1652 English translation of Mare Clausum (1635), John Selden’s response to Mare Liberum (1609) by Hugo Grotius. This minor work is read alongside some equally obscure and more familiar texts in order to point up the ways in which it speaks to persistent cultural and political interests. I trace the afterlife of this verse, its critical reception and its unique status as a fragment that exemplifies the crossover between colonial republic and imperial monarchy at a crucial moment in British history, a moment that, with Brexit, remains resonant.     

Rethinking the Dawn of History: The Schedule,Signature, and Agency of European Goods in Protohistoric Illinois

Abstract

Interpretations of the archaeological record of the seventeenth century Illinois Country have been temporally compressed, and the richly stratified archival, ethnographic, and material records from that era have not been applied to the archaeological information at hand. A muddied view of the remarkable changes that occurred within the cultural landscape of Illinois is the result. European goods first appear in the region between 1580 and 1630 and the pottery of the Illinois Indians—the Danner series—is present in each early Illinois sample that includes these imports. A reexamination of the Zimmerman, Palos, and Oak Forest sites suggests that temporal changes in trade good assemblages can be better understood in the context of historically documented trade schedules. Further, it is argued that the Illinois Indians actively positioned themselves in the political and economic landscape of the fur trade many decades prior to the arrival of the French in the Illinois Country, serving as the principal agents of the great changes that are associated with protohistory in Illinois.     

Frank Clifford Rose Memorial Lecture: The tale of three trephines: Surgeons and their surgical-instrument makers in Britain,France, and America in the nineteenth century

ABSTRACT

Trephines and trepanning date to ancient times, but a “modern” form of instruments was codified by the seventeenth century. This did not preclude efforts to “improve” the trephine in the late-eighteenth and nineteenth centuries. Surgeons and instrument makers in Britain (Jardine and Savigny), France (Thomson and Charrière), and America (Galt and Otto & Reynders) endeavored to make the trephine safer and more precise. In exploring their interactions, this presentation shows the evolving role of the instrument makers not only as fabricators of tools, but as creative design collaborators of surgeons and physicians.     

A Call to Higher Things

Abstract

Seeking a responsible middle ground between complaisance and the “religious totalitarianism” of Sayyid Qutb, Miroslav Volf proposes a proper role for religion as a faithful advisor in the public square and an inspired one in the corridors of conscience. But he seems to lose patience with that theme without addressing John Rawls’ case for silencing religious counsels—or engaging the strident atheism of Dennett, Dawkins, Hitchens, or Grayling, and he takes Qutb more as a foil than an adversary to be grappled with directly. Turning away from debates over religion’s proper public role he catalogues the “malfunctions” of faith, sidestepping many of today’s more burning issues in favor of a generic call to “lives of integrity”—while acknowledging that we mortals are “powerless against the lure of evil,” too often seconded by “the power of the systems that surround us.” Prayer, Volf argues, finds its best use when we ask to be made “willing, capable, and effective instruments in God’s hand.” One only wishes he had been more explicit and more ready for down and dirty argument with those who reject the very idea of prayer and with those who imagine they become God’s best instrument when holding an incendiary device.     

Natural theology and ancient theology in the Jesuit China mission

ABSTRACT

This article analyzes the proselytical use of ancient theology that developed in the environment of the Jesuit China Mission in the late seventeenth and early eighteenth centuries. This period is roughly coeval with the European diffusion of deistic doctrines based on a secularized interpretation of natural theology. I argue that the threat posed by the spread of such doctrines produced a significant effect on the philosophy that Jesuits developed in order to relate to Confucianism. In particular, in the late seventeenth century, Jesuits belonging to the China Mission gradually abandoned Matteo Ricci’s natural theology and espoused an approach grounded in ancient theology. The situation changed, however, after the turn of the eighteenth century. Deism continued to spread, and even ancient theology came to be perceived as dangerously close the libertinism. The increasing suspicion towards ancient theology was reflected, in the China Mission, by the reception of the doctrines advanced by the so-called “Figurists”, a group of French Jesuits who proposed an interpretation of certain characters of the Chinese Five Classics as figurae of the Bible.     

The age of the Cambro-Britons: hyphenated British identities in the seventeenth century

ABSTRACT

In the late sixteenth and early seventeenth centuries, Welsh writers including the antiquary Humphrey Llwyd, the bard Gruffudd Hiraethog, and the epigrammatist John Owen began referring to themselves as Cambro-Britons. The term was quickly adopted and popularised by English writers, often in ways that show an imperfect grasp of the intentions behind the hyphenated phrase. Whereas the Welsh had hoped that the English and Scots would adopt similar hyphenated identities, English writers tended to interpret “Cambro-Briton” as an intensified and potentially comical expression of Welshness. Though Welsh writers largely ceased to employ the term after the 1620s, the use and misuse of “Cambro-Briton” in English texts continued unabated throughout the century.     

Miroslav Volf on Living One’s Faith

Abstract

In this essay the author reflects on Miroslav Volf’s discussion, in A Public Faith, of Christianity as properly a prophetic religion. The author focuses especially on the two main malfunctions that Volf cites as accounting for the fact that the faith of individual Christians is often not prophetic, namely, what he calls “idleness of faith” and what he calls “coerciveness of faith.”     

Interrogating Neoconservative Religion

Abstract

Richard John Neuhaus had a stronger basis than most neoconservatives for claiming a theological kinship with Reinhold Niebuhr, but Niebuhr was not a neoconservative or a culture warrior, and Niebuhr did not claim a moral consensus for his concept of “biblical religion.”     

The “historical question” at the end of the Scottish Enlightenment: Dugald Stewart on the natural origin of religion,universal consent,and religious diversity

ABSTRACT

This study examines the leading early nineteenth-century Scottish moral philosopher Dugald Stewart’s discussion of the origin and development of religion. Stewart developed his account in his final work, The Philosophy of the Active and Moral Powers of Man (1828), in an effort to show that the fact that polytheism was the first religion of humankind does not undermine the truth of monotheism. He wrote in response to similar discussions presented in David Hume’s “Natural History of Religion” (1757), which argued for the primacy of polytheism, and Stewart’s old moral philosophy tutor Adam Ferguson’s Principles of Moral and Political Science (1792), which argued for the primacy of monotheism. Stewart accepted the conclusions of the Scots’ enlightened study of religion, which argued for truth of Hume’s account, but aimed to reassert many of the natural theological arguments about the naturalness of religion that the “Natural History” had challenged. Stewart’s discussion acts as a useful way by which we can assess the achievement of the literati’s study of religion.     

Were the Wars of Religion about Religion?

Abstract

William Cavanaugh's The Myth of Religious Violence raises important questions about the role of religion in society. It challenges all-too-common misunderstandings about the relationship between religion and politics and, most valuably, warns against any assumption that religion is peculiarly prone to violence. This essay nevertheless takes issue with his attempt to disprove what he calls “the myth of religious violence” with evidence from the Wars of Religion in sixteenth-and seventeenth-century Europe and his claim that “the story of these wars serves as a kind of creation myth for the modern state” (10). The essay emphasizes the importance of understanding the religious dimensions of early modern Europe's wars but also of recognizing that, in both historical and contemporary situations, religious motivations are best understood not as independent variables but rather as catalysts that could exacerbate-or relieve-tensions rooted in other sorts of divisions or quarrels.     

After thought. Devotion,Teresa de Jesús,and Miguel de Cervantes

ABSTRACT

This article explores the complex landscape of devotion in sixteenth- and seventeenth-century Spain, comparing the legislated Christian-only history of Counter-Reformation with the various alternative strands of belief, faith, and devotion present in a variety of areas of cultural production. The article first examines representations of devotion—and methodologies of reading such representations—in areas of production such as architecture, dictionaries, literature, and the arts; at the end of this first section, it coins the concept of “After Thought” as a reading tool to better comprehend and possibly experience devotion in ways particular to early modern Spain, not merely en cristiano but in multiconfessional forms. “After Thought,” both the tool and the article, follow intellectual engagements with Andalusi (not merely Andalusian) past, present, and future environments in early modern Spain. They also engage alternative somatic dimensions of a different “entendimiento” of Christianity, as described by Teresa de Jesús and practiced by both her and Cervantes. Finally, in reviewing the six ducal chapters of the second part of Don Quijote as a rewriting of Castillo interior, the apocryphal condition of this segment of the novel mobilizes yet another wheel in the Trojan horse of fiction, one that exposes the way in which Cervantes refigures Teresa de Jesús, thus yielding two interactive models of “After Thought” in early modern Spain's arts, religion, and spirituality.     

Exportando “marginalidad”: Consuelo Tamayo Hernández, “la Tortajada” (1867–1957)

Abstract

Although nowadays barely remembered, the dancer and singer Consuelo Tamayo Hernández, “la Tortajada” (1867–1957), once was a Spanish performer of considerable talent. She was a diva skilled at self-fashioning who knew how to exploit her public image both on and off stage. Born in Santa Fe (Granada, Spain), Tortajada hardly ever performed in her country of birth. But although her presence on the Spanish stage was merely marginal, as a “Spanish dancer” she achieved celebrity status in the music halls of Europe and the United States. Tortajada perfectly exemplifies the mobility and cultural transfer that took place between the cosmopolitan stages at the end of the nineteenth and the beginning of the twentieth century. This article explores how Tortajada obtained international fame and success, not so much because of the authenticity of her performances—which were often contaminated by the music halls where she performed—but because of her ability to export a certain idea of Spanish “otherness” and “marginality” by staging a series of traditional movements and dances. It is by skillfully embodying a stereotype construction of “Spanishness” (elapsing it into an Oriental fantasy) and a certain type of femininity that the artist achieved international celebrity.     

Intersections between philosophy and art: expressions of immanence in the seventeenth century — Spinoza and Vermeer*

ABSTRACT

Spinoza's philosophy of immanence represents a turning point that radically changed our conception of human agency and its relation to infinity. Hans Blumenberg rightly called the principle of immanence “a general hypothesis of the epoch”, a principle that applies to philosophy no less than to the sciences and arts in the seventeenth century. This article looks at Dutch paintings by drawing parallels between Spinoza's philosophy and Vermeer's work. Spinoza and Vermeer both deny a dualistic conception of the world and a hierarchical structure between inner and outer spheres. With the example of Vermeer's painting the Milkmaid, this article shows how an analysis of light and colour, time and space, reveal a vision of immanent infinity, with the human agent at its centre.     

Booming Business. Communication,Print and Advertisement in the Seventeenth Century

ABSTRACT

News, print and the associated communications were not just a booming business in the early modern period, but are – research-wise – a “hot topic” at this moment as well. The seven volumes discussed are syntheses of many years of research. The books show overlap due to geography and events, and their stress on news bearing media of various sorts, all within the seventeenth century. Each of the volumes is written by an expert on either the Baltic Sea, Germany, or the Dutch Republic. The foci vary from the exchange of information to the printing of newspapers and books, to the use of advertisements.     

The Unquiet Frontier

Abstract

There are many different diagnoses of what constitutes the “post-secular.” My own view is that it constitutes the unprecedented and paradoxical coexistence of two supposedly contradictory social, religious, and cultural trends: on the one hand, the persistence of secular objections to public religion and on the other, the novel re-emergence of religious actors in the global body politic. John Caputo’s much quoted aphorism — that God is dead, but so also is the death of God — captures this agonistic model of the post-secular, in which what we are looking at is not the revival of religion, or the reversion of secular modernity into a re-enchanted body politic, but something more unprecedented and complex. Yet it also means there is little in the way of agreed discourse about the nature of the public square and the legitimacy of religious reasoning within it. This article considers one possible model, that of “post-secular rapprochement,” as one way of envisaging how newly-emergent forms of religious activism and discourse might be mediated back into a pluralist public domain.