Benedicto Kiwanuka and Catholic Democracy in Uganda

In this article, I introduce Benedicto Kiwanuka (1922–72), Uganda’s first prime minister and most prominent modern Catholic politician, and explore how his religious and political sensibilities — especially his vision of democracy — intersected with Catholic thought and historical experience in Buganda and Uganda. Far from turning him into a “Catholic tribalist” looking to empower Catholics vis à vis other religious groups, Kiwanuka’s Catholic identity was a core component of his political commitment to non-sectarian democracy, the common good, and pan-ethnic nation-building. He saw in Catholicism the possibility of envisioning political solidarity during a moment of social rupture, and he and his Democratic Party used Catholic and biblical discourse and theology to help undergird a broader political commitment to liberal democratic nationalism during Uganda’s transition to independence (1958–62). At the same time, Kiwanuka’s prophetic commitment to principle — an uncompromising dogmatism often expressed in religious and theological language — also helped cost him the opportunity to lead Uganda into and beyond independence.     

The Origins of European Fascism: Memory of Violence in Michael Haneke’s The White Ribbon

Michael Haneke’s film The White Ribbon (2009) narrates violent attacks that disrupt the cyclical life of a German village in 1913–14. The narrator frames the violence as a study of the origins of fascism: the alleged perpetrators are children, who rebel against the disciplinary powers of patriarchal authority. Coming to maturity during World War I, they will have become the generation of Nazism’s followers. In contrast to psycho-historical readings of The White Ribbon as a cinematic exploration of the causal relationship between the authoritarian formation of the juvenile subject and her susceptibility to fascism’s redemptive illusions, I propose an anti-psychological interpretation of the film. This reading seeks to understand The White Ribbon in terms of Haneke’s aesthetic and formal choices, which underpin his notion of “ethical spectatorship.” I argue that the film offers a dual metaphorical construction of the nexus between memory and the cinematic image, and of the mnemonic and affective aspects of the history of violence. Haneke forges a link between the European attitude to its history of fascism and its ongoing politics of exclusion, arising from its covert fascist desire for the unified self. The significance of The White Ribbon in the ongoing debate on history/memory thus lies in its critique of Europe’s current self-understanding as having outgrown its violent past.     

KARL POLANYI AND THE REALITY OF SOCIETY

This essay reconsiders Karl Polanyi's famous thesis about the “embeddedness” of the economy through an examination of two recent books: For a New West, a collection of previously unavailable essays by Polanyi, and Fred Block and Margaret R. Somers's The Power of Market Fundamentalism: Karl Polanyi's Critique. The guiding thread of this analysis is the claim that a constant in Polanyi's thought was his belief in what he called “the reality of society,” that is, that society exists as a social fact over and above the individuals that constitute it. The essay begins by tracing Polanyi's intellectual development, drawing primarily on the essays found in For a New West. Polanyi's quest to reconcile individual freedom with social solidarity led him first, in the years between the First and Second World Wars, to embrace liberal socialism, before his readings in anthropology persuaded him that traditional economies “embed” the economy in social relations and that the nineteenth‐century liberal project of a “disembedded” economy (through the so‐called free market) is a departure from this anthropological norm. The essay then examines and questions Block and Somers's claim that Polanyi maintained that the economy is always “already embedded,” arguing notably that Polanyi believed that the advent of market society entailed an economy that was actually disembedded from social relations, not merely one that was re‐embedded in an alternative set of institutions.     

Cultural History,Nationalism and the Dignity of the Individual: The Work of George L. Mosse

Abstract. The recently deceased George Mosse was one of the leading cultural and intellectual historians of modern Germany and Europe. His important contributions to our understanding of modern culture were his historical analyses of racism, fascism, and nationalism as cultural phenomena of our times. This article concentrates on Mosse's analysis of nationalism.     

Said,Auerbach, and the Return to Philological Hermeneutics

ABSTRACT

This essay explores the relationship between Edward Said’s well-known contrapuntal reading of history and Erich Auerbach’s Ansatzpunkt, or point of departure, as a means of entering a given hermeneutic circle. Although Auerbach occupied an increasingly prominent place in Said’s critical thought, his engagement with the work of the German philologist has been largely ignored or downplayed. In this essay I take the figure of exile, which is so central to Said’s scholarship and which he explicitly links with the intellectual mission of critique, as a point of departure for a deepened exploration of Said’s critical method—a method developed in critical dialogue with Auerbach’s work. Building on the existing literature, I argue that Auerbach offers more than simply a way for Said to problematize identity politics and to challenge the dogmatism of received notions of home and political belonging. More than this, I argue that the German philologist provides Said with a way to reconfigure the dialectic between history and literature; to develop his contrapuntal approach to reading history; and to rethink the parameters of a historicist humanism that, in turn, enables him to reactivate the critical potential of philological hermeneutics.     

The Colonial (Dis)order and the (Im)possibility of Redemption: Jeong,Abolition, and Living from the “End of the World”

This article develops the oppositional edge of postcolonial theologies by way of Frantz Fanon’s anti-colonial desire for the “end of the world.” It connects W. Anne Joh’s elaboration of jeong – the living in excess of (neo)colonial violence – to Dietrich Bonhoeffer’s anti-fascist critique of the godlike desires of European humanism (the sicut deus). The overall aim of the article is to clarify and assess what is at stake in a project of eschatological decolonialism. What might it mean to think theologically about salvation as abolition? And what might it look like to live from the “end of the world?”     

Mankind and its Histories: William Robertson,Georg Forster,and a Late Eighteenth-Century German Debate

The Scottish historian William Robertson's works on European encounter with non-European civilizations (History of America, 1777; Historical Disquisition […] of India, 1791) received a great deal of attention in contemporary Germany. Through correspondence with Robertson, as well as by reviewing and translating his texts, Johann Reinhold Forster and his son Georg took an active part in this process. The younger Forster also became simultaneously involved in a debate which was unfolding on the German intellectual scene concerning the different or equal “value” (Wert) of the various “races of mankind” (Menschenrassen), engaging especially the relevant views advanced by the Göttingen historian Christoph Meiners and Immanuel Kant. The debate was firmly embedded in the context of an emerging ‘science of man’ in the German Enlightenment, to which Forster contributed an almost incomparable richness of empirical knowledge as well as theoretical sophistication. Forster's direct engagement with Robertson's work during the same period (mid-1780s to the early 1790s) creates a context through which the Wissenschaft vom Menschen in the Aufklärung and the Scottish version of the science of man – built on the neighbour disciplines to which Robertson's historiography was crucially indebted – is set in an interesting comparative light. This paper, part of a comprehensive project tracing the German reception of Robertson as an instance of inter-cultural exchange in the Enlightenment, will exploit the opportunities presented by one particular and documented case for a general comparison of enlightened ‘sciences of man’.     

From Organismic Biology as History and Philosophy to the History and Philosophy of Biology—the Work of Hans-Jörg Rheinberger in the German Context**

In this paper, I ask about the broader context of the history and philosophy of biology in the German-speaking world as the place in which Hans-Jörg Rheinberger began his work. Three German philosophical traditions—neo-Kantianism, phenomenology, and Lebensphilosophie—were interested in the developments and conceptual challenges of the life sciences in the late nineteenth and early twentieth centuries. Their reflections were taken up by life scientists under the terms theoretische Biologie (theoretical biology) and allgemeine Biologie (general biology), i. e., for theoretical and methodological reflections. They used historical and philosophical perspectives to develop vitalistic, organicist, or holistic approaches to life. In my paper, I argue that the resulting discourse did not come to an end in 1945. Increasingly detached from biological research, it formed an important context for the formation of the field of history and philosophy of biology. In Rheinberger's work, we can see the “Spalten” and “Fugen”—the continuities and discontinuities—that this tradition left there.     

“The Enchanter's Wand”: Charles Darwin,Foreign Missions,and the Voyage of H.M.S. Beagle*

It often goes unmentioned that one of the primary purposes of the famous circumnavigation of H.M.S. Beagle was foreign missions. Charles Darwin, the voyage's most famous participant, was at best noncommittal about the missionary activity surrounding him for most of the trip. He emerged from the voyage, however, as an enthusiastic and outspoken proponent of missions. The British missions at Tahiti prompted him to change his view. Sailing to Tahiti, he read several accounts about the South Sea missions, and had already begun making arrangements to publish his “Diary” as a travel journal. Darwin became convinced that missionaries helped “advance” the natives toward “civilization” and thereafter enthusiastically defended missionaries in an ongoing public debate.     

The uses and abuses of ‘secular religion’: Jules Monnerot's path from communism to fascism

From starting his intellectual career as a surrealist, communist and co-founder of the Collège de Sociologie in 1937, Jules Monnerot (1911–95) ended it as a candidate for the Front National in 1989.In this article I offer an explanation for the unexpected trajectory of this thinker whose work is little known in the English-speaking world. Without overlooking the idea that the infamous College encouraged such tendencies, I argue that the notion of ‘secular religion’, as Monnerot developed it in his Sociology of Communism (1949), goes some way to explain his gradual radicalization from Cold Warrior to fascist, a path that otherwise seems unlikely for a French intellectual after World War II. In order to emphasize the unusualness of Monnerot's case, I contrast it with that of his erstwhile collaborator, Georges Bataille. I show that accusations of fascism often levelled against Bataille should be more accurately directed at Monnerot, indeed that the fascism inherent within the College of Sociology was brought out not by Bataille but by Monnerot. Monnerot's case is unsettling first because his definition of ‘secular religion’ contributed to his pro-fascist stance; and second, because it forces us tore think what is meant by ‘philosophy after Auschwitz.’ This term usually brings to mind scholars such as T.W. Adorno, Emil Fackenheimor Emmanuel Levinas. Monnerot provides a rare example of a thinker whose fascism only developed after the Holocaust, a shocking response that demands the attention of all those interested in the relationship between religion and politics.     

“A German Bred Revolt”: the Manchester Guardian’s perceptions of the Irish Easter Rising, 1916

ABSTRACT

At the time of the Easter Rising of 1916 Britain had been engaged in the Great War against Germany for almost two years and on a scale and intensity previously unprecedented. This broader Great War backdrop is significant when analysing the 1916 Easter Rising, as it not only influenced the events which occurred in Dublin, but also the interpretation and presentation of the political violence. Despite the Easter Rising being well-documented in secondary literature, with a resurgence accounted for by its recent centenary, the British press and its portrayals of the events of 1916 has been one aspect which has not received as much scholarly attention. By analysing key stages in the uprising’s portrayal, it can be determined that the Manchester Guardian’s utilisation of the German connection had a two-fold implication. Utilising historical precedents of German-Irish “friendship”, such as the gun-running episodes of pre-War 1914, the newspaper justified its portrayal of Germany provoking violence in Ireland to disrupt British war efforts. Additionally, for the Manchester Guardian, the Irish rebels were depicted negatively in its articles as it attempted to halt the growth of republicanism, thereby ensuring the promotion of a more “moderate” form of nationalism.     

George Woodcock and the Doukhobors: peasant radicalism,anarchism, and the Canadian state

For the British-Canadian writer and intellectual George Woodcock, the Doukhobors – a persecuted radical Christian sect, many members of which emigrated from Russia to Canada at the turn of the twentieth century – were a continual source of fascination. A cause célèbre for a host of nineteenth-century thinkers, including Leo Tolstoy and Peter Kropotkin, the Doukhobors were frequently portrayed as the exemplars of the viewer’s particular ideological beliefs. The present article examines Woodcock’s shifting interpretation of the Doukhobors, mapped onto the development of an intellectual career that saw him emerge as a leading anarchist thinker, and his broader transition from a British writer to a Canadian public intellectual. Where once he saw the Doukhobors representing anarchism in action, as his politics matured his view of the sect became more complex. Rather than living anarchists, he came to see the Doukhobors’ experience as a powerful reminder of the forces of assimilation at work in modern democracies that threatened the liberties of dissenters. Reflecting Woodcock’s revised anarchist politics, the Doukhobors’ story now became a key component of an intellectual vision that cast a probing light on Canadian history and Canadian cultural politics.     

A convenient “inconvenience”: The eponymous legacy of Sir William Richard Gowers (1845–1915)

A century since his passing, the legacy of the great Victorian clinical neurologist, Sir William Richard Gowers (1845–1915), remains traceable to students and practitioners of medicine worldwide through eponymous medical terms named in his honor. Popular designations like “Gowers’ sign” continue to lead curious minds to learn more about the pioneering neurologist’s lifework and influence, and yet Gowers himself was not fond of medical eponyms. Memorably remarking that eponyms were an educational “inconvenience” in medicine, Gowers was apt to disfavor the system in the very same lecture in which he reportedly first referred to the spinal cord fasciculus that later took his name. This article will examine Gowers’ own use of eponyms alongside the eponymous medical terms named for him, and, in the process, will show how Gowers’ “inconvenience” may be of great service to the historically inclined modern clinician today.     

From the ‘spirit of capital’ to the “spirit” of capitalism: The transition in German economic thought between Lujo Brentano and Max Weber

I dedicate this essay to the memory of the late Wolfgang Mommsen—the subject would have been congenial to him. It is one of a series of offshoots from a central project: a scholarly edition of Max Weber's Protestant Ethic with commentary. When I first told Prof. Mommsen of my plan in 1994 he looked me full in the face and gave a characteristic growl: “All that work!” Here was a man who knew what he was about. My thanks to Ross McKibbin and Keith Tribe for reading this paper in draft.

The article begins by examining Max Weber's relations with Lujo Brentano, much the most important “precursor” to Weber in the field of economics. In particular, Brentano conducted a form of parallel inquiry into the rise of ‘the spirit of capital’ in England 35 years before Weber looked for the origins of “spirit” of capitalism there, and the contrast between these two ideas casts much light both on Brentano and on Weber's Protestant Ethic. This personal history leads into a broader history of the transition in German economic thought between the 1860s – the formative decade for Brentano but also the era of Marx's Capital – and that of Weber's generation coming to maturity c.1890. Marx and Weber remain the two great canonical thinkers and original minds; but any authentic historical comparison between Marx and Weber must take in Brentano. The essence of the contrast between the generations is that between Weber's novel conception of an ethical ‘capitalism’, and the materialism and naturalism underpinning Brentano's and Marx's ‘capital’, although Weber and Brentano are alike as liberals, democrats and bourgeois.     

A few words for Axel Vander: John Banville and the pursuit of deconstruction

The revelations about Paul de Man’s activities in Belgium during the Second World War placed him, and by extension deconstruction, on public trial. The affair gave rise to a series of novels, such as Gilbert Adair’s The Death of the Author (1992) or Bernhard Schlink’s Homecoming (2008), that dismiss critical theory as ethically bankrupt charlatanism. John Banville’s Shroud (2002) and Ancient Light (2012) place the enigmatic theorist Axel Vander, a figure resembling de Man, in the dock, but these novels form no decisive judgement about his guilt. The texts reflect on memory, mourning, forgetting and responsibility, and about what writing might consign to the future, questions persistently raised by de Man and Jacques Derrida. As such, they might be said to speak to, or “inhabit”, deconstruction, rather than condemning it. This essay traces how Banville reckons with Axel Vander, and pursues the thought of de Man and Derrida, by means of three words: shroud, ash and cleave. These words at once connote concealment, destruction and separation and also preservation, survival and connection. As the discussion suggests, such words testify to the memory work performed by deconstruction.     

Philosophic history and common culture in Gellner's theory of nationalism

Ernest Gellner's work on nationalism is situated in a larger social metaphysic and philosophical anthropology. This paper investigates some of these overarching intellectual commitments and their implications for his arguments about nationalism. Two main issues are examined. Does the method of ‘philosophic history’ provide any philosophical or methodological support for his treatment of nationalism? What are the implications of the common culture of industrial civilization for his arguments about nationalism? Addressing these issues together contributes to the continuing evaluation of Gellner's work, particularly to recent discussion of his arguments about necessity and nationalism.     

Fichte and the German Idiom: the Metaphysics of the Addresses to the German Nation

This article argues against the dominant Anglophone and Francophone interpretation of Fichte, which reads him as advancing either a form of ethnic or cultural nationalism. It claims that what is missing from the current reception of Fichte is the essentially philosophical and cosmopolitan character of his nationalism – the fact that the Addresses to the German Nation uses non‐empirical and cosmopolitical concepts to develop and articulate its nationalistic viewpoint. It therefore claims that the notion of a national philosophical idiom that the Addresses present, far from being a screen for its nationalism, is its driving engine. It does this by considering the problems of translating the German locution ist unsers Geschlechts. Consequently, it is claimed that the cosmo‐nationalism of Fichte is not reducible to a set of claims regarding ethnicity or even the empirical world, even if a discourse on the organismic, on what counts as life, irreducibly haunts the Addresses.     

Crane,Elaine Forman The Poison Plot: A Tale of Adultery and Murder in Colonial Newport,Ithaca, NY: Cornell University Press, 257 pp., $32.95, ISBN 2131-1 978-1-5017

Elaine Forman Crane’s The Poison Plot opens with the core challenge facing her as a scholar and author. “How,” she asks, “to frame a narrative that more closely resembles fiction than most nonfiction works, while remaining faithful to the historical record?” (xi). It is a matter of historical record that Newport, Rhode Island, resident Benedict Arnold petitioned to divorce his wife, Mary Arnold, in 1738 and that his petition accused her of attempting to poison him. Whether she had, in fact, poisoned him and her motivations for doing so, by contrast, remain unknown, particularly because there are no surviving documents from her perspective. The Poison Plot also poses readers with challenges. What can a reader gain from a historical monograph whose conclusions must, by their very nature, be rooted more in circumstantial evidence and speculation than in concrete documentary evidence? In what contexts might readers approach this book?     

Byron to D'Annunzio: from liberalism to fascism in national poetry, 1815–1920

ABSTRACT. From Byron's death at Missolonghi in 1824 to D'Annunzio's capture of Fiume for Italy in 1919, the nationalism of universal liberalism and independence struggles changed, in literature as in politics, to cruel dictatorial fascism. Byron was followed by a series of idealistic fighter‐poets and poet‐martyrs for national freedom, but international tensions culminating in World War I exposed fully the intolerant, brutal side of nationalism. D'Annunzio, like Byron, both a major poet and charismatic war leader, was a key figure in transforming nineteenth‐century democratic nationalism into twentieth‐century dictatorial fascism. The poet's ‘lyrical dictatorship’ at Fiume (1919–20) inspired Mussolini's seizure of power in 1922, with far‐reaching political consequences. The poet became the dangerous example of a Nietzschean Übermensch, above common morality, predatory and morally irresponsible. This article shows how the meaning of nationalism was partly determined and transformed by poets, illustrating their role as ‘unacknowledged legislators of the world’.