辛亥革命与民族主义

辛亥革命的民族主义,是认同血缘的种族主义,不是一致对外的民族独立建国,而是排斥国内已经溶合了的少数民族.清朝的满汉矛盾,经二百多年的溶合,在文化上已成一体.鸦片战争以后,已形成中西对立,"满洲人"三字只表示一个特权阶层的存在.但在戊戌变法失败后,革命党人以"驱除鞑虏"为政纲,把政治革命变成种族革命,实是一种倒退,应重新评估其价值.     

A gendered media analysis of the prime ministerial ascension of Gillard and Turnbull: he’s ‘taken back the reins’ and she’s ‘a backstabbing’ murderer

In contemporary Australian politics, challenges to the Prime Ministerial role have become more common. Australia saw five Prime Ministers from 2010 to 2015 including Australia’s first ever woman Prime Minister, Julia Gillard. A stark contrast is evident in media portrayals of Gillard and her male counterparts, apparent most recently in the response to Malcolm Turnbull’s ascension to the Prime Ministership. A range of evidence has been produced, in disciplines including political science and media studies, suggesting the existence of systemic gender bias in the mainstream media in English-speaking democracies. This article is the first to compare the media portrayals of Gillard and Turnbull’s respective ascensions to leadership, which it does drawing on Judith Butler’s concept of gender performativity and using a content and discourse analysis. It contributes further evidence of gender bias in the coverage of political leaders.     

Gender and Minor Aesthetics in Northeastern Brazilian Banditry: The Evolution of Cangaceiro Assemblages in Photography,Film, and Oral History

Various accounts and representations of the last generation of active cangaceiros, or Northeastern Brazilian bandits, (ending with the killing of Lampião’s lieutenant, Corisco, in 1940) have emphasised and popularised a unique aesthetic developed by Lampião’s group. This aesthetic was divulged to the public, and documented for subsequent generations, with the help of the photographic and cinematic technology of the time. I analyse this imaginary as a minor aesthetic in the vein of Deleuze and Guattari’s notion of minor literature, focussing on the doubly minor character of the involvement of women in cangaço (banditry) after 1930, and utilising several key photographic/filmic texts, beginning with images of the 1930s and continuing with reimaginings and reframings of those images from the 1950s through the 1980s. Women’s contributions to both the aesthetic and survival of cangaço in its final decade have been denied or not well recognised in contemporary accounts, but their contributions to the imaginary I call the cangaceiro assemblage have received increasing attention since the 1970s, which I demonstrate with important examples of film and television (both documentary and fictional) and related oral history. Beyond their aesthetic creativity, the affective perspectives/experiences of women bandits (cangaceiras) are best understood as outlaw emotions which challenged conventions of gender and sexuality in the backlands.     

Divided sisterhood? Nationalist feminism and feminist militancy in England and Ireland

ABSTRACT

The generally accepted story is that British militant suffragists performed an unexpected and abrupt move away from the feminist movement and towards a fiercely jingoistic nationalist campaign once the war began in 1914. Yet, given the nature of exchanges between Irish and British militant feminists, Irish feminists should not have been surprised by this turn from gender solidarity to English nationalism. In this article, I argue that Irish-British militant feminist entanglements worked to expose the powerful role that English nationalism played in suffrage politics at a time when nearly all the focus was on the disruptive influence of Irish nationalism.     

Leadership and the media: Gendered framings of Julia Gillard's ‘sexism and misogyny’ speech

This article analyses Australian media portrayals of former Australian Prime Minister Julia Gillard's ‘sexism and misogyny’ speech to parliament in October 2012. Our analysis reveals that coverage of the speech comprised three principal gendered framings: strategic attack, uncontrolled emotional outpouring and hypocrisy. We argue that these framings demonstrate the role the media plays as a gendered mediator, perpetuating the gender double bind that constrains female political leaders, as they negotiate the demand to demonstrate masculine leadership attributes without tarnishing the feminine qualities expected of them. In this instance, gendered media framings limited the saliency of Gillard's speech, curtailed calls for wider introspection on Australian political culture and further disassociated women from political leadership.

本文分析了澳大利亚媒体围绕前总理朱丽娅吉拉德2012年在国会的所做“歧视、憎恶女性”的发言对她所做的描画。对那次讲话的报道主要由三个性别镜框构成。一是战略进攻,二是情绪宣泄,三是伪善。我们认为,这些镜框显示了媒体作为性别化的中介,加固了对女性政治领袖性别上的双重束缚：这些领袖既要展示阳刚的领导作风又要不失社会所期待的一些女性气质。在这个案例中,性别化的媒体报道,将吉拉德讲话狭隘化,妨碍了对澳大利亚政治文化的反思,割裂了女性与政治领导的关系。     

“Madam,you ought to be the man such times as these”: gendered confrontations and the Runaway Scrape

This article examines the power dynamics between men and women during the “Runaway Scrape.” During this chapter of the Texas Revolution, the situation looked bleak for the Texas army as they withdrew towards the Louisiana border to avoid the Mexican onslaught. Women, slaves, and the men not engaged in battle joined the retreat. This study focuses on the gendered contestations between those fleeing the attack. Women often found themselves challenging the authority, decision-making, character, and even manliness of their male counterparts; some casting aspersions on the masculinity of a wide array of historical actors, ranging from deserters to government and military officials.     

John Breuilly: ‘Eric Hobsbawm: nationalism and revolution’

This article considers how Eric Hobsbawm (1917–2012) connected the concepts of revolution and nationalism, analysing this in relation to his biography, his politics and his work as a professional historian. It traces major changes in Hobsbawm's understanding of revolution and nationalism as he, the political world and the ways of writing history all changed over the course of his long life.     

Boosting nationalism with non‐nationalist ideology: A comparative biographical analysis of the Chinese communist revolutionaries

This article conducts a comparative biographical analysis to explain why the Chinese Communist Party's (CCP) revolutionaries used non‐nationalist Marxism to boost a nationalist movement. It argues that these people, based on their own observations of the precommunist Chinese nationalism, thought that China lacked structural conditions for making a solid nationalist movement such as cultural homogeneity, mass literacy, and a shared pride in modern history. They thus turned to seek a non‐national ideology that could still fulfil the functions of integrating leading elites, mobilizing the masses, and motivating the patriots themselves. Then, to explain why the CCP leaders particularly adopted Marxism, this article draws comparison with the Kuomintang (non‐communist nationalists) elites who advocated for more patience and insistence to develop regular nationalism. The comparison shows that the CCP's impatient jump stemmed from their disadvantaged backgrounds that had limited their ideological horizon: lower‐class origins, narrow overseas experiences, poor education, and weak attachment to traditional culture. To pre‐existing literature, this article makes three contributions: (1) provides a more detailed interpretation of the CCP's diagnosis of Chinese nationalism; (2) explains why the same structural dilemmas produced nationalist and non‐nationalist responses alike; and (3) draws a biographical database of the CCP and the Kuomintang.     

Echoes of tradition: Liang Qichao’s reflections on the Italian Risorgimento and the construction of Chinese nationalism

This paper examines how Liang Qichao viewed the Italian Risorgimento, with the focus on his reflections on its meanings in the historical contexts of Chinese politics and tradition. It will identify and analyze the many forces and ideas that influenced Liang as he formulated his reflections, especially the timing around the turn of the twentieth century and the discourses of nascent nationalism in Japan where Liang lived in exile. The way Liang created – or recreated – the Italian story demonstrated that the Chinese had finally begun to realize a crucial point about the building of a modern nation. While Britain, the United States, and France were able to build a modern nation by starting from the grass roots and more closely observing Enlightenment ideals, China did not have the luxury or the time to follow the same path. In the age of high imperialism, the weak would simply be weeded out quickly. Without national salvation, there could be no modern nation. National salvation, as exemplified by the Risorgimento, involved maintaining and glorifying the country’s own traditions and core values, which would in turn unify different social segments. Liang and his fellow reformers realized the importance of having simultaneously a national cause, a single political party, and a single leader, instead of having to take separate steps toward awakening. Liang’s awakening paved the way for the unfolding of the great Chinese revolutions of the twentieth century, led first by the Kuomintang and then by the Communists. Following Liang’s track of thinking, they both strived to build – or rebuild – a political centralism.     

‘Oh motherland I pledge to thee …’: a study into nationalism,gender and the representation of an imagined family within national anthems

In this paper, we argue that beyond understanding nations as imagined communities, the metaphor of an ‘imagined family’ or ‘filial community’ is a more useful concept towards understanding links between gender and nationhood as family relations in four ways: (1) providing a clear, hierarchical structure; (2) prescribing social roles and responsibilities; (3) being linked to positive affective connotations; and (4) reifying social phenomena as biologically determined. In order to empirically substantiate our claim, we will explore the prevalence and use of family metaphors in a key symbol of nationhood discourses. Through a qualitative analysis of national anthems as ‘mnemonics of national identity’, we demonstrate the widespread presence of family metaphors, discussing how they reproduce ideas of family and gender. Finally, we discuss how the ‘imagined family’ as present in anthems and other forms of national representation could inform future studies of nationalism and national politics.     

“A fine old time”: feminist print journalism in the 1970s

In 1970’s Ireland, a number of feminist activists became the editors of the women’s pages of the national daily newspapers. Their work radically changed women’s access to the role of journalist as well as fundamentally altering the normative perspective applied to news stories. These women introduced “new journalism” to Ireland, writing about issues in the private rather than the public sphere and doing so from an explicitly feminist point of view. These female editors inhabited a workspace and culture that was heavily masculine, but they negotiated bias and sometimes outright discrimination in order to change the gendered nature of Irish print media. In so doing, these women offered a new social understanding of women’s place in news journalism and in Irish society more broadly.     

Commemorating dead ‘men’: gendering the past and present in post-conflict Northern Ireland

War is instrumental in shaping and negotiating gender identities. But what role does peace play in dispelling or affirming the gender order in post-conflict contexts? Building on a burgeoning international literature on representative landscapes and based on ethnographic fieldwork conducted in Northern Ireland between 2003 and 2006, this article explores the peacetime commemoration of the Northern Ireland ‘Troubles’ in order to explore the nuances of gender. Tellingly, the memorial landscapes cultivated since the inception of the paramilitary ceasefires in 1994 privilege male interpretations of the past (and, therefore, present). Gender parity, despite being enshrined within the 1998 Belfast Agreement which sought to draw a line under almost three decades of ethno-nationalist violence, remains an elusive utopia, as memorials continue to propagate specific roles for men and women in the ‘national project’. As the masculine ideologies of Irish Nationalism/Republicanism and British Unionism/Loyalism inscribe their respective disputant pasts into the streetscape, the narratives of women have been blurred and disrupted, begging the question: what role can they play in the future?