Imagined homeland: landscape painting in Palestine in the 1920s*

Abstract. This essay examines the proposition that landscape representations both reflect and endorse national ideology. By studying in detail selected landscape paintings by Jewish artists in pre‐State Israel some of the assumptions linking landscape and nationalism will be revisited. In particular, I shall challenge received notions in Israeli art historiography that interpret the numerous landscape paintings of the 1920s as directly expressing the identification with Zionism – the Jewish national movement. Analysis of the subject repertoire reveals that artists usually ignored images of the Zionist settlement in Palestine. They preferred instead to depict oriental countryside or ancient cities in an emblematic idealistic manner supported by stylistic borrowings from contemporary French painting. The country in these paintings is more an idea than a reality. Yet they evoke neither the biblical past nor a Zionist futuristic vision, but rather an oriental Arcadia of an unspecified time.     

The history of method and theory in the study of prehistoric puebloan pottery style in the American Southwest

The history of Americanist archaeology can be profitably approached through an examination of ceramic design studies in the puebloan region of the American Southwest. An intellectual tradition is represented throughout these studies, grounded in the assumption that ceramic design variation can be reflected, among other things, in prehistoric social groupings. Within this tradition, a number of differences in method, theory, and application can be distinguished, including (1) the classificatory systems employed, (2) the spatial and temporal scales at which ceramic design variation was studied, and (3) the potential functional role of stylistic attributes on pottery. The debates, both intellectual and social, surrounding the development of method and theory in the New Archaeology are clarified by this historical review, as are the transitions to Culture History and from the New Archaeology in the American Southwest.     

Early Christian Grave Monuments and Ecclesiastical Developments in 11th-Century Sweden

THE EMERGENCE of churchyards is one of the most significant transformations of the landscape during the conversion to Christianity. This article examines changes in burial and commemorative practices during the 11th century, based on early Christian grave monuments. These are the first examples of churchyard memorials in central Sweden, yet at the same time they also form an integral part of the late Viking-Age runestone tradition. This article presents an analysis of their temporal, regional and contextual backgrounds, tracing developments in the early ecclesiastical landscape. It is concluded that different regional designs of rune-carved funerary monuments are related to substantial differences in the Christianisation process, reflecting variation in early ecclesiastical organisation and providing insight into how the conversion process was related to social and political structures.     

Interaction inferences in archaeology and learning frameworks of the maya

Stylistic variation has traditionally been assumed to reflect differential interaction. Although some researchers have questioned this premise, it seems valid as long as interaction is of a cooperative, nonhierarchical type. Other sources of stylistic variation may also exist. This paper examines cooperative learning of crafts within communities to determine what effect various learning contexts might have on the distribution of stylistic elements within communities. Six learning modes are identified: Family-Centered; Corporate; Kin-Extensive; Minimally Structured; Formal-Schooling; and Specialist. Each mode results in a distinctive distribution of stylistic elements. The Kin-Extensive mode is examined in detail using ethnoarchaeological data from the Maya Highlands. We conclude that by focusing on interaction rather than residence, archaeologists can deal with more meaningful problems for the evolution and functioning of past social systems, and these problems can be dealt with more successfully given the nature of archaeological data.     

Memory,history and the classical tradition

‘Memory’ is often confused and mistaken for myth; this is in turn connected with the widespread use of mistaking collective mythology and common myth for the idea of a ‘collective memory’. This essay discusses memory and history terminology in the context of the generic concept ‘classical tradition’. The case study explored here – the nineteenth-century Walhalla ‘temple’ near Regensburg in Southern Germany – is an attempt to discuss the classical tradition, focusing on archaeology and architecture rather than philology), within the parameters of the memory and history debate in contemporary historiography. The essay aims to develop the position of the iconic and symbolic importance of antiquity and the classical tradition in the memory and history debate as well as in historical writing. The concluding remarks emphasise the necessity of historicising tradition and its genealogies, conceptualised here as a tradition of legacies.     

Varied visions: an iconographic reevaluation of Ramey Incised production and distribution in the American Bottom,Illinois

ABSTRACT

Ramey Incised ceramics, characterized by incised symbolic motifs, are often viewed as a hallmark of Stirling-phase Cahokia and the surrounding American Bottom region. However, few comprehensive analyses of the regional Ramey motif assemblage have been conducted. Here I evaluate spatial and temporal variation in Ramey Incised motifs across 16 sites in the American Bottom to improve understandings of Ramey Incised production and distribution. Stirling-phase motif data indicate that the Ramey Incised manufacturing process likely was not as centralized as previously proposed. A qualitative analysis of the regional motif assemblage uncovers variation that may reflect stylistic experimentation. Additionally, motif frequency distributions reveal potential site-specific thematic preferences. Both findings support the existence of local production within the region. Diachronic data suggest the collapse of the Ramey Incised tradition in the Moorehead phase, perhaps in response to sociopolitical and religious transitions occurring at Cahokia. Overall, Ramey Incised ceramics may have served as vehicles through which American Bottom Mississippians variably expressed their interpretations of and relationships to the cosmos.     

Changing the Reading of Tradition: Promoting the New as the Old in the English Landscaping Revolution

In the early eighteenth century, English landscaping noticeably shifted its model from the regularity of art to the irregularity of nature. Even though this stylistic change contradicted the most elementary principles of the classical European aesthetic tradition, its proponents almost perversely cited ancient European writers in its support and justification. To understand the peculiar promotion of the new as the old in the English landscaping revolution, the involved history should be studied in a larger international and cross-cultural context than Europe. This larger context, I argue, will disclose an intricate assimilation of the new into the old, a process which enabled the early English garden reformers to change the reading of tradition and to gain legitimacy for their otherwise potentially unacceptable ‘beauty without order.’     

Reconsidering the behavioral basis for style: A case study among the Kalahari San

In this paper, it is proposed that there is a behavioral basis for much, but not all, of the formal variation in material culture that has been called style by archaeologists. This aspect of stylistic behavior is founded on the basic human cognitive process of identification via comparison. Such stylistic behavior is argued to be one means by which people negotiate their personal and social identities relative to that of surrounding others. Thus, the process of social, and corresponding stylistic, comparison is proposed as the mechanism underlying stylistic development and change. This behavioral basis for style is explicated in a case study among the Kalahari San, in which the role of style in beaded headbands in regional, areal, and personal identity relations, as well as exchange, is investigated. Finally, the proposed behavioral basis for style is discussed in terms of what it can contribute to interpretation of variability in material culture, current approaches to style, and its implications for the development of a theory of style.     

LABOUR'S GEOGRAPHY AND GEOGRAPHY'S LABOUR: CALIFORNIA AS AN (ANTI‐) REVOLUTIONARY LANDSCAPE

The California agricultural landscape seemed on the cusp of radical, maybe even revolutionary, change just before World War II. But over the next twenty years, rather than radical change, patterns of capital concentration and labour hyper‐exploitation were entrenched, in large part through growers’ ability to gain control over a programme to import indentured ‘guest workers’ – braceros – from Mexico. By examining how the California landscape did not change we can begin to understand more fully the complex relationship between landscape and revolution, which is what this article seeks to do. In the wake of the analysis made here, speculations are offered on how it behooves contemporary movements (usually urban) – and their theorists – to pay closer attention to the relationship between revolution and landscape.     

Prohibido Tocar Este Cenote: The Archaeological Basis for the Titles of Ebtun

Ebtun, Kaua, Cuncunul, Tekom, and Tixcacalcupul are a group of related communities on the Yucatán peninsula described in the corpus of Maya-language documents known as The Titles of Ebtun. In this paper I explore transformations in agrarian practice and material expressions of identity after the Spanish invasion by analyzing archaeological variation in the life histories of places over the last 500 years. As new plants, animals, and technologies were adopted, landscape organization changed, and locales took on new meanings. Ebtun’s landscape reflects a historically contingent process that has transformed place and identity, fostering autonomy of cultural practice and renewal of tradition.     

The girl with the chariot medallion: a well-furnished,Late Iron Age Durotrigian burial from Langton Herring,Dorset

A well-furnished, Late Iron Age Durotrigian burial was found in 2010 by a metal-detectorist at Langton Herring in Dorset. This report examines all aspects of the discovery, paying particular attention to the skeletal remains, a female aged 19–24, providing the most complete, osteobiographical study of an individual buried with a mirror assemblage from the European Iron Age. A combination of artefacts and radiocarbon dating gives a range for the burial of c.AD 25 – cal AD 53. The grave goods themselves are of exceptional interest, representing an accumulation of artefacts acquired from diverse sources, deposited at a time of major cultural and societal change in southern Britain. The results of a geophysical survey are also presented, together with a discussion of additional well-furnished burials in the Durotrigian tribal tradition, which place the burial deposit within a wider social and landscape framework.     

International prototypes and local identity: The walled garden of Scotland as heritage landscape

Abstract

The distinctiveness of place is a central, and often unquestioned, tenet of landscape heritage studies and the landscape design and conservation which may accompany them. In learning from history and other comparative studies, one of the many challenges is to discern what determines diversity in the landscape. At what point does the local expression of an international prototype become a local and unique landscape type, a local landscape heritage, in its own right? This paper takes the walled garden of Scotland as an example to explore issues of national, regional and local landscape identities. It examines cultural traditions, biophysical constraints and stylistic responses to availability and command of materials and technologies. It explores some of the origins of the walled garden, the way the landscape type was developed and refined in response to the Scottish context, and the way this element is treated as landscape heritage today.     

The landscape of Metztitlan,Mexico: Power and control in a sixteenth century Spanish administrative painting

ABSTRACT

The concept of landscape has been studied mostly as the view of a space with particular interest in its aesthetics, originating at the turn of the sixteenth century. However, I argue that in fourteenth century northern Europe, the concept was focused on polity rather than aesthetics. This article examines this lesser-known tradition by analysing the painting of Metztitlan, a sixteenth century town in Mexico, and arguing, first, that unlike all the other representations in the Relaciones Geográficas to which it belongs, it is the only landscape, and second, that this painting is associated with an administrative procedure common in Spain to gain control over imperial lands. I review European practices regarding the representation of towns under the Spanish Crown. Then, I present the results of the fieldwork carried out to locate several heights which probably served as vantage points to paint the landscape. Based on this research, I analyse the intentions of the painter to argue that it should be considered within the same tradition as the paintings made in Spain by Flemish painter Anton van de Wyngaerde, as part of the Spanish Empire's Germanic tradition of describing places with the intention of exerting control over them.     

Nineteenth Annual Report of the Council

In this paper, by analysing the folk tradition, available historical data, and archaeological excavations at the location of an emplaced tradition about the Franciscan monastery in the village of Skakava, Bosnia, the author demonstrates how a tradition inscribed or emplaced in a landscape can preserve the knowledge of the local community about a place long after physical remains have been destroyed.     

Landscape Sacralisation in Post-communist Poland

Landscape sacralisation is the process of filling the cultural landscape with religious phenomena and giving it a sacred character with elements of ritualised devotion. This paper examines this process in Poland during and since the communist era (1945–1989), and with a particular emphasis on late communist and post-communist times (1980–2013). It is argued that faith, politics, economy and religious ‘traditions of place’ are the most important factors shaping landscape sacralisation in Poland, particularly since 1980. Three types of landscape sacralisation are identified – architectural, linguistic and seasonal – and this paper discusses recent trends in these processes of landscape sacralisation with respect to their prevailing religious and non-religious dimensions. In recent decades, the Polish landscape has been filled with diverse religious objects and forms (churches, crosses, monuments, public processions, annual festivals and rural and urban nomenclature) associated chiefly with the Roman Catholic Church, the dominant denomination in the country. It is argued that scholarly appreciation of landscape sacralisation is a vital means of identifying the religiosity of Polish people during and since the communist era.     

Transport Infrastructure in the Mountains: Why and How to Protect Landscape with Human Activity as Part of its Heritage

In mountain areas without permanent settlements, human activity is entirely dependent on spatial interaction. For centuries, local and regional traffic has followed livestock trails and footpaths. Mainly during the 20th century, new public and private roads changed this situation significantly in large parts of Norway. While mountain summer farming decreased, hydropower development and leisure use became dominant. Protected areas have been established to preserve possibilities for outdoor recreation and ‘wilderness’. However, seasonal farming activity is still an important upholder of cultural heritage. In the investigated area in western Norway, parallels between accessibility and human activity on mountain summer farmsteads have been identified with the abandonment of dairy production between ca 1905 and 1973, recent use by landowners and hikers’ use of publicly accessible tourist cabins. Increased differences in accessibility and protection status have resulted in diversification of human activity in different locations. Custom and tradition represent different principles according to which cultural landscape can be maintained—with emphasis on dynamics or invariance, respectively. Recent landscape protection focuses primarily on tradition. The necessity of easy access to maintain the living cultural heritage in addition to ‘wilderness’ areas, however, requires taking both concepts into account, most probably treated as geographically separate.     

Francesco Patrizi’s concept of “nature”: presence and refutation of Stoicism

ABSTRACT

This essay analyzes the ways in which, in his Nova de Universis Philosophia, Francesco Patrizi uses, adopts, and, in some cases, rejects the Stoic philosophical tradition. Although, at first glance, most of Patrizi’s remarks on Stoicism and Stoic understanding of nature are critical – as this article demonstrates – he widely relied on Stoic teaching that he sought to combine with Neoplatonism and the prisca theologia doctrine.     

Andrew Jackson Downing and the Tyranny of Taste

The following essay examines the published writing of Andrew Jackson Downing, the early nineteenth century architect and landscape gardener. As the most popular writer and commentator on house and landscape design of his time Downing profoundly shaped – both literally and metaphorically – the social and geographical environment of the emergent middle class. Relating his writing to the promotion of a shared nationalism as embodied in the landscape painting of the Hudson River School, the essay assesses Downing's drive to order by seeing it as a response to the general violence and disorder of the antebellum American city and demonstrates that the defining logic of Downing's project was the universalization of bourgeois taste, uniting the mutually legitimating discourses of privacy, consumption and self‐control.     

Remapping land and remaking culture: memory and landscape in 20th-century South Africa

This article considers landscape ideas in relation to culture, language and power. The discussion is placed in the context of current debates – both popular and theological – on the topic of prophets, poets, politics and cultural practice. I argue that over the course of the previous century in South Africa, ideas of landscape have shifted the ways in which language, culture and power found expression. My focus is on the role of key cultural players in remapping land and remaking culture in the region of KwaZulu-Natal. Specifically, I explore the landscape ideas of the prophet Isaiah Shembe, who founded the Nazarite church in 1910, and the romantic poet B.W. Vilakazi. Shembe evoked a sacred landscape marked by holy mountains and other sites of importance connected through the prophet's personal religious journey. This landscape transgressed the boundaries of colonial spatial divisions, and evoked meanings considered subversive by the state. Holy mountains were places of revelation for the prophet; his life and vision were commemorated through annual pilgrimages to the summits. The sacred landscape mapped through the texts and memorial practices of the church drew on biblical, romantic and traditional African ideas. This landscape imagery and the memories it evokes have allowed for the creation of religious community in the context of the hardships, contestations and dispossessions of apartheid rule, and more recently in the uncertainties of the post-apartheid era.     

MEGA‐IRRIGATION AND NEOLIBERALISM IN POSTCOLONIAL STATES: EVOLUTION AND CRISIS IN THE GHARB PLAIN,MOROCCO

This article explores the development, evolution and impacts of large‐scale irrigation schemes in the formation of the postcolonial state of Morocco and in more recent neoliberal decades. In particular, the article focuses on the Gharb Plain in the Sebou River basin, which was targeted by huge investments to become the core region for national development. In this area, three stages of development – colonial, early independent, and the aggressive politique des grandes barrages post‐1970 – have created two clearly different and successive landscapes. The traditional landscape has been overlain, and largely obliterated, by colonial and postcolonial governmental landscapes, reflected through different spatial, economic, cultural, and political patterns over time. In the present, a fourth stage of neoliberal development is occurring in the landscape, in which diffused poverty and ecosystem collapse coincide with greater concentrated wealth and the building of technological infrastructures. The article aims to complement critical studies on neoliberal environments, by focusing in particular on the manipulation, dispossession and commodification of water and land resources in irrigated agriculture in Morocco. These emerging rationalities are closely related to the changing policies of the contemporary Moroccan state.