Further Forms of Faithfulness

Abstract

In light of recent rehabilitations of the theological doctrine of creation ex nihilo by Jean-Luc Nancy, Slavoj Zizek and others, the present essay examines whether that doctrine can or cannot be a resource for the critique of capitalism. Agreeing with Nancy and Zizek that the doctrine can be of use in the critique of capitalism, the essay takes up their discussions and adds to them by analyzing the relationship between the doctrine and Marx's treatment of human agency and capitalism. By situating Marx's philosophy in relation to Aristotle's and Hegel's discussion of the infinite, I contend that, despite Marx's overt rejection of creation ex nihilo, human activity is conceived by him according to it, and that capitalism, as he presents it and as supplemented with Nancy and Zizek, can be understood to be a "decreation" of the worldhood of the world.     

Andrew Shanks's Civil Theology

Abstract

This article aims to initiate discussion of the work of Andrew Shanks by expositing his unique form of civil theology and its relation to his Hegelian Christology. A comparison with Zizek and Milbank serves to highlight what is at stake in Shanks's own Hegelian Christianity.     

Marina Lewycka,A Short History of Tractors in Ukrainian

Abstract

Jim Wallis's The Call to Conversion features an apocalyptic theological imagination with an ecclesiological focus. The church is entrusted with the communal mission of making visible the intrusion of the reign of God in Jesus Christ. The thesis of this essay is that The Call to Conversion is a better resource for Christian political engagement than Wallis's more recent book, God's Politics, which is characterized by a turn toward a "public church" social ethic. The accent has shifted to the formation of a larger political movement seeking social change primarily through congressional lobbying. Wallis's error is the extent to which he has pinned his hopes on the institutions of American democracy. The Call to Conversion helps us recover an account of political engagement flowing from local ecclesial witness. Sheldon Wolin, Romand Coles, and other political theorists, provide support for approaches to political engagement that begin with local struggles for justice.     

President Obama,the Bible,and Political Rhetoric

Abstract

How has President Obama made use of the Bible in his political rhetoric, especially as it relates to public policy debates? This article addresses Obama's religious origins, his work as a community organizer in Chicago, his coming to Christian faith under the leadership of Rev. Jeremiah Wright, and the development of his understanding regarding the relationship between faith and politics. In particular President Obama has emphasized the notion that we are all our brothers' and sisters' keepers. He also stresses the present generation of black Americans as "the Joshua Generation." The article considers President Obama's hermeneutics, as well as the important context of the black church for his own use of Scripture. The lenses of Abraham Lincoln, Martin Luther King, Jr. and Reinhold Niebuhr are also addressed as they relate to Obama's use of Scripture in political rhetoric.     

Capital Shares: The Way Back into the With of Christianity

Abstract

In the ten years since the publication of Michael Hardt's and Antonio Negri's Empire, the relationship between Christianity and global capital has received increasing theological attention among the adherents, critics, sympathizersssa, and apostates of Radical Orthodoxy. At stake in this conversation is the possibility that Christianity might provide a universal ontology sufficient to ground a counter-hegemonic, specifically socialist, praxis. One question that many of these authors rarely address, however, is the extent to which Christian universalism has been responsible for the emergence of global capital in the first place. This article will address this profound split at the heart of a tradition; that is, Christianity's culpability for and resistance to global capital. To this end, "Capital Shares" sketches the aporia of Christianity's relation to Empire and then appeals to Jean-Luc Nancy's "deconstruction of Christianity"; in particular, his attempt to find "a source of Christianity, more original than Christianity itself, that might provoke another possibility to arise."     

Arnulf of Lisieux and the crisis at Grestain 1164–6: brother bishops,inherited policies and failed leadership

ABSTRACT

This article examines the failed reform of the abbey of Grestain by Arnulf, bishop of Lisieux (r. 1141–81). Faced with a disobedient abbot, in whose absence the monks had resorted to violence and murder, Arnulf saw an opportunity to stamp his authority on his diocese by turning the monastery into a house of canons regular. Arnulf’s policies were shaped by the example of his older brother John, bishop of Sées (r. 1124–44), and his uncle and predecessor in his own bishopric John of Lisieux (r. 1107–41), as well as his mentor Geoffrey of Lèves, bishop of Chartres (r. 1116–49). A close reading of Arnulf’s letters demonstrates that Arnulf's conception of religious leadership and his representation of the crisis at Grestain were formed not only by familial networks, but also by the wider social and educational ideals of the eleventh and twelfth centuries filtered through the Victorines.     

Cernuda,poeta de un sur imposible

This article examines the poetics that Luis Cernuda developed throughout his life in connection with its sublime illusion of a genuine Spanish south through the romantic recreation he made of his native Seville, in several texts written from exile: they are various poems of The Reality and Desire and the essays Digressions on Romantic Andalusia and History of a Book, and, above all, the autobiographical prints from Ocnos, in which Albanio's sensitive experiences reflect both the meditative elegance of Cernuda's childhood and adolescence and the utopian promise of a true relationship with the world beyond the social hypocrisy of bourgeois capitalism and the coercion of Franco's dictatorship. My intention in this article is to weave innovatively, in a consistent and documented way, the biographical events with the artistic intentions of the poet, to reveal original interpretive links between desolate reality and the desire for transcendence in his strange lyrics.     

‘The Epitheatrical Cartoonist’: Matthew Somerville Morgan and the World of Theatre,Art and Journalism in Victorian London

This article examines the vibrant cultural milieu inhabited by one of Victorian Britain's most famous cartoonists, Matthew Somerville Morgan. Morgan is well-known as the cartoonist who attacked Queen Victoria's withdrawal from public life (and her associations with John Brown), and the lifestyle of Albert, Prince of Wales, in the short-lived rival to Punch: the Tomahawk. Likewise, his post-1870 career in New York as cartoonist of the ‘Caricature War’ over the 1872 Presidential elections, and involvement with ‘Buffalo’ Bill Cody have been well-studied. However, his involvement with the world of the 1860s Victorian stage – and the social circles in which he moved – have not been given close attention. This broader social, cultural, and economic context is essential to understanding Morgan's role as a cartoonist-critic of politics, class, gender and art in Victorian Britain. Special attention is given to the ways in which Morgan's work as a theatrical scene-painter informed his other pursuits, including his political cartoons for Fun, the Comic News and the Tomahawk. So central was the theatre to Morgan's life story that he may be appropriately described as an ‘epitheatrical’ figure. Indeed he is one of the most spectacular exemplars of the interconnected worlds of journalism, high art and theatre in Victorian London. The theatre provided him with the artistic and journalistic connections needed to raise himself above his lower-class origins; to move in ‘clubland’ and fashionable bohemian society; and to win an influential place in the key political and cultural debates of his age.     

Life Beyond Judgment: Communication. Response to Section III of The Ways of Judgment by Oliver O'Donovan

Abstract

This article is a response to Section III of Oliver O'Donovan's The Ways of Judgment, addressing his account of the Church's "higher sociality" as the proper context for all theological reflection on politics. In particular, it explores the importance of the theme of communication, affirming many of O'Donovan's central instincts in this area though questioning his emphasis on the role of the individual believing heart as the privileged site of ecclesial transformation of the world.     

Taking the discussion onward

ABSTRACT

This response to the foregoing reviews of The Poetry and Music of Science identifies common themes raised by them, responds to direct questions where this is possible and suggests further avenues of discussion. It focusses in particular on issues of the historical and cultural setting of human creativity, the particular issues raised by poetry, the differences between artistic and scientific imagination, the confusion (and de-confusion) of ‘imagination' and ‘creativity', the social and institutional framings of the sciences and the arts, the question of digital creativity and theological themes. A common emerging idea is that human creativity, whether artistic or scientific, is well-described by neither purely ‘expressive' nor ‘receptive’ actions but by a meeting of both.     

Gustav Metzger: iconoclasm and interdisciplinarity

ABSTRACT

Gustav Metzger (1926–2017) has been described as ‘the conscience of the art world’ for the consistently political content of his art and his commitment to political activism on the subject of nuclear weapons, capitalism and environmentalism. Metzger’s artistic output from the late 1950s onwards reflects a theory of art as both aesthetic form and social action and identifies him as a key precursor of activist art. This article considers the inherent interdisciplinarity of Metzger’s practice as it evolved during this early period between the late 1950s and early 1970s in relation to his agenda of social engagement.     

Calvin's Legacy for Public Theology

Abstract

Many thinkers, of whom Jean-Jacques Rousseau is a prominent example, have expressed ambivalence regarding John Calvin's contribution to our understanding of a healthy civic order: while Calvin's political genius is undeniable, he and his followers are also known for intolerant attitudes and practices. Thus the image of "two Calvins" by a recent biographer of the Reformer. In this essay I lay out some relevant tensions in Calvin's political thought, while also identifying underlying themes that were later developed by his followers. Special attention is given to the ways in which the "neo-Calvinist" movement, initiated in the nineteenth century by Abraham Kuyper, both corrected and expanded upon Calvin's theology of public life. It is noted that while Kuyper's thought also influenced the Afrikaners' apartheid ideology, Reformed opponents of apartheid also appealed to elements in Kuyper's theology of public life. Although the results have been mixed, Kuyper and others did demonstrate the ways in which some basic elements of Calvin's thought can be used to address issues that are being given sustained attention today in broad-ranging explorations of what makes for a flourishing civil society characterized by a variety of "mediating structures."     

Politics and Public Policy

Abstract

Donnersmarck's The Lives of Others has been widely praised as the first German film to confront the horrors of the East German communist regime. But the film's politics may be ambiguous. As critical as it is of East Germany, it does not offer a ringing endorsement of West Germany. For example, the film's playwright-hero seems to have artistic problems in the West, just as he did in the East. The film's equivocal attitude toward communism is epitomized by its apparently positive view of the Marxist author Bertolt Brecht. This essay compares The Lives of Others with Brecht's play The Good Person of Szechwan in an effort to understand Donnersmarck's attitude toward his East German predecessor and what it means for his larger view of communism and its relation to art.     

Civic Sacrament and Social Imaginaries in Transition: The Case of the South African Churches and the Truth and Reconciliation Commission

Abstract

This article reflects on a seminal moment within South Africa's Truth and Reconciliation Commission (TRC): the appearance of the African Initiated Churches (AICs) before the Commission in 1997. It demonstrates how this moment brought into relief divergent contestations of the public within South African Christianity in three ways: first, by situating the TRC within the liturgical performance of a reimagined South African nationality, making it a "civic sacrament" of reconciliation; second, by highlighting the formative role churches themselves played within this liturgy, deploying theological language to create a healed, secular body politic; third, by displaying the different social imaginary of the AICs—a social imaginary which interrupted the TRC's liturgical recreation of time and space, as well as challenging the historical relations between church and state in South Africa. The paper concludes with the question posed in this "interruption," a question that challenges the broader church with regard to fulfillment of the liturgy not in the secular nation-state, but in that City which is to come.     

Muslims in Europe: Managing Multiple Identities and Learning Shared Citizenship

Abstract

This article offers a tour d'horizon of the new Muslim communities formed in western Europe in the last forty years, now numbering some 13 million. After some idiosyncratic, historic notes, a summary ethnic, socio-economic and demographic profile is given, followed by a suggested four phase development cycle. The differential incorporation of Muslims in public and civic life turns on a consideration of a number of factors: the presence of at least three different models for managing diversity within western Europe, as well as the institutional space accorded to "religion" in public life across Europe. Muslims are not presented as passive victims of exclusion but social actors carving out space for a distinctive "identity politics." Within the various Muslim communities a debate is taking place on whether or not they should participate in electoral politics - the contours of this debate are drawn. Attention is also drawn to inter-generational tensions and the issue of "radicalization" amongst sections of the Muslims educated and socialised in the West. The article concludes by reflecting on the whether the churches can act as an antidote to far right politics and "religious nationalism."     

El Roto: A political cartoonist in late capitalist Spain

ABSTRACT

Under the pseudonym of El Roto, Andrés Rábago draws editorial cartoons for El País newspaper on an almost daily basis. Unlike other cartoonists, his political satire rarely depicts real politicians or celebrities but instead focuses on social types. This technique helps him to distance himself from current events as presented by the media and signal the more general causes of political conflicts. This article explores cartoons from recent years in which El Roto represents and interprets manifestations of the economy in everyday life. I show that his editorial cartoons aim to unmask the ideological narratives that attempt to naturalize capitalism as the only possible economic system. His “ideology critique” can thus be described as a political intervention to interrupt the creation and shaping of systems of representation that legitimize this economic and cultural hegemony. This article offers a content analysis of some of El Roto's most relevant cartoons, identifying the most recurrent themes and techniques used in order to consider his position as a cartoonist in Spanish politics.     

Thomas Traherne,Thomas Hobbes,and the Rhetoric of Realism

Abstract

Thomas Traherne has often been seen as a mystic detached from the turbulence of his period. Recent scholarship has attempted to place him more firmly in context. This article contributes to this trend in arguing that Traherne's late works, especially Commentaries of Heaven, were shaped by the pressure of responding to Thomas Hobbes's Leviathan. Though Traherne makes only one direct reference to Hobbes, his idiosyncrasies in thought, argument, and mode of expression are all fundamentally influenced by the need to counter Hobbes's account of ethics, metaphysics, and language. Traherne is particularly concerned to assert and display an ardent realism against Hobbes's nominalism. In doing so, he creates a complicated play of rhetorical figures, especially abusio or catachresis, as embodying theological commitments. This both places Traherne more clearly against the background of the intellectual history of the period in which he lived, and demonstrates his particularity as a writer.