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1.
Abstract

Johannes Borquardi was a priest-brother at Vadstena Abbey from 1428 until his death in 1447. He was a renowned preacher and has left three extant volumes of sermons. At the end of many of his sermons, he writes suggestions for yet another sermon on the same theme or for the same day. There are some 60 such short texts, some mentioning only one or two suitable sources, others listing many books; sometimes they even give a Vadstena shelf-mark. These texts are invaluable for our knowledge of the Abbey library in many aspects. In some cases, we can check how Johannes himself used his own suggestions, since we also have his next product for the same feast. In this paper, I have studied how Johannes used one of his 'endnotes' to compose a sermon for St Matthias by cribbing from Peregrinus de Oppeln and Guilelmus Peraldus. I hope to show just how skilfully he uses his sources and how elegantly he pastes in his quotations, so that the sermon becomes a new, consistent and homogeneous text.  相似文献   

2.
ABSTRACT

This article will look at political treatments of language in Samuel Beckett’s early novel Watt and place the novel’s linguistic scepticism in conversation with three authors, the lexicographer Samuel Johnson, the language theorist Felix Mauthner, and the English-born, Canadian parodist Stephen Leacock. The paper will argue that Beckett, like Leacock, engages in Mauthnerian critiques of language, destabilising Johnsonian formulae for language standardisation. But while Leacock fails to develop the political implications of his critique of language, Beckett’s understanding of language standardisation is implicitly political, informed by Johnson’s conception of speech as the predicate of national identity, a standard for inclusion which Watt gleefully antagonises. Challenging nationalist calls for controls on language, Watt interrogates the ways that campaigns for linguistic unity will engender exclusionary attitudes towards the nonconforming and bar access to that speech and identity which falls outside of normative frameworks.  相似文献   

3.
ABSTRACT

What did Rousseau's readers mean when they called him an ‘Epicurean’? A seemingly simple question with complex implications. This article attempts to answer it by reconstructing Rousseau's contemporary reception as an Epicurean thinker. First, it surveys the earliest and most widely read critics of the second Discourse: Prussian Astronomer Royal Jean de Castillon, Jesuit priest Louis Bertrand Castel, and Hanoverian biblical scholar Hermann Samuel Reimarus. These readers branded Rousseau an Epicurean primarily to highlight his atheism, his anti-providential and materialist natural philosophy. Then, it discusses Genevan pastor Jacob Vernet's positive assessment of Rousseau as a critic of ‘fashionable’ Epicureanism, before reconstructing Rousseau's critique of the reception of Alexander Pope's Essay on Man as an Epicurean text. These sources elucidate Rousseau's engagement with a range of ideas and argumentative positions that would inform his later self-identification as a ‘refined’ Epicurean. In particular, they highlight his interest in how a sentimental awareness of beauty might mitigate the potentially vicious effects of hedonism. The article concludes with novelist Mme. de Genlis’ critique of Rousseau's Wise Materialism, using his thoughts on the imagination to suggest some of the ways the neglected aesthetic dimensions of Rousseau's reception of Epicureanism might be developed.  相似文献   

4.
Abstract

2 Samuel 5,12 is shown to be important. It does not merely repeat verse 10 and is not an addendum that is poorly integrated into the literary unit.

Its importance is that it presents David's inner world: he ascribes his success to the Lord, Who acts for the benefit of His people. This alludes to two aspects of the monarchical covenant in Israel: king-the Lord and king-people. In both realms David is perceived as embodying the book's criteria for the ideal leader.

In addition, the language of the verse is examined against the background of the entire book of Samuel. The verse suggests that David is Saul's successor (whereas verse 10 suggests that he is Samuel's heir).  相似文献   

5.
6.
Abstract

This article argues that a portion of the fifteenth-century frescos at the entrance door from the cloister to the cathedral of Bressanone can be seen as a painted sermon. The analysis draws on the frescos of two vaults and the interaction between words and images. In the first vault, just above the entrance of the church, the frescos present not only the contents of a sermon, but also its structure, namely an episode from the Gospel, a catechetical pattern, the quotation of auctoritates and a social goal to be achieved. The frescos of the second vault represent the contrast between virtues and vices using the pairs presented in Matthew 24. 40–41. This text was read by the medieval exegetical tradition as a scheme for the different status of Christian life, thus this vault could be seen as an elaborate catechetical pattern with a large system of biblical quotations. Moreover, the structure of the frescos of the second vault can be read as a sermo modernus based on the divisio of Matthew 24. 40–41. Finally, the comparison with a portion of a sermon by Bernardino da Siena on the theme of avarice confirms that the elements represented in Bressanone were really used both by preachers and painters.

In this way, the images of the cloister are a sermon, which continually preaches to anyone entering or leaving the church, thus organizing the public space as a 'theatre of memory' and offering a message readable at different levels.  相似文献   

7.
8.
In this essay David Lewis Schaefer summarizes and defends the argument set forth in his book The Political Philosophy of Montaigne (Cornell University Press, 1990; second edition 2019) that Michele de Montaigne's Essays (first edition, 1580) merits consideration as a founding text of modern political liberalism. After responding to the most extensive published critique of his interpretation (by James Supple) and citing other recent studies that harmonize with his argument, Schaefer compares his analysis of Montaigne's political aims and political-ethical teaching with those set forth in two other recent studies: Philippe Desan's Montaigne: A Life and Pierre Manent's Montaigne: La Vie sans loi.  相似文献   

9.
10.
Abstract

Responding to Samuel Huntington's argument in Who Are We? The Challenges to America's National Identity, this article explores the problematic character of American national identity. While Huntington presents himself as trying to conserve a traditional American identity based on both political creed and Anglo-Protestant culture, I contend that America's founding political theory and its philosophic sources are ambiguous on the question of culture and national identity. The Declaration of Independence and the social contract theories that helped inform it seem to invite a kind of cosmopolitan commitment to a creedal identity while at the same time leaving open the possibility of a more exclusive cultural identity. In the end, this ambiguity works to undermine a public sense that the political order should try to conserve a particular culture, a tendency that is furthered by a democratic regime's natural inclinations toward universalism and egalitarianism. It seems, then, that the problem of the preservation of American cultural identity is rooted in the very culture that Huntington wishes to preserve.  相似文献   

11.
SUMMARY

In the scholarship on the concept of political corruption, one frequently encounters the lamentation that the manner in which the concept is deployed in liberal modernity is insufficiently attuned to the richer sense in which the term was employed in the ‘civic humanist’ tradition. In these lamentations, the usual point of reference is J.G.A. Pocock's The Machiavellian Moment, a work that made corruption the central term of art in a political language stretching from the Renaissance to the eighteenth century and beyond. Certainly there is something quite attractive today about the ‘Machiavellian’ inflection of the term—our era is replete with the very things the protagonists of Pocock's story decried: debt, dependency, oligarchy, standing armies and the diminution of civic duties. But to what extent is Pocock's classic text a reliable guide for those studying the concept of corruption? This article suggests that Pocock uses the term in an excessively capacious manner, which both weakens his book's utility for understanding eighteenth-century political thought and undermines its power as a foundation for political critique by civic-minded anti-corruption reformers.  相似文献   

12.
ABSTRACT

Private preaching at papal Avignon (or in general, for that matter) has yet to receive much scholarly attention, in part because the texts of private sermons are not always easy to come by. The survival of two private sermons, both by Dominican dignitaries and both delivered to the same audience (a cardinal and his familia) in the same venue during the same Lenten preaching cycle, provide an opportunity to explore the phenomenon of private preaching at the Avignonese curia. In the first article of a three-part series, I present the edited text of the sermon by Pierre de Palme, Prior of the Dominican Province of France; the second text will appear in part II, with analysis and observations in the third and final part.  相似文献   

13.
This article discusses how Petrarch's self-portrayal as a spokesman for peace, armed with quill and inkpot, is brought forward in the canzone "Italia mia benché 'l parlar sia indarno" and in his epistles of the 1350s. The poet's activity as peace mediator appears in this famous canzone dedicated to Italy well before the epistles were written. Dated to 1344, the poem's thematic kernel seems to have been subsequently unfolded and broken down into the epistles that Petrarch later sent to the political leaders of his day. Petrarch's cry for peace in the Rerum vulgarium fragmenta is threefold: he invokes spiritual, societal, and teleological peace. The different faces of this threefold pining for harmonic conciliation find an outlet in the invocations of, respectively, Chiare fresche e dolci acque, "Italia mia," and the Canzone alla Vergine. "Italia mia," his most distinctly political text as well as heartfelt plea to the lords of Italy, marks Petrarch's last attempt to recompose the political fractures of Italy within the peninsula itself; from the 1350s onward, Petrarch addresses his political appeals solely to foreign rulers, a sign of the waning independence of Italian states.  相似文献   

14.
Summary

R. G. Collingwood presented his major work of political philosophy, The New Leviathan, as an updated version of Thomas Hobbes's Leviathan. However, his reasons for taking Hobbes's great work as his inspiration have puzzled and eluded many Collingwood scholars, while those interested in the reception of Hobbes's ideas have largely neglected the New Leviathan. In this essay I reveal what Collingwood saw in Hobbes's political philosophy and show how his reading of Hobbes both diverges from other prominent interpretations of the time and invites us to reassess Hobbes's complex association with the origins of liberalism. In doing so, I focus on Collingwood's science of mind, his ideas on society and authority, and his dialectical theory of politics, in each case showing how he engaged with Hobbes in order to elucidate his own vision of civilisation. That vision is based on the development of social consciousness, which involves people coming to understand the body politic as a joint enterprise whereby they confer authority upon those who rule.  相似文献   

15.
The distinguished German scholar and political commentator Victor Aimé Huber travelled to Blackley in 1844 to see Samuel Bamford on the recommendation of Thomas Carlyle, in order to pursue his study of the Social Question in England. In 1850 his compatriot, the celebrated novelist and travel writer Fanny Lewald, on a tour of England and Scotland, paid a social visit to the Bamfords instigated by the writer Geraldine Jewsbury, who subsequently arranged for her to see Samuel Bamford again, in Manchester. The reports provide a wealth of information about the Bamfords’ circumstances, opinions and reflections on their past. They also point up differences between English and German culture, class and social conventions. For both Huber and Lewald, meeting the Bamfords was one of the most revealing experiences of their stay in Britain. Whilst reviews of Passages in the Life of a Radical in the German press, like the critique in the Quarterly Review, contain both partisan and measured appraisal, by the late 1840s Bamford’s account of Peterloo had become the standard reference text in German-speaking lands.  相似文献   

16.
Summary

Marc'antonio de Dominis is well known to historians as a figure in the political and religious culture of early modern Britain and Europe. This article contends that he was also a major theorist of civil power: his critique of Catholic scholastic political thought is compelling and his account of divine right kingship sheds light on conceptual problems that troubled a range of early modern thinkers. De Dominis dismantled the scholastic theory of political power on its own terms, insisting that Almain, Bellarmine, Suárez and others could not distinguish, as they sought to, between the potestas politica in general and the rule of particular princes. By this insight de Dominis could vindicate royal authority against the deposing pretensions of the Pope, the main objective of James I's supporters during the Allegiance Controversy, but his own positive account of how to think about power ran into theoretical trouble which he evidently perceived himself. If the potestas politica cannot be abstracted from a specific regime, and if the prince's absolute sovereignty depends on this fact, can politics be understood only at the level of the particular and contingent? The article closes by setting Thomas Hobbes—well versed in Jacobean polemic—in the context of this question.  相似文献   

17.
Abstract

In spite of the fact that from a theological point of view disobedience can sometimes be positive, in the preachers’ sermons to the people (ad populum), disobedience is always a strongly condemned sin. We focus on the sermones vulgares of Jacques de Vitry and on collections of exempla. In order to analyse the forms of reluctance and contestation to the norms proclaimed by the sermons, we evaluate the steps of this resistance ranging from lack of attention and disrespect to criticism and even hostility. Nevertheless, sometimes one must recognize that it is the preacher’s incompetence that leads to the failure of his pastoral care, for example when the preacher prepares unclear sermons (like Jacques de Vitry when he was a beginner) or is unable to tell a story or to make himself heard. It is even worse when the preacher conveys bad opinions. However, the biggest trouble comes when inattentive and disrespectful listeners are able to interrupt the preacher to contest any inconsistencies in the sermon or mistakes in the doctrine. When the sermon has no effect on the audience, it has clearly failed to get its message across. The preacher can also face competition from singers, jugglers and dancers who can distract the audience from the sermon.  相似文献   

18.
19.
Abstract

Don Isaac Abravanel (1437–1508) was one of the first Jewish thinkers to express republican positions, yet very little is known about his knowledge of humanistic republican conceptions. Had he read Leonardo Bruni’s republican writings? Had he even heard of them? In this essay I attempt to address this philological gap by comparing Abravanel’s republican commentary on 1 Samuel 8 with Bruni’s Laudatio florentinae Urbis, especially the motif of the plea to God to authorize a political regime. This comparison is particularly useful for illuminating their respective positions on republicanism, their shared interests and conceptions, as well as their divergent attitudes to their own political and historical environment. This divergence, I argue, sheds light on the early modern Christian and Jewish receptions of ancient republicanism.  相似文献   

20.

The rise and fall of two of the most famous legendary kings, Oedipus and David, seem to bear great resemblance to each other. This is especially the case in the central narrative of Sophocles' Oedipus the King and the Second Book of Samuel where the kings are usurped by a close relative upon the intercession of a violent third party. The article argues that the stories are based on conventions of the rise and fall of a sacred king who restores order to a violent and “plagued” kingdom. It proposes a comparative reading of the texts, in conjunction with an anthropological reading in accordance with the insights of Rene Girard. This will provide not only a way of reading these ancient texts but also give insight into the perspective of and reality referred to in the texts. This is to read the text with appreciation of the dynamics of text and reader through the anthropological perspective opened up by the recognition of the victim.  相似文献   

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