The Diffusion of Sovereignty

Summary

The transmission of ideas about sovereignty and its related practices from one time, place, or intellectual context to another is sometimes characterised as a process of ‘diffusion’ or even ‘contagion’. Intellectual historians may use such metaphors but the explanations they provide are historical, not scientific. Sovereignty was transmitted when European states brought their forms of government to other peoples and when those peoples embraced such forms in declaring their independence from imperial rule. It was also transmitted when the idea of sovereignty was itself transformed in the course of these and other historical passages. In Foundations of Modern International Thought, David Armitage explores some of these historical passages, the outcome of which he sees as the world of sovereign states that defines the modern period and the disappearance of which would signal its end. In doing so, he illuminates the larger enterprise of writing the history of international thought or, as he prefers to call it, international intellectual history, inviting reflection on its relationship to other kinds of historical inquiry and the opportunities and dangers it poses.     

Crusading in Africa: Religion,Race, and Post-9/11 Intervention in Antoine Fuqua’s Tears of the Sun (2003)

Abstract

African American director Antoine Fuqua’s Tears of the Sun, a 2003 war ?lm made with US Navy cooperation, imagines the intervention of Navy SEALs in an ethnic cleansing being conducted against Christians by Nigerian Muslims. It is at once an exercise in black diasporic consciousness and an expression of American exceptionalism. The director aimed to raise awareness of contemporary African crises, but the picture is also the closest Hollywood combat cinema came in the immediate post-9/11 years to addressing and endorsing the polarizing discourse and militarism of the Bush administration. The ?lm’s use of reductive religious imagery, its weak box of?ce return, and its generally hostile reception overseas expose its failure as a tool of diplomacy and reveal the waning ability of triumphalist Hollywood cinema to de?ne or explain the ‘War on Terror’.     

Working towards the Duce: five recent books on Mussolini

ABSTRACT

Giovanni Freppa (1795–1870), a well-known antiquarian, was instrumental in propelling the Ginori maiolica firm to reinvent the technique of Renaissance lustreware. The so-called ‘Freppa Scandal’ resulted after he sold as authentic Renaissance pieces a number of plates made by Ginori. Freppa was also famous, or rather infamous, for his exploitation of the young sculptor Giovanni Bastianini, whose remarkable neo-Renaissance portrait busts were sometimes sold as authentic Renaissance works. The Louvre purchased for an enormous price a bust believed to be a Renaissance masterpiece; but it was actually executed by Bastianini in 1864 on commission from Freppa, resulting in ‘the Benivieni Affair’. But this article is not primarily intended to expand on Freppa’s transactions in the art world; rather, it highlights his activities in many other spheres, including a failed publishing project with Giacomo Leopardi, among other activities. Freppa was a more complex individual than indicated merely by the two above-mentioned scandals.     

The Whole Country is Poisoned: Fratning Disease Mortality in the Historiography of the South African War

Abstract

‘Hobbes inquires, For what reason do men go armed … if they be not naturally in a state of war? But is it not obvious that he attributes to man before the establishment of society, what can happen but in consequence of this establishment, which furnishes them with motives for hostile attacks and self-defence.’ Montesquieu     

Editorial: Social Spirituality: Monastic Cell or Hectic Street?

Abstract

What makes theology political? Is it the social location of the author, the sources drawn upon, or the content of the argument? Each of these three possibilities is theologically significant, but a little reflection proves none of them decisive in claiming the adjective ‘political’ for a theology. The ‘material production’ of theological works cannot, by itself, render one theology political and another apolitical; for all theological works share a similar ‘social location’ given the similar socio-economic reality of publishing. Whether or not theology is political, or adequately political, cannot finally be determined by material production, the authors' social location or the content of the argument per se. Such forms of apodictic reasoning cannot distinguish apolitical from political theology. It can only be a function of practical reasoning. It alone can advance the current stalemate among persons that theology should be characterized as ‘church’, ‘confessional’, ‘sectarian’, ‘liberatory’, ‘political’ or ‘public’. I argue that the best we can do to adjudicate these differences is to engage in, as Charles Taylor has so aptly put it, practical ad hominem arguments.     

Harry Holland's ‘Samoan Complex’

ABSTRACT

‘Harry’ Holland, one of the early leaders of the parliamentary Labour Party in New Zealand, was an anomalous figure in early 20th-century New Zealand politics. In addition to a principled adoption of militant socialism, he stood apart from the rest of the House of Representatives due to his pronounced interest in Samoan affairs. This interest was so acute that one of his Labour colleagues, John A. Lee, remarked that he possessed a ‘Samoan complex’. This paper addresses the lack of critical attention paid to this facet of his career. Even though Holland's attitudes towards Samoa were sometimes couched in the same vocabulary as the coloniser, he always stood on the side of the colonised. His endorsement of Indigenous self-government was ahead of its time, and his campaigning played a key role in the Samoan struggle for independence. At a broader level, Holland was possibly the most significant of a cohort of colonial critics who questioned New Zealand's right to govern Pacific Islanders and who sought to rein in New Zealand's more overbearing Pacific Island administrations.     

‘New Art History’ vs. ‘Old History’: writing art history

Abstract

The three strange poems in English which constitute the section ‘Foreign Language Verse’ in Cavafy's Unpublished Poems present problems of authorship, interpretation and preservation. Who wrote them? What are they about? Why did Cavafy, who destroyed so much, trouble to keep them? The purpose of the present note is to provide plausible, if not definitive, answers to these three questions. The poems under discussion are, ‘Leaving Therápia’, ‘Darkness and Shadows’ and the untitled poem that begins, ‘More happy thou, performing Member’.     

Memory in warfare: history as a destituent narrative

Abstract

To what extent may we consider historical writing a field of political tension? Could we make a plausible conceptual distinction between a constituent and a destituent narrative? According to Carlo Ginzburg – one of the proponents of ‘microhistory’ – historical sources are ‘distorting mirrors’, which let the truth shine through in an indirect way. Consequently, the good historian is the one who manages to grasp the ‘Freudian slips’ of history and fixes them in a coherent framework. Michel Foucault’s ‘political historicism’ seems to adopt the same historiographical approach: the most reliable witnesses of the past are the victims of the dominant power and the forgotten subjects of the constituent historical narrative. It seems to the author that Walter Benjamin and Simone Weil’s warfare writings share this destituent attitude towards historical representations. As far as Benjamin is concerned, the author’s hypothesis is that between the two world wars he radically redefines his notion of memory. With the apotheosis of the Nazi regime, he starts to conceive memory of the catastrophic past as the only possible input of an authentic revolutionary action. With a similar attention to collective memory, Weil goes through European history in order to deconstruct its principal political mythologies, from Rome to the Third Reich. Her purpose is to let the stories of the defeated re-emerge in order to show the history of violence that lies beyond the official representation of the past. In both cases, the main political aim is eventually to produce a destituent narrative of Europe that could serve as a guideline in the post-war period.     

The Burial of the Dead: the British Army on the Western Front, 1914–18

Abstract

This article examines the ‘war culture’ that developed within the British Army with regard to death and burial on the Western Front. Soldiers on the battle?elds responded to the presence of death and the bodies of the dead through a speci?c framework that was used to understand this perverse and violent landscape. This drew upon pre-war practices and emphasized the physicality of the corpse in the desire to ensure a ‘decent’ burial for a ‘pal’.     

The Dark Philosopher and the postmodern turn: Heraclitus in the poetry of Seferis,Elytis and Fostieris

Abstract

Σ?ρμα ε?κ? κεχυμ?νων ? κ?λλιστο? κ?σμο?.

The fairest order in the world is a heap of random sweepings.

Heraclitus D.124

This article examines the ways in which the perennial philosophy of Heraclitus becomes a site where the battle between modernist and postmodernist poetics unfolds. Seferis and Elytis exploit the Heraclitean doctrines of change, unity of opposites and the all-permeating logos in a manner that allows them to conceptualize and present what Lyotard calls the ‘modernist sublime’. Fostieris mobilizes the very same doctrines within his poetry, flouting the logical law of contradiction as Heraclitus did. By using and abusing the very concepts he challenges, Fostieris interrogates the modernist quest for master narratives and universal consensus, bringing forward the illusory character of such endeavours.     

Dendrochronology on material from medieval Oslo

The dendrochronological material from Oslo discussed here was collected through archaeological excavations in the period 1970–6 on the sites ‘Mindets tomt’ (Lidén 1977) and ‘S?ndre felt’ (Schia 1987).     

Between historical myth and ‘Inythohistory’: the limits of Ottoman history

Abstract

‘“Myth and reality“’ as Professor Gombrich has reminded us in an historical context apparently far removed from that of Ottoman studies, are, as he has defined the phrase, perhaps only ‘a more genteel formulation for the blunter title of “lies and truth”’.     

European solidarity: a semantic history

Abstract

‘European solidarity’ is one of the most frequently used words in contemporary public discourse, but what does it mean? This article investigates the historical and semantic background of the term in English, French, German, Italian and Spanish since the French Revolution, when ‘solidarity’ became a political keyword for the first time in European history. With the founding of the Holy Alliance in 1815 the idea of ‘European solidarity’ as an instrument for achieving political order on the continent emerged. A historical longitudinal analysis via the Ngram Viewer reveals that the frequency of ‘solidarity’ follows or depends on certain crisis moments in history, such as revolutions, wars or economic troubles. ‘Solidarity’ belongs to the history of emotions and propaganda but is not a stable value system that consolidates political culture. It also seems to play a greater role in the national rather than in the European context. As a European political expression, ‘solidarity’ is not genuinely European but borrowed from the national political vocabulary. Moreover, the article outlines the semantic field of ‘European solidarity’ by showing linkages between ‘solidarity’ and other words.     

'[…;] all poetry is difficult […]: the limitations of Seferis' modernist poetics

Abstract

In Greece, as in several other countries in the period between the two World Wars, one of the serious charges frequently made against Modernism was that it was impossibly bad mannered towards the reader – that it made no effort at all to communicate and that modernist poetry was ‘difficult’ or ‘obscure’. For example, as early as 1931, Kostis Palamas – the poet who had had an enormous impact on Greek literary affairs in the first half of this century – in a charming if not somewhat condescending letter addressed to George Seferis, noted that the poems of <inline-graphic href="splitsection4_in1.tif"/>were ‘cryptographic’ and stated that he was personally unable to find the ‘key’ that was needed for deciphering such difficult poetry (Palamas 1931). A few years earlier, Seferis himself had noted in his journals that whenever he tried to read Valery's poems to Palamas and his circle, they had reacted by saying that they did not have time to solve ‘puzzles’ (1975: 62).     

Jeremy Bentham on Utility and Truth

SUMMARY

Jeremy Bentham has two very strong commitments in his thought: one is to the principle of utility, or the greatest happiness principle, as the fundamental principle of morality; the other is to truth, as indicated, for instance, in his opposition to falsehood and fiction in the law. How, then, did Bentham view the relationship between utility and truth? Did he think that utility and truth simply coincided, and hence that falsehood necessarily led to a diminution in happiness, and conversely truth led to an increase in happiness? This article addresses this issue through two bodies of material: the first consists of Bentham's writings on religion under the heading of ‘Juggernaut’ and dating from 1811 to 1821; the second consists of the writings on judicial evidence dating from 1803 to 1812 and which appeared in Rationale of Judicial Evidence.     

Photius and Poetry

Abstract

‘No art or science, except poetry, was foreign to this universal scholar’. Thus Edward Gibbon. It has long been notorious that poets are excluded from the Bibliotheca. Why? The question persists. Hence the present paper.     

When Greek meets Greek: Alexius Comnenus and Bohemond in 1097–98

Abstract

To his father, Robert Guiscard, Bohemond appeared larger than life even in boyhood. Partly from real feats of war and conquest and partly from adroit self-advertisement, he became a legend in his own lifetime, and even in death he continues to draw the attention of art historians to his mausoleum, which is juxtaposed to the south transept of the cathedral at Canosa, Apulia. The mausoleum's ‘Oriental’ or ‘Byzantine’ features mark it out from other buildings in the region, while the date and design of the cathedral itself evoke controversy. My aim here is neither to attempt a general assessment of Bohemond's career nor to offer a survey of Alexius I Comnenus’ handling of the First Crusade. I shall merely focus on Alexius’ dealings with Bohemond during the earlier stages of the Crusade, and argue that Anna Comnena offers a rather misleading picture of their relationship. Far from Alexius being wise to Bohemond's every trick, with Bohemond ‘playing the Cretan with the Cretan‘, Alexius was in my opinion led to suppose that he had bought Bohemond, at least for the duration of the Franks’ expedition to the East, a supposition that was ill-founded.     

The exploitation and control of woodland and scrubland in the Byzantine world

Abstract

A welcome and necessary aspect of the renewal of studies of the Byzantine economy has been the analysis, sometimes in both the technical and the broader organisational aspects, of the production and redistribution of particular goods. One only has to think of some recent work concerning mining and metallurgy, minting, silk-production, glass-making, potteries, shipping, and salsamenta, to realise the potential significance of such studies, the need for the historical study of all types of economic activity, and how unilluminating has become the incantation of such statements as that the Byzantine economy was ‘overwhelmingly' rural (almost invariably made with reference to the primary products of a narrowly defined agriculture), or that centres of population were ‘characterised by consumption', or even that commercialised redistribution was ‘feeble’ and stagnant in the Early Byzantine period.     

Changing philosophies of action? Argentine’s cultural policies in the 21st century

ABSTRACT

How can the many institutional and ideological changes of Argentine cultural policy at the beginning of the 21st century be explained? This paper analyses how representations of culture, programs and public actions are translated into different ‘philosophies of action’ depending on the political stripe of each government and the agents of cultural policy. If the predominant philosophy of action during the whole period is ‘culture as an economic resource’, it coexists with other philosophies: ‘culture as show’, ‘a communication tool’, ‘social inclusion’ and finally ‘a factor of citizenship’.     

Cool nothing: Dom Sylvester Houédard’s coexistentialist concrete poetics

ABSTRACT

This article concerns the concrete poetics of Dom Sylvester Houédard, which I define using a term from his 1963 article ‘Concrete Poetry & Ian Hamilton Finlay’, ‘coexistentialist’. Houédard's concrete poetry has sometimes been criticized for an anachronistic avant-garde quality, because of its non-semantic use of written language, and its associated air of intermedia experiment. But the term ‘coexistentialist’ has various connotations which allow us to interpret Houédard's work as highly responsive to its cultural moment, and to the unique theological tradition from which it emerged. These connotations include: the relationship between early and mid-twentieth-century modern art and literature; existentialist philosophy, especially the writing of Jean-Paul Sartre; Marshall McLuhan's theories on modern communication and ecumenical dialogue within the Catholic Church during the Second Vatican Council. After presenting an outline of Houédard's poetics related to these themes, I analyse some of his concrete poems or ‘typestracts’, produced between 1967 and 1972.