THE ‘LORD OF THE STONEMASONS’: PART I. THE ‘SWORD DEITY’ AT PETRA

Abstract

During the 2000 Season of the Brown University excavations of the so-called Great Temple at Petra, an elusive rock-cut figure (termed the ‘Sword Deity’) was discovered in the southern perimeter wall. Since then, the current authors have identified other such figures as belonging to this previously unknown type, which has similarities with the Greek herm. Based on a contextual analysis of these figures, it is proposed that the type may depict a protective deity or ‘lord’ of the Nabataean stonemasons, most likely Dushara. According to this interpretation, the stonemasons sought divine protection during their work by carving the image of the deity high in the rock faces. This paper sheds new light not only on the representation of Nabataean deities, but also on the role of religion in the daily life of the inhabitants of Petra and their relationship with the natural environment.     

Humayma's notched peak: a focus of Nabataean and Roman veneration and civic identity

The most distinctive landscape feature at the southern Jordanian site of Humayma is Jebel Qalkha's highest peak, which is split at the top by a wide notch. The Nabataean town of Hawara (Roman Hauarra/Hauara) was built on the plain immediately east of this peak. This paper draws on the site's foundation myth, petroglyphs, betyls and religious and civic structures to illustrate the significance of this notched peak for the site's ancient populations. The evidence suggests that this distinctive peak served as a focus of veneration and a marker of civic identity for Humayma's Nabataean and Roman inhabitants.     

The crowsteps motif in Nabataean architecture: insights into its meaning and use

Nabataeans, in constructing their tombs, added many symbols and geometrical forms, plants and animals. Crowsteps, as a geometrical form, are the most common among these symbols. This study investigates the use of the crowsteps motif found frequently on the facades of Nabataean tombs. The primary focus is to replace models of typological explanation for the introduction of crowsteps into the Nabataean rock‐cut facades. The study begins with tracing the origin of the crowsteps motif and the way it was adopted by the Nabataeans to become one of the most significant features in the making of Nabataean architectural vocabularies. It then provides a theoretical framework for explaining the use and meaning of the crowsteps in Nabataean architecture. Thematic analysis of related literature and existing architectural remains allows us to suggest that crowsteps served both sacred and secular purposes. Sacredly, crowsteps were used to connect the deceased with the principal deities through metaphorical representation either as a ‘high place’ or as a ‘throne’. Secularly, crowsteps served basic human needs: representing identity, wealth and social structure. The study also considers that the Nabataean rock‐cut crowsteps activated the dialogue between different cultural traditions and helped in shaping the ideological cult and identity of the Nabataeans.     

AN INSCRIBED NABATAEAN BRONZE OBJECT DEDICATED TO OBODAS THE GOD FROM WĀDĪ MŪSĀ, SOUTHERN JORDAN

Abstract

A part of a Nabataean bronze inscribed object has been found recently in Wādī Mūsā, near Petra, Jordan. The text, which is dated to the reign of the last Nabataean king, Rabbel II (ad 70–106), is of great interest since it contains words that occur for the first time in Nabataean. It mentions a dedication made by a priest and his son to ‘Obodas the God’ in Gaia. In sum, it adds significant new data to our knowledge of the Nabataean kingdom and its religion.     

A survey of the Nabataean/Roman Site,Umm at-Tawabin,Ghor as-Safi,Jordan

Umm at-Tawabin is an extensive Nabataean/Roman site overlooking Wadi al-‘Arabah in southern Jordan. The site, as a whole, consists of a number of buildings, circular stone structures, a roadway and other features that are fortified, for the most part, by a lengthy wall and with a predominance of Nabataean and Roman surface pottery on the ground. Up until now, the site has only been documented in brief in a handful of survey reports since its discovery in the late nineteenth century and its chronology has since been the subject of some conjecture among scholars. With a grant from the Palestine Exploration Fund, the author has sought to better understand the occupational history of this undoubted historically important site through survey and by extension, a study of its surface pottery and architectural remains.     

THE ‘LORD OF THE STONEMASONS’: PART II. ‘STANDING FIGURE WITH BETYLS’ AT PETRA

Abstract

This paper presents the second type of representation of the ‘lord’ of the Nabataean stonemasons, a male figure standing with betyls. This type is found in five rock-cut reliefs in Petra, usually high in the walls of quarries or monuments. It is argued that, like the so-called ‘sword deity’ figures presented in Part I, this second type was also carved by the stonemasons as another representation of their tutelary deity, possibly Dushara. Study of these little-known figures reveals new information on the diverse depiction of Nabataean deities, as well as on the religious beliefs of the stonemasons at Petra.     

New discoveries in a Nabataean tomb. Burial practices and ‘plant jewellery’ in ancient Hegra (Madâ’in Sâlih,Saudi Arabia)

The excavation of tomb IGN 117 in Madâ’in Sâlih, ancient Hegra, in Saudi Arabia, produced a large amount of bones, objects and materials (leather, fabric, fruit, wood, amorphous organic substances) of the Nabataean‐Roman period (first to early fourth century AD). Two pieces of fabric and leather are of particular interest because they contained pierced dates (Phoenix dactylifera) strung together using date‐palm leaflets. These exceptional discoveries are poorly attested in Near Eastern funerary contexts. Together with other data from Madâ’in Sâlih, the southern Near East and Egypt, this interdisciplinary analysis leads to the reconstruction of part of the funerary practices related to the preservation and preparation of the body that occurred in tomb IGN 117. Finally, the analysis allows the questioning of the symbolic role of plant jewellery and the date palm in a funerary context.     

A Multidisciplinary Approach to the Study of Archaeological Mortars from the Town of Ammaia in the Roman Province of Lusitania (Portugal)

The Roman town of Ammaia (in Marvão Region) is considered one of the most important recent findings of the Roman presence in Portuguese territory. It was settled in Republican times and abandoned in the seventh century. In this research, 17 masonry mortars and renders from the West Tower (South Gate), the residential area near the West Tower, the macellum, the peristylium, the public bath building, the podium of the temple and the portico of the forum were analysed. The methodology of chemical, mineralogical and microstructural characterization has involved several complementary techniques, including stereomicroscopy, X‐ray diffraction, thermal analysis and scanning electron microscopy coupled with energy‐dispersive X‐ray spectroscopy. The results indicate that the mortars from the beginning of the town's edification were mainly composed of soil (clays). Later, during the main Roman building period, mortars were composed using a calcitic binder and the mortar composition varied according to their use and function. The samples from a period subsequent to the Roman occupation are based on a dolomitic binder. From the present study, relevant information has been acquired about the technological evolution of Roman construction in Ammaia, the historical context of the archaeological structures and guidelines for the conservation and restoration of mortars.     

Material memory: rebuilding the basilica of S. Cecilia in Trastevere,Rome

Examining Pope Paschal I's early ninth‐century architectural project of S. Cecilia in Trastevere, Rome, brings to light the diversity of functions of tituli in early medieval Rome. Not only was the church a papal basilica and site of the stational liturgy of Rome, but it was also a shrine to the saint Cecilia, a popular Roman martyr. The architectural arrangement makes clear that the papal project incorporated both the papal cult and the popular cult of the saint by manipulating the archaeology of the site and translating corporeal relics to the urban church.     

Nabataean Dushārā (Dusares) — an overlooked cuirassed god

Abstract

This paper sheds new light on the images of the Nabataean god Dushārā on the coins of Roman Bostra under Commodus, Caracalla and Philip the Arab. It analyses and interprets for the first time iconographic details such as the god's cuirass, his Alexander-like hairstyle and the assimilation of his facial features to the emperor of the day on the coin obverses. This study argues that Dushārā's image is a late ad-hoc creation for a local Bostran context that did not travel far beyond the city. Alongside the anthropomorphic representation, Dushārā continued to be depicted and worshipped in the form of a betyl at Bostra, Petra and throughout the Roman province of Arabia.