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1.
There is a generally accepted view that there is an obvious distinction between proto‐porcelain and stamped stoneware. However, some early shards unearthed from the Dongtiaoxi region (northern Zhejiang) inspire people to rediscuss the relationship between them, because it is difficult to identify them as proto‐porcelain or stamped stoneware. In this work, we have collected samples from three of the earliest kiln sites (Piaoshan, Beijiashan and Nanshan) in the Dongtiaoxi region. We have analysed the chemical composition, firing temperature and phase composition of the samples. Comparing samples from the three kiln sites, we find that, from Piaoshan and Beijiashan to Nanshan, there has been progression in the manufacturing technology. The Shang proto‐porcelain and the stamped stoneware from Nanshan have similar raw materials, firing temperatures and body phase compositions—and they have obviously different decorative appearances, such as glazing or stamping. For ceramics from Piaoshan and Beijiashan, there is no clear distinction between glazed and unglazed samples. We believe that in the Dongtiaoxi region, the difference in the decoration between proto‐porcelain and stoneware became obvious up to the time of the Nanshan production but that, subsequently, two different paths for the development of high‐fired ceramics began to diverge. 相似文献
2.
A method using the ratios between MnO, Fe2O3 and CoO to differentiate the cobalt sources for Chinese blue‐and‐white porcelain was developed in Oxford in the 1950s using X‐ray fluorescence (XRF) analysis directly on the glaze. In this paper, six blue‐and‐white porcelain sherds from the Luomaqiao kiln were analysed by XRF on the glaze and by scanning electron microscopy with energy‐dispersive spectrometry (SEM‐EDS) in cross‐section. The ratios between MnO, Fe2O3 and CoO calculated by quantitative XRF and EDS analyses are different. The analysis depths for MnO, Fe2O3 and CoO are < 60 μm by XRF analysis. However, the average glaze thickness of samples is > 400 μm, and the MnO, Fe2O3 and CoO mainly remain in the lower layer of the glaze, which is beyond the analysis depths of XRF analysis. The limitations of major and minor quantitative analyses for differentiating cobalt sources are discussed. 相似文献
3.
用能量色散型X荧光分析仪测量了慈溪寺龙口等6个越窑窑址和洪州窑4个窑址出土瓷片胎釉的化学组成。在两地均观察到近距离窑址出土瓷胎间化学组成的差异,观察到越窑瓷釉配方的稳定性和南宋晚期时的明显进步,提出了洪州青瓷中铁含量从东汉到晚唐的马鞍形变化,可能反映洪州窑在晚唐的衰落和低铁原料的不易获得。 相似文献
4.
为研究定窑、邢窑和巩义窑在白瓷烧造工艺的联系和区别,本工作使用能量色散X荧光光谱仪(ED-XRF)分析了这三个窑址出土的部分白瓷残片的胎釉化学组成。分析结果显示,三个窑址制胎所用的原料均以高岭土为主,是中国北方白瓷生产制胎原料采用的最主要的粘土类型。隋代邢窑胎体助熔剂原料曾使用长石类原料,从而生产\"透影\"白瓷而后期则加入钙质原料代替。定窑的白瓷胎体中加入了钙质原料作为助熔剂原料。巩义窑则以长石类原料为主。三个窑白瓷釉中主要助熔剂氧化物都是来自灰料的氧化钙,但含量明显不同,邢窑和定窑的白瓷釉中CaO含量显著低于巩义窑。比较结果表明,三个白瓷窑在胎釉配方工艺方面互有差别但也紧密联系,其中,定窑早期细白瓷的胎釉配方承继了邢窑唐代细白瓷制作的工艺传统。 相似文献
5.
The study deals with the chemical composition of samples related to the production of a blue pigment/smalt. The samples examined come from the regions of Soví huť and Horní Blatná (north-west Bohemia) dating to the 16th and 17th centuries. These locations are often mentioned in relation to the discoverer of smalt production technology: Christopher Schürer. The aim of the study is to evaluate the chemical composition of samples from both localities as well as with respect to the ores occurring in the given regions. The samples can be divided into two basic groups. The first clearly represents smalt (potassium glass coloured with cobalt), while the second apparently constitutes the samples of the so-called ‘speiss’ (an aluminosilicate mass with metallic compounds). The analysis of the smalt confirmed the representation of minor elements bismuth and nickel (always) and uranium and molybdenum (rarely), which are found in Co ores from the Ore Mountains. The paper is the first to present the composition of actual blue pigment finds originating directly from the production sites, while the available literature has so far only reported the results of analyses of the pigments already used when referring to the Ore Mountains. 相似文献
6.
收藏于常熟博物馆的明正德青花开光阿拉伯折枝莲瓶,造型、釉色、纹样、绘画技法均带有鲜明的正德时代特征,可供收藏界作典型鉴赏。 相似文献
7.
河南巩义市夹津口隋墓清理简报 总被引：2，自引：0，他引：2
白瓷的烧制成功是我国瓷器史上一项重要成就。巩义市夹津口墓葬所出隋代白瓷烧造技术已经成熟,胎质大多洁白细腻,釉色白,积釉处泛青,并且装饰以红彩,为以后釉下彩成功烧制奠定了基础。 相似文献
8.
Xiaoshan in Zhejiang Province was an important ceramic production area in ancient China. During recent years, local archaeologists have found a number of mound tombs dating to the Zhou Dynasty and the Spring and Autumn period. Many shards of stamped stoneware and proto‐porcelain have been unearthed from these tombs. In this paper, we report how we collected ceramic shards from tombs and samples from local ancient kilns as reference materials in order to clarify their relationship. We have used the energy‐dispersive X‐ray fluorescence technique to analyse the chemical composition of the ceramic samples. The results indicate that some of the tomb artefacts may be imported from other production areas. We infer that the other tomb samples were produced at local kilns, but due to production process–related compositional differences, there are small differences in chemical composition between different categories of samples. 相似文献
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10.
本文利用扫描电镜、X射线衍射仪与电子探针能谱仪对安徽繁昌窑青白瓷釉的显微结构、物相和化学组成进行了分析,并与同时期的湖北青山窑和江西景德镇窑青白瓷釉进行了对比研究,认为繁昌窑青白瓷釉属于钙系釉中钙釉类型,其瓷釉配方工艺与青山窑与湖田窑相似,应由一种“釉石”加入石灰石及草木灰制成。 相似文献
11.
高安市博物馆藏的两件元代青花云龙纹荷叶盖罐均出土于江西省高安市一处元代窖藏中。从出土的情况并结合两件荷叶盖罐的造型、纹饰、制作工艺诸方面情况判断,此两件器物应为元代景德镇同一窑场、同一批次制作的产品,但经仔细观察,发现它们在造型、纹饰的描绘等细节上存有一定差异。在鉴定元青花瓷器时,不能仅凭一二点现象断定其真假,而应从造型、纹饰和工艺等方面对器物做全面分析再下定论。 相似文献
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13.
在目前所见元代瓷器中,1964年保定出土元代窖藏最为精美,包括卵白釉、钴蓝戗金和青花三种。我们最近发现,这批元代高档瓷器可能是元仁宗赐予三朝元老张珪的宫廷酒器,赏赐时间分别为皇庆元年(1312)和延祐六年(1319)。这个发现说明元青花源于元朝皇家艺术,蒙古统治者将蒙古和色目文化与汉地制瓷技术相结合,主导了元青花的创烧。元朝御窑厂浮梁磁局停烧之后,汉地工匠才主导元青花艺术的创作,明清时期这门艺术逐渐融入汉文化。 相似文献
14.
自 198 8年始 ,在配合鹤壁城市建设中 ,先后发现了一批不同年代的古代陶窑遗址 ,对认识古代中原地区的社会经济和古代鹤壁地区的制陶、制瓷等手工业的发展 ,有着极为重要的意义 相似文献
15.
本文全面概述了湖泗窑址发现及其分布范围。湖泗窑分烧造青白瓷和青瓷两种窑,本文介绍了这两种窑产品的种类、特点和烧造装饰技术,同时阐述了湖泗窑发现的意义。 相似文献
16.
L. F. Vieira Ferreira I. Ferreira Machado T. M. Casimiro M. F. C. Pereira L. F. Santos 《Archaeometry》2018,60(4):695-712
Blue‐on‐blue (‘berettino’) sherds have appeared in numerous production and consumption archaeological excavations in Lisbon and other archaeological sites in Portugal (dated from the mid‐16th century to the beginning of the 17th century). The abundance of this interesting faience led us to compare it with similar pottery from other well‐known production centres in Italy, namely Liguria (Savona and Albisola), Spain (the Triana kilns) and the Low Countries. Differences in the diffraction patterns of the sherds' pastes from the four countries were observed. In most samples, cobalt blue silicate (cobalt olivine) was identified in the dark blue or light blue glazes through the use of micro‐Raman spectroscopy and diffuse reflectance spectra. A remarkable difference in the calcite contents of the Lisbon and Seville pottery sherds was observed, in accordance with previous observations of high calcite contents of Seville ceramics. A comparison was also made for all of the blue‐on‐blue sherds studied here with many other 16th–17th century sherds from Lisbon using bivariate plots of K/Si versus Ca/Si. Lisbon and Seville pottery behave very differently, whereas sherds from Italy and the Low Countries occupy intermediate positions. 相似文献
17.
P. Valério I. P. Cardoso M. Santiago M. F. Araújo L. C. Alves M. A. Gonçalves R. Mataloto 《Archaeometry》2020,62(2):314-328
Copper ores recovered at the third millennium bce settlement of São Pedro, Portugal, were characterized by micro-Raman spectroscopy, micro-energy dispersive X-ray spectrometry (micro-EDXRF) and micro-particle-induced X-ray emission spectrometry (micro-PIXE). The collection shows the common presence of secondary copper minerals (malachite, pseudomalachite and libethenite) combined with iron oxyhydroxides (hematite and goethite), while arsenic-rich minerals are absent and, therefore, can be excluded as the source of arsenical copper. Overall, these copper ores suggest a primitive technology involving the exploitation of the superficial zone of ore bodies and reliant on the fortuitous finding of arsenic-rich sources to produce the arsenical copper alloy frequently present among metallic collections of the Iberian Peninsula. 相似文献
18.
Marta Mierzejewska 《Arabian Archaeology and Epigraphy》2021,32(1):102-114
The site of Kharaib al-Dasht, located on the northern coast of Failaka, is a late Islamic settlement with an extensive fishing infrastructure. It has been excavated since 2013 by the Kuwaiti-Polish Archaeological Mission. The ceramic assemblage collected so far exceeds 18,000 fragments. The sherds underwent technological and typological analyses, which demonstrated a wide diversity of local common kitchen wares, consistent with the needs of households specialised in fishing. A considerable percentage of imported vessels was brought to Failaka from the Arabian Gulf and Persia, though Far Eastern luxury tableware was also attested. This paper demonstrates the socioeconomic role of Kharaib al-Dasht in the context of trade exchange on the microregional (Kuwait) and macroregional (the Gulf, South and Eastern Asia) scales in the eighteenth and nineteenth centuries. 相似文献
19.
In the area around Angkor, Cambodia, several ceramics kilns dating from the ninth to 15th centuries ce have been discovered since 1995. The technical, typological and compositional characterization of their production has been one of the main goals of the Cerangkor Project. Samples of green‐glazed ‘Kulen‐type' stoneware and non‐glazed stoneware produced in five kiln sites in the Angkor region were analysed chemically by wavelength‐dispersive X‐ray fluorescence spectrometry (WDS‐XRF) and also petrographically. The data indicate that some workshops used similar raw materials for the same types of ceramics, suggesting the exploitation of the same geological formations in the whole region. Several references groups were established for each type of stoneware offering an important database for future provenance studies of sherds from consumption sites. 相似文献
20.
钧窑三问——论钧窑研究中的几个问题 总被引：1，自引：0，他引：1
本文结合古代文献对钧窑研究中的三个问题进行了考证。第一,今人多将钧窑视为宋代的“五大名窑”之一,实际上钧窑在宋至明初大体默默无闻,明后期的文献中始对其记载,但直到民国时期仍未能列入“五大名窑”,20世纪后半叶钧窑才名列“五大名窑”,前提是“钧官窑”概念的确立,是建立在某些推论基础上的产物。第二,古代文献中所指的钧窑,除了指今之钧窑的一些特殊产品外,还可能指古钧州境内其他窑场的产品,现所称的钧釉瓷可能是某些文献所记之汝窑器。第三,《清波杂志》中关于窑变朱砂红瓷的记载,应指北宋末钧窑生产的红釉瓷。 相似文献