邂逅无人区的美丽生灵

<正>在前往罗布泊的路上,徒经塔克拉玛干沙漠时,我被一片一望无际的千年胡杨林深深吸引,不由自主地停下脚步与胡杨共度了一天。胡杨树被维吾尔人称之为“托克拉克”,意为“最美丽的树”。由于它在严寒酷暑的打击下还能顽强地生存,又被称为“沙漠英雄树”。活着昂首一千年,死后挺立一千年,倒下不朽一千年,铮铮铁骨千年铸,不屈品质万年颂。胡杨有顽强的性格,也有独特的美。在朝日、夕阳的照耀下,胡杨的的千姿百态显得更加文雅优美。     

Power,Protest, Poaching,and the Tweed Fisheries Acts of 1857 and 1859: 'Send a Gunboat!'

Abstract

The Tweed Fisheries Acts of 1857 and 1859 were victories for upstream landowners over coastal and estuarine commercial fishermen. In the manner of the Game Laws, these class-based Acts placed the interests of leisured, sport-fishing anglers above those of the net-fishing communities at the mouth. The latter were severely disadvantaged, and the fishermen and their families often clashed with the River Tweed Commission's bailiffs and local police who tried to enforce the Acts' restrictive terms. In particular, the contraction of the autumn netting season to allow more fish into the upstream reaches had converted legal fishing into poaching and was met with open defiance. The inability of the Commissioners to prevent mass disobedience or provide enough bailiffs to enforce the law prompted a request to the Home Secretary for assistance, with a suggestion that the Admiralty supply a gunboat to protect the bailiffs and overcome the protests. HMS Ruby was despatched to Berwick in October 1861 for the close season, and a succession of gunboats followed over the next twenty years in an unprecedented deployment of naval force to support the civil authorities.     

'You are not a White Woman!'

During her trial for assault in Fiji in 1915, Stella Spencer was accused of improperly associating with and even making love to native Fijians, in such a way as to prejudice the order of the colony. The background to the trial was Spencer's work on behalf of the populist Fijian leader of the Viti Company, Apolosi Nawai. As well as using the trial in an attempt to vilify Nawai as a crook, the European colonists asserted a harsh racial division with regard to sexual conduct between the races. Sexual intercourse symbolised a diminution of white prestige. This article tells the story of Apolosi Nawai and Stella Spencer from contemporaneous reports, the Fijian National Archives and the Colonial Office Archives     

Embodied intergenerationality: family position,place and masculinity

The aim of this article is to further understandings of performances of family position, place and masculinity in what I call ‘embodied intergenerationality'. I build on research with 38 men across three generations within 19 families of Irish descent to discuss masculinity, intergenerationality and place. These men are living, or have recently lived, in the region known as Tyneside, in the North East of England. Secondary to this contribution is an acknowledgement of the significance of changing positionalities as research insider and participant observer by addressing both intersectional and intergenerational identities involved in geographic research. The article therefore responds to recent work in the discipline which has called for more critical attention towards experiences in the field, with its central contribution – embodied intergenerationality – advancing knowledge of masculinities and place for those who analyse masculinities within the research encounter. This work explores the performances and relationalities of masculinities amongst men of Irish descent on Tyneside as well as between the participants and the researcher. In working with men of different ages both within and between families, I draw conclusions on masculinity, intergenerationality and place: the roles of researcher and participant can become embodied as ‘son' and ‘father' in the research encounter and where the research takes place matters.     

Unmaking the fascist man: masculinity,film and the transition from dictatorship

This essay examines the recasting and renegotiation of Italian masculinity during the war and during the transition from dictatorship to democracy. Film is my privileged source for understanding the complexities of male experience during this period of dramatic change, but I also rely on war crimes charges, diaries and memoirs. While not explicitly comparative in nature, the essay considers whether we can speak of a ‘crisis of masculinity’ in postwar Italy akin to that diagnosed by historians of postwar Germany and France. Within this broad frame, the essay focuses the experiences and representations of one category of men who evoked particular anxieties about the legacies of defeat and the redemption of Italian men for democratic models of fatherhood and citizenship: veterans, in particular returned prisoners of war. The 1946 film Il bandito (The Bandit, Alberto Lattuada), which I analyze in the last section of the essay, dramatizes the situation of these returned prisoners and the problem of a generation of men raised according to fascist norms that linked masculinity to the performance of aggressive acts.     

Review Article: Professional,Political, and Mercenary Soldiers

Since the late 1970s, most scholarship on the origins of the Zionist–Palestinian conflict has emphasised the actions and agency of the Palestinian Arabs and Zionists, with a focus on the period before 1914. It is argued in this article, however, that the expectation of and commitment to political independence on both sides, a defining feature of the conflict, did not emerge until 1918, and that the actions of the British government in Palestine during the final year of the First World War drove this fundamental shift. Following Britain's occupation of southern Palestine in December 1917, the British administration undertook an extensive propaganda operation in the country to advertise their backing for Arab nationalism and Zionism. This campaign was part of the British government's wider endeavour to mobilise support for the Allied war effort and British imperial expansion in the Middle East in the new age of nationality. It led, the article contends, to a war for national sovereignty over Palestine between two statist nationalist movements. Rather than emphasise British colonial agency at the expense of that of the Palestinian Arabs and Zionists, the article argues that this development derived from a complex interaction between the three parties within the context of radical changes in international politics.     

Performing the Lodge: Masonry, masculinity, and nineteenth-century North American moral geography

Geographies reinforce gender and facilitate gender performativity. In this study of nineteenth-century Masonry, we demonstrate the influence of Masonic Temples in the promotion and performance of ‘Masonic masculinity.’ Masonry, through its design and construction of interior space, its embedded material symbolism and especially the geography of Masonic ritual itself, inculcated morality in prospective and raised Master Masons. Masonic Temple architecture and décor typify Victorian moral environmentalism vis-à-vis the parlor, the Masonic Lodge a domesticated male space where significant numbers of bourgeois men (and women) acted out a particular and peculiar masculine moral geography.     

'[...] But it's Not Like I Know Anything About Them!': Immigrants in the Museum in Finland

Abstract

Museum education has undergone a profound transformation from the ideals of the Enlightenment through modernism to those of postmodernism. Museum visitors are no longer perceived as passive receivers of information provided by experts but as active learners who freely construct their own meanings, driven by their personal motivation. Museum education is no longer about educating the masses but facilitating learners in their individual learning processes. Learning outcomes are no longer to be measured by the amount of new information absorbed in an exhibition but by more abstract things: improved quality of life, increased awareness of one's own identity, and better self-esteem or increased ability to cope in society. The question is: how can museums provide their visitors with such learning possibilities? This article presents three projects that have been carried out at the Aboa Vetus & Ars Nova Museum in Turku, Finland, to test methods and models for increased personal experience and involvement, especially in facilitating interaction and understanding between cultures. As a result of this it is proposed that exhibitions and their related activities should be planned in such a way that they facilitate the self-on — the individual's projection and associations through involvement of emotions — thus facilitating connections between the exhibition and contemporary life.     

Suit of power: fashion,politics, and hegemonic masculinity in Australia

In 2010 the Australian Labor Party selected Julia Gillard as leader, making her Australia’s first female Prime Minister. Between 2010 and 2015 there was a renewed focus on issues of gender inequality in the way that women politicians have been treated in Parliament and in the media. Specifically, women in positions of political and institutional power such as Julia Gillard, Julie Bishop, and Quentin Bryce, were critiqued on their clothing choices in the Australian media. In this article, I argue that the Australian media’s attention to the fashion choices of women in politics is problematically gendered, because it subordinates aesthetic features that do not conform to hegemonic masculinity. I argue that in response to the dominant masculine aesthetic norm in politics, women politicians are using their sartorial choices to challenge this marginalisation of femininity in the political sphere.