'Hard and Heavy': Gender and Power in a heavy metal music subculture

This article analyses gendered structures of power in a heavy metal (HM) music club. Although both male and female HM devotees often declare that they are engaged in a rebellious activity, this romantic conviction sits uneasily alongside the HM scene's reinforcement of conventional gender relations and identities. Although many women gravitated toward the HM setting in order to escape stifling adolescent situations, they wound up in another oppressive context. Both the forceful corporeal practices of men and the highly gendered structures of power meant that women 'did' gender on men's terms. HM texts, narratives, identities, and corporeal practices constituted a complex and contradictory gender regime that literally kept women 'in their place'.     

Multiculturalism and the immigrant “Irish woman” after the Celtic Tiger: marginalisation,gender-based violence and family dysfunction in Ebun Akpoveta’s Trapped: Prison Without Walls

This article breaks new ground in examining how “new Irish” immigrant women have responded to the collapse of Ireland’s Celtic Tiger economy and the different forms of gender discrimination and marginalisation they face both within their minority ethnic communities and the Irish host society. It approaches Ebun Akpoveta’s Trapped: Prison Without Walls (2013) as an exemplary work of fiction which exposes unresolved injustices and inequalities suffered by immigrant women. Akpoveta creates a narrative that complicates previous representations of cultural encounters between newcomers and long-established members of Ireland’s host society, not least because her Nigerian female protagonist arrives as a postgraduate student rather than an asylum seeker or refugee. She fictionalises female experiences of marginalisation, gender-based violence and family dysfunction within an all-Nigerian family that outwardly appears to be a model of integration and social inclusion in an open and welcoming Irish multicultural society.     

Contested Representations: Black women and the St Paul's Carnival

This research focuses on black women's experiences of the annual African-Caribbean carnival in St Paul's, Bristol, as a potential site of resistance. I have chosen to look at how black women challenge conceptions of space on three levels: nationally, locally and within the street. These three spatial levels are permeated by notions of resistance: resistance to dominant notions of Englishness, to representations of place, and to gender roles. I aim to focus on carnival's potential to contest hegemonic discourses, to denaturalise them and to expose them as partial. It is my overall contention that black women challenge the use of space as it is designated on a number of these levels, but that carnival does not enable them to contest their regular gender roles. Through this I hope to develop a 'cultural politics of place', but one which takes account of the intersecting dynamics of 'race' and gender, moving away from a binary model of difference.     

Veiled Meanings: Young British Muslim women and the negotiation of differences [1]

This article draws upon in-depth discussions conducted with young British Muslim women to explore the ways in which embodied differences are negotiated in the construction and contestation of identity. The author argues that dress is an overdetermined signifier for Muslim women, illustrating the role of clothing, particularly the veil, in the discursive formation of 'Muslim women'. The author explores some of the possibilities for reworking dress to create alternative femininities within different spaces, focusing in particular on the construction of 'hybrid' identities and the articulation of 'new' Muslim identities.     

‘Dark cognition’: W.B. Yeats,J.G. Herder and the imperfection of tradition

In this article I connect Revivalist politics in nineteenth-century Ireland to Enlightenment epistemology by exploring how the ideal of the Irish – or Celtic – folk tradition is embroiled in the problematic of theoretical modernity. I dispute Seamus Deane's ideological characterisation of the Irish tradition, emerging from his encounters with the work of Edmund Burke and Matthew Arnold, and propose an alternative characterisation using Johann Gottfried Herder's theories of the Volk and the origin of language. I show how, at a crucial point in European history, the folk tradition modelled a view of cognition and modernity, which stood apart from analytic rationalism and based itself upon a positive evaluation of the obscurity of sensation. Finally, I read this literary-aesthetic model of what Herder called ‘dark’ cognition into Yeats's early folkloric works of the 1890s, especially The Celtic Twilight; and I make the argument that this often-neglected text does not represent a degeneration of folkloric integrity into Celtic mysticism but a comedic trait of folk modernity.     

From aisling to chora: female allegories of the nation in contemporary Irish women's poetry

Contemporary Irish women poets use female tropes of Irish nationalism as a potent site for revising traditional conceptions of femininity, maternity, and cultural identity. Arguably, female tropes of aisling poetry inhabit the same cultural location that anchors the societal role of motherhood as theorised by Julia Kristeva. Kristeva's work highlights mothers' important function in regulating the drives and preparing children for entrance into the symbolic order of society, in relation to which mothers remain structurally liminal. The Platonic chora, an amorphous receptacle from which forms emerge, symbolises this position at the threshold. This essay shows that Irish women poets revise female allegories of the nation either by aligning them with women's lived experience, as Eavan Boland has done, or by re-evaluating them from within their liminality, through stylistic experimentation or irony, which the analysis of poems by Eiléan Ní Chuilleanáin, Medbh McGuckian, Nuala Ní Dhomhnaill and Rita Ann Higgins demonstrates.     

'And They Think I'm Just a Nice Old Lady' Women and War in Belfast,Northern Ireland

This article examines the spatial construction of gender roles in a time of war. During a period of armed conflict both women and men are perceived as beings who exemplify gender-specific virtues. The relationship of gender and identity in this case is a paradoxical one: war-usually a catalyst of change-can often become an agent of conservatism as regards gender identities. This conservatism can be seen in the wartime spatial relegation of women to the private/domestic realm. When a society is in armed conflict there is a predisposition to perceive men as violent and action-oriented and women as compassionate and supportive to the male warrior. These gender tropes do not denote the actions of women and men in a time of war, but function instead to re-create and secure women's position as non-combatants and that of men as warriors. Thus, women have historically been marginalized in the consciousness of those who have researched the events of war. This article is largely based on interviews I conducted in the fall of 1993, in an Irish Catholic community in Belfast, Northern Ireland. I will offer both female and male interpretations of what women did and how they were affected by the upheavals of the Irish Nationalist struggle in Northern Ireland.     

Protecting the honour of the daughters of Eire: welfare policy for Irish female migrants to England, 1940–70

Across the middle decades of the twentieth century, approximately 500,000 people left Ireland for Britain. Around half were young, single females migrating alone. Drawing on archival material in Ireland and England, this paper analyses the ways in which Catholic and secular agencies became aware of female Irish migrants; and how they understood and responded to their needs. Catholic organisations focused on maintaining religious belief and practice as a means of avoiding social problems in migrants. Some female migrants, such as nurses, were considered exemplars of Catholic and Irish femininity. However, female sexuality was problematised when associated with single motherhood, prostitution and cohabitation. The Irish hierarchy expected to lead policy development for migrant welfare. The framing of female migrant social needs within a moral and religious discourse led to solutions prioritising moral welfare delivered by Catholic priests and volunteers. Both the Irish government and British institutions (state and voluntary) accepted the centrality of Catholicism to Irish identity and the right of the Catholic Church to lead welfare policy and provision for Irish female migrants. No alternative understanding of Irish women's needs within a secular framework emerged during this period. This meant that whilst the Irish hierarchy developed policy responses based on their assessment of need, other agencies, notably the British and Irish governments, did not consider any specific policy response for Irish women to be required.     

“An Ancient Celtic world had filled the air”: the Celtic turn in Louis MacNeice’s mid-century radio writing

This article focuses on the specific meanings and figurations of Celtic identity, myth and history in three works by Louis MacNeice: his long poem Autumn Sequel (1954), written for broadcast on the BBC, and his two late radio plays They Met on Good Friday (1959) and The Mad Islands (1961). It will demonstrate that the poet moves from expressing an archaic and insipidly romanticised form of Celticity in Autumn Sequel, to depicting a significantly more sophisticated Celtic character and identity in They Met on Good Friday and The Mad Islands; both dramas, it will be argued, are informed by a more thoroughly archipelagic conception of cultural formation and identity in the British and Irish isles. In all three texts, MacNeice’s radiogenic engagement with Celtic material functions as a means of interrogating, though not always successfully, the forms and potentialities of human agency, community, and artistic activity within a post-war climate of political disenchantment, social fragmentation and perceived cultural vacuity. The essay will also demonstrate that MacNeice’s Celtic themed radio writing is an important aspect of the poet’s lifelong exploration of his psycho-cultural genealogy and a means of further clarifying his complex maternal and paternal inheritance.     

Pregnant Pauses: Agoraphobic embodiment and the limits of (im)pregnability

Drawing upon Robyn Longhurst's recent research on the embodied experiences of pregnant women in public places and her own empirical research on agoraphobia (fear and avoidance of social space), the author investigates the commonalities and possible synergies between the phenomenology of these two apparently disparate conditions. She argues that both pregnancy and agoraphobia might usefully be understood in terms of an experiential intensification of the problems associated with maintaining a stable self-identity by women in contemporary Western society. In both cases, subjects experience a heightened awareness of socially problematic aspects of womanhood and raised sensitivity to the feeling of being 'out of place' in the social sphere.     

“Mad” Elves and “Elusive Beauty”: Some Celtic Strands of Tolkien's Mythology [1]

Contrary to Tolkien's refutation of “Celtic things” as a source for his own mythology, this article attempts to show how his work has been inspired by Celtic folklore and myth. The article is not just a source study. It concentrates on one main example from Tolkien's early literary writings that betrays a Celtic influence. At the same time it discusses Tolkien's complex attitude towards “things Celtic” within the context of his strong sense of English identity. Finally, it seeks to explain Tolkien's derogatory comments on Celtic material as a result of popular ideas of “Celticity.”     

Between the lodge and the meeting-house: Mapping Irish Protestant identities and social worlds in late Victorian Toronto

The urban lives of Irish Protestant immigrants and their descendants are a neglected feature in geographies of the Irish diaspora. Prominent settlers from the early nineteenth century, they played a key role in the shaping of a host culture in Anglophone Canada. The social and spatial processes that moulded Irish Protestants into a wider loyal British identity are examined at a number of scales in Toronto, 'the Belfast of North America'. After initially exploring the rhetoric and practices of city-wide institutions that served many Irish Protestants, the autobiographical reflections of John McAree are used as a case study on the micro-geographies of everyday lives experienced within local space as well as an empirical test for Bourdieu's ideas of practice and 'habitus'.     

Beyond the stereotypes: Mary Lavin's Irish women

This paper discusses Mary Lavin's place within the Irish literary tradition by means of an analysis of her representations of female characters. It argues, first, that Lavin's short stories depart from the short story tradition in general and the Irish short story tradition in particular by failing to subscribe to the cultivation of the romantic outsider and focusing instead on family relations and social responsibilities. Second, Mary Lavin's marginal position in a feminist or female literary tradition is explained through her unwillingness to portray women as victims and through the absence of a clear critique of patriarchy in her work. The paper then tries to characterise the relationship between individual and society in Lavin's short fiction in a more positive way, by focusing on the notions of individual fate and personal responsibility, which turn out to be crucial to Mary Lavin's philosophy. This philosophy is first discussed explicitly in a reading of the story ‘Happiness’ and ‘The Widow's Son’ and subsequently shown to lie behind the oppositions and dilemmas in several other stories. Finally, the article demonstrates how Lavin manages to realise her Nietzschean belief in an Amor Fati in some of her most positive female characters through a clever use of imagery and point of view, without thereby succumbing to sentimentality or cliché.     

Embodied intergenerationality: family position,place and masculinity

The aim of this article is to further understandings of performances of family position, place and masculinity in what I call ‘embodied intergenerationality'. I build on research with 38 men across three generations within 19 families of Irish descent to discuss masculinity, intergenerationality and place. These men are living, or have recently lived, in the region known as Tyneside, in the North East of England. Secondary to this contribution is an acknowledgement of the significance of changing positionalities as research insider and participant observer by addressing both intersectional and intergenerational identities involved in geographic research. The article therefore responds to recent work in the discipline which has called for more critical attention towards experiences in the field, with its central contribution – embodied intergenerationality – advancing knowledge of masculinities and place for those who analyse masculinities within the research encounter. This work explores the performances and relationalities of masculinities amongst men of Irish descent on Tyneside as well as between the participants and the researcher. In working with men of different ages both within and between families, I draw conclusions on masculinity, intergenerationality and place: the roles of researcher and participant can become embodied as ‘son' and ‘father' in the research encounter and where the research takes place matters.     

Irish Female Emigration in the 1930s: Transgressing space and culture

Following the establishment of the Irish Free State in the 1920s, the continuing levels of emigration from Ireland came as a disappointment to many who believed that British colonialism had caused and perpetuated the emigration problem. Within this context, there was a need to explain emigration in ways that deflected blame away from the new state authorities. In this article, the author contributes to a gendered analysis of these shifting constructions of emigration. Drawing upon Irish newspapers of the period, she suggests that the figure of the 'emigrant girl' was central to post-colonial discourses on emigration. During the 1930s, the emigration of thousands of young Irish women to English cities such as London sparked widespread comment and criticism. The Irish press and the Catholic hierarchy in particular propagated an image of these vulnerable young women as lost and alone in the big, bad cities of England. The author analyses the ways in which the 'emigrant girl' embodied specific representations of place, culture and gendered identity; the 'emigrant girl' embodied an Irishness marked by religion, culture and landscape. Through her transgression of physical, cultural and religious spaces, she encountered loneliness, danger and the risk of denationalisation.     

St Darerca and Her Sister Scholars: Women and Education in Medieval Ireland

This article examines largely neglected evidence for women's education in Irish saints’ Lives and integrates it with findings from other medieval Irish texts, such as chronicles, devotional works and poetry. The sources attest that education was available to at least some girls and women under male and female teachers in mixed and single–sex schools from the earliest days of the Irish church until the mid–fifteenth century. Their history points to the power, agency and authority open to medieval Irish women and the respect, affection, and admiration their brothers felt for them.     

The Ulster Women's Declaration and the Passion of Women in the Campaign against Home Rule,c.1886–1912*

On Ulster Day, 28 September 1912, Unionist leaders orchestrated the mass signing of the Ulster Covenant and the Women's Declaration against Irish home rule. These were highly emotive documents and the ‘passion’ expressed by women contrasted with the men, as the Covenant implied a pact with God while the Women's Declaration promised to support their male counterparts. The Declaration, with 234,046 signatures, was one of the largest petitions ever organised by Irish (and British women) in this period and expressed the desire of many Ulsterwomen to defend their identities as Unionists and Protestants. This article breaks new ground by examining the Declaration as a form of petitioning culture. It will analyse Unionist women's petitioning through the lens of ‘passion’ and argue that petitioning offered women a way to express their feelings on this important issue. This will be done by analysing the Declaration and the Unionist women's earlier petitioning campaigns to reveal what motivated Unionist women to protest and their political practice. Another perspective is provided by the contemporary criticisms of the Declaration made by suffrage activists. This shows that while ‘passion’ could mobilise women, it could also cause friction. This article will also consider the gendered coverage of Ulsterwomen's political participation by the press. Overall, this article reappraises the political activism of Ulsterwomen from the perspective of petitioning and the power of ideological passion in politics.     

A 'Female Columbus' in 1887 America: Marking new social territory {1}

As a self-styled 'female Columbus', E. Catherine Bates took a transcontinental journey across North America with a woman companion in the late 1880s and, on her return to England, published A Year in the Great Republic . This paper, following critical theory approaches to the study of travel writing, explores the ways in which several of Bates's many-layered social identities as a woman of the British e lite class came to the fore in her travel narrative. I argue that Bates constructed her narrative primarily around her shifting gender identities- as 'feminine' and 'feminist'- and suggest that imperialistic writing was less apparent because she was travelling to a place that had an 'empire-to-empire' rather than a 'colony-to-empire', relationship to Britain during its 'Age of Empire'. In this paper I am searching for a middle ground between what I have termed 'modernist' interpretations of women's travel writing and the more recent post-structural interpretations. I make the case that Victorian women travellers' revisionist commentary on gender roles, as well as their observations of domestic scenes, should remain in focus as we continue to mark them for historical study.     

Samuel Butler's Sheep

Alice Stopford Green, widow of proto-social and Teutonic nationalist historian J.R. Green, who went on to become an Irish nationalist historian and campaigner, complicates our view of fin-de-siècle women writers. Surprisingly for an amateur historian in an age of professionalization, she took a consciously separatist position, privileging the particular over the general, and defining her writing as both female and Irish.

This article focuses on Stopford Green's 1915 epilogue to her husband's Short History of the English People (1874), and her startlingly anguished periodical article of 1897 from Nineteenth Century, to demonstrate a separatism both bold and self-aware.‘Woman's Place in the World of Letters’ (1897) prefigures Cixous in its call for an écriture feminine. It views women as utterly alien to the established order of this world. Stopford Green at once acquiesces with female essentialisation – ‘woman’ comes in the singular – and undermines it by insisting that woman's true nature is almost never seen. In the ‘Epilogue’ (1915), which updates her husband's narrative to her war-torn present, Stopford Green voices jingoistic rhetoric, but employs unobtrusive asides to distance herself from these calls to imperialism. Through such surreptitious means, she uses her late-husband's popular textbook as the conduit of subversive ideas, both voicing and subverting his English nationalism.     

The representation of non-Irish immigrants in recent Irish films

This paper examines the representation of ethnic and racial minorities in Celtic Tiger and post-Celtic Tiger films such as Adam and Paul (2004), Pavee Lackeen (2005), Once (2006), The Front Line (2007), and New Boy (2007). Key areas of analysis include: how is immigration represented on screen? Whose character's point of view predominates? How much space do these ethnic minorities occupy in the shot? In order to answer these research questions, I draw on a plurality of theoretical paradigms currently employed in film theory, mainly narrative theory, critical race theory and feminist theory. As I show, the differences between these films are paramount and will inform the different ways in which recent Irish cinema represents racial and ethnic Otherness. In some films, immigrants appear mainly as decorative props and they largely function as cinematic elements which emphasise the marginalisation of other “inner” Irish outsiders, particularly drug addicts and Travellers. By contrast, other films make serious attempts to see “into” or “through” immigrant characters by fictionalising not only the point of view of natives but also of newcomers themselves.