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1.
Fear in public spaces negatively impacts women's lives. Even when danger is low, the idea of women as endangered in public space endures—due, in part, to its centrality in the construction of gender identity for men and women. In this article, the author examines the construction of contemporary, masculine gender identities and men's perceptions of women as fearful and endangered in public space. Through interviews with 82 male students in Irvine, California, USA, the author examines how men's construction of masculine identities builds upon perceptions of women as fearful and endangered in Irvine public spaces. Though they regard Irvine as safe, men see women as vulnerable there. The author investigates this apparent inconsistency in light of men's performances of two masculine identities—the youthful 'badass' and the chivalrous man—which depend for their construction on opposition with women as fearful. Recommendations include suggestions for continued research on the spatial construction of masculine identities.  相似文献   

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This article explores the operation of nordicity as a discursive resource in Canadian national identity. Drawing on the late nineteenth-century idea of Canadians as “the men of the north” and therefore having a particular national character, this article examines the way that the Inuit have been drawn into this discursive frame since the 1950s. The key argument advanced in this article is that idealized images of the Inuit as exemplars of “northern people” operate in various ways to affirm a “northern” identity for all Canadians. This claim is explored with reference to the images of Nanook of the North and of the Inuit as “a quintessential Canadian Folk.” Continuities between the nineteenth- and twentieth-century versions of the “northmen” thesis are examined in this article.  相似文献   

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In this article, I examine both the problem of so-called postmodern history as it relates to the Holocaust and suggest the ways that Saul Friedlander's recent work successfully mediates between the somewhat overly polemicized positions of “relativist” and “positivist” history. In this context, I find that in his search for an adequately self-reflexive historical narrative for the Holocaust, Hayden White's proposed notion of “middle-voicedness” may recommend itself more as a process for eyewitness writers than as a style for historians after the fact. From here, I look at the ways Saul Friedlander's reflections on the historian's voice not only mediate between White's notions of the ironic mode and middle-voicedness, but also suggest the basis for an uncanny history in its own right: an anti-redemptory narrative that works through, yet never actually bridges, the gap between a survivor's “deep memory” and historical narrative. For finally, it may be the very idea of “deep memory” and its incompatibility to narrative that constitutes one of the central challenges to Holocaust historiography. What can be done with what Friedlander has termed “deep memory” of the survivor, that which remains essentially unrepresentable? Is it possible to write a history that includes some oblique reference to such deep memory, but which leaves it essentially intact, untouched and thereby deep? In this section, I suggest, after Patrick Hutton, that “What is at issue here is not how history can recover memory, but, rather, what memory will bequeath to history.” That is, what shall we do with the living memory of survivors? How will it enter (or not enter) the historical record? Or to paraphrase Hutton again, “How will the past be remembered as it passes from living memory to history?” Will it always be regarded as so overly laden with pathos as to make it unreliable as documentary evidence? Or is there a place for the understanding of the witness, as subjective and skewed as it may be, for our larger historical understanding of events? In partial answer to these questions, I attempt to extend Friedlander's insights toward a narrow kind of history-telling I call “received history”—a double-stranded narrative that tells a survivor-historian's story and my own relationship to it. Such a narrative would chart not just the life of the survivor-historian itself but also the measurable effect of the tellings—both his telling and mine—on my own life's story. Together, they would compose a received history of the Holocaust and its afterlife in the author's mind—my “vicarious past.”  相似文献   

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State officials in early republican Turkey framed malaria as both a medical and a political issue. In doing so, they engaged in public health education campaigns not only to resolve medical concerns but also to better govern the country's population and promote a broader modernist agenda. This article employs primary sources from Turkish archives and other collections in order to examine the governmental and the biopolitical implications of this experience. We thus scrutinize the civilizational discourse employed by politicians and physicians as they dealt with this “village disease,” the peoples who they encountered—and taught, and the obstacles that they perceived to exist within the traditional curative beliefs and practices found throughout rural Anatolia. Emphasizing modernist ideals in their medicine as much as in their politics, we conclude that health officials' lessons for waging an effective “war” on malaria targeted not just the disease but also its perceived societal sources of origin and—hence—the very populace it presumably sought to protect.  相似文献   

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The United States is more violent than Canada and it always has been. Even in the face of mass shootings, most Americans remain culturally and politically resistant to the sorts of gun control measures that have long existed in Canada. America’s unique gun culture is embedded in the history, imagery, and especially the mythology of the American frontier. Canada had its own frontier experience and has its own history of gun ownership, but it does not have a parallel gun culture. This article presents a comparative analysis of post-Civil War/post-Confederation frontier history and mythology, and examines the construction of contrasting cultural narratives of America’s “Wild West” and Canada’s “Mild West.” It suggests that US–Canadian differences in gun laws and gun culture—even in the borderlands region of Alberta/Montana—are better explained by the countries’ two different frontier mythologies than by their actual western histories.  相似文献   

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Conceived as a satirical poem in the best French tradition, “1909” contrasts a beautiful woman dressed in the latest fashion with the “atrocious women” who work in factories. That Apollinaire finds the latter more appealing has important ramifications for modern poetry. The present article examines the previous studies, synthesizes their findings, and analyzes the poem in detail.  相似文献   

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This paper examines performances of hospitality in everyday life to explore the lived experience of “being Moldovan”. National identity in Moldova can only be understood by reference to the peculiarities of history—to the presence of a neighbouring kin-state (Romania), a multiethnic population, Soviet ideology, and successive efforts at nation-building. The instabilities, contradictions, and ambiguities of national identity are also experienced and interpreted, as they are regularly performed in informal and formal settings. The “hospitality” of Moldovans—performed daily through linguistic code-switching, in practices of buying and selling, in life-cycle celebrations such as weddings, and in the official greeting and welcoming of dignitaries and visiting delegations by folk-costumed performers—is, paradoxically, an important site of this experience of ambiguity. The same set of practices both renders its performers “masters of their own houses”, while at the same time revealing the limits of the metaphor.  相似文献   

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Sexual minorities in Poland are excluded from the traditional understanding of “Polishness” premised on conservative, Catholic values. This article examines how ethnic Polish citizens who identify as non‐heteronormative navigate their relationship to “Polishness” at a moment of heightened nationalism. Through 31 interviews with Polish sexual minorities, I show that while national identification is a struggle for some sexual minorities, others work to reframe what “Polishness” means to them. I argue for further research examining the ways that stigmatised members of the ethnic majority—what I term ideological others—understand and navigate their relationship to national identity. The study contributes to the literature on everyday nationhood and national identity by attending to national identification among stigmatised members of the ethnic majority.  相似文献   

10.
The history of Russian social anthropology has long been best known for the work of three, late nineteenth-century “exile ethnographers,” each sent to the Russian Far East for their anti-tsarist activities as students. All three men—Vladimir Bogoraz, Vladimir Iokhel'son, and Lev Shternberg—produced voluminous and celebrated works on Russian far eastern indigenous life, but it was the young Shternberg who had perhaps the most profound effect on setting the agenda for the canonic evolutionist line soon to take hold in late Russian imperial and early Soviet ethnography. This essay draws on archival, library, and field research to revisit the life and work of Shternberg in order to tell the story of “group marriage” that he documented for the life of one Sakhalin Island indigenous people, Gilyaks (or Nivkhgu, Nivkhi). Documented in this way by Shternberg, the Nivkh kinship system proved a crucial “missing link” for Friedrich Engels, who had long been eager to provide evidence of primitive communism as man's natural state. For Gilyaks, the die was cast. Their role as the quintessential savages of Engels’ favor made them famous in Russian and Soviet ethnographic literature, and significantly enhanced their importance to Soviet government planners. This essay tracks that episode and its aftermaths as a pivotal moment in the history of Russian social anthropology and of evolutionist thought more broadly.  相似文献   

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This article serves as an interpretation of Nipmuc history in colonial contexts by focusing on the engagement and survival of the “capitalist colonial” world by the eighteenth- and nineteenth-century Nipmuc inhabitants of the Sarah Boston Farmstead Site in Grafton, Massachusetts. Ceramic analyses are drawn upon to argue that active consumer strategies and/or choices may potentially undermine the material and discursive markers of difference linked to notions of domesticity, class and race. The apparent homogenized or “insignificant” character of the Sarah Boston Farmstead ceramic assemblage is argued to in fact be quite significant, as its banality speaks to a degree of knowledgeable “mimicry”—tactical or not—that may have deflected (but not negated) inequality through the undermining of markers and discourses of difference.  相似文献   

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This study examines some social consequences of food rationing and economic reforms in Shanghai by considering the notion of “Shanghai little men” (a broader translation of which is “Shanghai less-than-manly men”). Male Shanghainese are notorious for doing household labor and being obedient to their wives, which has earned them the nickname Shanghai little men. This study indicates that their grocery shopping and cooking were first inspired by fundamental changes in food distribution and the power structure during the 1950s and 1960s. It treats Shanghai little men as both a special group and a symbol of certain changes in gender roles at home and the redefining of gender norms in the larger society. It examines the shifting discourse concerning Shanghai little men in the era of economic reforms and analyzes a recent popular discourse about “seeking real men” and “being real women.” Finally, it deconstructs the current cultural nostalgia for traditional gender-defined divisions of labor, reflecting a parallel developmen—the “transnational business masculinity” that one sees in China.  相似文献   

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How new was the New China? This article explores the experience of Beijing tailors in the early years of the PRC in light of this question. After 1949, many long-established tailors simply continued to ply their trade in their old business premises, giving a strong impression of continuity in the social fabric of the city. They were increasingly challenged, however, by newcomers to the industry, including petty entrepreneurs who chose to invest in a socially useful trade, and the graduates of newly established sewing schools, usually women. Policy shifts from the New Democracy period through the “three anti” and “five anti” campaigns to the eve of the socialist transformation in 1956 affected old and new businesses, men and women, in different ways. Overall, the reduction in entrepreneurial freedoms that characterizes this period of Chinese business history was, in this sector of industry and commerce, most strikingly manifest in limitations on what tailors were licensed to make, which had effects on what Beijing people wore. From these various perspectives, 1949 can be seen to be a rather clear dividing line in the history of Beijing, but it was possibly a rather faint line at first, becoming darker and thicker as the 1950s progressed—or should that be “regressed?”  相似文献   

14.
This article examines presidential inaugural addresses to gain a perspective on the changing relationship between the people and the presidency throughout American political history. The analysis suggests three distinct models of inaugural address—constitutional, party, and plebiscitary—each articulating a different understanding of presidential leadership and the relationship between the presidency and the people. The constitutional presidents see themselves largely as restrained, constitutional officers with a minimal relationship to the people. The party model yields a role for the president which is more tied to the people's will, especially as expressed through party. Even though tied more strongly to the public, party presidents recognize constitutional limits on their roles and powers. Plebiscitary presidents often eschew party affiliation and the guise of constrained constitutional officer, and cast themselves as engines of the American political system fully tied to public opinion. Plebiscitary presidents often make few references to other political actors or to the Constitution. Beyond helping us to better understand the contours of American political development, this analysis challenges the prevalent assumption in studies of the presidency that nineteenth-century presidents were not popular or “public” leaders.  相似文献   

15.
Peter Burke 《Folklore》2013,124(2):133-139
This article is designed as an introduction to the other articles in this special edition of Folklore. It argues that the relationship between historians and folklorists has undergone three phases: the “age of harmony” prior to the First World War, when both disciplines were in their infancy; the “age of suspicion” from the 1920s to the 1970s, when historians tended to define their field narrowly as the development of the nation‐state, and to stress their “scientific” methodology based on contemporary archival documents; and the “age of rapprochement” since the 1970s as historians ventured into new areas—popular culture, micro‐history, “history from below”—borrowing methodologies from the social sciences as they did so. And it looks forward to an “age of co‐operation” between the two disciplines.  相似文献   

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In the climax to The Protestant Ethic, Max Weber writes of the stahlhartes Gehäuse that modern capitalism has created, a concept that Talcott Parsons famously rendered as the “iron cage.” This article examines the status of Parsons's canonical translation; the putative sources of its imagery (in Bunyan's Pilgrim's Progress); and the more complex idea that Weber himself sought to evoke with the “shell as hard as steel”: a reconstitution of the human subject under bureaucratic capitalism in which “steel” becomes emblematic of modernity. Steel, unlike the “element” iron, is a product of human fabrication. It is both hard and potentially flexible. Further, whereas a cage confines human agents, but leaves their powers otherwise intact, a “shell” suggests that modern capitalism has created a new kind of being. After examining objections to this interpretation, I argue that whatever the problems with Parsons's “iron cage” as a rendition of Weber's own metaphor, it has become a “traveling idea,” a fertile coinagein its own right, an intriguing example of how the translator's imagination can impose itself influentially on the text and its readers.  相似文献   

17.
This study examines the poetry of two women of nineteenth-century Iran—one royal, one non-royal—and the women patrons for whom they composed praise poetry. Through the reconstruction of female-centered patronage networks and associated female-only performance venues, and via an examination of the active roles played by female patrons both in affairs of state and in the management of the immense royal harem, this study highlights the various ways in which members of several generations of women in Qajar Iran were involved in the production, dissemination and appreciation of poetry. It is argued here that these patronage and poetry production networks should be read as evidence of a female-centered literary tradition, one that was in dialogue with (and often intersected) the dominant male tradition; one that empowered the women actors within it to create a sisterhood of poets through which their art could be passed on from mother to daughter, and from daughter to granddaughter (and occasionally from mother to son).  相似文献   

18.
This article analyses the 1936 “Wotan” essay by Swiss psychologist Carl Gustav Jung in light of one of its reigning motifs, Ergriffenheit. First, this term is examined within the works of Protestant theologian Rudolf Otto and Indologist Jakob Wilhelm Hauer, who used it to describe what they claimed to be the original religious experience, a state of being deeply stirred or even seized by the “the holy” or by “the ultimate reality.” The article then examines antecedents in Jung's theory of states of psychic seizure, in which two halves of the psyche come into conflict, the resolution of which leads to an increased capacity to create the arts of culture. The analysis then moves to the “Wotan” essay itself, where Jung brings together his own theory of psychic seizure with the theory of the original religious experience as proposed by the above-named scholars of religion in order to suggest that, under National Socialism, the Germans were in the midst of a collective confrontation with their own inner divinity, which should lead to a national spiritual rebirth. The article then investigates the works of several of the men Jung mentions in the essay, as well as his use of ancient Germanic mythology, to support his claim. Through his portrait of the Germanic archetype Wotan, Jung psychologizes and thereby essentializes the Romantic image of the Germans as “a people of poets and philosophers” as well as that of a Nietzschean “master-race.” In conclusion, the article argues that, at least in 1936, Jung's attitude towards Hitler and National Socialism was much more favorable than has previously been recognized.  相似文献   

19.
ABSTRACT This article analyses a group of Gogodala Christian women in the Western Province of Papua New Guinea who are referred to as ‘Warrior women’ and who pray, sing and call upon the Holy Spirit to cleanse their own bodies and ‘turn their eyes’, so that they are able to see those who threaten the health and well‐being of the wider community. These women have focused primarily on bringing male practitioners of magic — iwai dala — shadowy and powerful men who operate covertly and away from the gaze of others, out into the open. Whilst this has been happening for many years, the spread of HIV and AIDS into the area, fuelled by what many in the area believe is the rise of unrestrained female and male sexuality and the waning of Christian practice and principles, has meant that those perceived to bring harm to the community through their sexual behaviour have become recent targets for Warrior women. HIV/AIDS, referred to in Gogodala as melesene bininapa gite tila gi — the ‘sickness without medicine’ — is understood as a hidden sickness, one that makes its way through the community without trace until people become visibly ill. Warrior women seek to make both AIDS and those who, through their behaviour, encourage or enable its spread more visible. In the process, however, a small number of them are overcome by the Holy Spirit, so much so that they become daeledaelenapa — mad ‐ their behaviour increasingly characterised by childishness and uncontrolled sexuality.  相似文献   

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