Coloured Cabinets: A Reflection on Material Culture as a Marker of Coloured Identity in Cloetesville,South Africa

In coloured neighbourhoods of the Western Cape in South Africa, there are objects in people's homes that live in a unique historical and cultural moment. This article reports on an examination, in the neighbourhood of Cloetesville, Stellenbosch, of how these objects inside residents’ homes tell a story of a creolised people and the locations in which they are situated. In the case of Cloetesville, as in many neighbourhoods that arose from a history of forced removals, many people experience various social and economic problems. Coloured people's identities are commonly thought to rest in these problems. This article, however, seeks to suggest an alternative way of exploring coloured identity through looking at objects in households and broader living environments. Thus, I hope to provide insight into different yet distinct experiences by contributing new perspectives through looking at nostalgic and ordentlike (respectable) sentiments of belonging. Specifically cabinets in living rooms are conceptualised as repositories of such sentiments in the home, and how the objects residing in the home have the power/ability to symbolically ground their owners in the neighbourhood of Cloetesville.     

Photography,public pedagogy and the politics of place-making in post-industrial areas

This paper discusses the way in which public photographic depictions of places and place-based communities contribute to the construction of local identity and community building. Being public and visualised statements about what a place and the people living there are and what they are not, photographs incite public debate about place and community. The paper discusses two interventions, one in Ghent, Belgium, involving professional photographers from outside the neighbourhood, and one in Bonnybridge, Scotland, involving amateur photography by local residents. Both are attempts by community workers to encourage citizens to discuss alternative realities of themselves, their neighbours and their neighbourhood. Starting from theories of place-making and public pedagogy, we reveal how both nonetheless exemplify very different strategies to democratise community-building processes.     

PHOTOGRAPHS, SYMBOLIC IMAGES, AND THE HOLOCAUST: ON THE (IM)POSSIBILITY OF DEPICTING HISTORICAL TRUTH

Photography has often been scrutinized regarding its relationship to reality or historical truth. This includes not only the indexicality of photography, but also the question of how structures and processes that comprise history and historical events can be depicted. In this context, the Holocaust provides a particular challenge to photography. As has been discussed in numerous publications, this historic event marks the "limits of representation." Nevertheless there are many photographs "showing" the Holocaust that have been produced in different contexts that bespeak the photographers' gaze and the circumstances of the photographs' production. Some of the pictures have become very well known due to their frequent reproduction, even though they often do not show the annihilation itself, but situations different from that; their interpretation as Holocaust pictures results rather from a metonymic deferral. When these pictures are frequently reproduced they are transformed into symbolic images, that is, images that can be removed from their specific context, and in this way they come to signify abstract concepts such as "evil." Despite being removed from their specific context these images can, as this essay argues, refer to historical truth. First, I explore the arguments of some key theorists of photography (Benjamin, Kracauer, Sontag, Barthes) to investigate the relationship between photography and reality in general, looking at their different concepts of reality, history, and historical truth, as well as the question of the meaning of images. Second, I describe the individual circumstances in which some famous Holocaust pictures were taken in order to analyze, by means of three examples, the question what makes these specific pictures so particularly suitable to becoming symbolic images and why they may—despite their abstract meaning—be able to depict historical truth.     

‘There Was A Third Man…’: Tales from a Global Policy Consultation on Indicators for the Sustainable Development Goals

This article reflects on the experience of the two authors as ‘experts’ during consultations on justice and security indicators for the Sustainable Development Goals. The authors examine how the tension between the indeterminacy of the concepts to be measured — justice and security — and the concreteness of indicators shaped the politics of the consultations. Participants used this tension strategically to destabilize notions of time, space and identity on which knowledge production rests. In doing so, they blurred the distinction between academics, advocates and policy makers. They did this to lay claim to some aspects of implementation while distancing themselves from others. The authors then juxtapose this with personal experience of researching South Sudanese citizens, who challenged and deconstructed that distinction. At the same time, experts at the consultations incorporated an image of these citizens as an ethical justification for the discussion. The authors argue that a more complex sociology of knowledge is required to understand how these global knowledge practices work from the global to the local. Such a sociology of knowledge acknowledges fluidity and grapples with how knowledge practices defer and delimit moments of decision; it requires an ethico‐political — rather than just a political — critique.     

Die departement geskiedenis/The history department

Abstract

This article traces changing interpretations of the nature of Coloured identity and the history of the Coloured community in South Africa in both popular thinking as well as the academy. It explores some of the main contestations that have arisen between rival schools of thought, particularly their stance on the popular perception that Colouredness is an inherent racial condition derived from miscegenation. This essay identifies four distinct paradigms in historical writing on the Coloured people. Firstly, there is the essentialist school which regards Colouredness as a product of miscegenation and represents the conventional understanding of the identity. Secondly, instrumentalists view Coloured identity as an artificial creation of the white ruling class who used it as a ploy to divide and rule the black majority. This explanation, which first emerged in academic writing in the early 1980s, held sway in anti-apartheid circles. Opposing these interpretations are what may be termed the social constructionists who from the early 1990s stressed the complexities of identity formation and the agency of Coloured people in the making of their own identities. Most recently the rudiments of a fourth approach, of applying postmodern theory, especially the concept of creolisation, to Coloured identity have appeared.     

Engendering the Slum: Photography in East London in the 1930s

Photographs are not truthful records of reality. They are images that are always interpreted, and this essay looks at some critical interpretations of photographs taken in the 1930s of white working-class women in the streets of East London. It pays particular attention to two current critiques that tend to address two different kinds of photographs (and in so doing to constitute them as distinct genres): a Foucauldian account of photography as a form of disciplining surveillance, and a Lacanianinfluenced analysis of photography as a disruptive reminder of absence and death. By examining documentary photographs and family snapshots from the East End in the 1930s I argue, first, that both of these critical accounts require an explicit consideration of the constitution of sexual difference, since both implicitly reproduce regressive visions of (working-class) femininities. Secondly, I argue that feminist revisions of both should be deployed together in order to effect a destabilising critique of the constitution of sexual difference through photographs. I elaborate that argument by considering a third series of photographs, commissioned by Stepney Borough Council in 1937 to record housing condemned as slums in the borough. In discussing that series, I suggest that through its organisation of the spatiality and corporeality of the women photographed outside their houses that were to be demolished, a radically uncertain femininity is conjured.     

Moving pictures: Memory and photography among the Arhuaco of the Sierra Nevada de Santa Marta,Colombia

This article traces the changing uses and meanings of a set of ethnographic photographs that represent a contentious period in the history of the Arhuaco, an indigenous group that inhabits the Sierra Nevada de Santa Marta, in Northern Colombia. Based on archival sources and fieldwork, I explore their role in the 1910s when they were created by Swedish anthropologist Gustaf Bolinder, and also analyse indigenous re-significations and contests over the meaning of the photographs in 2010s as a process that is intertwined with their present struggles. I study their use by an Arhuaco media-maker who incorporated them into a historical documentary film and debates among community members around possible interpretations of the pictures. Through this case study I seek to contribute to the expanding scholarship on the history of anthropological photography, and in particular to recent efforts to move beyond vertical colonial readings and emphasize indigenous agency. I argue for the need of a more nuanced understanding of indigenous and non-indigenous uses of photography that takes into account a shared history and does not naturalize differences. Furthermore, I trace the changing meanings of photographs in order to illuminate the historicity implied in the process of attributing meaning to the past.     

Snapshots of History and the Nature of the Archaeological Image

By its very definition, archaeology is situated at the intersection of the material and the temporal worlds. Photography is similarly positioned, and yet it can be manipulated to produce constructed contexts according a photographer’s agenda. In order to explore how the abilities and limitations of archaeology and photography are entwined I examine the representational power of the photograph and the phenomenon of Japanese tourist photography. I then discuss the construction of archaeological photographs, both in practice and in the prescribed theory contained archaeological methods textbooks, as well as how photographs are used to represent the embodied, physical performance of archaeology.     

Gender,age and the politicisation of space during the time of political violence in KwaZulu-Natal,South Africa

This article examines the way in which the modality of the political violence between Inkatha and the United Democratic Front politicised space in KwaZulu-Natal, South Africa. The article demonstrates how place is actively produced through everyday practices. It shows how the spatiality of the violence shifted – from the body to multiple sites of everyday life such as the school and the household and finally to the neighbourhood. Residents were drawn into the violence differentially on the basis of their gender and age, rather than political beliefs and affiliations. Places were politicised in ways that linked their meaning to the political identity of those found in that space. By presenting a spatialised analysis of the political violence, and illustrating how the production of place articulated with the co-production of political identities, this article makes a novel contribution to the existing literature on political violence in KwaZulu-Natal.     

South Africa: Reform,resistance and negotiation

Government reforms in South Africa during the 1980s have neither adequately addressed the problem of black political rights nor significantly improved the material well‐being of blacks. Nonetheless reform should not be judged irrelevant Reform divided the ruling National Party, weakened its support base and exposed new contradictions in apartheid policy. It also opened critical space in which black resistance movements could build essential organisational strength. By rejecting reform as cosmetic in the mid‐1980s black resistance organisations lost strategic advantages in their struggle which they have only now recovered. Ironically, the government's rhetoric of reform may well force it to enter into genuine negotiations.     

Divergent desires for the just transition in South Africa: An assemblage analysis

In this paper I establish a ‘just transition assemblage’ as a theoretical and empirical case-study to explore the plurality of justice in South Africa's energy transition. The coal phase-out is complicated by the legacies of apartheid, poverty, inequality, unemployment and structural crisis in the state-owned power utility. This transition is loaded with expectation but there is no consensus on what would qualify it as ‘just’. This assemblage analysis clusters desires around two distinct post-carbon imaginaries. The first is an ordering of desires for justice in a diffuse, distributional sense, targeting greenhouse gas emission reductions and looking to smooth the negative impacts of the transition. I label this approach ‘net justice’. This targets more justice overall in defined political spaces, and contrasts with the second orientation around recognising, reconciling, and addressing specific injustices. These desires are distinguished by a contrasting purpose of renewable energy and differing attitudes to its appropriateness or fit. There are incoherent spatial effects, where net justice is shown to be a territorialising project whilst specific injustices need to be de-territorialised. Emphasising desire shows how material and history are enrolled and enlivened, contributing to post-carbon imaginaries. This approach enables injustice and net justice to be understood as conceptually distinct, despite seeming unified calls for a just transition. The primary contribution of this paper is to show how in some cases, popular uses of the terms justice and injustice refer to different things. It forces attention on the question of: ‘justice for whom?’     

Moving Towards Transformative Democratic Action Through Archaeology

Archaeologists have explored how politics affect the way we see the past. They have investigated how constructions of the past naturalize present political conditions, and have explored uses of the past in current politics. Few have examined how politics in archaeology can relate to the future. In this article I develop ideas on a transformational politics in archaeology that focuses on critiquing oppressive relations in the past and present, and works towards building more just relations for the future. I examine how we can achieve this through building more democratic relations in the places we work.     

Islands,extraction and violence: Mining and the politics of scale in Island Melanesia

Set against the backdrop of past, contemporary and possible future mining-related violence on islands in the western Pacific, this article explores how scholarship on the politics of scale, as well as strands of the burgeoning island studies literature, might sharpen our understanding of the political economic and violent effects of extractive resource enclaves in Island Melanesia. Drawing upon field research in Bougainville and Solomon Islands, I argue that just as Melanesian islands were produced as a scale of struggle in the context of the introduction of capitalist social relations under colonialism, so too have they emerged as a critical, albeit problematic, scale of struggle in contemporary contestations around extractive resource capitalism under the current round of globalisation and accumulation by dispossession. I suggest that this politics of scale lens enriches our understanding of how “islandness” can be an important variable in social and political economic processes. When the politics of scale is imbricated with the well-established idea of the island as the paradigmatic setting for territorialising projects, including the nation-state and sub-national jurisdictions, islandness emerges as a potentially powerful variable in the political economic struggles that attend extractive resource enclaves. I also highlight, in the cases considered here, how islands can become containers for internal socio-spatial contradictions that can be animated by extractive enclaves and can contribute to the island scale becoming violent and “ungovernable”. The article advances recent efforts to bring the island studies literature into closer conversation with political and economic geography.     

Unchanging boundaries: the reconstruction of Skopje and the politics of heritage

This study discusses the politics of urban planning and heritage in the city of Skopje, Macedonia. I compare three phases of urban reconstruction under three political systems: the inter-war Kingdom of Serbs Croats and Slovenes, the communist regime and present-day ‘democracy’. I show that the ambiguous marginalisation of Ottoman heritage has been a continuous practice, despite today’s reading of communist planning as ‘open’. Through a discussion of Yugoslav politics towards religious and national ‘minorities’, I show that Ottoman heritage has been preserved only insofar as it fits within the state’s definition of power. I specifically detail how the construction of ‘European’, ‘secular’ public space has worked as a tool through which state/nation building established new hierarchies of power. I show how this is reflected most clearly in the specific politics of heritage by discussing the creation, regulation and management of ‘?ar?ija’, the ‘old Turkish’ neighbourhood of Skopje.     

Contexts of interpretation: assessing immigrant reception in Richmond, Canada

This article examines the responses of established residents to contemporary physical and social changes in Richmond, British Columbia, a Vancouver suburb that has received a considerable number of ethnic-Chinese immigrants over the past decade. In the metropolitan Vancouver context, recent considerations of immigrant reception at the neighbourhood level have focused on the critical reactions of 'white', European-origin residents in upper-middle class areas to local immigrant settlement and housing stock transformations. These studies have given rise to conflicting interpretations of the relationship between immigration and neighbourhood landscape change, the motivations behind resident protest and, in particular, the definition of their responses as racist. Drawing from extended interviews with fifty-four long-term Richmond residents, I attempt to provide a broader account of immigrant reception as a supplement to works that have revolved around housing issues and 'white' resistance. I also critique the way that the term racism has been used to describe resident reactions to immigration-related changes, calling for researchers to be more reflexive and explicit in their application of the concept.     

Family photographs and domestic spacings: a case study

This paper elaborates the argument that domestic space should be considered as the product of relations that extend beyond the home. It examines one common domestic object – family photographs – and explores how the particularity of this photography and the specificity of its display by white middle-class mothers with young children in South-east England produce just such an extended domestic space. The stretched space co-produced by these mothers and photographs is also a form of stretched time, and it is integrative in complex ways; it contains different kinds of absences which disturb but do not break its cohesion. The paper also discusses why the display of family photographs is done almost exclusively by women.     

WHAT I BELIEVE: DOING ARCHAEOLOGY AS A FEMINIST

I propose that a feminist approach will enrich archaeology in the Southeast and Midsouth. Feminist archaeology starts by taking the lives of women seriously in thinking about past human societies. This standpoint has implications for all topics of interest for Southeastern archaeologists: subsistence patterns, craft production, exchange, development of political systems, warfare, ritual, and so forth. Feminist archaeologists are also self-reflexive about and alert to conditions of work in the profession of archaeology. They pay attention to the importance of the intersection of gender, age, status, and other aspects of personal identity and to the need to accept ambiguity in interpretation. I review how a feminist archaeology might be applied to the archaeology of the South and what risks a feminist archaeology might raise.     

Heritage as trope: conceptual etymologies and alternative trajectories

The theorization of heritage must necessarily examine the impact of its often concealed status as a metaphor, a figuration framing our use of the term as well as those things described as heritage. Describing elements of the past as heritage is a trope as the past does not leave a testament. This figuration singularizes past, present, and legacy (concealing differences within these terms), as well as ascribing intentionality to the past. These resonances often lend a conservative charge to heritage; however, they might also be viewed as offering a critique of the present. The theorization of heritage should also examine specific histories of how this trope arose. In Britain, John Ruskin’s influential articulation of cultural heritage, for example, drew on the way inheritance featured in political writings of John Locke and Edmund Burke. Theorization of heritage can also be broadened by considering how inheritance is employed in other disciplines, such as its use in phenomenology and poststructuralism, an arc encompassing work by Edmund Husserl, Martin Heidegger, Jean-Luc Marion, Jacques Derrida, and Bernard Stiegler. These investigations help expand the conceptual dimensions of heritage.     

A cohort of trees,photographs, scientists,an artist and a curator: the collaborative study of environmental change

ABSTRACT

I explore how a historic image archive can be re-worked through collaborative artistic-scientific practice, and how photography can be ‘re-performed’ as a strategy to observe an environmental change. The focus is on a project by the photographer Chrystel Lebas, who between 2011 and 2017 worked in collaboration with botanists from the Natural History Museum, London. The collaborators used historic and contemporary photographs for seasonal observations in the field. Their specific interest was in the potential for using historic visual ecological records to investigate environmental change as observed now.

The paper explores the hybridization of technical, aesthetic and embodied knowledge, the application of montage and the tacit creation of a visual framework for observation. It draws attention to the potential inflexibility in interpretation inherent in the accepted systematic practice of placing ecological records within a herbarium in a natural history collection. Secondly, it illustrates the neglected potential of photographic collections within scientific research.     

Rewriting apartheid South Africa: race and space in Miriam Tlali and Lauretta Ngcobo’s novels*

This article employs oppositional black geography as a lens to examine spatiality in the novels of two black South African women writing during apartheid, Miriam Tlali and Lauretta Ngcobo. In analyzing Tlali’s Muriel at Metropolitan and Ngcobo’s And They Didn’t Die, it argues that the authors used a critical spatial analysis of the nation to critique apartheid and its oppressive policies. It holds that by insisting on authoring their own worlds in a country that sought to deny them creative agency, Tlali and Ngcobo carved out intellectual space that enabled them to critique dominant ideologies of Afrikaner nationalism and white supremacy, while imagining and writing alternatives to a nation to which their relationships were primarily ones of disavowal and subjugation. Both Tlali and Ngcobo render visible the fissures within the seemingly naturalized apartheid sites they construct in their fiction, revealing the inherent contradictions and injustices of apartheid spatiality. Through their fiction, they were thus engaged in situated knowledge production and a reconfiguration of apartheid space into a more socially just place. In narrating subaltern discourses in their novels from the standpoint of those most oppressed by apartheid law and ideology and by creatively engaging the spatiality of apartheid, Tlali and Ngcobo offer new modes for reading the nation, valuable for elucidating the ways in which the national space genders black women, and how black women, in turn shape and reshape that space.