Hunter–gatherer foraging ranges, migrations, and travel in the middle Holocene Baikal region of Siberia: Insights from carbon and nitrogen stable isotope signatures

Foraging ranges, migrations, and travel among Middle Holocene hunter–gatherers in the Baikal region of Siberia are examined based on carbon and nitrogen stable isotope signatures obtained from 350 human and 203 faunal bone samples. The human materials represent Early Neolithic (8000–6800 cal BP), Late Neolithic (6000–5000 cal BP), and Early Bronze Age periods (∼5000–4000 cal BP) and come from the following four smaller areas of the broader region: the Angara and upper Lena valleys, Little Sea of Baikal’s northwest coast, and southwest Baikal. Forager diets from each area occupy their own distinct position within the stable isotope spectrum. This suggests that foraging ranges were not as large as expected given the distances involved and the lack of geographic obstacles between the micro-regions. All examined individuals followed a similar subsistence strategy: harvesting game and local fishes, and on Lake Baikal also the seal, and to a more limited extent, plant foods. Although well established in their home areas, exchange networks with the other micro-regions appear asymmetrical both in time and direction: more travel and contacts between some micro-regions and less between others. The Angara valley seems to be the only area with the possibility of a temporal change in the foraging strategy from more fishing during the Early Neolithic to more ungulate hunting during the Late Neolithic–Early Bronze Age. However, the shift in stable isotope values suggesting this change can be viewed also as evidence of climate change affecting primary productivity of the Baikal–Angara freshwater system.     

The Geoff Egan Memorial Lecture 2011 Artefacts,art and artifice: reconsidering iconographic sources for archaeological objects in early modern Europe

Abstract

This paper reviews a key dynamic in post-medieval archaeology, that is, the relationship between artefacts and images, and in particular the questions raised in the study of historic domestic material culture depicted in contemporaneous painting and prints. Both media underwent a major transformation from c. 1400. Two main groups of pictorial art containing domestic material culture are reviewed, namely pre- and post-Reformation art in the Netherlands and Germany and genre paintings of the Dutch Golden Age. The historical iconographic record may shed a potentially rich qualitative light onto the quantitative archaeological patterning. Excavations at Duisburg in the Lower Rhineland are selected as a rich source of archaeological correspondence.     

The Line,the Void and the Current: Iron Age Art from a Design Theory Perspective

Objects from the European Iron Age decorated with swirls and scrolls, faces and figures, and generally referred to as Early Celtic Art, can offer deep insight into later prehistoric notions of creativity. By drawing on archaeology and social anthropology, art and architectural design, this theoretical discourse investigates the design processes involved in the creation of Early Celtic Art. Rather than attempting to decipher a meaning behind decoration, this enquiry uses architectural ‘Design Theory’ to explore the implications of certain design choices. It starts with the premise that these designs are integral to the objects in order to identify different layers of complexity, innovation and emulation, and ends with wider reflections on who was creative and how. This approach, borrowed from architectural analysis, aims to open a new line of enquiry into the fascinating world of Iron Age creativity.     

On the Supposedly Young age of Angara Alluvial Sediments Based on the Findings of Salvage Excavations in the Flooding Area of the Boguchany Hydroelectric Plant

Based on the stratigraphy of Paleolithic sites on the northern Angara, the Upper Pleistocene and Holocene history of the region is reconstructed. Findings of recent salvage excavations in the Boguchany flooding zone as well as the evidence of Quaternary geology, geomorphology, neotectonics, and archaeology jointly disprove the “young Angara” model proposed by G.I. Medvedev and other “geoarchaeologists.” The principal event postulated by that model – the alleged disastrous outburst of the Angara along the Baikal channel 12–7 ka BP is supported neither by the relief nor by the Upper Pleistocene and Holocene sedimentation record nor by the stratigraphy of the Paleolithic sites on the northern Angara.     

A POWER TO INTRIGUE? EXPLORING THE ‘TIMELESS’ QUALITIES OF THE SO‐CALLED ‘GROTESQUE’ IRON AGE TORC FROM SNETTISHAM,NORFOLK

Sometimes we come across objects that truly intrigue us. Not necessarily because they are great examples of art, or because they are made of precious materials, but because there is some other quality which captures our attention. One of these can be age. Just as age adds character to people’s faces, the patina of an object or visible signs of damage and use instils an object with a certain ‘charisma’ or ‘aura’. This paper examines in detail the so‐called grotesque torc, a neck‐ring dating to the Iron Age which has been extensively repaired. The repairs are crude and obvious, which gives the object its distinctive appearance. It is argued that these signs of age, inscribed onto the artefact through its life, imbued the torc with a timeless ‘anachronic’ quality: its visible age manifests a certain charisma or aura, helping facilitate a plural relationship with time.     

Rock art on Socotra,Yemen: the discovery of a petroglyph site on the island's south coast.

Recent fieldwork on the south coast of the island of Socotra, Yemen, has revealed a hitherto unknown petroglyph site. This site represents the first rock art to have been recorded on the south coast, an area generally regarded as being unpopulated up until the recent past. The corpus of recorded petroglyphs includes feet, cupules, anthropomorphic figures and geometric motifs, whose designs parallel those from known rock‐art sites on the north coast. The importance of this site is that it provides us with the first glimpse into the religious and socio‐political lives of the inhabitants of the previously unknown southern half of Socotra. Placing these petroglyphs within the broader context of rock‐art studies on the island of Socotra has also allowed us to begin to disentangle the skewed view of Socotra's inhabitants.     

内蒙古赤峰市康家湾遗址2006年发掘简报

2006年,对内蒙古赤峰市康家湾遗址进行发掘。该遗址以夏家店下层文化遗存为主体,遗迹有房址、墓葬、灰沟、灰坑、灶等,出土较多陶器、石器、蚌器、骨器等。该遗址不属于石城址,房址均为土坑半地穴式。它的发现,为研究阴河中下游地区夏家店下层文化的聚落形态及建筑形式提供了重要资料。     

中国原始音乐起源的考古学观察

本文将原始音乐分为形体艺术、时间艺术和造型艺术三种艺术形态,从考古学的角度对音乐起源进行了初步考察,认为中国史前音乐萌芽于旧石器时代中期,形成于旧石器时代晚期。     

The neolithic and early bronze age of the Lake Baikal Region: A review of recent research

Rich settlement and burial evidence from the Baikal/Angara region in Central Siberia provides one of the most promising opportunities in the global boreal forest for studying Holocene foragers. The Neolithic and Early Bronze Age prehistory of the region is known to western scholars only through a few English translations of the works of A. P. Okladnikov. Since the publication of Okladnikov's model, the region has witnessed large-scale archaeological fieldwork that has produced abundant quantities of new evidence. Moreover, the model has been partly invalidated by extensive radiocarbon dating. Research advances over the last couple of decades have augmented the area's previous reputation but have also revealed the need for new theoretical perspectives and modern analytical techniques.     

Organizational principles of Khirigsuur monuments in the lower Egiin Gol valley,Mongolia

Khirigsuurs are the largest and most common archaeological monuments of the Mongolian Steppe in the Bronze Age and Early Iron Age, a critical time for the spread of nomadic pastoralism and the emergence of a new social order during the Bronze Age in Inner Asia. Using data from a full coverage regional survey of the Lower Egiin Gol valley, this paper presents a system for studying the defining ground level features of Khirigsuurs to discover structural categories, organize sites, compare Khirigsuur monuments across regions and explore activities that may have gone on around the Khirigsuurs themselves as they were built and used. The primary methods used are a study of monumental scale and a typology of additive parts from which complex and comparable types emerge. Elaborate Khirigsuurs illustrate the use of Khirigsuurs as small monuments, stages for group activities, and are the persistent backdrop for social transformations during the spread of nomadic pastoralism. I suggest that the Khirigsuurs of the Lower Egiin Gol are monuments constructed with relatively regular frequency, by a consistently sized group, and used for group oriented activities rather than the memorialization of an elite. This is consistent with something one might see as part of a regular yearly nomadic round.     

GRAPH MODELING OF THE EVOLUTION OF STRUCTURES OF TERRITORIAL-PRODUCTION COMPLEXES IN NEW PIONEERING AREAS

A graph model technique is used to analyze the pattern of urban places in the Bratsk–Ust'-Ilimsk complex on the middle Angara River in Siberia. The places, serving as vertices, are connected into tree-like structures on the basis of a data matrix that uses the founding dates of the places and the distances between them. The resulting pattern of location reveals a linear-nodal structure that is typical of areas in early stages of economic development, such as the Middle Angara district, with its large hydroelectric stations and energy-intensive industries like aluminum and woodpulp. The graph technique is suitable for analyzing patterns of location at various stages of development and to predict the future evolution of the structure of urban places.     

Connecting Things through the Visual Arts: Medieval Crescent Moon Pendants as Horse Ornaments

Medieval archaeology as a discipline is usually defined in relation to written sources and history, while other kinds of sources and scholarly traditions studying the same period are overlooked. With a small group of 14th-century crescent moon pendants of bronze from Finland as its focal point, the present article analyses the way in which archaeology connects with the visual arts and the discipline specialized in studying them, art history. Instead of some shared methodology, the inquiry proceeds along the tensions between the material and the visual. After the artefact and its technical qualities are examined in the framework of medieval material culture, the object is reduced, first, to an iconographical motif and, second, into a represented object. Third, the anthropomorphic features applied on the pendant are extracted and considered against the body of medieval grotesque art. This reveals how the visual is also an effective force in the sphere of material culture and human interaction. In the interdisciplinary work between archaeology and art history, the visual and the material emerge as travelling concepts destabilizing traditional approaches and inspiring new insights.     

Household and community behavior at Bronze Age Politiko-Troullia,Cyprus

Abstract

We investigate intrasite patterns of artifacts and floral and faunal data to interpret household and community behavior at the Middle Cypriot (Bronze Age) village of Politiko-Troullia in the foothills of the Troodos Mountains, Cyprus. Floral evidence indicates cultivation of orchard crops (e.g., olive and grape), as well as the persistence of woodlands that provided wood for fuel. Animal management combined herding of domesticated sheep, goat, pig, and cattle with the hunting of Mesopotamian fallow deer. Metallurgical evidence points to the production of utilitarian copper tools in household workshops. Group activities are reflected by the deposition of anthropomorphic figurines, spinning and weaving equipment, and deer bones in an open courtyard setting. In sum, Politiko-Troullia exemplifies a diversified agrarian economy on a distinctly anthropogenic landscape that fostered the development of household and supra-household social differentiation in pre-urban Bronze Age Cyprus.     

A Petrographic Study of the Anthropomorphic Stelae from the Megalithic Area of Saint‐Martin‐De‐Corléans (Aosta,Northern Italy)

The Megalithic Area of Saint‐Martin‐de‐Corléans (Aosta, northern Italy) consists of anthropomorphic stelae dated to the Copper Age and the beginning of the Early Bronze Age. They were carved in different lithologies of varying provenance according to two successive artistic styles, ‘ancient’ and ‘evolved’. A minero‐chemical and a petrographic investigation were carried out on 47 stelae and on reference samples collected from eight different outcrops, aiming to define the provenance of the stone materials. The variety of rocks used for the manufacture of the stelae reflects the geological complexity of the Aosta Valley. Most of the stelae examined were classified as foliated impure marbles, grey banded marbles (‘Bardiglio’), calcschists and metabasites belonging to the Combin Zone (Piedmont Nappe), which outcrops in close proximity to the Megalithic Area. Some stelae of the evolved group consisted of massive marbles with silicate‐bearing layers, attributed to the Sion–Courmayeur Zone. Similar stone materials were reported for the stelae of the same age found at the archaeological area of Petit Chasseur (Sion, Switzerland). This is archaeometric confirmation of the archaeological affinity between the stelae occurring at the two prehistoric sites, supporting the hypothesis of cultural exchanges over the Grand St Bernard Pass since the Early Copper Age.     

The Pleistocene Peopling of the North: Paleolithic Milestones and Thresholds Horizons in Northern Eurasia: Part I: Lower Paleolithic Antecedents

Human occupation of northern Eurasia high latitudes entailed coping with severe bioclimatic circumstances and Ice Age cycle fluctuations. Resolving this “adaptability paradox” required depending on cultural, rather than biological means. Paleolithic evidence indicates culture historical developments of considerable time depth, long-term adaptive stages, and thresholds in the “peopling of the North.” It began with Lower Paleolithic populations expanding into temperate and continental Eurasia, becoming fully actualized during the Middle and Upper Paleolithic. The Middle Paleolithic formative stage constituted a human biogeographic realm overlapping significantly with the Mammoth-Steppe Biome faunal complex. Part I identifies issues, time perspectivism, culture, foraging adaptation, and human biogeography concepts. Lower Paleolithic occurrences, initial occupation episodes are surveyed and discussed.     

湖北郧县人遗址石器的第二步加工

郧县人遗址中发现的石器第二步加工的特点是大部分用石锤来直接进行加工;打击方向垂直或接近于垂直;修整痕迹多浅、平;加工方向大部分为单向加工,少数为交互加工、转向加工的;在两刃或两刃以上的石器中,不同边缘的加工方向相同的多,不同的少。郧县人遗址中的石器特征与国内外的旧石器时代早期石器进行对比,在石器的第二步加工技术方面,有着自己鲜明的特点,从而构成了独具特色的“郧县人文化”。     

Linking Theory and Evidence in an Archaeology of Human Agency: Iconography,Style, and Theories of Embodiment

Many of the theories that inspire agency approaches in archaeology identify deep philosophical problems with other lines of thought. This creates challenges for identifying methods: do radical theories require radical methods? Choosing as a case study one of agency’s interpretive frameworks (embodiment) and, further, a single class of evidence (anthropomorphic imagery), I argue that the answer is “no.” In this case, familiar art historical methods, deliberately played off one against the other, provide a middle range framework for linking theory and evidence.     

THE RELATIONSHIP BETWEEN PREHISTORIC IRISH ROCK ART and IRISH PASSAGE TOMB ART

Two major traditions of decoration from the later Neolithic and/or earlier Bronze Age, rock art and passage tomb art, are compared. Both traditions are briefly described, and are compared on the basis of both site and motif characteristics. Their chronological relationship is also discussed, indicating at least a large overlap in time between them. These two show a general affiliation on a number of levels, suggesting a similar degree of relationship between their respective makers. However, they also show important differences, suggesting that they are products of different sets of ritual or symbolic behaviour, or of similarly different groups of people.