共查询到20条相似文献,搜索用时 15 毫秒
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喬亞欽 《Revue de synthèse / Centre international de synthèse》2011,132(1):53-74
This article focuses on a drawing, regarded by 18(th)-century amateurs as a masterpiece by Michelangelo, and serves as a point of departure to illuminate the amateur's fascination with the artist's hand. This self-referential representation of the artistic process attracted much comment among connoisseurs. As virtually all amateurs had their say on the meaning of ? les mains de Michel-Ange ? the drawing sheds further light on the objects of desire which informed the amateur's discourse and the mediality such discourse needed in order to join word and image. 相似文献
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Eric Brian 《Revue de synthèse / Centre international de synthèse》2008,129(3):443-459
Scientific publishing, as far as the Revue de synthèse is concerned, experienced some deep reshaping during the past fifteen years. This article analyses the formula obtained for this journal, made of a paper periodical, an electronic journal, a historical collection and an experimental website for supplements. First elements of evaluation are provided on production and diffusion. An account is given about an experimentation of multimedia publishing made with the last two issues. 相似文献
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Dominique Lecourt 《Revue de synthèse / Centre international de synthèse》2005,126(2):451-454
Sans résumé
novembre 2000
Dominique Lecourt est président du Comité d'éthique de l'Institut de recherche pour le développement (IRD) et professeur de
philosophie à l'université de Paris 7 où il dirige le centre Georges-Canguilhem (case courrier 7041, 2 place Jussieu, F-75251
Paris Cedex 05). 相似文献
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The quality of ατoπíα attributed by Alcibiades to Socrates in the Symposium is of greater interest than the usual renderings “strange character” or “odd behaviour” suggest. This article sees Alcibiades’ phrase in the light of his speech for Socrates as a whole.1 相似文献
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Henri Bernard 《东方研究杂志》2013,61(1-2):312-314
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