Lessons in Seeing: Art,Religion and Class in the East End of London, 1881–1898

In 1881 the Reverend Samuel Barnett, Anglican incumbent of St Jude's Church, Whitechapel, established the Whitechapel Fine Art Exhibitions with his wife Henrietta. These quickly became an important part of the parochial programme ofSt Jude's. The Barnetts followed the art theories of John Ruskin and Matthew Arnold and argued that exhibiting famous and beautiful paintings would revive the spirituality of poor East Enders. In order to test this theory, they introduced the practice of ‘Voting for Your Favourite Picture’. The result, however, did not bear out straightforwardly the Barnetts' belief that paintings are ‘Windows into the other World’. The gap between the intended outcome and the actual reception of the Whitechapel Exhibitions reveals that, although they may not have adopted the Barnetts' religious aestheticism, working-class visitors were keen to engage with art on their own terms.     

The Politics of Knowledge: Anthropology and Māori Modernity in Mid-Twentieth-Century New Zealand

This article argues that growing confidence in anthropology as a tool for managing the adaptation of a resurgent Māori population to modernity shaped a “politics of knowledge” regarding New Zealand's indigenous people in the mid-twentieth century. We examine the relationship between anthropological discourse, state policy, and the Māori struggle to uphold traditional ways, through the prism of Ernest and Pearl Beaglehole's psycho-ethnographic study entitled Some Modern Māoris (Beaglehole, E., and P. Beaglehole. 1946. Some Modern Māoris. Wellington: New Zealand Council for Educational Research). This paper demonstrates that the study was the product of a nexus between concerns for Māori welfare, a perceived need for empirical research that could be applied to the “problem” of indigenous adjustment to contemporary conditions, and American philanthropy. For this reason, and as a detailed record of a small community when Māori society was on the cusp of post-Second World War transformations, we contend that the study deserves to be recovered from historical obscurity.