Reconstructing Culture in Historical Explanation: Narratives as Cultural Structure and Practice

The problem of how to access and deploy the explanatory power of culture in historical accounts has long remained vexing. A recent approach, combining and transcending the "culture as structure"/"culture as practice" divide among social historians, puts explanatory focus on the recursivity of meaning, agency, and structure in historical transformation. This article argues that meaning construction is at the nexus of culture, social structure, and social action, and must be the explicit target of investigation into the cultural dimension of historical explanation. Through an empirical analysis of political alliance during the Irish Land War, 1879–1882, I demonstrate that historians can uncover meaning construction by analyzing the symbolic structures and practices of narrative discourse.     

‘Looking alright,feeling alright’: emotions,sizing and the geographies of women's experiences of clothing consumption

Recent work within geographies of consumption has focused on the practices of consumption as a means to find out ‘what people do when they go shopping’. This paper argues that few of these accounts of consumption have considered the significance of emotions in understanding the intricacies of consumer experience. Drawing on material from research about women's experiences of clothes shopping this paper, therefore, utilizes recent work in the social sciences which understands emotions not as inherent or as induced by practices or commodities and instead emphasizes the intersubjective nature of emotions whereby emotions ‘are self‐reflective, involving active perception, identification and management on the part of individuals’ (Lupton : 16). In short, this view posits that the consumer has the capacity to ‘manage’ or to experience and re‐experience emotions in particular consumption moments. Such an understanding offers a conceptualization which does not conceive of women's engagements with consumer culture within a victim/resistance dichotomy, instead uncovering geographies of consumption in which women may feel uncomfortable or depressed in a particular moment but then engage in practices through which they experience that moment differently. These emotional experiences are explored through considering the significance of the spatialities of the changing room, shop floor and the corporeal space of the ‘sized’ body, and the consumption practices of cheating, coping and connecting.     

Consumption,exclusion and emotion: The social geographies of shopping

In recent years, a productive dialogue has developed between retail geographers and those social geographers concerned with the spatiality of consumption. This has resulted in a series of accounts of shopping that emphasize notions of consumer creativity. Nonetheless, this paper argues that many of these have struggled to reconcile the meaning of shopping with an understanding of the material parameters within which consumers operate. Recognizing that this tendency has distracted from the socio-spatial inequalities evident in retailing, the paper examines how shopping rituals are embedded in social relations that discourage particular shoppers from visiting certain retail locations. Drawing on extensive and intensive data derived in Coventry (UK), the paper questions the extent to which this geography of exclusion is the product of constraint, arguing that shopping is shaped by a more complex spatiality of inclusion and (self-) exclusion. Accordingly, the paper makes the case for a social geography of shopping that pays careful attention to the emotionally laden transactions played out in particular settings.     

Exceptional Sovereignty? Guantánamo Bay and the Re‐Colonial Present

Abstract: The US government has presented Guantánamo Bay to the world through the lens of “exceptional sovereignty”. This argument holds that international law does not apply at Guantanamo because while America has “complete authority” over the base “ultimate sovereignty” rests with Cuba. Many accounts rightly critical of the abuses of power taking place at Guantanamo similarly understand it as something wholly abnormal—a literal “non‐place”. But in falling back on this argument both the American position and many of its critics have tended to “black box” what is taking place within the camp. In this paper I suggest that we ditch any sort of critique that says Guantanamo is somehow outside of the law and instead replace this line of argument with a critical history of the deployment of a particular sort of Executive power there. From this perspective, Guantanamo is better understood as a rather more normal part of the current imperial moment and connected up in various ways to American imaginations and materialisations of power. As a way of exploring some of these connections in greater detail, I examine the construction of Guantanamo as a particular sort of social space by drawing upon the accounts of those who have been there: former guards, detainees and their defence lawyers.     

Forthcoming meetings and conferences of general interest

The nineteenth-century British historian Lucy Aikin's ambitious four-part poem Epistles on Women (1810) marks both her first important contribution to women's historiography and a compelling example of Enlightenment feminist historiography. To some extent, Aikin is building on the work of male Enlightenment historians who had evaluated the status of women in different times and places and correlated it to social progress. However, she not only restricts her focus exclusively to women, but also makes a concerted effort to resolve some of the tensions apparent in previous accounts of the relationship between women and social progress. Especially striking is her mediation of two distinct historical models of femininity, which I have called the republican and commercial models of femininity, the outlines of both of which we can trace in the work of male Enlightenment historians. By suggesting that through proper education women might combine the best aspects of each model, Aikin strategically advances the project of controversial feminists like Catherine Macaulay and Mary Wollstonecraft, who had taken inspiration from the republican model of femininity in their demands for improvements to female education.     

The Enlightenment Feminist Project of Lucy Aikin's Epistles on Women (1810)

The nineteenth-century British historian Lucy Aikin's ambitious four-part poem Epistles on Women (1810) marks both her first important contribution to women's historiography and a compelling example of Enlightenment feminist historiography. To some extent, Aikin is building on the work of male Enlightenment historians who had evaluated the status of women in different times and places and correlated it to social progress. However, she not only restricts her focus exclusively to women, but also makes a concerted effort to resolve some of the tensions apparent in previous accounts of the relationship between women and social progress. Especially striking is her mediation of two distinct historical models of femininity, which I have called the republican and commercial models of femininity, the outlines of both of which we can trace in the work of male Enlightenment historians. By suggesting that through proper education women might combine the best aspects of each model, Aikin strategically advances the project of controversial feminists like Catherine Macaulay and Mary Wollstonecraft, who had taken inspiration from the republican model of femininity in their demands for improvements to female education.     

‘Monsters are they in Nature’: Female Masturbation and Constructions of Femininity in the Early Eighteenth Century England

Serious alarm about female masturbation first emerged during a transitional period for beliefs on female sexuality. This article examines the gender history of masturbation through the shifting constructions of femininity at work in early anti-masturbation discourse. While the founding work of the anti-masturbation campaign (Onania, 1716) portrayed female autoeroticism as a significant concern, existing scholarship pays limited attention to how anti-masturbation sentiment interacted with early modern femininities. This article explores this conflicted relationship in the early years of the movement, with a comparative analysis of how Onania and one of its most vocal critics portrayed female masturbation. Onania, which stemmed from a traditional paradigm of negative femininity, regarded all women as innately lustful and likely to masturbate. Onania Examined, and Detected, a critical tract embracing the increasingly dominant paradigm of positive femininity, denounced these claims as an unacceptable slur on female virtue. Nevertheless, its characterisation of the female masturbator reveals the continuing influence of traditional misogyny, with negative femininity repurposed as a deviation from a naturalised virtuous norm. This close analysis of early anti-masturbation discourse reveals the cultural process of navigating a transitional phase in the construction of gender, which addressed old anxieties by incorporating them into a new paradigm.     

Tom's Tambu House: Spacing,Status and Sacredness in South Malakula,Vanuatu

This paper is based on video footage I filmed in South Malakula in April 1996. It explores the case of Tom Moses, a man who claims to speak with God. He has constructed a house on the outskirts of Milip village which he has declared tambu, or taboo/sacred. Around it he envisions a new living space, following directions given to him from God. I argue that Tom's enterprise can be understood in terms of a spacing—status—sacredness nexus. This nexus is grounded in a pre-Christian Malakulan sociality revolving around men's houses, ancestral worship and grade-taking rituals. This takes place with a lived Christianity which in many contexts is expressed as a departure from kastom. As such, I argue that this ‘spatial’ analysis can help us understand dimensions of local human relationships which purely discursive analyses sometimes eclipse.     

Engendering the Slum: Photography in East London in the 1930s

Photographs are not truthful records of reality. They are images that are always interpreted, and this essay looks at some critical interpretations of photographs taken in the 1930s of white working-class women in the streets of East London. It pays particular attention to two current critiques that tend to address two different kinds of photographs (and in so doing to constitute them as distinct genres): a Foucauldian account of photography as a form of disciplining surveillance, and a Lacanianinfluenced analysis of photography as a disruptive reminder of absence and death. By examining documentary photographs and family snapshots from the East End in the 1930s I argue, first, that both of these critical accounts require an explicit consideration of the constitution of sexual difference, since both implicitly reproduce regressive visions of (working-class) femininities. Secondly, I argue that feminist revisions of both should be deployed together in order to effect a destabilising critique of the constitution of sexual difference through photographs. I elaborate that argument by considering a third series of photographs, commissioned by Stepney Borough Council in 1937 to record housing condemned as slums in the borough. In discussing that series, I suggest that through its organisation of the spatiality and corporeality of the women photographed outside their houses that were to be demolished, a radically uncertain femininity is conjured.     

上海市民大型超市购物行为特征研究

以上海居民消费行为的问卷调查为基础,探讨零售业态变革下上海居民大型超市购物行为的总体特征以及时空间特征。上海居民选择大型超市购物的比率及频率较高,在大型超市购物的耗时相对较长,并且有集中于夜间的特点,购物出行方式上以步行和自行车为主,陪伴者以家人居多。通过不同类型商品购物行为空间的分析得出,大型超市对居民购物出行空间的影响显著。受大型超市空间分布和周边其他零售业设施发育程度的共同影响,居民购物活跃度的空间差异也较为显著。     

深圳居民购物消费行为的时空间特征

本文以深圳居民消费行为问卷调查的第一手资料为基础,分不同类型商品总结出居民购物消费行为的频率特征、购物时段特征以及空间特征,提出了低等级商品购物的三圈层结构和高等级商品购物的扇形模式。本文还通过购物行为空间与居民属性的相关关系分析对居民购物消费空间予以解释。     

Indian Objects,English Body: Utopian Yearnings in Elizabeth Gaskell’s North and South

Focusing on the representation of Indian shawls and Indian tea in Elizabeth Gaskell’s North and South, this article has two aims: first, it argues that the novel creates its ideology of domesticity and proper femininity through the creation of a readable object world. It is evident that one of the consequences of the empire was to Indianise its English subjects, thereby making them more cosmopolitan and making the English home a monument to imperial Britain’s success in the global system of commodity production, distribution, and consumption. These links then brought together the materiality of the empire and the Victorian preoccupation with material culture, constituting an imperial culture based on domestic interiority, visual and tactile pleasure, and political economy. Second, the article attempts to show how the ambiguities that enter the text along with these foreign objects unsettle the status quo established by the novel’s middle-class ideology and propose utopian alternatives to it through a mobile, boundary-crossing female body and a more porous domestic setting. These alternatives are entirely speculative, incomplete, and restrained, but significant nonetheless, precisely because they turn this ideology’s emphasis on the middle-class female body inside out, so as to recompose this body and its habitual spaces in new ways.     

A place called ‘Bielany’: negotiating a diasporic Polish place in Sydney

This paper examines the creation of a distinctly Polish place by Polish migrants and their children, in Sydney, Australia. I explore the use of place as a means of maintaining distinct ethno-cultural identity in diaspora by evaluating how different groups of Polish people contextualise their diasporic identity, attribute meaning to place, and how these meanings change through time. Differing generational cohorts and waves of migration within Sydney's Polish diaspora (re)create Bielany as a place for maintaining Polish identity by reproducing a familiar and homely place and by centring Bielany as a main venue for recreation and social functions. Notions of place attachment, expressed through participation in activities, ownership and maintenance of a communal Polish place, and emotional linkages to that place, evince their preference for and their connection to a shared and distinctly Polish place.     

Shopping with Karl: Commodity Fetishism and the Materiality of Marx’s London

Scholars have postulated that commodity fetishism represents Marx’s theory of capitalist materiality, but the content of that theory is contested. I offer an archaeology of Marx’s material world in order to understand the development of the concept. During his time in London, Marx wrote and published Capital: A Critique of Political Economy (1867), in which he outlined the concept of commodity fetishism. I demonstrate that he formed his analysis of commodity fetishism from daily practices including shopping, and consuming tobacco, in combination with his research at the British Museum. I take an experiential approach to archaeology that foregrounds Marx living in a world of objects, and posit a relationship between his experiences and his understanding of commodities. In so doing, I show how Marx’s “everyday life” shaped his concept of commodity fetishism, and how this concept could be useful to historical archaeologists.     

深圳居民购物行为空间决策因素分析

本文以深圳居民消费行为问卷调查的第一手资料为基础,通过构建购物行为空间决策的分析指标,包括购物决策因子偏好指数、认知度指数、购物因子评价指数等,从不同类型商品和不同商业中心地的购物空间决策角度,分析了深圳居民购物行为空间决策的主要因素及决策过程的主要特点。     

Shaping Women: National Identity Through the Use of Language in Franco'S Spain

In my article I show how a very particular identity was created for women during the period of Franco's Spain. I will draw upon a varied range of materials from official discourses, particularly the Sección Femenina (the women's branch of Falange); the Álvarez Enciclopedia and other texts such as songs, poems and the popular press. Following Foucault (1980: 30) I analyse an identity based on oppressive discourses whose power ‘reaches into the very grain of individuals, touches their bodies and inserts itself into their actions and attitudes, their discourses, learning process and everyday life’. The nationalistic stress of this discourse is one that encourages women to create a new image of Spanish femininity that should be ‘different’ from the liberated portrayal of women coming from Europe, mainly through the path of growing tourism. The language of these discourses is somehow baroque, elaborated, energetic and highly dramatic. It tries to seek attention through an unnecessary and badly misorientated dramatism. It is cryptic and manipulative and claims to be poetical, but its main intention is to confine women indoors and to make them look at the world through the curtains or from a closed window. On the other hand it made women feel they were the representation of a unique matriarchal nationalism making them appear as the heroines of an essentialist national metaphor: women mothers of the nation. Inherent in Franco's equation of women = femininity = nation is a contradiction that defines women as ‘indoor heroines’ and bases nationalism in a naturalised representation of gender where women are a gendered representation of this nationalism.     

Beyond exploitation/empowerment: re-imagining Southern producers in commodity stories

One of the most dominant strands of research within cultural geography's ‘materialist turn’ is that of commodity stories. Through everything from phones to flowers, geographers have attempted to reveal the myriad connections between (Northern) consumers and (Southern) producers. Following commodities and tracing their networks, this research tends to privilege consumption as the primary site of social and cultural meaning within the global economy. Where producers are the focus, the theoretical framework for understanding their lives is typically a developmentalist one, foregrounding exploitation and/or empowerment. Thus, we learn little from commodity stories about the ordinary lives of Southern producers and the co-production of the sociocultural and the economic through their everyday practices. This paper argues that deeper sociocultural analysis of the processes of production is necessary to balance the current dominance of consumption-led commodity stories and, more importantly, to open up space for a re-imagining of Southern producers. Through the personal accounts of fourty beadwork producers in Cape Town, I explore how the everyday practices of craft production sustain existing social relations, generate new networks, and help to shape both a sense of belonging and a sense of self. This commodity story reveals Southern producers' lives to be both richer and more mundane than dominant constructions suggest.     

Geographical Imaginations of 'New Asia-Singapore'

‘Geographical imaginations’ constitute an important aspect in geographic research, enriching our understanding of places and societies as well as the contested meanings people have towards spaces. The marketing and development of tourist destinations offers a fertile ground for the exercise of geographical imagination. This paper explores how tourism marketing distils the essence of a place, and ‘imagines’ an identity that is attractive to tourists and residents alike. Such spatial identities, however, are seldom hegemonic and are often highly contested. Using the case of the ‘New Asia-Singapore’ (NAS) campaign launched by the Singapore Tourism Board, we explore the geographical imaginations involved in tourism marketing, and its consequent effects on people and place. Specifically we discuss the role and rationale of tourism planners in formulating the NAS campaign; the actions of tourism entrepreneurs in creating NAS commodities; and the reactions from tourists and local residents towards the NAS images. We argue that the nexus of policy intent, entrepreneurial actions and popular opinions yields invaluable insights into the highly contested processes of tourism development and identity formation.     

Reading fair trade: political ecological imaginary and the moral economy of fair trade foods

This paper begins to explore the changing political geographies of alternative development as practiced and envisioned in the global South. Looking specifically at the growing movement and market for fair trade foods, this form of alternative development has become the moral business of latte drinkers and other reflexive consumers in Europe and the US. Fair trade attempts to re-connect producers and consumers economically, politically, and psychologically through the creation of a transnational moral economy. This re-connection is accomplished through material and semiotic commoditization processes that produce fair trade commodities. The semiotic production of these commodities and their traffic in particular ‘political ecological imaginaries’ is essential to the formation of ethical production-consumption links, acting to also politicize consumption and fair trade eaters. Fair trade's moral economy rides the tension between the ethical relationships it fosters and the need for the wily characteristics of enterprise in the construction of transnational trade networks. Bringing recent work on moral geography to bear, constructing this moral economy is an attempt to facilitate a sense of ‘solidarity in difference’ in the experiences of global economic inequalities between North and South and growers and eaters. At the same time, fair trade networks look to produce an expansive ‘spatial dynamics of concern’ in the fashioning of ethical places of production and consumption. The paper concludes with a brief discussion of the continuing dilemmas critical for fair trade and suggestions for further empirical study of fair trade provisioning and alternative development networks.     

The nation in bronze and granite: Creating national monuments in post-Soviet Bishkek

Scholars of nationalism have long looked to material forms of symbolic power to understand the politics and cultures of nations, and national monuments specifically have been studied as reflections of ideological programmes of political regimes. However, these approaches have paid insufficient attention to processes of creation. Given the importance of material symbols as sites through which the nation is understood, I argue that analysing the dynamics of creation expands our understanding of symbolic nation making. Using the case of Bishkek, Kyrgyzstan, and focusing on moments of creation and the actors involved in them, I build a conceptual framework for understanding the construction of national symbols on the ground based on three interconnected and co-constituting dynamics: spatial, temporal and aesthetic/semiotic. Using this framework, I demonstrate how meaning and materiality are related to one another both as component and consequent in the creation of national monuments and how it is their very imperfection as material representations that provides the context for the nation to emerge as a category of discourse.