The politics of Greek tragedy in Samson Agonistes

ABSTRACT

This essay charts Milton’s engagement in Samson Agonistes with Greek political thought as critiqued in Athenian tragic drama, particularly that of Euripides. In early modern Europe, Euripides’ plays were not only understood to denounce tyranny but also to remain rigorously sceptical about the workings of Athenian democracy (in itself a highly limited kind of representational politics). Milton knew well the commentary tradition that framed Euripidean tragedy in such terms, and found a corollary to his own political views within it, most notably in the writings of Gasparus Stiblinus whose prefaces are included in the 1602 Stephanus edition of the playwright’s works, which he used heavily. Stiblinus shows how Euripides relentlessly scrutinizes corruption, which his tragedies reveal to be not only characteristic of tyrants but also to pervade democratic systems. Milton’s allusions to Euripidean tragic form in Samson Agonistes evoke these commentaries to denounce political corruption.     

Hans Morgenthau and the Tragedy of the Nation-State

The cardinal role of tragedy in Morgenthau's theory of international politics has hardly gone unnoticed. Indeed there is now a considerable corpus of literature that established the importance of tragedy as a central concept around which Morgenthau's theory revolved. This paper builds upon this already developed framework and employs tragedy not as an analytical category but as a metaphor employed by Morgenthau to approach the nation-state. It is claimed that the idea of tragedy underpinned his notion of the nation-state inasmuch as it did his view of individual human beings. As such the notion of tragedy informed consistently Morgenthau's analyses of national tragedies that were like the self-defeating nationalism of Germany. It also informed his efforts to avert potential national tragedies from materialising as his attempts to influence US foreign policy demonstrated. It is finally claimed, that far from a descent into despair, Morgenthau's realism signified a conscious effort to go beyond the tragedy of the nation-state.     

Latitudinarianism,secular theology and Sir Thomas Browne’s influence in George Mackenzie’s Religio Stoici (1663)

This article revisits George Mackenzie of Rosehaugh’s Religio Stoici (1663) which is often acclaimed as the first in a venerable series of imitations of Sir Thomas Browne’s Religio Medici (1642) as well as a possible influence for John Dryden’s Religio Laici (1682). By contrast, this articles returns to the charged contemporary atmosphere that prevailed in Scotland in 1663, following the controversial re-establishment of Episcopalianism the previous year. Combining an instinctive epistemological scepticism with an audacious and polemical anticlericalism, Mackenzie’s tract attacked dogmatic intolerance and denominational exclusivity and instead advanced a courageous, solitary and very public plea for peaceful religious practice.     

‘The vehicle he has chosen’: Pointing out the theatricality of Caleb Williams

This article challenges the critical view that Godwin's association with the theatre is limited to the ill-fated Antonio (1800), and argues that the theatrical world was extremely important to Godwin the writer and political reformer. It considers Caleb Williams (1794) in this theatrical context and suggests a reading of it as a ‘theatrical novel’ in the light of St. Dunstan (1790), Godwin's historical tragedy. It argues that the novel is structured in such a manner that it reflects contemporary dramatic technique, especially in its incorporation of the practice peculiar to the Georgian stage known as ‘pointing’. I will suggest that this deliberate attempt to ‘narrativize’ this performative technique in fictional prose has profound implications in terms of explaining how Godwin saw his novel interact with its reader and is consistent with the philosophy of Political Justice.     

Thomas Traherne,Thomas Hobbes,and the Rhetoric of Realism

Abstract

Thomas Traherne has often been seen as a mystic detached from the turbulence of his period. Recent scholarship has attempted to place him more firmly in context. This article contributes to this trend in arguing that Traherne's late works, especially Commentaries of Heaven, were shaped by the pressure of responding to Thomas Hobbes's Leviathan. Though Traherne makes only one direct reference to Hobbes, his idiosyncrasies in thought, argument, and mode of expression are all fundamentally influenced by the need to counter Hobbes's account of ethics, metaphysics, and language. Traherne is particularly concerned to assert and display an ardent realism against Hobbes's nominalism. In doing so, he creates a complicated play of rhetorical figures, especially abusio or catachresis, as embodying theological commitments. This both places Traherne more clearly against the background of the intellectual history of the period in which he lived, and demonstrates his particularity as a writer.     

Paul’s Euripides,Greek tragedy and Hebrew antiquity in Paradise Regain’d

ABSTRACT

The exchange between Satan and Jesus in Book IV of Paradise Regained is the first substantial account of tragedy in John Milton’s 1671 volume. In his response to Satan’s Athenian temptation, Jesus offers an alternative to the more familiar defence of tragedy in the preface to Samson Agonistes. Here, Jesus invokes the Hebrew prehistory of Attic tragedy, expanding Milton’s tragic archive beyond the antique Athenians themselves, drawing instead upon Clement of Alexandria and Socrates of Constantinople – both of whom support Milton’s idiosyncratic belief that Paul quoted Euripides at I Corinthians 15:33. And where Clement and Socrates support this tragic provenance, they also address the vexed relationship between Christian faith and heathen learning. Far from showing contempt for Athenian art or erudition, Milton invokes these Patristic sources to enable readers to locate Jesus’ critical response in a dynamic relationship to the relevant preface to Samson Agonistes.     

L'Oubli et la mémoire dans quelques tragédies classiques françaises

This article explores the dynamic interplay between memory and forgetfulness in three French classical tragedies: Cinna, Andromaque, and Britannicus. Corneille envisages forgetfulness as a political virtue in Cinna: Auguste's clemency represents not only the redemption of the political misdeeds of his enemies but also their conversion from rebellion to submission. Moreover, the emperor's magnanimity conjures the notion of historical myth, his transcendence of guilt, and his profound need to detach himself from his criminal identity. Andromaque highlights, on the contrary, the tragic inability of protagonists to escape the powerful hold of the past on their conscience. Memories of the Trojan War continue to obsess them. Whereas Pyrrhus calls into question his heroic identity and winds up rejecting it, Andromaque takes refuge in the mythic past of Troy and remains forever wedded to the horrific images of the war's carnage. Racine emphasizes the deep-rooted influence of the historical past in Britannicus: Agrippine incarnates the aging matriarch bent on recapturing her glorious past but remains obsessed with the tragic dimension of time, which will result in her ultimate fall from power. Néron exemplifies the would-be virtuous emperor incapable of escaping from the tragedy of genetic determinism. By centering attention on the sheer decadence of Rome and the ignominious reign of the “monstre naissant,” Britannicus stands in direct opposition to Cinna, which clearly belongs to the heroic tradition of French classical tragedy.     

Reframing belonging: affective localism and the early fiction of Reino Rinne

The early fiction of a novelist and journalist born in the north of Finland, Reino Rinne (1913–2002), is illustrative of the post-war interest in a redefinition of cultural belonging. The aim of this article is to offer a reading of Rinne’s works that throws light on the way they exemplify a post-war articulation of affective localism. What is especially characteristic of the affective localism produced in Rinne’s early fiction is the deployment of certain narrative elements, realism as an aesthetic regime, tropes of spatial belonging and historical myths that are endowed with affective charge. A comparison between Rinne's first novel Tunturit hymyilevät. Kuvaus Lapista 1900-luvun alkuvuosilta ([1945a]. The Fells are Smiling. Helsinki: Kustannusosakeyhtiö Otava), and his collection of short stories Erämaan omia ihmisiä ([1949]. People of the Wilderness. Helsinki: Kustannusosakeyhtiö Otava), reveals that there was a change in Rinne’s artistic practice. While Rinne’s first novel revolved around a promise of reciprocity and happiness, the collection of short stories shows the dissolution of the optimism that, according to Berlant [(2011). Cruel Optimism. Durham, NC: Duke University Press], is at the core of all attachments.     

‘Generation Emigration’: the politics of (trans)national social reproduction in twenty-first-century Ireland

Placing social reproduction at the heart of the experience of migration, this article attempts to move beyond regulatory discourses of emigration as tragedy, lifestyle choice or ‘the Skype generation’. Following a review of feminist literature on social reproduction, the article returns to research with Irish women migrants and non-migrants in the 1990s to demonstrate how technologically mediated ‘time-space compression’ and its promise of transnational proximity actually gave rise to the experience of gendered ‘time-space expansion’. The Irish Times' ‘Generation Emigration’ (GE) project is then introduced as a site in which similar gendered dynamics emerge as contemporary technologically mediated connections between emigrants and the homeland are celebrated through a compensatory (trans)nationalist discourse that competes with but also compensates for framings of emigration as national tragedy. The article suggests that discourses of emigration as tragedy, lifestyle choice, or new globalised practice serve to bring emigration into being in circumscribed ways and to produce emigrants as particular kinds of ‘recognisable’ subjects. It asks how the work of social reproduction in the context of emigration might be posed anew in ways that challenge dominant assumptions regarding the location and composition of the population to be reproduced. By moving beyond these regulatory discourses of emigration, and by emphasising the dynamics of technologically mediated transnational social reproduction, the article identifies the racialised heteronormative assumptions that intersect with national and global projects of economic production and social reproduction to produce uneven gendered effects.     

The Patronage of Rembrandt's Passion Series: Art,Politics, and Princely Display at the Court of Orange in the Seventeenth Century

This article sets out a new reading of a neglected poem by Sir Robert Howard, The Duell of the Stags (1668). It places the poem in the political context of the fall of Clarendon and rise of Howard’s friend and ally the Duke of Buckingham, and of Howard’s concurrent falling-out with his brother-in-law John Dryden. It explores the influence of Thomas Hobbes’ political theory on Howard’s poem, especially refracted through Sir William Davenant’s Hobbesian epic Gondibert (1651). The author argues that Howard’s poem implicitly attacked Dryden’s mode of panegyric for the Restoration regime by offering a radically alternative reading of Hobbes, casting royal power as fragile and contingent.     

Écrire la (non-)violence : le cas de Laëtitia ou la fin des hommes d’Ivan Jablonka

This article analyses Ivan Jablonka’s Laëtitia ou la fin des hommes, which garnered three major prizes in the fall of 2016 (Le Prix Littéraire du Monde, Le Médicis et Le Prix des Prix) while also receiving quasi-unanimous acclaim from French press and media. My purpose is to explain how Jablonka’s writing contributes to exposing, denouncing and even, as far as possible ex post facto and by means of a text, undertaking a kind of reparation of the masculine violence inflicted on the 18-year-old young woman not only at the end, but throughout her entire life. To this end, the paradigm of violence laid out by Lévinas and Derrida will allow us to explore the ethics and poetics of non-violence. If on the one hand Jablonka’s text reveals the subjective involvement of the researcher and writer, we will see on the other hand that his project carries social, political and human stakes: his writing of a ‘crime story’ constitutes a manner of understanding the tragedy in the context of French society, with its social, judiciary and political institutions.     

Martin Amis,neo-Orientalism,and hubris

This article puts forward a reading of Martin Amis’s 2008 book The Second Plane with an emphasis on its cultural politics. It reconsiders Amis’s book from a distance of almost a decade in light of recent global developments, including the rise of ISIS in the Middle East, the resurgence of acute Islamophobia in Europe and the US, and Tony Blair’s public acknowledgement of the shortcomings of the 2003 invasion of Iraq. With these factors in mind, the essay argues that it is possible to detect in Amis’s book early warning signs of how the West’s relationship with both Islamism and Islam would develop in the period following its publication. Drawing on William Connolly’s work on tragedy and Edward Said’s work on Orientalism, the essay argues that The Second Plane ought to be read as advancing a hubristic ‘neo-Orientalist’ cultural and political agenda which today threatens to lock much of the world into an ongoing cycle of recrimination and revenge. Against this, a case is made for an appreciation of the complex circumstances which give rise to suicide terrorism and for a sense of history largely absent from Amis’s writing on the subject.     

P.H. Pearse and Thomas MacDonagh: a literary friendship

ABSTRACT

Tracing the relationship between P.H. [Patrick Henry] Pearse (1879–1916) and Thomas MacDonagh (1878–1916), this essay explores the impact their friendship had on their careers as writers and critics. Their work together in St Enda’s, the school for boys founded by Pearse in 1908, provides a significant context for this exploration. There, while working with MacDonagh, Pearse made drama an important part of school life and started writing plays for public performance. Meanwhile, their collaboration in putting together the St. Enda’s school journal, An Macaomh (1909–1913), helped to hone MacDonagh’s skills as a literary critic and to prepare for his later editorial role at the Irish Review (1911–1914). Attention then turns to how MacDonagh’s views on Irish literature and his translations from Old Irish influenced his friend’s development as both a critic and poet. Paticular consideration is paid to “Mise Éire”, one of Pearse’s best-known poems. Finally, similarities are considered between MacDonagh and the hero of The Wandering Hawk (1915–1916), Pearse’s unfinished, English-language, school story for children. Taken together, these various investigations reveal that, despite differing temperaments and at times divergent approaches to Irish writing, Pearse and MacDonagh enjoyed a mutually stimulating friendship that impacted positively on their literary careers.     

Maps in Italian atlases of the sixteenth century,being a comparative list of the Italian maps issued by Lafreri,Forlani, Duchetti,Bertelli and others,found in atlases

ABSTRACT

In 1771, Daniel Paterson entered into a publishing agreement with the bookseller Thomas Carnan to print and publish a travel itinerary known as Paterson’s Roads. This book was to become the most enduringly popular practical road book of the period. However, Paterson and Carnan were soon embroiled in litigation. This article examines the legal cases that arose when the geographical information contained in Paterson’s Roads was re-used, and improved upon, in a subsequent publication. It explores the background to the cases, focusing on what they reveal about the inner workings of the book and map trade of the period, as well as considering some of the broader historical ramifications. The article also demonstrates that these cases are of ongoing legal significance because they played an important role in developing some of the doctrines and principles of copyright law that continue to be controversial today.     

Drones,Hobbes, and Liberal Enchantment

ABSTRACT

This article reconceptualizes military drones by drawing on early-modern debates about the sanctity of political power. Ian Shaw has claimed that the proliferation and automation of drones threatens to subject humanity to a robotic regime of control, which he describes as the ultimate instantiation of Thomas Hobbes’s artificial sovereignty. I argue instead that the United States’ drone strategy is closely informed by a liberal political theology that can be traced back to Hobbes’s seventeenth- and eighteenth-century opponents, Samuel Clarke and Nehemiah Grew. These physico-theologians held that constitutionally balanced polities such as Britain were important vessels for divine providence. Today, a parallel faith that the United States represents humanity’s best hope is used to justify the extralegal and secretive bombing of territories that are deemed to be profane in comparison with America. Hobbes’s demystification of politics in Leviathan provides the platform for a critique of this modern form of liberal enchantment.     

The politics of disenchantment: Marcel Gauchet and the French struggle with secularization

ABSTRACT

This article looks at Marcel Gauchet’s major metahistorical statement, The Disenchantment of the World: A Political History of Religion (1985), and uses it to advance a series of claims about the place of secularization in debates within and about French politics, especially in relation to modern French history. The argument is put forward that Gauchet’s work is best understood as offering an alternative philosophy of history to Marxism that could serve to support a broadly republican realignment of French politics in the 1980s. Revisionist historiography concerning the French Revolution likewise played a role in this development, and served as a prerequisite of sorts to Gauchet’s broader historical project. The article also considers Gauchet’s work in light of postmodern skepticism of the utility of historical metanarratives.     

An irreconcilable first-place: the precarious life of tourism and heritage in a southern European historic centre

Abstract

This article discusses the ambiguous relationship between heritage tourism and everyday life in the historic centre of Naples. This area, long characterised by a lower-class residential population and intermittently considered off-limits to tourists, has over the last two decades become the focus of a burgeoning heritage tourism industry. The article adopts the idea of precariousness – understood contra conventional formulations as a condition that elicits both anxiety and emancipatory release – in order to make sense of the allure and repulsion that the historic centre exerts in tourist encounters with the city. Through three examples – a bus sightseeing tour, online responses to a New York Times article about Naples and local people’s perceptions of a pedestrianised piazza as a tourist contact zone – the article illustrates how the historic centre as a tourist destination is constituted by a mix of foreboding and excitement; where affective experience tends to trump the monumental gaze. Thinking in terms of precariousness not only underlines the contradictory role that this area plays in the local production of cultural heritage but also poses a challenge to those accounts that see in the advent of a visitor economy the inevitable ‘museumification’ and gentrification of historic centres.     

International sustainable development policy: (re)producing sexual norms through eco-discipline

This article contends that the global thrust towards population management, legitimised by the concept of sustainable development, works to construct identities along the lines of gender and sexuality. This article focuses on the operation of what Foucault termed, biopower, as operational through and (re)productive of the United Nation's (UN) population/sustainable development discourses. I argue that the said disciplinary narratives and apparatuses such as the construction of environmental threat and the monitoring and regulating of populations, in the service of sustainable development, work to construct gendered identities and ‘naturalise’ heterosexual relationships. To demonstrate this, this article focuses on key UN documents directed at informing international environmental/population policy, namely Agenda 21 and the International Conference on Polulation and Development's Programme of Action.     

“This Remarkable Piece of Antiquity”: Epic Conventions in Shelley’s Oedipus Tyrannus; or,Swellfoot the Tyrant

ABSTRACT

Shelley’s Swellfoot the Tyrant has recently begun to gain the concerted attention of critics, who have noted the play’s signature blend of low and high, of ephemeral, late Regency politics with the classic genres of Sophoclean tragedy, Aristophanic comedy, and mock epic. But Austin Warren’s famous and widely accepted definition of mock epic as “not mockery of the epic but elegantly affectionate homage, offered by a writer who finds [the serious epic] irrelevant to his age” does not describe Shelley’s earnest goal of immediate political reform in authoring Swellfoot. Instead, the play evinces Shelley’s unique, conscious reconfiguration of four conventions characteristic of the high, classical epic: the “prosperous breeze”; the epic simile; katabasis or descent into the underworld; and divine intervention. I argue that Shelley’s comic adaptation of these epic conventions reflects his serious aim of helping effect reform through Swellfoot and embodies his absorption of the concept of Shakespeare’s history plays as an experimental hybrid of dramatic forms with epic subjects, gained during his earlier reading of A. W. Schlegel’s Lectures on Dramatic Art and Literature. Though the immediate suppression of Swellfoot prevented its relevance in its own historical moment, it comprises a singular hybrid of Aristophanic satire and Sophoclean tragedy with high epic conventions, while ironically also identifying Shelley as a proponent of the French neoclassical theory of the epic’s consciously didactic purpose propounded by Le Bossu.     

Cartoons,secularism, and inequality

In this article, I discuss the tragic attack on the French satirical magazine Charlie Hebdo in Paris on 7 January 2015. First, I comment on Didier Fassin's article ‘In the name of the Republic’, published in anthropology today in April 2015. I express my disagreement with him on the issue of laïcité, and offer a critical examination of the concept, taking into account what I call ‘the Christian heritage of the secular state’. I then examine the various French reactions to the tragedy and focus on the history of the French state and its (post)colonial relations with French Islam to offer an explanation of the events.