突破"行话"障碍:19世纪早期来华传教士对话语冲突的反应

Tracing the origin and circulation of the “jargon” spoken at Canton, the paper examines how “jargon” became an issue of Sino-foreign communication conflicts in the early 19^th century, and how Westerners responded to it. As a lingua franca spread extensively in the Canton trade, the so-called “jargon” (a pidgin form of patois) played an essential role as communication tool between Chinese and foreign traders. However, in the eyes of missionaries in early 19^th century China, the normal Sino-foreign contact process was interrupted and distorted by both parties’ overusing of the jargon. In this regard, early Protestant missionaries’ support of Chinese language study reveals an initial effort to break through the “jargon” barrier.      

近代中国城市大众文化史研究笔谈

The studies of urban popular culture in modern China in recent years have attracted wide attention from scholars in China and abroad. The symposium, which is composed by Ma Min’s “Injecting vitality into the studies of urban cultural history,” Jiang Jin’s “Issues in the studies of urban popular culture in modern China,” Wang Di’s “The microcosm of Chinese cities: The perspective and methodology of studying urban popular culture from the case of teahouses in Chengdu,” Joseph W. Esherick’s “Remaking the Chinese city: Urban space and urban culture” and Lu Hanchao’s “From elites to common people: The downward trend in the studies of Chinese urban history in the United States,” provide valuable insights on the perspective, trend, and methodology of the studies. Four articles of the symposium are translated by Yang Kai-chien and Jin Xueqin from Shixue Yuekan 史学月刊 (Journal of Historical Science), 2008, (5): 5–19; Joseph W. Esherick provides the English version of his article.     

Crafting the ��New Woman�� in China��s left-wing cinema of the 1930s: Sun Yu��s three films

“New Woman” and “Modern Girl” discourse prevailed in China in the early twentieth century. The left-wing cinema of the 1930s engaged in this discourse and created a filmic space in which to negotiate gender and modernity. Focusing on three films directed by Sun Yu (1900–90): Wild Rose, Little Toys and The Highway, this paper compares Sun Yu’s new women with those in two other films: Lessons for Girls, a lesser known but interesting caricature of “new” women, and the New Woman, the best known of the “new woman” genre, both of which depict how urban, petty bourgeois women failed in their struggles for independence. In sharp contrast, Sun Yu used poetic realism to create a series of refreshingly independent working class women characters that successfully combined traditional moral values and modern patriotism and resisted the radical anti-traditionalism of the new woman discourse. This paper offers a differentiated analysis of the diverse and complex ways in which China’s left-wing cinema negotiated gender and modernity in the 1930s.     

Colonial Encounters,European Kettles,and the Magic of Mimesis in the Late Sixteenth and Early Seventeenth Century Indigenous Northeast and Great Lakes

Copper kettles, in high demand among indigenous communities of the Northeast/Great Lakes, became prominent items in the exchange repertoires of early Basque, French and Dutch traders. Kettles’ origin with these “Others” and its connection to a medium (copper) that had held symbolic significance for millennia led them to be used in an indigenous ‘metaphorical’ value regime influencing trade during the late sixteenth/early seventeenth century. An artisan living on the threshold of colonial encounter in Northern Michigan between 1470 and 1660 CE—having seen European goods but not having access to them—harnessed the mimetic faculty to make a small, miniature, ceramic imitation or skeuomorph of a European trade kettle. Rather than the sincerest form of flattery, I suggest this imitation was made to acquire the power of the original to fend off the colonial danger and to connect to this symbolic value regime. I suggest the “magic” of mimesis offered personal and organizational power in the indigenous Northeast/Great Lakes during early contact. This specific case speaks more broadly to how mimesis can provide a robust framework for exploring the material cultures of colonial encounter.     

Yangjiao or the ��Other��? Christianity and Chinese society in the second half of the nineteenth century

This article explores the relationship between Christianity and Chinese society in the second half of the nineteenth century by re-examining the primary sources of anti-Christian movements. The first part shows how Christian churches broke the dominance of the Qing government over local society. Conflicts between Christianity and Chinese religion were often transformed into political confrontations between churches and the Qing bureaucracy. The second part analyzes how Confucianism, Buddhism, and Daoism interpreted Christianity, with an emphasis on how to understand the perception of Christianity in Chinese society. Exploring broader societal perceptions of Christianity—and not just those expressed in the writings of the Confucian literati—allows for a more nuanced understanding of Chinese interpretations of Christianity. The third part studies the relationship between churches and Chinese religious sects. On the one hand, in the language of anti-Christian movements such as those of the Zaili and Cai sects, Christianity was the hateful “Other.” On the other hand, in the process of preaching Christianity, churches themselves experienced a period of transmutation: they recruited into the church not only non-religious civilians but also the followers of popular religions. For a long period, Christianity was called yangjiao, the “foreign religion,” making it the “Other.” Missionaries started to feel an urgency to reject their identity as the “Other” after the harrowing experience of the Boxer Movement.     

"封建主义"概念辨析

The Western terms “feudal” and “feudalism” have been widely and improperly translated as “fengjian” in contemporary China. The early Western Sinologists and Chinese scholars, including Yan Fu, did not originally make such a translation. Yan initially transliterated the term “feudalism” as fute zhi in his early translations. It was not until the 20th century, when Western classical evolutionism found its way into China, that “feudalism” was reduced to an abstract concept, and the Western European model was generalized as a framework for understanding development in China and the whole world. Only then did Yan Fu first equate “feudalism” with “fengjian,” and China was believed to have experienced a “feudal society” in the same sense as Europe. From the perspective of intellectual history, using evidential and theoretical analyses, this article attempts to show that feudalism was a historical product in the development of Western Europe and existed only in Europe, “fengjian” is a system appropriate only in discussions of pre-Qin China, and China from the Qin to the Qing experienced instead a system of imperial autocracy. The medieval periods in the West and in China evidence widely divergent social forms and hence should not be confused with the same label. __________ Translated from Zhongguo Shehui Kexue 中国社会科学 (Social Sciences in China), 2005, (6): 173–188     

Analogy or Erasure? Dialectics of Religious Transformation in the Early <Emphasis Type="Italic">Doctrinas</Emphasis> of the Colca Valley,Peru

This paper examines the tension between the Spanish evangelical ideal of religious conversion (erasure and replacement of “idolatrous” praxis) and the exigencies of its enactment (inter-cultural communication via analogy) among a series of sixteenth century Franciscan doctrinal settlements (doctrinas) in the Colca valley of southern Peru. I suggest that the necessity and outcomes of inter-cultural communication during initial evangelization made conversion impossible, despite increasing institutionalization of coercive doctrinal measures through time. Combined archaeological and historical analysis explores how these tensions were locally negotiated. Written texts describe early extirpation campaigns, while archaeological evidence documents the remains of early doctrinas in the form of rustic chapels at local settlements which were previously centers of Inka power. Associations between these chapels and Inka ritual spaces hint at an analogical approach to conversion that is not as evident in the documentary record. Analogies linking Inka and Christian religious symbols were later “re-written” onto the surfaces and spaces of Spanish-style reducción villages established in the 1570 s.     

追寻现代性:民国上海言情文化的历史解读

The rise of the melodrama as a literary and theatrical genre appears to have had a co-relation with the rise of industrial cities in modern times around the globe from Europe, North America, to East Asia. In China, this phenomenon manifested itself in the yanqing (lit. speaking of feelings) genre that dominated the popular culture scene in Shanghai in the most part of the twentieth century. While the yanqing genre was an expression of particular Chinese modern experiences, it also provided a channel for these local experiences to partake in and enrich a global experience of modernity. This study shows how yanqing arts helped ordinary Shanghai residents deal with changing patterns of gender, love, and family relations in the fast-growing and modernizing city. Through such re-examination of the yanqing culture this study tries to shed new light on some important questions in modern Chinese history and help correct traditional elite views of this history. Translated from Shilin 史林 (Historical Review), 2006, (4): 70–79 Parts of this article have been presented at the international conference, “As China Meets the World: China’s Changing Position in the International Community, 1840–2000,” held at Vienna, May 15–19, 2004; and “The First Modern Chinese Social History Conference,” held in Qingdao, Shandong, August 2005. It is modified by the author when translated into English.     

从货币流通量看清代前期的经济增长与波动

The eighteenth century was the heyday of Chinese traditional economic development, that the monetization and sharp increase in the supply of silver stimulated long-distance trade and the rise of regional merchants groups, and increased industrial and agricultural production all reflecting the overall economic development of this period. Along with commoditization and monetization of the economy, monetary supplies and government financial behavior had increasing influence on the economy. The shortage of monetary supplies gave rise to three economic depressions: the early years of the Qing Dynasty, Jiaqing’s reign, and Daoguang’s reign. This study clearly indicates that the scholarly debate over the “stagnation” or “growth” of the Qing economy perhaps merely depends on the period of time and aspect of the economy one examines. The two viewpoints can be somewhat reconciled. Translated by Feng Mei from Qingshi Yanjiu 清史研究 (Studies in Qing History), 2008, (3): 24–43     

Way Down East, ��Way Down West��: Hollywood cinema and the rise of conservatism in 1920s China

This article investigates the distribution and consumption of Way Down East (directed by D. W. Griffith, 1920) in Chinese cities in the 1920s in an attempt to explore the impact of foreign films on early Chinese filmmaking in particular and on Chinese society in general. Griffith’s Way Down East highlights a young woman’s trials and tribulations caused by male tyranny and deception. Such films by D. W. Griffith struck a chord in China in the 1920s, when the concerns of women and the loss of family values after the May Fourth movement found expression in film. The embracing of Way Down East in China, particularly among progressive intellectuals, indicates the existence of an anti-May Fourth conservatism. Chinese intellectuals were inspired by Way Down East to deny Chinese women’s subjectivity as new women who could control their own destinies; such a denial thereby rejected romantic love as a means of women’s emancipation and enlightenment. The intellectual class’s jettisoning of the rhetoric of “free love” and free marriage and re-emphasizing family values in the 1920s were conducive to the Nationalist Party’s conservative agenda to discipline individuals and Chinese society in the late 1920s and 1930s. Therefore, the “partification” of China during the Nanjing Decade (1927–37) was a direct outgrowth of a conservative consensus that followed upon May Fourth.     

The haircutting movement in modern China (1903–1927): Analysis from the view of “body”

Modern China was an intense period of “body rebuilding.” Within the field of body history in China, the modern Chinese history has been rediscovered and reinterpreted from the view of “body.” In this paper, the author attempts to explore the movement of women’s haircutting in modern China and analyzes its social and political meaning from the view of body organ, gender, politics and culture. The conclusion is that the women’s haircutting movement in modern China was involved in the pursuit of state power, women’s rights, and political power in different levels.     

Social Archaeologies of “Utopian” Settlements in Ireland

In the late eighteenth and early nineteenth century a number of “Ideal” or “Utopian” type settlements were established across Ireland. These tended to be religious groupings or “model” communities associated with industry. In the southwest a number of short-lived cooperative communities were established along Owenite principles which continue to play an integral part in the radical histories of the country. This paper examines the archaeologies of these sites and analyses the role of individual in their formation and collapse and addresses the social archaeology of their construct and layout. It is suggested that contemporary hierarchical norms were actually reproduced in these communities and this segregation is reflected in the physical morphology of the settlements.     

The truth and evils of opium: The anti-opium activities of British Missionary to China John Dudgeon (1837–1901)

In order to purify the environment in which they planned to convert, from the 1860s onwards British Missionaries in late Qing China started to carry out anti opium campaigns. It was these campaigns that became the life work of British Medical Missionary John Dudgeon. Dudgeon was of the opinion that it was the ferocious opium trade that was destroying the morals, traditional culture, society, and economy of the Chinese, turning China into the West’s greatest market and in turn affecting China’s own economic benefits. Based on his surveys made on the wards, from a medical perspective, Dudgeon announced that “an opium-smoker’s family become extinct in the third generation.” Dudgeon drew up the “Dudgeon Plan” in the hope that Sino-British governmental cooperation could bring about the end of the opium trade. Nevertheless, these campaigns met with stiff opposition and suppression, and lost support from the Missionary Society. John Dudgeon’s plan was ultimately a failure.     

Ancient Egypt in Brazil: A Theoretical Approach to Contemporary Uses of the Past

In this paper we consider archaeology as a product of social interaction, and discuss how ancient Egyptian materiality has been an important part of identity building in Brazil. We begin by reviewing our theoretical setting, and suggest that a postmodern approach is most helpful to our goal of understanding the social context of the public uses of archaeology. The paper then turns to the trajectory of “Egyptomania” in Brazil, from the 19th century onwards, highlighting the importance of cultural movements such as Kardecism and Masonry in this trend. We argue that the use of Egyptian subjects in Brazil has connections with social inequality, racism, and gender biases. Finally, we present a case study on positive recent trends in the presentation of ancient Egypt in school textbooks which highlights critical approaches to the use of ancient Egyptian subjects in contemporary Brazil.     

“The Age of Innocence”: Personal Histories of the 1960s “Digging Circuit” in Britain

There is a substantial literature on the use of oral history in archaeology, but there has been little consideration of the kinds of oral history and memory produced by the practice of archaeology. Through the personal narratives of a range of people involved in excavation during the 1960s in Britain, this paper explores understandings of what has been described as an archaeological “sub-culture”. It examines the ideas and interests that motivated peoples’ engagement in the “digging circuit” at this time, and looks at how these were implicated in the archaeology that was produced. We argue that such accounts do not simply expose the “subjective” context in which archaeological knowledge of these sites emerged but constitute an explicit and vital challenge to established accounts of archaeology in Britain at this time.     

唐宋时期寡妇的家产权益与生存处境

By investigating the Tang-Song examples of widows remaining chastity or inviting a jiejiaofu (second husband) into the deceased husbands’ families, this article analyzes widows’ lives and their right to inherit their deceased husbands’ family properties. The conclusion is that widows had only “rights of management,” but not the “possessive right,” over their deceased husbands’ properties. Moreover, the qualities of widows’ lives in their in-law’s families depended on their relationships with the deceased husbands’ brothers. When being treated unfairly, widows often resorted to “the power of the maternal uncle” in order to defend their benefits. Translated into English by Yang Kai-chien     

A Trip to the Mountains: Travel and Social Relations in the Catskill Mountains of New York

The Catskill Mountains in upstate New York have been a tourist destination since the early nineteenth century. At a superficial level, the history of Catskill tourism follows a basic trajectory from elite destination in the nineteenth century to more inclusive tourist area in the twentieth century. This trajectory incorporates a “trickle down” theory of tourism and leisure that masks the complexity of changes in social relations. Jewish tourism in the Catskills evidences how class, ethnic, and gender relations intertwined in the creation of a specific place—the Borscht Belt. Archaeology in the Borscht Belt places tourism within larger capitalist relations in America and complicates concepts of tourism as consumption and leisure.     

Concealed Communities: The People at the Margins

The “concealed communities” of our title are the people archaeologists have often labeled as “marginal.” Archaeologists writing about both prehistoric and historic periods have commonly made a range of assumptions about margins and marginality, and their discussions have often categorized marginality as ecological, economic, or socio-political. Whilst it has been common to privilege one or other of these categories in order to explain how societies worked, they are rarely mutually exclusive. In addition, since marginality is relative, virtually any group might be made marginal depending on people’s perspectives in the past or present. Sometimes marginality can be imposed (economically or politically), and sometimes even actively chosen. Defining the “margin” is a complex business, and the term needs sensitive, context-orientated use to make it useful for archaeologists.     

Consuming Citizenship? The Archaeology of Mexican Immigrant Ambivalence in Early Twentieth-Century Los Angeles

In late nineteenth- and early twentieth-century America, the consumption of American-made goods was seen as an expression of one’s patriotism and loyalty to the nation. According to a number of historical archaeological case studies, racialized groups, such as African Americans and Chinese Americans, used consumption as a way of gaining access to the full benefits of American citizenship typically reserved for individuals deemed “white” by law. The material culture of Mexican immigrants living in early twentieth-century Los Angeles tells a slightly different tale. Despite being ascribed a legal whiteness, archaeological and documentary data suggest that Mexican immigrants expressed ambivalence toward their consumption of American goods and outright rejected the notion that exerting such buying power would lead to a broader acceptance in Anglo American society.     

The Society of Antiquaries of Scotland and their Museum: Scotland’s National Collection and a National Discourse

Founded in 1780, the Society of Antiquaries of Scotland began immediately to form a museum that has survived remarkably intact within the National Museums of Scotland. Their initiative marked a significant point in the evolution of material culture studies between the “cabinet of curiosities” of the Renaissance and the large public museums of the nineteenth and twentieth centuries. An exploration of the Society’s work and ethos in its early years points to the emergence of a distinctive “Scottish History” of collections and a greater significance for the evidence of material culture than has been conventionally accorded it in conventional scholarly discourses.