Im Dienste der Wissenschaft: Der Centro de estudios históricos und die Begründung eines liberalen Nationalbewußtseins in Spanien (1910–1936)

In the Name of Science: the Centro de Estudios Históricos and the shaping of a liberal national conciousness in Spain (1910–1936). – The Centro de Estudios Históricos was founded in 1910 by the Junta para Ampliación de Estudios. The main goal was to create a modern scientific system, but the researchers of the Centro also attempted to reinterpret some aspects of the Spanish Culture. We also try to have a new insight into how Spanish History and Culture was apprehended by those intelectuals in order to create the cultural basis of a new Spanish nationalism. The philological school of Menéndez Pidal or the historical school of Sánchez‐Albornoz played an active role in trying to find out the cultural roots of the Spanish Culture. They strived for providing the Spanish nation a cultural background.     

Balbuena's Grandeza mexicana and the American Georgic

Bernardo de Balbuena’s Grandeza mexicana (1604) stands between two worlds. One of the earliest and most spectacular poetic celebrations of the wonders of the city of Mexico, this text was addressed both at the American and the Spanish audience, producing a duplicitous message. The capital of New Spain is presented as one of the most loyal and productive colonies of the Hispanic empire, though it is also celebrated for its economic autonomy and cultural supremacy with regards to the metropolis. These dualisms are also noticeable in the poetic style of Balbuena’s work, which, following the traditional idea of the Wheel of Virgil, adopts old classical models to portray the New World whilst anticipating Baroque poetics. Following the example of Virgil, Balbuena fashioned his literary career as a process organised in three distinct evolutionary stages, beginning with a bucolic text, Siglo de Oro en las selvas de Erífile, and culminating with an epic poem, El Bernardo. Grandeza stood between these two, adapting the rural setting of the Georgics to an urban context, and offering an idealised account of the Virgilian praise of human industry, which placed Balbuena and the other members of the lettered class on the forefront of Mexican society.     

Neoliberal expulsions,crisis, and graphic reportage in Spanish comics

ABSTRACT

In this article, after analyzing the comics industry in Spain in the context of the 2008 crisis, which reveals how small and medium publishers have adapted to new trends in consumption, I focus on the graphic novel Barcelona. Los vagabundos de la chatarra (2015) by Jorge Carrión and Sagar. This comic depicts the underworld of scrap metal collection in Barcelona, where mainly immigrant workers wander the streets, barely eking a living out of the detritus of consumerist society. It is an example of graphic journalism in comics, one of the most interesting developments in the genre in the past few years. It is also a novelty in Spanish comics because certain topics were far from common in the existing repertoire, which had been dominated by adventures, fantasy, and science fiction. Drawing on Verónica Gago's La razón neoliberal (2014) and Saskia Sassen's Expulsions (2015), I challenge conventional approaches to neoliberalism by focusing on neoliberalism from below, which is seen by Gago to point toward the emergence of a new historical consciousness of living in perpetual crisis.     

‘Es honor de su nación’: Legal Rhetoric,Ethnic Alliances and the Opening of an Indigenous Convent in Colonial Oaxaca

This article examines the manner in which the caciques (noble Indians) and principales (Indian notables) from the Oaxaca region in New Spain adopted a ‘legal rhetoric’ in their quest to open a convent for noble Indian women during the eighteenth century. Through a close reading of the legal documentation produced in the petition for the convent for indigenous women in Antequera, I find that the caciques strategically used the same laws that had placed them in a subordinated place in the social hierarchy of the colony in order to negotiate certain rights and privileges. Aware of their belonging to the legally determined category of ‘Indians,’ indigenous peoples from the Valley of Oaxaca appealed specifically to the laws that had granted them a special judicial place in the colonial scheme. By referencing the Recopilación de las leyes de las Indias and several royal decrees (cédulas), the caciques appealed to colonial officials at a key historical moment, when Bourbon reforms sought to modernize all institutions, including the Catholic Church.     

Entre destellos se desvanece una devoción: la imagen de oro de la Asunción,patrona de la catedral metropolitana de México

Abstract

The main purpose of this paper is to analyze representations of the Assumption of the Virgin, patroness of the Mexico City Metropolitan Cathedral in New Spain. In 1610, a superb golden figure of the Assunta was acquired and located in a silver tabernacle by the new main altarpiece, which was dedicated in 1673. In the eighteenth century, this altarpiece was substituted with a new one designed by Jerónimo de Balbás, where the golden statue was eventually relocated. Since the Assunta has generally been overlooked in colonial historiography, I intend to answer the following questions: What were the aesthetic and symbolic values, based upon the theological ideas at the time in the Spanish and Catholic worlds, guiding the representation of Mary in this golden image? What was its agency in relationship to materiality, form, and usage in liturgical contexts and religious festivals?     

‘Vienen de gente de mucha discreción y entendimiento:’ ethnic identity,ambivalence, and colonial discourses in Diego Muñoz Camargo’s Descripción de la ciudad y provincia de Tlaxcala

Diego Muñoz Camargo's Descripción de la ciudad y provincia de Tlaxcala (1585) is a well-known reference on the history of Tlaxcala that scholars have studied to better understand Tlaxcalan participation in the conquest of Tenochtitlan, its relationship with the Spanish Crown, and the author's selective approach to local history. Often, these approaches present the historian as acculturated or Hispanized because of his celebration of the Spanish or criticism of local religious practices. This article complicates such approaches in order to show the complex ways that the author approached issues of cultural difference. Examining Muñoz Camargo's recourse to colonial discourses of morality, I argue that the author molds and tailors these discourses to fit local Tlaxcalan circumstances. In doing so, I show how he humanizes Tlaxcala's ruling elite while exemplifying the inherent ambivalence of moral authority in Colonial New Spain.     

Recent Books in the Field of Romance Languages and Literatures

Mercedes Agulló y Cobo. La Poesía española en 1961. (Cuadernos Bibliográficos, VII). Consejo Superior de Investigaciones Científicas. Madrid, 1963, Pp. 62.

Frederick B. Arlz. From the Renaissance to Romanticism. Trends in Style in Art, Literature, and Music, 1300–1830. Chicago: The University of Chicago Press, 1962, Pp. x, 311.

Theodore Besterman. Studies on Voltaire and the 18th Century. Geneva: Institut et Musée Voltaire, 1962. Pp. 263.

Germaine Brée. Gide. Brunswick, N. J.: Rutgers University Press, 1963. Pp. 302.

Lucile Kathryn Delano. Spain, Reality and Legend. Rock Hill, South Carolina: Winthrop College, 1964, Pp. 145. $1.50.

Wallace Fowlie. A Reading of Proust. New York: Doubleday &; Co., 1964. Pp. 307.

Edward Inman Fox. Azorín as a Literatury Critic. New York: Hispanic Institute in the United States, 1962. Pp. 176.

Rinaldo Froldi. Il Teatro valenzano e l'origine della commedia baroca. (Istituto di letteratura Spagnola e ispano-Americana della Università di Pisa). Pisa: Editrice Tecnico-Scientifica, 1962. Pp. 112.

Peter Gay. The Party of Humanity. Essays in the French Enlightenment. New York: Alfred A. Knopf, 1964. Pp. 290.

Herbert S. Gershman, Kernan B. Whitworth, Jr. Anthology of Critical Prefaces to the Nineteenth-Century French Novel. Columbia, Missouri: University of Missouri Press, 1962. Pp. vii, 233.

J. D. Hubert. Molière and the Comedy of Intellect. Berkeley: University of California Press, 1962. Pp. xvi, 275.

Willis Knapp Jones, ed. Spanish-American Literature in Translation. New York: Ungar, 1963. Pp. xxi, 469.

Maxim Newmark. Dictionary of Spanish Literature. Paterson, New Jersey: Littlefield, Adams and Company, 1963. Pp. 352.

Muriel Rukeyser, ed. and translator. Selected Poems of Octavio Paz. Bloomington, Indiana: University of Indiana Press, 1964. Pp. 171.

Nilida Salvador. Revistas argentinas de vanguardia (1920–1930). Buenos Aires: Universidad de Buenos Aires, Facultad de Filosofía y Letras, 1962. Pp. 109.

Baltasar Samper. Investigación folklórica en México. I. México: Departamento de Bellas Artes, 1962. Pp. 653.

Friedrich Soleürr. Miguel de Unamuno. Dichterphilosoph des tragischen Lebensgefuhls. Bern and München: Francke Verlag, 1962. Pp. 169.

Francis Steegmuller. Apollinaire. New York: Farrar, Straus and Co., 1963. Pp. 365.

Phillip A. Wadsworth. Tristan l'Hermite: Poésies, choisies et annotées. Paris: Seghers, 1962. Pp. 150.     

Do Spatial Interdependencies Matter in Italian Regional Specialization?

This article summarizes and evaluates the effects of spatial interdependencies in Italian regional specialization over the period 1995–2006. First, we perform an exploratory spatial data analysis (ESDA), and then we estimate a spatial panel data model built according to the new economic geography theory. ESDA reveals positive spatial interdependence overall and detects hot spots in the north and cold spots in the south for all sectors, but agriculture shows the reverse. Similarly, an econometric investigation furnishes evidence of the presence of spillover effects, implying that the determinants of the specialization of a region influence its neighbors' specialization. Este artículo resume y evalúa los efectos de las interdependencias espaciales en la especialización regional italiana durante el período 1995–2006. En primer lugar, se realiza un análisis exploratorio de datos espaciales (Exploratory Spatial Data Analysis‐ESDA), y luego se estima un modelo de datos de panel espacial construido de acuerdo a la teoría de la nueva geografía económica (New Economic Geography‐NEG). ESDA revela la interdependencia espacial positiva global en los datos y detecta zonas de concentración de incidencia alta (hot spots) en los el norte y zonas concentración de incidencia baja o nula (cold spots) en el sur para todos los sectores económicos excepto el caso de la agricultura. Del mismo modo el estudio realiza un análisis econométrico que demuestra la presencia de efectos de desbordamiento espacial (spillovers), lo cual implica que los factores determinantes de la especialización de una región influyen en la especialización de sus vecinos. 本文对1995‐2006年间意大利区域专业化的空间依赖性效果进行了总结和评价。首先进行了探索性空间数据分析（ESDA）,然后对根据新经济地理理论构建的一种空间面板数据模型进行了评价。ESDA揭示了全局的正向空间相互依赖性及北部热点区和南部冷点区的分布特征,但农业的分布特征却相反。同样地,一项计量经济调查提供了溢出效应存在的证据,同时表明了区域专业化的决定因素影响其邻近区域的专业化。     

The (Ir)relevance of the Aside in Golden Age Drama

The professionalization of public theatre in late sixteenth-century Spain transformed the public street drama of playwrights and actors such as Lope de Rueda into an activity whose survival and success depended on ticket sales and attendance. It is within this context that the aside became one of the most popular dramatic techniques of Spain's Golden Age theater. This article seeks to answer two questions about the aside: (1) Do Golden Age playwrights utilize the aside in the same manner? and (2) Does the subgenre of a comedia dictate the use of a particular category of aside? I propose to answer these questions, focusing in particular on the different ways that the following comedias utilize the aside to transform the audience from mere spectators to active accomplices of what they witness on stage: Calderón de la Barca's El alcalde de Zalamea (comedia de honor), Antonio Mira de Amescua's El esclavo del demonio (comedia hagiográfica), and Tirso de Molina's El burlador de Sevilla (comedia moral).     

Reviews of books

Satire in Colonial Spanish America: Turning the New World Upside Down. By Julie Greer Johnson. Austin: University of Texas Press, 1993. Pp. xvii, 224.

La Araucana. Por Alonso De Ercilla Y Zuniga. Edición de Isaias Lerner. Madrid: Editorial Cátedra, 1993. Pp. 1026.

Diente del Parnaso (Manuscrito de la Universidad de Yale). Por Juan Del Valle Y Caviedes. Edición, introducción y notas de Luis Garcia‐Abrines Calvo, con la colaboración de SYDNEY JAIME MUIRDEN. Jaén: Diputación Provincial, 1993. Pp. 481.

Catálogo concordado de la Biblioteca ie Hernando Colón. Tomo 1, 1–400. By Tomas Marin Martinez, Jose Manuel Ruiz Asencio and Klaus Wagner. Madrid: Fundación MAPFRE América, Cabildo de la Catedral de Sevilla, 1993. Pp. 717.

The People of Quito, 1690–1810: Chan, ‘e and Unrest in the Underclass. By Martin Minchom. Boulder, Colorado: Westview Press, Dellplain Latin American Studies, 1994. Pp. xvii, 297.

Los encomenderos de Quito, 1534–16C 0. Origen y evolución de una élite colonial. By Javier Ortiz De La Tabla Ducasse. Sevilla: Escuela de Estudios Hispano‐Americanos, 1993. Pp. xvi, 377.

Word from New Spain: The Spiritual Au obiography of Madre María de San José (1656–1719). Critical edition and introduction by Kathleen Myers. Liverpool: Liverpool University Press, 1993. Pp. x, 234.

Una partecita del cielo. La vida de Santa Rosa de Lima narrada por Don Gonzalo de la Maza a quien ella Ilamal a padre. Versión paleográfica de Luis Millones. Ensayos de Luis Millones y Fernando Iwasaki. Lima, Perú: Editorial Horizonte, 1993. Pp. 217.

Poema Heroyco al merecido aplauso de Soror Ivana Inés de la Crvz. De Ioseph Zatrilla Y Vico. [Barcelona, 1696]. Edición facsímile de Aureliano Tapia Mendez. Monterrey, N.L.: Talleres Gráficos de Cultura de la Ciudad de México, 1993. Pp. xi, 38.

Carta de Sor Juana Inés de la Cruz a su confesor. Autodefensa espiritual. Estudios y notas de Aureliano Tapia Mendez. Monterrey, N.L.: Imprenta Madero (Ciudad de México) para Producciones al Voleo El Troquel, 1993. Pp. 253.

Reading Columbus. By Margarita Zamora. Berkeley and Los Angeles: University of California Press, 1993. Pp. xvi, 247.     

Reviews of books

Historia, utopía y ficción de la Ciudad de los Césares. Metamorfosis de un mito. Por FERNANDO AINSA. Madrid: Alianza Editorial, 1992. Pp. 120.

Cultural Diffusion of Spanish Humanism in New Spain: Francisco Cervantes de Salazar's ‘Diálogo de la dignidad del hombre.’ By DIANNE M. BONO. New York: Peter Lang, 1991. Pp. 161.

Soldiers of the Virgin: The Moral Economy of a Colonial Maya Rebellion. By KEVIN GOSNER. Tucson: University of Arizona Press, 1992. Pp. xiv, 227.

La crisis del orden colonial. Estructura agraria y rebeliones populares de la Nueva España, 1750–1821. By ERIC VAN YOUNG. México: Alianza Editorial, 1992. Pp. 515.

Esthetic Recognition of Ancient Amerindian Art. By GEORGE KUBLER. New Haven: Yale University Press, 1991. Pp. xvii, 276.

Books of the Brave: Being an Account of Books and of Men in the Spanish Conquest and Settlement of the Sixteenth‐Century New World. By IRVING A. LEONARD. Introduced by ROLENA ADORNO. Berkeley: University of California Press, 1992. Pp. xlvii, 453.

Family and Frontier in Colonial Brazil: Santana de Parnaíba, 1580–1822. By ALIDA C. METCALF. Berkeley: University of California Press, 1992. Pp. xvi, 280.

Los naufragios. By ALVAR NUÑEZ CABEZA DE VACA. Edición crítica de ENRIQUE PUPO‐WALKER. Madrid: Castalia, 1992. Pp. 334.

Estudios de literatura hispanoamericana. Sor Juana Inés de la Cruz y otros poetas barrocos de la colonia. By GEORGINA SABAT‐RIVERS. Barcelona: PPU, 1992. Pp. 355.

Vida i sucesos de la monja alférez. Autobiografía atribuida a Doña Catalina de Erauso. Edición, introducción y notas de RIMA DE VALLBONA. Tempe: Center for Latin American Studies, Arizona State University, 1992. Pp. 236.     

Equal Rights and Individual Freedom: Enlightenment Intellectuals and the Lascasian Apology for Black African Slavery

Juan Antonio Llorente's edition of Bartolomé de Las Casas's writings, Colección de las obras del venerable Obispo de Chiapa, Don Bartolome de las Casas, defensor de la libertad de los Americanos, illustrates how Las Casas was perceived and condemned in the early decades of the nineteenth century. In this article, I seek to explain why and in what ways Bartolomé de Las Casas's early propositions on African slavery played a fundamental role in Juan Antonio Llorente's edition of Colección, an ambitious editorial work that involved much more than selection, editing, and publication. By approaching the Colección's production and reception from the perspective of book history, I explore how Llorente's Colección reflects the role that colonial affairs and race had in the challenges faced by European rule and white hegemony.     

MakingGüeras: Selling white identities on late-night Mexican television

This article examines discourses of whiteness and color in Mexico through a discussion of White Secret, a widely available skin-lightening cosmetic product. In an analysis of a televised infomercial advertising the product, we examine contextualizations of whiteness in Mexico, as figured through the product's representations of light-skinned female bodies and advanced cosmetic technology. We consider the ways that White Secret can speak to broader conceptualizations of whiteness and identity and, furthermore, argue that such an engagement points to the need to interrogate the geographical and epistemological limits of current understandings of whiteness based in Anglo-American and Latin-American contexts.

Creando güeras: La venta de identidades blancas en la televisión Mexicana de media noche En este artículo, hacemos un análisis sobre los discursos de ‘blancura’ y de color con respecto a la población en México a través de una discusión sobre ‘White Secret’, un producto cosmético para aclarar la piel que es muy disponible en México. Por un análisis de un ‘info-nuncio’ que sale por la televisión anunciando el producto ‘White Secret’, exploramos los entretejemientos de la construcción de blancura en México y como este ‘info-nuncio’ manipula imágenes de los cuerpos de güeras (mujeres de piel clara) y tecnología cosmética avanzada. Reflexionamos acerca de las maneras que el producto ‘White Secret’ pueda hablar a concepciones más amplias sobre la construcción de identidad y blancura y además, discutimos que tal exploración indica la necesidad de interrogar los limites epistemológicos y geográficos de la comprensión actual de la construcción de blancura basados en los contextos Latino Americanos y Anglo Americanos.     

Contextualising the papal censure of the Disputationes de Indiarum Iure (1642). The consultores of the Congregation of the Index

This study discusses hitherto unknown aspects concerning the papal censure of the work by the Spanish jurist Juan de Solórzano Pereira, author of the two-volume treatise on Derecho indiano, known as the Disputationes de Indiarum Iure. Immediately after the publication of its second part in 1639, the Curia (under the government of Pope Urban VIII Barberini) prompted the Congregation of the Index in Rome to examine Solórzano's seminal treatise and, eventually, condemn its section about Spain's royal patronage of the Church. By looking at the circumstances of the censure (e.g. the early ‘leak’ orchestrated by the Congregation, the other reports about the censure), the present work aims at bringing to the attention of scholars the Solórzano file conserved in the Vatican archives. Considering both the reasons of the censure and the circumstances under which it developed, the present study sheds new light on the complex relationship between Spain and the Papacy in the first half of the seventeenth century and beyond.     

Book reviews

The Devil in the New World: The Impact of Diabolism in New Spain. By FERNANDO CERVANTES. New Haven: Yale University Press, 1994. Pp. x, 182.

An Evil Lost to View? An Investigation of Post‐Evangelisation Andean Religion in Mid‐Colonial Peru. By KENNETH MILLS. Liverpool: Institute of Latin American Studies, University of Liverpool, Monograph Series No. 18, 1994. Pp. 147.

The Limits of Racial Domination: Plebeian Society in Colonial Mexico City, 1660–1720. By R. DOUGLAS COPE. Madison: University of Wisconsin Press, 1994. Pp. xiii, 220.

Memory, Myth, and Time in Mexico: From the Aztecs to Independence. By ENRIQUE FLORESCANO. Trans, by Albert G. Bork and Kathryn R. Bork. Austin: University of Texas Press, 1994. Pp. ix, 282.

Fuentes manuscritas para la historia de Iberoamérica. Guía de instrumentos de investigación. Por SYLVIA L. HILTON e IGNACIO GONZALEZ CASASNOVAS. Madrid: Fundación Mapfre América‐Instituto Histórico Tavera, 1995. Pp. 617.

The Town of San Felipe and Colonial Cacao Economies. By EUGENIO PINERO. Philadelphia: Transactions of the American Philosophical Society, vol. 84, 1994. Pp. 189.

Imperial Panama: Commerce and Conflict in Isthmian America 1550–1800. By CHRISTOPHER WARD. Albuquerque: University of New Mexico Press, 1993. Pp. xii, 272.     

The Subject of the King and a Mercantile Ideology in Early Modern Spain

This article proposes an interpretation of Lope de Vega's El Brasil Restituido (1625) that points to the political, military, and economic crises of Spain in Europe as the underlying themes of the representation of the retaking of the Brazilian colony of Bahía from the Dutch. The Spanish monarchy faced a major challenge to its European supremacy during the first two decades of the seventeenth century. Not only was its military power being frontally contested at different sites of Europe, but its political and economic influence was rapidly deteriorating as well. One of the goals of the Count-Duke of Olivares, the powerful prime minister of Phillip IV, was to regain European leadership by mobilizing the mercantile segments of Spain. The play illustrates the confluence of two ideological systems during the transformation of Spanish feudal society. On the one hand, the dominant ideology of blood purity legitimizes the seigniorial structure of lineage; on the other hand, the representation of a new merchant as a good servant of the king discloses the important role that a mercantile enterprise and ethos had acquired in the formation of a subject to the monarchy.     

Index To Volume 42

Traditionally, realism has been considered as a naive attempt to copy reality objectively. This article refutes this assertion by demonstrating that Benito Pérez Galdós's narrative aesthetics do not construct any reality organically; instead, his novels deconstruct it. Using the notion of the suppléer by Jacques Derrida and reflections on the emergence of modernity in Spain, the author proposes that the constant formal and thematic reconsiderations found in La incógnita and both versions of Realidad question the possibility of presenting a coherent and conclusive reality. Rather, they are symptoms of the crisis brought forth by the inauguration of modernity in Spain.