The Theme of the Voyage in Voltaire's Contes Philosophiques

Abstract

J'ai passé toute ma jeunesse à opposer en moi deux parties de moi, qui peutětre ne demandaient pas mieux que de s'entendre. Par amour du combat, j'imaginais des luttes et je divisais ma nature.

—André Gide, Journal (1893)     

再谈《伊豆舞女》的主题及其他

《伊豆舞女》作为川端康成的成名作,为广大读者所熟知和喜爱。它同川端后来的一些作品比较起来,似乎容易把握。但是,这篇看似充溢纯稚之情的作品也往往容易被简单化,许多重要的东西被忽略。因为对《伊豆舞女》的深入研究与理解川端一生创作的许多重大问题密切相关,我们有必要对这篇作品重新认识。     

壶井荣《蒲公英》的文体及其主题考辨

长期以来,壶井荣的《蒲公英》被认为是一篇表现反战题材的散文。本文试图对该作品的文体及其主题作一考证和辨析,认为《蒲公英》是一篇小说,其主题具有多元性。本文还对该文译者身份作一点初步推测。     

On Theme and Variation

Abstract

The ways in which the author, the sculptor Peter Randall-Page, has made use of the ideas of D’Arcy Thompson are described. How Thompson showed that commonalities of form and pattern exist across the biological and abiotic realms is described, and the implications that physical constraints limit and sometimes dominate the capabilities of evolutionary natural selection are explored. Since we evolved in a world shaped in this manner, the likelihood that this palette of forms is one that carries strong psychological meanings and associations is examined, and the ways in which these forms are a rich source of inspiration and allusion for visual artists are discussed, hinting at the play of opposing tendencies, the dance between order and randomness, and the ways in which nature can derive variations on a theme.     

青海花儿和谐思想浅析

崇尚和谐,倡导和谐,和谐发展,是中华民族文化的核心价值观之一。     

二十世纪马来西亚华人传统音乐文化的主题变迁

在实地田野考察和搜集大量史料的基础上,对20世纪马来西亚华人传统音乐文化的变迁进行了梳理和探讨,论述了其从传统地方性到新式统一性再到本土化发展的内在联系。华人传统音乐文化的变迁,使得马来西亚华人传统音乐文化从华人移民音乐成长为华族音乐文化,成为当地多元文化的重要组成部分。在这个变迁中,社团起到了很重要的支持作用。     

历史学的课题：可能之事

在实际的历史写作中,部分历史学家运用反事实的方法,探究历史上的可能之事。无独有偶,海德格尔的主张也与此相似,他认为历史学的主要课题不是特殊的个体事件,也不是超乎个体事件的普遍规律,而是曾在的生存可能性。这两种观点不是为了探究历史上不曾发生过的事态,而是借此重新规定历史学的题材、性质和写作方式。但是,反事实研究所谓的可能性主要是指现成事物的偶或可能性,而海德格尔所谓的生存论上的可能性则是指此在的某种生存方式,两种可能性有着根本区别。     

Religious Theme Of Women's Garments

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A Variation on a Basic Theme: The Transition to Farming in Southern Central Europe

This paper attempts to summarize the past years of research on the Mesolithic–Neolithic transition in Central Europe and to review recent discussions about the origin and spread of the Early Neolithic. Particular emphasis is given to the debate about migration or diffusion. A combined migrationist/diffusionist model is presented, arguing for an emergence of a farming economy among hunter-gatherer populations in Transdanubia and the subsequent spread of this economy through migration. The new settlers interacted with local Mesolithic groups and adopted and incorporated local material culture and sometimes even aspects of local Mesolithic economy, a process which continued throughout the Early Neolithic. With time, population increase, subsequent competition for resources, and climatic instability led to a destabilization of traditional Early Neolithic society and finally to the outbreak of severe intercommunity violence. The only escape from mutual extinction was a rearrangement of subsistence and social and political structures, possibly with contributions from surviving Terminal Mesolithic groups.     

早期帛画及其主题

中国古代在造纸术发明以前,丝织物除用来制作服饰外,人们还把它当作书写和绘画的材料。“帛”是先秦两汉对丝织品的泛称,实则只用蚕丝织成的细绢为书写、绘画的材质,再用笔墨书写文字,用重彩描绘人物、走兽、飞鸟、神灵形象等各种图案。这些写在丝织品上的文字和图画,被称为帛书、帛画。帛画约兴起于战国时期,     

中国主题酒店文化融合的思考

本阐述主题酒店的主要特征与发展前景,提出在特定的经济模式和城市的定位背景下,融合中西经典化,把握“本土化”尺度,构建中国主题酒店的蓝图。     

Athanasian Paganisation of Arius: Unprecedented Application of the Deification Theme

Athanasian contribution to the development of the deification theme and its subsequent influence on Christian spirituality remains significant. Athanasius certainly applied deification in his fight with Arianism. A generally acknowledged application of deification in Athanasius in an anti‐Arian context also finds additional support in a seemingly unexpected place—Athanasian criticism of pagan divinization, mostly concentrated in Against the Pagans. Relying on a traditional Christian apologetic approach for criticism of pagan divinization, Athanasius contextualizes the theology of Arius as the paganization of Christianity as well as proposes necessary prerequisites for Christian understanding of deification. This is an unprecedented application of deification in Christian theology where one Christian author portrays the teaching of another Christian author as pagan divinization.