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1.
From 1914 to 1920, Pérez de Ayala produced his most serious and political writings. In his Novelas poemáticas de la vida española (1916) and Política y toros (1920), Ayala criticizes what he perceives as the backward state of the Spanish nation, focusing on the idiosyncrasies of the Spanish man through his depiction of three weak male characters. Nevertheless, wary of falling into the pointlessly excessive criticism of the nation that could be called domperiquitismo after Larra's memorable character Don Periquito, in the early 1920s Ayala subverted the organicistic language of his own criticism and that of many of his contemporaries by playfully concluding that Spain's real illness was orchitis. Although reading Ayala's earnest and contentious writings from this brief period is indispensable to fully appreciate the richness of his oeuvre, the works differ from the rest of his production, which is characterized by a more humorous yet critical slant.  相似文献   

2.
Rather than scrutinising who is a racist or not in John Hobson's seminal work on the scientific racism and Eurocentric institutionalism of a selection of canonical thinkers on world politics since 1760, this essay seeks to engage with its strategic reluctance to use racism as a lens to understand the post-1945 world. The aim is to draw attention to the fact that analytical categories, apart from imperfect attempts to render reality intelligible, are a deeply normative enterprise that implicitly or explicitly seek to render (parts of) reality for a certain purpose. Building on a vignette of the yearly racism-related debate around the figure of Zwarte Piet or Black Pete in contemporary Flanders, the text reflects on the extent to which R-word strategic reluctance, in public debates and IR alike, (dis)serves an anti-racist decolonial ethos and if and to what extent John Hobson's analytical choices unwillingly are a part of this.  相似文献   

3.
《Political Theology》2013,14(2):183-199
Abstract

In the closing chapter of Living in the End Times, Slavoj Zizek endeavours to "look for traces of the new communist collective in already existing social or even artistic movements." This article explores what Zizek might see if he were to turn his cultural-critical gaze towards emerging Christianity, which is presented as an artistic and social, as well as religious (or irreligious), "movement." His work is increasingly used by emerging church practitioner Peter Rollins to retrospectively explain his own thought and practice. This article examines some of the ways in which Zizek's atheological speculative philosophy and John D. Caputo's theology of the event are impacting contemporary Christian praxis.  相似文献   

4.
Much has been written in the last few years regarding Leo Strauss's political attachments, especially with respect to his purported influence over American neoconservatives. Problematically, Strauss scrupulously avoided explicit ideological entanglements, rarely addressed particular policy debates, and left little guidance for the statesman or thoughtful commentator interested in drawing practical political inferences from his philosophical writing. To add further ambiguity to already muddy waters, Strauss's discussion of the relation between prudence and philosophic insight coupled with the many and incompatible roles he assigns to the philosopher within the city make it unclear if there is anything at all that philosophy can teach us of political significance. The following essay aims to explain Strauss's view of the political function of philosophy in light of his distinction between classic and modern utopianism and what he calls in On Tyranny "philosophic politics."  相似文献   

5.
《Political Theology》2013,14(3):431-446
Abstract

Many thinkers, of whom Jean-Jacques Rousseau is a prominent example, have expressed ambivalence regarding John Calvin's contribution to our understanding of a healthy civic order: while Calvin's political genius is undeniable, he and his followers are also known for intolerant attitudes and practices. Thus the image of "two Calvins" by a recent biographer of the Reformer. In this essay I lay out some relevant tensions in Calvin's political thought, while also identifying underlying themes that were later developed by his followers. Special attention is given to the ways in which the "neo-Calvinist" movement, initiated in the nineteenth century by Abraham Kuyper, both corrected and expanded upon Calvin's theology of public life. It is noted that while Kuyper's thought also influenced the Afrikaners' apartheid ideology, Reformed opponents of apartheid also appealed to elements in Kuyper's theology of public life. Although the results have been mixed, Kuyper and others did demonstrate the ways in which some basic elements of Calvin's thought can be used to address issues that are being given sustained attention today in broad-ranging explorations of what makes for a flourishing civil society characterized by a variety of "mediating structures."  相似文献   

6.
Abstract

Various objective reasons have led to the development of a vast and elaborate literature on the Epilogue in the Book of Qohelet. This study presents a Sitz im Leben based approach to the Epilogue, which capitalizes on the known historical reality during the Hellenistic period in which Qohelet lived. It views the Epilogue as an expression of Qohelet’s deep apprehensions of the challenges that faced his people. From this perspective it is natural to consider Qohelet as being the author of the Epilogue. The Epilogue is not about what he says in the book but what he has to say to his people. As a wise man concerned with the welfare of his people he urges them: keep records, though it is wearisome; be aware that secrets would be leaked; fear God; and, obey His commandments. These are his essentials for survival.  相似文献   

7.
Tagame Gengoroh (1964–) is a Japanese manga writer who specialises in erotic gay male SM themed comics. Though prolific and having a substantial cult following in his native Japan, parts of the US and Europe, his work has not received the academic attention it deserves. This essay explores how Tagame constructs masculinity in three stories set in the context of wartime Japan. By drawing on several interdisciplinary areas to inform my reading of these narratives, I argue that, while on one level Tagame presents stories as graphic cartoon porn, on another level he weaves into the images and wording a much deeper sense of how homosociality can easily transform into homosexuality, despite his male characters being positioned as examples of hegemonic masculinity. The essay comments on how Tagame deterritorialises characters associated with wartime Japan such as the soldier, the POW and the kenpeitai by requiring them to engage in acts not typical of any definition of hegemonic masculinity, and then reterritorialises them into creating equally complex and horror-filled homosexual utopias.  相似文献   

8.
《Political Theology》2013,14(6):721-726
Abstract

In this essay the author reflects on Miroslav Volf’s discussion, in A Public Faith, of Christianity as properly a prophetic religion. The author focuses especially on the two main malfunctions that Volf cites as accounting for the fact that the faith of individual Christians is often not prophetic, namely, what he calls “idleness of faith” and what he calls “coerciveness of faith.”  相似文献   

9.
Summary

This essay speculates about the degree to which a counter-image of Europe imagined by Romantic period writers showed them to be transforming an inherited idea of the republic of letters for political purposes. While Anglophone romanticists recognise that the French Revolution is an indisputable agent in shaping the contemporary English literary imagination, they then usually ignore the role played by the Restoration which followed. Romantic criticism can perhaps learn an appropriate sensitivity here from the work of critics of English Restoration writing of the seventeenth century. That epochal uncertainty, when the regicides beheaded the King and then wondered what to do politically, was succeeded in the Restoration by a kind of Dissenting determination to continue under or memorialise that uncertainty, not as a dilemma but as the experience of political opportunity. A similar pattern of pursuing revolution by other means is visible in the political revisionism and literary experimentation of post-Revolutionary Romantic radicals. In my picture, then, the Romantic transformation of the republic of letters recovers an older literary republicanism. In what is here dubbed Realpoetik the battle for what is to be political reality is fought on a rhetorical field whose free speech is exemplary of what politics should be like.  相似文献   

10.
Hayden White: Beyond Irony   总被引:1,自引:0,他引:1  
A crisis of our age that is usually identified with the loss of the sacred was one of the causes of the fall into irony in the nineteenth century. In the case of historians, asHayden White has shown in Metahistory, this irony was caused by a“bitterness” stemming from the failure of reality to fulfill their expectations. Anironic apprehension of the world arose in an atmosphere of social breakdown or cultural decline.A current stage of irony manifests itself in a doubt as to the capacity of language to grasp reality. Thus we live in a “prison house of language.” An intellectual parlor-gameproduces “second-hand knowledge” that cannot satisfy the needs of post-postmodern men and women still looking for another metanarrative. Therefore, the main purpose of this essay is to answer the question: how can we go beyond irony? This text is a “post-postmodern post mortem topostmodernism.” I am grateful to postmodernism for many things, especially for giving me an alternative apprehension of the world in terms of difference and continuity rather than binary oppositions, but I am tired of ontological insecurity and epistemological chaos. I need order. I miss metanarrative. In trying to break with some modern/postmodern “principles” andretain within my discourse the premodernist perspective, I follow the current trend in thehumanities. We observe at present the breakdown of methodology and the rise of a more poeticapproach in the human sciences. Evidence of this phenomenon is the more autobiographical formof writing in anthropology (James Clifford, Clifford Geertz) and a more literary style inhistorical writing (Natalie Zemon Davis, Emmanuel Le Roy Ladurie, Simon Schama). This trendis associated with a revaluation of the subjective aspects of research. Perhaps, and I wouldwelcome it, it also could be identified with a reappearance of a Collingwoodian idea of history ashuman self-knowledge, knowledge about human nature, knowledge about “what it is to be a man . . . what it is to be the kind of man you are . . . and what it is to be the man you are and nobody else is.”  相似文献   

11.
Over the past thirty years, the disappearance, if not the death, of the intellectual in France has been the focus of significant conversation and debate. Yet a good bit earlier, two writers who epitomized that very figure of the intellectual, Jean-Paul Sartre and Albert Camus, in works written after their bitter break, seemed to have already sensed this decline. The present essay explores what Camus's novel La Chute [The fall] and Sartre's autobiography Les Mots [The words] share thematically and, in particular, how both works anticipate the fall of the French intellectual.  相似文献   

12.
《Political Theology》2013,14(4):531-541
Abstract

In light of recent rehabilitations of the theological doctrine of creation ex nihilo by Jean-Luc Nancy, Slavoj Zizek and others, the present essay examines whether that doctrine can or cannot be a resource for the critique of capitalism. Agreeing with Nancy and Zizek that the doctrine can be of use in the critique of capitalism, the essay takes up their discussions and adds to them by analyzing the relationship between the doctrine and Marx's treatment of human agency and capitalism. By situating Marx's philosophy in relation to Aristotle's and Hegel's discussion of the infinite, I contend that, despite Marx's overt rejection of creation ex nihilo, human activity is conceived by him according to it, and that capitalism, as he presents it and as supplemented with Nancy and Zizek, can be understood to be a "decreation" of the worldhood of the world.  相似文献   

13.
《Romance Quarterly》2013,60(4):255-256
In this article, the author illustrates a case of the exclusion that most Hispanists do when promoting a sort of predestined universality of Don Quixote. Just what do Don Quixote and "el Día del idioma" mean and entail for the indigenous people, that is, those who have been resisting national programs of forced assimilation or extermination since the arrival of the Spanish? The author offers an interpretation of Don Quixote that addresses the text's presentation of the indigenous Americans and the related themes of frontier, conquest, and imperial expansion—a level of interpretation used by both current and past readers that is consistent with the imperial ideology of Hapsburg Spain.  相似文献   

14.
The thirteenth-century Spanish poem Libro de Apolonio (LA) shares many features with other works of the cuaderna vía; among them is the frequency with which the personified figure of sin makes its appearance. One finds the word pecado in the opening scene of the LA, where the narrator says that sin, always restless, manages to stir up desire in King Antioco and makes him turn his gaze on his own daughter (6). Soon again, in reference to the same incestuous king, the narrator writes that “metiólo en locura la muebda del pecado” (26). With two early references in the LA to sinful impulses, the narrator suggests that pecado is the root cause of Byzantine-like adventures that take Apolonio across the Mediterranean world. To further underscore its importance, the author uses the word pecado in a variety of contexts a minimum of thirty-one times. Given its near omnipresence, it is essential that one consider the nature and role of sin when interpreting the work. As a window through which to view sin, this essay focuses on the hero’s status as king. If Apolonio is referred to as pilgrim on occasion, it is no less significant that the main character is referred to as king no less than thirty-five times in the work. It could be that the author wants us to bear in mind that we are not dealing with “everyman,” but with a king. By viewing Apolonio in this light, one can proceed to examine his royal performance to assess to what degree his shortcomings might be considered pecado.  相似文献   

15.
Abstract

William Cavanaugh's The Myth of Religious Violence raises important questions about the role of religion in society. It challenges all-too-common misunderstandings about the relationship between religion and politics and, most valuably, warns against any assumption that religion is peculiarly prone to violence. This essay nevertheless takes issue with his attempt to disprove what he calls “the myth of religious violence” with evidence from the Wars of Religion in sixteenth-and seventeenth-century Europe and his claim that “the story of these wars serves as a kind of creation myth for the modern state” (10). The essay emphasizes the importance of understanding the religious dimensions of early modern Europe's wars but also of recognizing that, in both historical and contemporary situations, religious motivations are best understood not as independent variables but rather as catalysts that could exacerbate-or relieve-tensions rooted in other sorts of divisions or quarrels.  相似文献   

16.

Disease is a more efficient killer of armies than man, but military historians tend not to dwell on this fact, for fear of relegating human volition to a secondary role in the outcome of wars. Thus, studies of the Cuban War of Independence from 1895 to 1898 tell of thrilling machete charges and awe-inspiring battleships, but pay insufficient attention to the insects and microbes that really killed the Spanish army and prepared the ground for the liberation of Cuba. This essay argues that the mosquito and yellow fever did most of the work of freeing Cuba from Spanish military occupation. It also tells how the theory of a Cuban physician, Carlos Finlay, helped to liberate the island from yellow fever following the American occupation in 1898. In this way the essay unites two sundered histories that belong together, and then goes on to explain why the medical community ignored Finlay for almost 20 years, just time enough to allow Cubans to found a new nation.  相似文献   

17.
This essay examines the intellectual origins of Tocqueville's thoughts on political economy. It argues that Tocqueville believed political economy was crucial to what he called the ‘new science of politics’, and it explores his first forays into the discipline by examining his studies of J.-B. Say and T.R. Malthus. The essay shows how Tocqueville was initially attracted to Say's approach as it provided him with a rigorous analytical framework with which to examine American democracy. Though he incorporated important aspects of Say's work in Democracy in America (1835), he was troubled by elements of it. He was unable to articulate clearly these doubts until he began studying Malthus. What he learned from Malthus caused him to move away from the more formalised approach to political economy advocated by Say and his disciples and move towards an approach advocated by Christian political economists, such as Alban Villeneuve-Bargemont. This shift would have important consequences for the composition of Democracy in America (1840).  相似文献   

18.
《Political Theology》2013,14(2):199-208
Abstract

The essays in this special issue of Political Theology engage in a vigorous and wide-ranging conversation between theology and theologically inspired forms of critical thought and the possible futures of democracy as an idea(l) and as a political practice. This collection seeks to provide some key coordinates for thinking through the linkages and disjunctures between the theological and the political in formulating new conceptual frameworks that obtain a critical purchase for understanding the multiple meanings of democracy in the (post)modern world. By posing the question, "What is the fate of theology in a post-theological moment?" this introductory essay focuses our attention on the contemporary configurations of intellectual and political power that animates so much of our discourse on the interrelationships between theology and politics and proceeds to provide a brief rehearsal of the essays included in this special issue.  相似文献   

19.
On 5 and 6 January 1979, US President Jimmy Carter, British Prime Minister James Callaghan, French President Valéry Giscard d’Estaing, and German Chancellor Helmut Schmidt met on the Caribbean island of Guadeloupe. These secret talks à quatre were intended to be a relaxed frank and free exchange on the current state of global politics, though Western security issues lay at the discussions’ heart. As we now know, it had been Schmidt who, behind the scenes, had been pressing the Carter administration to pursue informal (transatlantic) summitry - the Chancellor's preferred modus operandi. In view of growing Euro-strategic imbalances due to Soviet arms build-up, he sought to achieve political co-ordination among the key North Atlantic Treaty Organization (NATO) players on the theatre-nuclear-forces-modernisation-cum-arms-control issue. Schmidt's pushiness reflected West Germany's new political assertiveness, but also the Chancellor's desire to personally promote national interests in nuclear politics at the top table (similar to his approach as a shaper of international economic and energy policies). This article will explore why this ‘parley at the summit’ mattered, how within this intimate forum Schmidt pursued his goals, what diplomatic tactics and methods he employed, and to what extent he managed to control and shape proceedings and outcomes.  相似文献   

20.
This essay argues that translation in Se questo è un uomo (If This is a Man) (1947), as well as in related pieces, functions for Primo Levi as a key means for claiming and potentially repairing manhood. In its capacity to reposition meaning, translation functions as a powerful vehicle for affirming agency, particularly gendered agency. What emerges in Levi's writings, particularly in Se questo's “Canto of Ulysses” chapter, is the figure of the translator as resistance fighter: the man who uses his intellect, his love of languages and other men, and his desire to communicate in order to combat the assault on humanity perpetrated by Nazism and sustained by its legacy. In this Levi's writing exists on a continuum with the cultural work of the founding members of Giustizia e Libertà and, accordingly, complicates Italy's postwar understanding of partisan activity. Throughout Se questo è un uomo and related works, translation proves a vital if imperfect means for reclaiming manhood and for asserting the possibility of friendship across cultural, regional, ethnic, and gender boundaries.  相似文献   

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