Broca’s Aphemia: The Tortuous Story of a Nonaphasic Nonparalytic Disorder of Speech

Broca coined the neologism “aphemia” to describe a syndrome consisting of a loss of the ability to speak without impairment of language and paralysis of the faciolingual territories in actions unrelated to speech, such as protruding the tongue or pursing the lips. Upon examining the brains of patients with aphemia, Broca concluded that the minimum possible lesion responsible for aphemia localized to the posterior left inferior frontal gyrus and lower portion of the middle frontal gyrus. A review of Broca’s writings led us to conclude that (a) Broca localized speech, not language, to the left hemisphere, (b) Broca’s aphemia is a form of apraxia, (c) Broca’s aphemia is not, therefore, a terminological forerunner of aphasia, and (d) Broca was an outspoken equipotentialist concerning the cerebral localization of language. Broca’s claim about the role of the left hemisphere in the organization of speech places him as the legitimate forebear of the two most outstanding achievements of Liepmann’s work, namely, the concepts of apraxia and of a left hemisphere specialization for action.     

Story of a Civil Worker

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“The Story of the Man Who Whitened His Face”: Bernini,Galileo, and the Science of Relief

This essay argues that Bernini orchestrated the relief surfaces of his sculptures through an exacting science of optical perception. It connects his understanding of the relief structure of his sculptural work to Galileo’s contemporaneous discovery of the cratered surface of the moon to contend that art and science shared similar concerns in the visual analysis of relief perceived as patterns of light and shadow. Through a full contextualisation of one of Bernini’s many workshop aphorisms, about a man who whitened his face, it demonstrates the scientific, art-theoretical, and practice-based considerations that informed Bernini’s understanding of optics in the sculptural rendering of facial likeness through the medium of white marble.     

A Play of Three Suitors: A Neglected Middle Dutch Version of the “Entrapped Suitors” Story (ATU 1730)

The wide diffusion of the “Entrapped Suitors” story-type has often been observed: examples are found in a remarkable number of literatures, ranging from English, French and Greek in the West, to Persian, Arabic and Kashmiri in the East. However, a text of this type that is often overlooked is the Middle Dutch play Een Speel Van Drie Minners (“A Play of Three Suitors”). This is despite the fact that it represents a highly idiosyncratic variation on the story, as it replaces the central moral with something more scabrous. We offer here a comprehensive discussion of this singular text and its narrative form, with an English verse-translation appended.     

“The artifice of eternity”: The Wanderings of Oisin and the Byzantium poems

Yeats’s poetry and drama centre on conflict, and crucially, on the clash between the mortal and the eternal. In this essay, I focus on the way in which The Wanderings of Oisin foreshadows and informs the treatment of eternity in Yeats’s later Byzantium poems. The Wanderings of Oisin explores the intensity of human longing for the eternal despite our time-bound nature, prefiguring his later impassioned though analytical Byzantium poems. Although the Byzantium poems seem initially to glorify eternity at the expense of human life, this essay traces the complexity of Yeats’s desire. Previous criticism has understated the extent to which Yeats’s poetry actively resists the siren song of eternity. The Byzantium poems problematise the eternity that they seem to desire, and this article reveals them as inflected by the way in which The Wanderings of Oisin questions the value of the eternal realm in the light of mortal heroic values. The “intensity, solitude, defeat” of the artist are inevitable, but there is a victory of sorts won from the poet’s deliberate inability to commit to any version of the eternal that preclude his own power and humanity. Yeats’s poetry runs the gamut between versions of desire that express an overweening desire for resolution even as they retain their resistance to any single pure state of being, if any such state is possible.