Schicksalsmächte

In the first and longer part of his study (I)? the author seeks to reassess both the word‐for‐word meaning and the contextual function of the much debated line 183 nee nulla interea est inaratae gratia terrae. He sees the reason for the impasse of commentators (recently Mynors) in the fact that inaratus is wrongly taken as a negated adj. ("unploughed") whereas it makes better sense taking it as the past participle of inarare (i.e. “ploughed"). St. Ambrose may have read the line in this way. In the second part (II) the author tries to find out how the controversial nullo tantum se Mysia cultu / iactat et ipsa suas mirantur Gargara messis (I 102–103) makes sense in its context. Basing his understanding on the parallel at Aen. 6,876f. he ends up with pleading that cultus should be understood in a more general way ‐ something in the vein of “beautiful quality”;, “refined condition”;.     

This Is Not an Improvisation: Letitia Landon and the Slipperiness of Taxonomy

ABSTRACT

Writing in 2007, in The Wordsworth Circle, Jeffrey Robinson remarked on the “ephemerality” of improvisational poetry, its fundamental resistance to being “preserved.” Printed poetry is typically regarded as “fixed” and static: what any poem represents as improvisation is, at best, only a record, executed in a fixed medium, of a performance whose infinite variability is inherent in the nature of improvisation itself. Partly an homage to Rene Magritte’s This is Not a Pipe (1928–29) and to Michel Foucault’s 1973 essay on that painting, and using as a test case The Improvisatrice (1825), the long poem by Letitia Elizabeth Landon, herself a devotee of interdisciplinary and multimedia performance, this essay considers the physical, structural, and methodological challenges and limitations posed to printed “word art” by works that purport to be, or aspire to the condition of, “improvisations.” The improvisatrice who is the poem’s narrator claims to be both a painter and a songstress, but her “speech,” captured and rendered in printed words by Landon (who ventriloquizes that speech), can neither “be” nor even “represent” a work produced (“performed”) in visual art or vocal song. In her long poem Landon effectively creates a literary trompe l’oeil, an illusion that depends for its “completion” upon the reader’s implied participation in that performative act of completion. In the process, Landon’s poem reveals the fundamental incompatibility of improvisational literary production with the performative nature of improvisation.     

“The third man” — David's heroes in 2 Sam 23,8–39

Abstract

The basic meaning of the word is “three”, “third”. Besides this, the word also possesses two specialized meanings, namely “chariot soldier” and “officer of high rank”. The evident discrepancy between these two meanings has occasioned considerable interest among scholars (e.g, Thenius, Elliger, Hertzberg, Margalith, Mastin, Na'aman, Schley).

In the contribution at hand it has been shown that the was a trained soldier who did not belong to the standard crew of a war chariot However, it was possible to assign him temporarily to the chariots in order to raise their effectiveness. The warriors in question could also be transported in chariots as third men, in addition to the standard crew of two. It is from this practice that the term “third man”, originated. It was also from this military élite that the king picked his chiefs and adjutants. Gradually the word came to mean not only a specially trained soldier, but also the king's adjutant. The meaning “shield bearer”, which has often been suggested for has nothing to support it.     

Sovereignty and the Separation of Powers in John Locke

Locke's conceptualization of sovereignty and its uses, combining theological, social, and political perspectives, testifies to his intellectual profundity that was spurred by his endeavour to re-traditionalize a changing world. First, by relying on the traditional, personalistic notion of polity, Locke developed a concept of sovereignty that bore the same sense of authority as the “right of commanding” attributable only to real persons. Second, he managed to reconcile the unitary nature of sovereignty with the plurality of its uses, mainly through a conception of the dual, vertical separation of functions, which implied degrees rather than kinds of sovereignty. While absolute sovereignty belongs to God, Locke argued, relative sovereignty, separated into “potential” and “actual” sovereignty, is vested in the community on the grounds of the Edenic testament with God. The community, established by a fundamental, single contract, is divided into “society”—to fulfil the function of legislation, which signifies the potential sovereignty of the community, so as to cultivate common law, and into “government”—to undertake the execution, which signifies the actual sovereignty of the king, of common law so as to procure common wealth.     

The Politics of Subjectivity in Vangelis Raptopoulos’s Urban Stories

In this article I offer a critical analysis of the spatial cultures of modern Athens through the urban portraits presented in three fictive stories by Vangelis Raptopoulos—“At the Bottom of the Sea” (Sto Vytho), “One-Way Street” (Monodromos), and “Long-Distance Call” (Yperastiko)—from his 1995 collection “In Pieces” (Kommatakia). I argue that by constructing first-person fictive narratives, written in confessional prose, Raptopoulos problematizes the notion of subjectivity in its varying relationships to modern urban and spatial cultures. My main focus is on the practice of subjective recitations of urban space in view of the narrator’s experiences of imaginative and physical spatial appropriation. I argue that these experiences and the fragmentary style, through which they are conveyed in the stories, are an incisive critique of the official planning practices of urban public space and prescribed practices of spatial mobility. By drawing on the critical-philosophical and critical-historical literature, with particular reference to Benjamin, Foucault, Lefebvre, and de Certeau, this article contributes to the broader critique of the politics of subjectivity in modern Europe.     

“Religious Violence as Modern Myth”

Abstract

In this essay the author summarizes the argument of his book entitled The Myth of Religious Violence, whose main contention is that there is no reason to suppose that people are more likely to kill for a god than for a whole other host of “secular” ideologies and practices that behave in the way that “religions” do. The author then goes on to respond to various critiques that have been made of the book since its appearance in 2009.     

Misconceptions About the Caliphate in Islam

Three common misconceptions about the caliphate in Islam are explored alleging: 1) that there has been only one caliph at a given time governing all Muslims, uninterrupted until the caliphate system was abolished in 1924, 2) that caliphs governed vast territories, 3) that God in Islam mandates a blueprint for governance called the caliphate. This essay begins with the role the caliphate played in agendas of Islamic movements over the last 100 years. Then the historic development of the caliphate is discussed providing the background to explore the first two misconceptions. The third misconception is consequently addressed through a linguistic, Qur'anic, and historical analysis of the word “caliphate.” The fact that neither the Qur'an, nor the Prophet saw himself as a head of state is explored, and the misappropriation of the word “constitution” to replace the word “pact” in “the pact of Medina” is pointed out. A simple classification of three types of “caliphates” is suggested, emphasizing the wide range of connotations it conveys. Finally, counterarguments using the Qur'an and Hadith are addressed. The essay concludes with the idea that what makes a state Islamic are not name nor its structure, but rather its orientation towards Qur'anic ethical values.     

IN THE FOLDS OF TIME: RASHĪD AL‐DĪN ON THEORIES OF HISTORICITY

By focusing on Rashīd al‐Dīn's (d. 718/1318) historiographical oeuvre and here in particular his “History of the World,” this article challenges the usual approach to his Jāmi? al‐tawārīkh (Compendium of Chronicles) and argues that his was a deeply pluralistic enterprise in a world with many centers, tremendous demographic change, high social mobility, and constantly shifting truth‐claims in an ever expanding cosmos, to which Rashīd al‐Dīn's method, language, and the shape of his history were perfectly adaptable. This article introduces the notion of “parallel pasts” to account for Rashīd al‐Dīn's method. By placing the Jāmi? al‐tawārīkh and its author in their historical and intellectual context, this article also argues that this method is not restricted to Rashīd al‐Dīn's historiography: His historiographical work ought to be seen as part of his larger theological and philosophical oeuvre into which the author placed it consciously and explicitly, an oeuvre that is, like Rashīd al‐Dīn's historiography, pluralist at heart, and that could be as easily classified as “theology” or “philosophy” as “historiography.”     

Tannery and Duhem on the Concept of a System in the History of Philosophy and History of Science

ABSTRACT

This article examines John Toland’s Reasons for Naturalizing the Jews (1714) by placing it alongside other elements of his engagement with Jewish history, Mosaic principles and wider “Hebraica” – specifically, an appendix to his Nazarenus (1718) and his Origines Judaicae (1709). Although Toland’s case for Jewish naturalization shows the strong influence of Locke’s case for political and religious toleration, and also of a general “mercantilism”, it is argued that one of its main characteristics is a philosophical naturalism, shown in its treatment of the human species as a whole. Furthermore, it is also argued that this same naturalism is evident throughout Toland’s engagement with Jewish history and Mosaic thought. Accordingly, when we “fold” these works into each other, we find each enhancing our understanding of the others – not just as examples of Toland’s treatment of “Jewish affairs”, but also as illustrations of a consistent conceptual materialism. To emphasize this, the article concludes by suggesting that the figure of Rabbi Simone Luzzatto, author of a 1638 plea for tolerance, provides an important clue in understanding the links between Toland’s political injunctions and the philosophical foundation on which they are built.     

The eponymous legacy of Sir William Richard Gowers (1845–1915): A revealing letter

The eponymous legacy of Sir William Richard Gowers (1845–1915) was the subject of a comprehensive appraisal first written for this journal late last year. Since the completion of that work, a revealing February 1903 letter has come to light recording, amongst other things, Gowers’ firsthand and somewhat private opinions concerning some of his own eponymous contributions to medicine. This addendum to the primary author’s original article will review and contextualize this very interesting find as it relates to Gowers’ eponymous legacy. Gowers’ “ataxic paraplegia” (referred to as “Gowers’ disease” in the letter) and “syringal hemorrhage” are specially considered, and his broader neological contributions are also briefly addressed. For completion, a number of other previously unnoticed eponyms are added to the already impressive list of medical entities named in Gowers’ honor, and a more complete collection of eponyms found in Gowers’ Manual are tabulated for consideration.     

Guy Vanderhaeghe’s Notes Towards the “Big Book” of His Generation: Man Descending in the Sociopolitical Context of the 1960s and 1970s

Guy Vanderhaeghe’s historical novels starting with The Englishman’s Boy (1996) have been widely discussed and celebrated in academic books and journals, but his first collection of stories, Man Descending (1982), has been largely neglected by the academic critics. An examination of sociopolitical references, with a special focus on gender and masculinity, in a coherent group of these stories (“The Watcher,” “Drummer,” Cages,” “Man Descending,” and “Sam, Soren and Ed”), reveals a writerly personality that, while acutely sensitive to contemporary social and political developments, and itself deeply implicated in these trends, nevertheless stands uncomfortably apart from and assumes a critical attitude toward the prevailing, generally progressive, sociopolitical trends of the 1960s and 1970s. In the last story of Man Descending, the protagonist-narrator Ed emerges as an aspiring thirty-year-old author who has attempted, but could not finish, two novels of his society and times, and these early stories constitute Vanderhaeghe’s own notes toward a never fully realized “Big Book” of his generation of Saskatchewan men, born in the early 1950s, coming to young adulthood in the socially and politically transformative 1960s and 1970s, and surviving into an embattled early manhood in the late 1970s and early 1980s, a time, as it is depicted in these stories, in which the aspirations of 1960s progressivism were hardening into a conformist sociopolitical orthodoxy.     

A Note on the Meaning of Ḥamas in Ezekiel

ABSTRACT

The entries for ?amas in the biblical lexicons read “violence, wrong”; “treat violently”; or “theft, exploitation, social oppression;” namely, this word is understood as referring to the social sphere. On this basis, in the usual exegesis of the verses in which it appears in Ezekiel, ?amas is understood to refer to social violence. I suggest, however, that a closer examination of each of the seven occurrences of this term in Ezekiel indicates that it refers to the sins of the people that led to the destruction of the Temple—including idolatry and bloodshed—and that Ezekiel utilized and adjusted this pentateuchal concept to his prophetic needs.     

Tacitus and Tacitism in Johannes Meursius’ historia danica (1630–38).∗

The article examines the role of Tacitus in the Latin history of Denmark (1630–38) by Johannes Meursius. It is argued that “Ta‐citism”; ‐ a contemporary movement influenced by Tacitus both as a stylist and as a political writer ‐ is reflected in Meursius’ work in various ways. The first part deals with Meursius’ introduction and his use of Tacitus’ famous avowal of writing sine ira et studio. Next, Meursius’ Latin prose style, with its brevity, antitheses, and paradoxes, is seen in the context of the contemporary “Attic”; movement, which advocated primarily Seneca and Tacitus as prose models. Thirdly, Meursius’ portrait of the Danish king Nicolaus is shown to be inspired by the Tacitean archtyrant Tiberius. Fourthly, it is argued that Meursius also drew extensively on one of the seminal works of Tacitism in Northern Europe, Justus Lipsius’ Política (1589). Finally, the apparently incongruous union of Tacitean cynicism and Meursius’ generally Christian and moralistic outlook is taken up.     

Lex: A Study on Medieval Terminology for Religion

Medieval Christian authors frequently employed the Latin word lex (“law”) and its vernacular cognates to mean something akin to the modern notion of “religion.” Like a religion, a lex was the collection of observances that marked a particular people‐group, such as Christians or Muslims. This article examines the category of lex in its historical context revealing both its similarities and differences from modern “religion.” It argues that the category of lex borrowed on Roman ethnography and Patristic exegesis and was inseparable from larger Christian ideas about society, human nature, and political order.     

A Wax Effigy Pierced by Three Bones: The Pharaonic Origins of a Late-Antique Cursing Ritual?

Papyrus fragments from a late-antique Greek magical handbook preserve a unique recipe that directs us to make a wax “voodoo doll” and pierce it with three bones – “the left one, the right one and the one from the back” – “of an eisphatēs”, a previously unknown Greek word that has been emended to mean “sacrificial victim” (sphaktēs) or “dove” (phattēs). Emendation is not warranted, however, because the word is probably a local and previously unknown Egyptian term for the Nile catfish, which has three distinctive nail-like spines – the right and left pectoral and the dorsal – that match those of the eisphatēs. The bone of this fish is, moreover, used in a native Egyptian cursing ritual of Pharaonic date also involving a wax “voodoo doll”, that is inscribed with the bone, rather than pierced by it.     

Los adioses (1954) de Juan Carlos Onetti: procedimientos para alcanzar la sugerencia y el énfasis en el significado como nouvelle

Based on a presentation of the production of nouvelles in Hispanic America and its current study, in which the permanent academic and critical interest in Juan Carlos Onetti's Los adioses (1954) stands, this article raises and discusses the procedures used by the author to achieve a narrative that by its nature of nouvelle refuses the explicit in exchange for the suggestion. Among such procedures are the character of the narrator, the ellipsis, and a language of conjecture and doubt. With all of those procedures Onetti builds an open and multiple text in which his major emphasis during the writing process lies in the development of the meaning of the text, instead of just narrating the story, as proposed by Henry James in various prefaces to his nouvelles.     

Dimensions of remapping: Heinrich Schiffers and his mental map of Africa

ABSTRACT

At the beginning of the 1960s, the Athenäum publishing house in Germany planned a revised and extended edition of Heinrich Schiffers’ (1901–1982) successful book Wilder Erdteil Afrika (English translation: The Quest for Africa). The bestselling author had published several monographs about Africa since the 1930s, and authored and edited numerous works after World War II. Nearly all of these works, whose substantial print runs are testament to their popularity, are characterized by an engaging combination of text, images, and cartographic material, creating narratives and mental maps about Africa, its history, and the colonial past. In his later writings, he stressed the importance of “relearning” with regard to Africa and struggled to remap the imaginative geography of Africa. In this paper, I examine the characteristics of Schiffers’ imaginative geography and the change in his writings and maps. I explore whether his concept of “relearning” was an epistemological decolonization or if there were any continuities found in his imaginative geography. In order to grasp the specifics of his thinking, his geography will be briefly compared with that of his contemporary, Frankfurt zoo director Bernhard Grzimek.