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This article investigates two controversies that reveal the deeply intertwined nature of legal strategies and archival practices at the monasteries of Farfa and Monte Amiata around the turn of the millennium. It argues that the protagonists of these cases, abbots knowledgeable in law and the history of their monasteries, pursued markedly historical legal strategies: legal strategies that looked to, manipulated, and, above all, contextualized, archival documents in order to make legal arguments. This sheds light on early medieval monastic legal culture in north-central Italy and provides insights into the rationale for monastic forgeries of documentary materials at Monte Amiata.  相似文献   

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This article examines the travels and appearances of Canadian Mohawk writers, lecturers, and performers E. Pauline Johnson and John Brant‐Sero, who appeared in Britain as self‐identified Mohawks, Canadians, and members of the British Empire during the late‐Victorian and Edwardian years of heightened imperial sentiment. The article draws upon feminist scholarship on performance, imperialism, and culture and consumption for the late‐Victorian and Edwardian period. It argues that, while Johnson and Brant‐Sero challenged stereotypes of Mohawk gender relations, they also were part of imperialist modernity; their gendered ‘performances’– on and off‐stage – must be analysed within the context of the gendered cultures of consumption and performance of late‐Victorian and Edwardian British society.  相似文献   

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