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David Garnham 《Domes : digest of Middle East studies》2001,10(2):44-47
Book reviewed in this article: Reaping the Whirlwind: The Taliban Movement in Afghanistan: Michael Griffin 相似文献
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Sara Saljoughi 《Iranian studies》2012,45(4):519-535
This paper examines the relationship between remediation and intertextuality in Abbas Kiarostami's Shirin (2008), arguing that the act of absorbing and transforming other texts and media within one film creates new conditions for collective vision within the post-revolutionary Iranian discourse of visuality. Focusing on the faces of 114 actresses as they watch a film adaptation of the story of “Khosrow and Shirin,” Kiarostami challenges the post-revolutionary modesty laws and their emphasis on not looking at women and at avoiding a spectator–image relationship based on the fulfillment of the desiring male gaze. By making women the spectators, the film suggests that there is no collective vision without women's vision. 相似文献
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