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Political satire has had a prominent part to play in the social and political sphere of journalism in Iran since the appearance of an independent press in the country at the beginning of the twentieth century. This paper examines the problems of political satire in the Iranian press during the 2000s with respect to their historical context during the past century. The paper argues that, addressing the essential relationship between satire and criticism, and the primary role that criticism has in the freedom of press, what happened to political satire and satirists in Iran can be seen as an index of the freedom of the press and journalistic expression for an era.  相似文献   

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In this essay I offer a contribution to a political genealogy of secularization through the fading of the Fall in early modern political theory. I begin by giving a brief overview of the importance of the Fall in pre-modern Christian political thought. I then examine the fate of the Fall in early modern thought, briefly discussing Niccolò Machiavelli and Francisco de Vitoria, but concentrating on the English tradition most influential on our context, namely Thomas Hobbes, Robert Filmer, and John Locke. I show how and why the Fall is replaced by the “state of nature” as pre-historical justification of political power. I conclude with some comments on what is lost when Western society no longer uses the Fall to mark the difference between the way things are and the way things are meant to be.  相似文献   

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Venice   《Textile history》2013,44(1):22-36
Abstract

Applied to contemporary Western clothing as part of the new cultural turn in textile history, anthropology provides unique insights into the relationship between commerce and culture; into the symbolic and social processes that influence the market; and into the ways capitalism functions as a cultural system, not just as a purely economic one. This paper takes an anthropological approach to children's clothing and the changing consumer culture of childhood in Britain in the mid-twentieth century, seen through a particular company (Pasolds Ltd.), their Ladybird symbol and its associated popular culture, and an iconic garment, the Ladybird dressing gown. It provides a case study in a field and period dominated to date by studies of American children's garments and material culture and focuses on the production, advertising and indirect marketing of children's clothing through public culture, from the producer's point of view, a perspective hitherto generally overlooked in work on children's clothes and consumer culture in the mid-twentieth century.  相似文献   

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Shu Yang 《Gender & history》2023,35(2):582-602
This article examines the image of the British suffragettes in the early Chinese press up to the 1910s. By widely surveying newspapers and magazines, it shows that the common adoption of the shrew trope in depicting the suffragettes went beyond a reductive translational interaction between the West and the East. People's Stand, The Eastern Miscellany and other periodical publications present different ways in which diction, images, literary legacy, gender tradition and cultural demands all came into play in reconfiguring the Chinese shrew and her connections to the Western suffragettes. The shrew–suffragette linkage debunks notions of selling strategies and editorial ambivalence underlying the gesture of the press. Yet it was precisely this ambiguity that rendered the shrew image so polysemic and fruitful, eventually allowing this traditional character type to be positively associated with the new woman models in Chinese progressive discourses.  相似文献   

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秦珊  邱一江 《史学月刊》2008,(11):92-96
美国宪法规定国会对公众开放,但这并不意味着作为人民耳目和代言人的新闻界就能够自由、真实、全面地报道国会的活动了。为此新闻界在众议院和参议院都进行了长期的斗争。新闻界在经历由党派报纸向商业报纸过渡的过程中,持续推动以国会报道自由的形式公开美国国会信息。经过与国会特权、保密行为长达半个多世纪的博弈,终于取得了稳定的驻国会山记者团制度,使美国国会成为最早得到系统信息公开报道的政府部门。  相似文献   

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