Eating Archaeology: Experimenting with Food in Public Outreach

Public engagement is becoming increasingly common practice in archaeological projects, capitalizing on the interactions of field archaeologists with local communities as well as with the descendants of the people under study, in a variety of ways: from the use of social media to engaging the local public with onsite presentations and exhibitions. However, public engagement efforts are often less robust when archaeologists return to their home institutions, with most of the researchers’ time and energies spent fulfilling their academic duties. Interactions between archaeologists and their local communities — those closer to their home institutions — are often minimal, creating insular university departments. To secure a future as a vibrant, relevant field of research, archaeology must develop greater interest and skill in engaging with its neighbours both within and outside the academy. The study of past meals and foodways provides an exceptional avenue for public outreach, which in turn is further enhanced through fruitful collaboration among various university departments and museums. Here we present the results of the multidisciplinary outreach project ‘Eating Archaeology’, designed with the intention of building collaborations across disciplines and a new narrative with which to engage the public.     

初论公众考古学

对20世纪60年代兴起于西方的公众考古学的基本理论作一些简单的介绍,并对如何将兴起于西方的公众考古学与中国的社会现实结合起来,如何建立起中国自己的公众考古学作一些探索和思考。     

Archaeology and the Moving Image

Archaeological filmmaking is a relatively under-examined subject in academic literature. As the technology for creating, editing, and distributing video becomes increasingly available, it is important to understand the broader context of archaeological filmmaking; from television documentaries to footage shot as an additional method of recording to the informal ‘home videos’ in archaeology. The history of filmmaking in archaeology follows innovations within archaeological practice as well as the availability and affordability of technology. While there have been extensive analyses of movies and television shows about archaeological subjects, the topic of archaeological film has been characterized by reactions to these outside perspectives, rather than examinations of footage created by archaeologists. This can be understood to fall within several filmic genres, including expository, direct testimonial, impressionistic, and phenomenological films, each with their own purpose and expressive qualities. Footage taken on site can also be perceived as a form of surveillance, and can modify behaviour as a form of panopticon. Consequently, there are considerations regarding audience, distribution, and methods for evaluation, as these films are increasingly available on social media platforms. This paper explores the broad context for archaeological filmmaking and considers potential futures for the moving image in archaeology.     

Places in Interaction: The National Archaeological Park Project as an Integrated Approach to Public Archaeology in China

The aim of this paper is to re-examine how concepts of public archaeology have been established and developed in varying social and political contexts in China, and how the recent national archaeological park project is structured as an important approach for improving public-archaeology relationships and promoting the public uses of archaeology. Since all archaeological activities in China are exclusively regulated by the state, all archaeological resources are administered for the benefit of the public. As such, concepts of public archaeology demonstrate the efforts of Chinese archaeologists to re-evaluate public-archaeology relationships and uses of archaeology through public engagement as well as archaeological communications with the public. The national archaeological park project was launched in 2006 to expand the practice of archaeology with the creation of archaeological communications, public space, and community-driven programmes. The project facilitates multiple perspectives on public archaeology practice through public education, community cohesion, re-creation of public space, and local economic development.     

Romans and Reducing Recidivism: Archaeology,Social Benefit,and Working with Offenders in Wales (Part 1)

Claims that public and community archaeology can help ‘change lives’ have recently come under criticism. Challenging these critiques, this article explores how archaeology can be socially beneficial in the rehabilitation of offenders. Using a case study from South Wales, this article demonstrates how a prison-based outreach project can offer an innovative trajectory for public archaeology, highlighting the links between archaeology and political agendas. The article challenges the concept of ‘archaeologist-as-social-worker’ and considers the successes and limitations of such an approach, including the challenges of measuring impact. Ultimately, it demonstrates that archaeology-based activities can provide positive life experiences for offenders, but only through a successful partnership between heritage and offender management specialists, as part of a wider programme of support and intervention.     

Assessing Methodologies in Archaeological Ethnography: A Case for Incorporating Ethnographic Training in Graduate Archaeology Curricula

Abstract

Archaeologists have increasingly turned to ethnography as a tool for understanding the contemporary social context of material culture, archaeological practice, and ‘de-colonizing’ archaeology. Furthermore, ethnographers have turned their analysis to the practice of archaeology, providing insights into key ethical dilemmas. This work has produced signi?cant dialogue, demonstrating the potential for research and collaboration at the interface of two sub-disciplines. However, much of the research to date has relied on a limited range of ethnographic methods. We suggest that archaeologists working in this area would bene?t from using a wider repertoire of ethnographic data collection tools and ethics training opportunities. We advocate for greater collaboration between archaeologists and ethnographers and provide suggestions on methods that are well-suited for use in archaeological practice. In the long term, the most effective and far-reaching solution may be to incorporate ethnographic methods training as fundamental to graduate programmes in archaeology.     

土司,考古与公众——基于海龙囤的公众考古实践与思考简

人人共享文明成果,是文化遗产保护的最终追求。如何达到这一目的,是公众考古学（publicarchaeology）讨论的范畴。这是国内目前方兴未艾的一个考古学分支,各方都在积极讨论与尝试。2012年度,依托土司城堡海龙囤的发掘,我们开展了一系列公众考古活动,取得了很好的社会效应。本文即以之为例,对公众考古的相关问题进行初步探讨。     

Making science at home: visual displays of space science and nuclear physics at the Science Museum and on television in postwar Britain

The public presentation of science and technology in postwar Britain remains a field open to exploration. Current scholarship on the topic is growing but still tends to concentrate on the written word, thus making theorizing, at this stage, difficult. This paper is an attempt to expand the literature through two case studies that compare and synthesize displays of scientific and technological knowledge in two visual media, the Science Museum and television, in the 1950s and 1960s. The topics of these case studies are space exploration and nuclear energy. The thesis this paper explores is that both media fleshed out strategies of displays based on the use of categories from everyday life. As a result, outcomes of large-scale public scientific and technological undertakings were interwoven within audiences’ daily life experiences, thus appearing ordinary rather than extraordinary. This use of symbols and values drawn from private life worked to alleviate fears of risk associated with these new fields of technological exploration and at the same time give them widespread currency in the public sphere.     

Remembering Gotham: Urban Legends, Public History, and Representations of Poverty, Crime, and Race in New York City

The past is never truly past, nor are historians/archaeologists privileged stewards of a city's memory. The moment ground was broken at Five Points, researchers encountered a public avidly interested in the history of New York's legendary nineteenth-century slum. From the 1840s this Manhattan neighborhood provided journalists with grist for lurid tabloid tales, creating a grim literary legacy that lingers in popular historical memory into the twenty-first century and also continues to shape public perceptions of poverty and antipoverty policies. New York's press remains steeped in memories of a crime-infested Five Points. Even as researchers uncovered nineteenth-century accounts of gangs, prostitution, and sweat-shop labor at the Five Points, our own newspapers arrived with blaring headlines drawing on nineteenth-century stereotypes of poverty, race, and place. The struggle to create alternative accounts of life in Five Points based on archaeological evidence clashed with these tenacious narratives and the class interests informing them.     

Bridging the Gap: Classification,Theory and Practice in Public Archaeology

Models and classifications have been a part of thinking about public archaeology since at least the early 2000s, but how are these ideas translated into practice? By looking into the development of such classifications and models and by examining archaeologists’ attitudes to an archaeological education outreach project for schoolchildren in Oslo, Norway, this paper looks at the relationship between classification, theory, and practice in public archaeology.     

'Giant Strides' in Documentaries, 'Ascents' in Archaeology: Nautical Archaeology's Relationship with and Place within Popular Culture

This article covers 30 years of the representation of nautical archaeology on television. It criticises and positions current research, then develops an objective methodology for examining television documentaries. The relationships and similarities between television documentaries and academia and the wider professional and amateur discipline is debated. Original research, which argues for a structure that is ever-present in nautical archaeology as in popular culture and academia, is deconstructed, and the implications reviewed. A sequence of images is defined and it is demonstrated that this forms a 'unique selling-point' used by both television and the academic discipline.
© 2008 The Author     

The looting of the Iraq Museum: Thoughts on archaeology in a time of crisis

Abstract

The looting of the Iraq Museum has been widely proclaimed to be the worst cultural destruction since World War II; some have compared it to the decimation wrought by the Mongol invasion of Baghdad. Others have contended that the damage was wildly exaggerated. Any attempt at understanding the events surrounding the looting and destruction of the museum's collections must examine both what happened and how it was represented to a worldwide audience through the news media. I compare these events with the toppling of a statue of Saddam Hussein in Fardus Square and the burning of major libraries in Baghdad and suggest that their perceived significances for Western audiences stem in large measure from the extent and tone of press reporting. The long-standing coverage by major mainstream news media of Mesopotamian archaeology as foundational to Western civilization may be a prime reason why otherwise pro-(US) government reporting also included some critical coverage about the loss of the museum collections. Such circumstances challenge archaeologists to use media interest to convey more nuanced and ethically responsible views of archaeology to broader publics.     

Self-Citation in Archaeology: Age, Gender, Prestige, and the Self

Citation analyses in archaeology have detected prestige tactics, shifts in research agendas, and patterns of gender differentiation. This paper focuses on self-citation in archaeology and systematically analyzes the factors that affect rates of self-citation. Self-citation rates in archaeology are significantly higher than in socio-cultural anthropology but are average for a social science with interdisciplinary ties to the physical sciences. Self-citation correlates weakly with the gender of the citing author and the geographic and thematic focus of research, but correlates strongly with the age of the author. Additional analyses reveal partial evidence for the use of self-citation as a prestige tactic. The paper concludes with a discussion of citations to writers close to the author (mentors, friends).     

山东寿光市北部沿海环境考古报告

2001年,山东大学考古系等在山东寿光市沿海进行了一次环境考古调查和试掘,本次工作预设两个目的,即解决当地先秦时期考古文化的发展序列,以及探索遗址分布与中全新世海岸线变迁的关系。结果表明,寿光沿海地带的先秦文化序列为大汶口-龙山-商周时期文化,年代约在公元前4000～221年间。再根据考古和自然学科资料,寿光沿海的中全新世海侵在公元前4500～前3000年达到最大范围,之后海面开始下降进入海退期,并在公元前2300年前后和公元前1400年间有过两次停顿期。这对山东北部沿海今后的环境考古将有重要学术意义。     

Underwater Archaeology on Foot: a Systematic Rapid Foreshore Survey on the North Kent Coast, England

Foreshore archaeology can be considered 'underwater archaeology on foot', because it is possible to investigate the archaeological heritage at low tide without the need for diving. Rising sea-levels, increasing coastal erosion and the loss of important foreshore environments make immediate action necessary. In 2005, Wessex Archaeology was commissioned by Kent County Council, supported by English Heritage, to continue a Rapid Coastal Zone Assessment Survey on the North Kent Coast as part of a project started in 2001. In four weeks 378 monuments were updated and 198 new monuments recorded, among them a submerged forest, a trackway, several fish-traps and shipwrecks.
© 2007 The Authors     

Community Archaeology as Knowledge Management: Reflections from Uneapa Island,Papua New Guinea

Abstract

Over the last decade the concept of community archaeology has become a worldwide phenomenon; a convenient tagline largely describing the involvement of non-archaeologists in the practice of interacting with, uncovering, interpreting, and presenting the past. A plethora of new definitions and methodologies have been postulated, a marked increase in public funds invested in such initiatives is notable, as is the development of more rigorous evaluation strategies. Using Etienne Wenger’s ideas about ‘communities of practice’ (1998), I argue that community archaeology can be conceived as a form of knowledge management. In doing so, this paper reflects on the interactions between a small research team and local community during six months fieldwork on Uneapa, a remote island in the Bismarck Sea, Papua New Guinea. It considers the sets of relations that emerged whilst fi?eld-walking, surveying, and excavating Uneapa’s monumental landscape, and discusses how local ideas and knowledge influenced and altered the project methodologies and research questions being asked. This paper also highlights the challenges faced when reifying such engagements into research outputs.     

21世纪中国考古学的若干特点及发展趋势:从“中华文明探源工程”说起——王巍所长专访

21世纪以来,中国考古学呈现出新的学科特点和发展趋势。中国社会科学院考古研究所王巍所长认为,中国考古学随着自身的发展特别是在以"中华文明探源工程"及其各项阶段性成果的推进与影响下,形成了中国气派和中国特色,正朝着科学化、国际化、社会化、大众化的趋势和方向发展;中国考古学需要与国际考古界加强交流,博采众长,走向世界;作为一级学科的考古学的学科建设应是从文物管理机构到文物考古研究机构所共同担负的责任,需要形成一整套既符合中国实际,又顺应中国考古学发展的二级学科的设置,同时培养能够满足考古学发展需要的人才;公众考古是目前考古学新的发展走向,考古界需要转换意识和机制,培养专业人才,坚持考古的纯洁性和道德规范,以更好地服务社会与遗产保护事业。     

Healthy for Family Life: Television, Masculinity, and Domestic Modernity during West Germany's Miracle Years

This article uses the history of West German television as alens to analyse the politics of consumption and domestic modernityduring the ‘economic miracle’ in the 1950s and early1960s. Politicians, academics, broadcast executives, industrypromoters, clerical leaders, and cultural critics engaged ina ferocious debate about the effects of the new mass media onWest German society and family. While some championed the democratizingand modernizing effects of television, others decried its supposedlytotalitarian and ‘feminizing’ qualities; their arguments,pro and con, marked a foundational moment in contemporary culturalcriticism that continues to resonate. Installed in the familyhome, television accelerated the arrival of a highly commodifiedsociety and transformed the private habits of everyday life.Men in particular began to spend more leisure time on domesticpursuits, crossing traditional boundaries between public andprivate gender roles. Such private practices had larger effects:buying, watching, and thinking through television helped replacetraditionalist social conservatism with its neoliberal variantand linked West Germany into the social, political, and culturalstructures of corporate capitalism and western consumer society.     

Archaeology, History, and Material Culture: Grounding Abstractions and Other Imponderables

United States national programs for historic preservation have a great influence on public memory and commemoration. Decisions about what may be listed in the National Register of Historic Places or designated a National Historic Landmark may commemorate or silence parts of the past. Historians invoke the concept of integrity as a gatekeeper to control access to these lists. Archaeologists have the opportunity to contest some of the imposed silences and make these lists more inclusive of underrepresented groups.     

Faith,Pluralism, and Public Engagement

Abstract

This essay is Miroslav Volf’s reply to the respondents to his book A Public Faith (2011). In the process of engaging his his respondents, the author articulates the main thesis and thrust of the book as well as the motivation behind writing it.