The Public Role of Religion: A Central-European Perspective

Abstract

Church leaders in Europe frequently lament that the environment is non-religious and unchristian. Reflecting on how the European countries which fell under Communist domination have adjusted to the post-Communist era, the paper advances the view that the situation should be characterized differently. European Christianity stands on the threshold of another of its historical metamorphoses. The continent is not simply unchristian or non-religious, but neither is not religious in a Christian way. Christianity is not the religion of present-day Europe, and at the same time European Christianity can no longer be seen as a "religion."     

The Paradox at the Heart of American Conservatism

Abstract

This essay considers the state of American conservatism focusing initially on social and political institutions and concluding with a few comments on conservatism as an intellectual movement. A paradox is described as lying at the heart of American conservatism: the economic policies supported by conservatives promote economic conditions that are the main causes of the social problems conservatives lament most loudly.     

The Metrical Structure of the Oral Decapentasyllable

Abstract

What Milman Parry saw as his ‘historical method’ in Homeric criticism has paradoxically relieved students of the Greek folk song from the obligation to approach their subject of study from an exclusively genetic or ‘etymological,’ – in a word, historical – viewpoint. Instead of having to search for – or rather to speculate about – the origins of Greek oral poetry in the mists of antiquity or to assess the extent to which a song can provide reliable historical evidence concerning past events, we are free to turn our attention, as scholars such as Roderick Beaton (1980) and Grigoris Sifakis (1988) have done, to a synchronic study of the folk-song tradition, concentrating as much on the rules that generate the songs as on the significance of actual samples collected in the field (or in the scholar's study or the recording studio).     

Wheel Ceremony

This article addresses the way in which collective ideas of cultural identity in song are appropriated and customised at the local level. More specifically, it examines how the cultural construction of Scottishness in popular song was deployed and mediated in my Scottish/Australian family's song repertoire. [1] ?[1] The substance of this article draws from a recent Ph.D. study of my own migrant family's Scottish song traditions in Australia. It thus considers how song performance served as a vehicle for the formation of family and cultural meaning.     

The Structure,Genre, and Meaning of Psalm 129

Psalm 129 depicts the distress of the people in exile. The common understanding is that vv. 6-8 is a lament for the downfall of its present adversaries. This article proves that this is not the meaning of the second half of the Psalm. It contains no appeal to God for salvation or thanksgiving for an ameliorated situation. Verses 6-8 depict the transience of the peoples exilic existence. The psalmist likens the people to the roof-top grass that withers rapidly. The rooftop grass evokes the poverty and the landlessness of the people that compel them to utilize their rooftops to grow crops that yield so little that there is almost nothing to harvest. This situation stands in contrast to the divine blessing of the agriculture in the Land of Israel. The psalmist’s objective is to convey the harsh reality of the exile. He juxtaposes this situation against the much awaited future and against the abundant Divine blessing of the past.     

Eros and Dionysus

Abstract

Liberty was once praiseworthy because it enabled a free choice for the good. Technology recasts the classical link between liberty and virtue by making human well-being depend on technological advance. Till recently, technology signified human mastery over nature. But now virtual reality offers itself as a substitute for nature. Unlike machines which hold us at a distance, it draws us in with images. It no longer shapes the soul indirectly through the effects of using machines, but involves the soul directly. The modern attempt to bracket the soul has brought it back virtually. The argument between fight and flight is at a standstill. Instead, the irony which many lament as a feature of postmodernity can provide a distance from the technologies which have made themselves necessary.     

Breaking Ranks: C. P. Snow and the Crisis of Mid-Century Liberalism, 1930–1980

C. P. Snow's identification of ‘two cultures’, as the literary critic F. R. Leavis pointed out in 1962, represents not an insight but a cliché, one that invites the repetition of further clichés about the origins of a divided culture, the need to bridge cultures, the emergence of a third culture, or the reality of one culture. Yet this recurrent feature of ‘two cultures’ talk does not nullify the concept's value as an object of study, if these discussions are treated as revealing points of entry into foreign historical contexts. This article adopts this approach, unearthing the liberal position that Snow developed as a novelist and critic from the 1930s, that he advanced in the form of a disciplinary lament in The Two Cultures (Snow, C.P. 1959 Snow, C.P. 1959. The two cultures and the scientific revolution. Cambridge: Cambridge University Press. [Google Scholar]. The two cultures and the scientific revolution. Cambridge: Cambridge University Press.), and that — to his distress — increasingly came under radical critique from the mid-1960s. Ultimately, the technocratic liberalism that Snow associated with science at mid-century came to be closer to American neo-conservatism by 1980. By tracking the fortunes of the ideological position that structured The Two Cultures, rather than lifting that text out of its moment in an attempt to engage its arguments today, this article testifies to the abiding value of contextual analysis at a moment when intellectual historians are increasingly inclined to question and even displace it.     

The Urban White Paper and The Churches

Abstract

Has the Church of England, post Faith in the City, become the ‘Marks and Spencer’ of the English urban scene? Many people lament the Church's absence from the high street but few wish to enter the ‘store’, let alone give it their ‘allegiance’ and ‘custom’. As an Anglican priest working in an urban parish, vicar of a large ancient and historically important town-centre Church, and being the first Social Responsibility Officer in the diocese of Peterborough, I fantasize that the Church is both M/S and S/M to want to persist with such an irrelevant parochial structure and outdated theological model of mission. The recently published Urban White Paper and other recent government reports have given an opportunity to consider possible new mission structures that take seriously the complex social layers of a post industrial urban landscape. Renaissance, regeneration and renewal are needed in the structures of the institutional Church and in our thinking of globalized city living.     

The Tenco effect. Suicide,San Remo,and the social construction of the canzone d'autore

Abstract

Canzone d'autore is an indigenous expression that has no precise equivalent in other languages. Its social use identifies a genre of popular song that presuppose the existence of an ‘autore’ taken in its most vigorous sense, meaning a ‘creator’, an ‘artist’– but how did this claim to artistry originate? How did it insinuate itself into the world of song, a genre that by definition belongs to the realm of what is traditionally called in Italian ‘musica leggera,’ with unmistakably pejorative connotations? In this essay, I will put forward a sociological interpretation of the genesis of the canzone d'autore, using as a strategic conceptual device the idea of cultural trauma. The traumatic event that I propose to explore, making use of this concept and its analytical machinery, is the suicide of the singer-songwriter Luigi Tenco during the seventeenth San Remo ‘Festival della Canzone’ (‘song festival’) – that is the best-known, most controversial, and most influential single event in the field of Italian ‘musica leggera’, an annual event regularly attended every year – via radio, television, or audience participation – by millions of Italians. Through a reconstruction of that suicide and above all of the public and dramatic events that followed in response to it, the paper examines the social process that transformed an individual tragedy into a collective, social drama, a process that not only produced a new musical classification, but also a new cultural and aesthetic category.     

Ethnographic sound collections and Australian Aboriginal Heritage: Kaytetye song traditions remembered

ABSTRACT

Song was one of the principal methods of transmitting knowledge in the fundamentally oral societies of Indigenous Australia. As the breadth of song traditions has greatly diminished over the past 200 years, archival recordings of song now form a significant resource of intangible cultural heritage for Australia’s Indigenous people. The song performances recorded in the past are now being rediscovered, remembered and in some cases revived. This paper presents findings from a recent project involving the return of a set of poorly documented recordings of songs to Kaytetye people in central Australia. These newly discovered recordings, the earliest ever made of Kaytetye singing, are shown to be an important heritage resource for these communities. Working collaboratively with senior song experts in order to gain a better understanding of the meaning and cultural significance of various songs, I document the how this discussion of audio material generated important social-histories and memories, reinforced local understandings of rights in cultural heritage, and revealed both continuities and changes in Kaytetye ceremonial and song practice.     

Book reviews

Regions in Europe. Patrick Le Galès and Christian Lequesne (Eds). London, Routledge, 1998, 305. pp., ISBN 0 415 16483 4

Unemployment and Social Exclusion: Landscapes of Labour Inequality. Paul Lawless, Ron Martin and Sally Hardy (Eds). London, Jessica Kingsley 1998, 280 pp., £17.95 pb, ISBN 1 85302 341 8

Cities Back from the Edge. Roberta Brandes Gratz (with Norman Mintz). Chichester, John Wiley, 1998, £24.95, ISBN 0 471 14417 7     

Eric Bogle’s No Man’s Land and the grave of Willie McBride at the Somme

ABSTRACT

Eric Bogle wrote No Man’s Land in 1975. When it was released as The Green Fields of France by Davey Arthur and the Fureys in 1979 the song topped the Irish charts, while as far away as Australia it was declared one ‘of the most striking musical essays yet written on the futility of war.’ Yet No Man’s Land has been associated with controversy too: branded a rebel song in Ulster during The Troubles, singled out by Tony Blair as a ‘peace anthem’ and prelude to the Good Friday Agreement in 1998, and controversially chosen by the Royal British Legion for the Poppy Day appeal in 2014. In addition to exploring the ‘complex relations between cultural and political history’ in Ireland, this article also looks at the making of the documentary film ‘Eric Bogle: Return to No Man’s Land’ (by Dan Frodsham) in which Bogle returned to the grave of Willie McBride on the 100th anniversary of the Battle of the Somme to recite his poem to the now famous Inniskilling. To Bogle’s surprise the grave had become a pilgrimage site for this, an entirely fictional, Irish martyr created then immortalized in his own composition written four decades earlier.     

Epistemic Ignorance and the Indonesian Killings of 1965–1966: Righting the Wrongs of the Past and the Role of Faith Community

ABSTRACT

This study demonstrates how ignorance works in the Indonesian massacres of 1965–1966. This atrocity, which claimed roughly five hundred thousand lives, is one of the most forgotten human tragedies of the twentieth century. For many years, the massacres were hidden from public view. Ignorance was reinforced by the New Order under the presidency of Suharto. Drawing on contemporary political philosophers’ studies on the epistemology of ignorance, I contend that ignorance, like knowledge, has structures, criteria, and practices. Ignorance, thus, is not merely a “lack of knowledge” or a state of not knowing, but epistemic and political. By appropriating the epistemology of ignorance, I seek to show how the Indonesian people remember the historical wrongs and how Christian theology provides resources for right remembrance. To confront the epistemic ignorance of the Indonesian mass killings, I argue that the churches must assert their identity as the community of memory and lament.     

Isaiah 16: A Forgotten Chapter in the History of Messianism

ABSTRACT

Within the Isaianic oracle against Moab (15,1-16,14) is found what might be described as a neglected royal prophecy (16,4b-5). Evidence for its messianic character is found in a number of clear thematic similarities with other Isaianic passages of a decidedly messianic character, notably Isa 9,1-7 (Heb. 8,23-9.6) and 11,1-9. In each case, the text is futuristic in orienta-tion, the anticipated enthronement (or arrival) of a Davidic ruler follows the overthrow of the foreign oppressor, God is credited as producing this new sit-uation, and the promised ruler shows a devotion to “justice” and “righteous-ness”, which in Isaiah 16 takes the form of giving consideration to a Moabite appeal for amnesty. A similar pattern is found in Isaiah 32, with its picture of human kings with a limited judicial role within a kingdom set up by God. The phrase “the tent of David” (16,5) is shown to signify the sanctuary-city of Zi-on, with Isa 16,4b-5 providing an eschatological picture of divine protection mediated by a messianic ruler.     

From golden hills to sycamore trees: pastoral homelands and ethnic identity in Irish immigrant fiction, 1860–75

The prose fiction that remembers the trials of starvation and eviction of the Great Famine (1845–50) often juxtaposes representations of blasted, infertile land with images of a green, idyllic Erin. Through a discussion of Mary Anne Sadlier's Bessy Conway (1861), Elizabeth Hely Walshe's Golden Hills: A Tale of the Irish Famine (1865) and John McElgun's Annie Reilly (1873), this article reveals that immigrant writers of the Famine generation often negotiate depictions of Famine-stricken wasteland with evocations of a pastoral homeland. In the case of the two Catholic novels, Bessy Conway and Annie Reilly, the pastoral becomes a point of ethnic identification through which the immigrants can recollect and reconstruct a sense of Irishness in exile. By contrast, Golden Hills, which focuses on the Anglo-Irish ascendancy, does not lament the mass exodus of afflicted Irish: the novel rather envisions emigration as a way to regenerate Ireland as locus amoenus.