Reconstructing aesthetics

This [effect of the discovery of the New World on Renaissance Europe] is among the most difficult problems which face us, and it is one to which I can see no clear answer. Some work has been done, and much more could be done, on the printing and translation of books relating to America in comparison with those on other parts of the globe. But unless we can find more about their readership, the printing statistics, however valuable in themselves, afford only a certain indicator of a highly complex phenomenon.     

Social critique and aesthetics in Schopenhauer

Although Schopenhauer is usually described as a philosopher of pessimism, this article examines the extent to which The World as Will and Representation is concerned, not only with metaphysics, but also with social critique; and the positive, indeed ‘optimistic’, implications such a reading might have for an understanding of Schopenhauer's aesthetics. Schopenhauer's philosophy contains a moral or ethical element, which means that, even if he regarded life as ‘an unpleasant business’, it would be wrong to conclude that he had no appreciation of the world as a locus for practical activity. Thanks to the cultural impact of Weimar Classicism and its controversy with the Romanticism of Jena and elsewhere, as well as through his personal acquaintance with Goethe, Schopenhauer inevitably came into contact with Schiller's aesthetic theories, which provide an indispensable background to understanding what is at stake in Schopenhauer's own aesthetics. Schopenhauer's emphasis on the impermanency of pleasure can be seen to underscore the ethical imperative to pay attention to our own life, and to question, in the most concrete, down-to-earth terms, our representation of our life and what, in life, we will.     

On ideology and aesthetics

Fascist Visions: Art and Ideology in France and Italy. By Matthew Affron and Mark Antliff, eds. (Princeton: Princeton University Press, 1997) ix + 283 pp. $59.50, £45.00 cloth, $19.95, £14.95 paper.     

Axe aesthetics: stone axes and visual culture in prehistoric Malta

Highlighting a theme of visual culture, this paper examines the physical and conceptual transformation of ground-stone axes in the Maltese islands between 5300 and 1500 cal BC: from tools and well-travelled valuables into symbolically-charged objects of social display, spiritual power and ritual sacrifice.     

Ermentrude's consecration (866): queen‐making rites and biblical templates for Carolingian fertility

Ermentrude's consecration in 866 has long been interpreted as the quintessential example of queen‐making as fertility rite. More recent scholarship has illuminated how Carolingian queen‐making articulated richer definitions of queenship and reflected wider political roles of queens. This article re‐examines the significance of fertility at Ermentrude's consecration. Close analysis of the introductory address that survives alongside the liturgy for anointing and coronation shows that fertility was an unusually important theme at Ermentrude's consecration – but not simply the queen's fertility. By modelling royal fertility on biblical templates, the consecration communicated not only hopes of future children but also political messages about divine sanction of dynastic continuity and good kingship.