J.S. Bach’s St. Matthew Passion and intellectual history

ABSTRACT

Recent thinking about Intellectual History has moved beyond studying only verbal texts, to encompass other kinds of visual and aural texts that can be vehicles for generative thought. Where might music fit into this expanded conception? If ideas are defined purely as concepts that can be expressed in words, music can be no more than an “epiphenomenon”, a consequence or representation of ideas that lie behind it, but not capable of embodying those ideas in itself. Yet to many musicians, it seems obvious that music can function as a way in which ideas are developed and worked out. What kinds of knowledge might be embodied in music, then, and how do its meanings change over time? In this paper, I examine some of these issues through consideration of one of the key texts of Western art music, J.S. Bach’s St. Matthew Passion, exploring how it was conceived in a liturgical context in Bach’s time, how its meaning changed when transposed to the very different milieus of concert performance in nineteenth-century Berlin and colonial Sydney, and as it has been re-imagined in a variety of recent staged and recorded versions.     

The Monotheism of the Deuteronomistic History

The Hebrew Bible is often characterized as a monotheistic book, but a closer inspection reveals that monotheistic passages represent only a thin and late layer: There are only six passages in the Deuteronomistic history that contain monotheistic vocabulary. They are late additions that belong to the latest editorial phases of the composition. They were probably added to the composition in the 5th century BCE or later. This means that the final shift to monotheistic conceptions, as far as the Deuteronomistic History is concerned, occurred in the Persian period. The monotheism of the Deuteronomistic History is “nationalistic.” Although other gods are assumed to be non-existent, the other nations are not invited to join the Israelites in their worship of Yahweh. This also reveals the preliminary stage of the monotheism. It is improbable that there is a planned religious system behind the monotheistic passages of the Deuteronomistic History. The authors are convinced that there is no other deity but Yahweh, but all the consequences of this view have not yet been drawn. The authors assume that Yahweh has already created humankind as well as the whole world. This idea is not found in the older texts. It is probable that the monotheistic authors are dependent on a later form of the Pentateuch, which already includes a creation story. The idea that Yahweh lived in heaven, whence he spoke to the Israelites, is also late. It is the end of the development caused by the destruction of Yahweh's physical representation in the temple where he lived: Yahweh moved to heaven. Differences between the monotheism of the Deuteronomistic History and Deutero-Isaiah are evident. Deutero-Isaiah is more open to the possibility that other nations worship Yahweh. Deutero-Isaiah also makes a connection between idol criticism and monotheism, whereas in the Deuteronomistic History these themes are found in different texts. Idol criticism seems to be older than monotheism. The differences between the monotheism of the Deuteronomistic History and Deutero-Isaiah suggest that none of them is dependent on the other. Although some mutual interaction and influence should not be excluded, they seem to be two distinct developments that took place in different contexts. While external influence is also possible, it seems that many roots of the monotheism of the Deuteronomistic History can be found in the older conceptions of Israel's religion and especially in the Deuteronomistic theology, which is a product of the events in 587 BCE. It is probable that without the destruction of the temple Israel's religion would not have developed monotheistic conceptions. In view of the literary development in the Deuteronomistic History, any pre-587 BCE dating of monotheistic conceptions or phraseology is improbable.     

The meaning of literacy: an Italian reappraisal

Abstract

This article discusses the literacy trend in modern Italy in the light of recent literature on history of reading and, more generally, cultural history. The focus is on two subjects: (1) the essential features of Italian literacy in the modern age, highlighting elements such as heavy censorship, hostility to compulsory education from the ruling classes, training essentially based on voice and memorizing, etc., and (2) the uses of literacy, that is the access to and the comprehension of written texts, especially regarding people with minimal skills or cut off from college training (i.e. children, women and peasants).     

The Politics of Preaching the Promised Land for the Canaanites

Abstract

This paper explores issues around European Christian theological prejudice against Jews and Judaism and asks whether attempts to make amends for the wrongs done to one people have blunted the conscience of Christians to the sufferings of another. It is ironic that the division between those who attribute anti-Semitism to New Testament texts and those who blame the misuse of the texts mirrors division over colonialist ideologies in the Old Testament. Should we blame the text or its interpreters? There is irony in the fact that those who wrestle with anti-Judaic texts in the New Testament are seldom the same people who perceive problems with the land traditions in the Old—or indeed the other way round! Evangelical Christian Zionist insensitivity towards the Palestinians derives from biblical fundamentalism. Mainstream Christian Zionism derives partly from guilt over past Christian crimes against the Jews but it also reveals a residual fundamentalist underpinning.     

Bild und text: Mediale und historische perspektiven auf das alttestamentliche bilderverbot

This essay is trying to shed new light on the prohibition of cultic images in the Hebrew Bible. The first part shows the relationship between written texts and images when viewed as media of the divine or the divine will. It is important to note that the prohibition of cultic images in the Pentateuch is closely related to the concept of Moses'/Gods' writing down the divine revelation. In the second part the paper is dealing with the main function of cultic images in the society's system of religious symbols, i.e. as representations of Gods in a full sense. The third part tries to outline how the written text more and more replaces cultic images as manifestations and media of God and his commandments. The fourth part concludes with the assumption that public reading, recitation and enactment of holy texts generate a new mystery - the mystery of the divine body and form.     

Epicureanism at the Origins of Modernity

ABSTRACT

Across a broad range of late nineteenth-century French medical texts that described the newly denoted sexual pathologies of frigidity, inversion, fetishism, nymphomania, sadism and masochism, one finds a term being used for which no current equivalent exists. This term is l’amour morbide – morbid love. Its use was initially as common in respectable medical texts as it later became in erotic fictional writings. In some cases, it appeared to refer to a particular sexual pathology, albeit one which troubled the very notion of perversion as aberrant or abnormal. This article considers the role that l’amour morbide played in the sorting of medical terminology for describing sexual perversions in late nineteenth-century France, and examines what its relationship was to degenerationist thought. Engaging with Ian Hacking’s notion of “transient mental illnesses” produced by unique cultural ecologies, it is proposed that morbid love occupied the space between decadent culture of fin-de-siècle France on the one hand, and on the other hand degenerationist frames adopted by French doctors in the context of international medical and psychiatric conversations.     

Lions and birds as literature. Some notes on Isaiah 31 and Hosea 11

Abstract

A certain combination of animal metaphors found in two different texts, Isaiah 31 and Hosea 11, has caused considerable scholarly confusion. Additional similarities as well as dissimilarities between the texts are presented, but the intertextual question is left open. Instead an attempt is made to analyze the metaphors in their context. The analysis is based on modern metaphor theory and the concept of genre allusion (in relation to the theophany Gattung). It is suggested that the metaphors in Isaiah 31 are related to the symbol of the cherubs, while Hosea 11,10–11 contains deliberate reversals of other Hosean passages.     

STRUCTURES SOCIO-DEMOGRAPHIQUES ET REVOLUTION INDUSTRIELLE: Verviers, 1806–1846

Abstract

The author constructed measures of market structure for the music recording industry for the years 1890 to 1988. This measure can be used both to test a variety of hypotheses about the industry itself and to serve as part of a broader study of culture-based industries. For example, data were used to test a hypothesis relating market structure to the diversity of products issued by the industry (P. J. Alexander 1997). The main finding was that a moderately concentrated market structure provided greater product diversity than an atomistic or monopolistic market structure. Whereas census data and previous studies of the industry provide some information about industry structure, these sources are severely limited in scope and detail. Finally, similar rankings in other culture-based industries (e.g., broadcast television, radio, cable television) might provide a useful index of concentration in those industries.     

DAVID AS A BIBLICAL ‘GOOD-FELLA’ AND ‘THE GODFATHER’

Abstract

Scholars search for analogies with which to better understand biblical texts. David has been compared to the “outlaw”, “refugee”, “vassal”, “renegade”, “guerrilla”, “bandit chief”, “fugitive” and “fugitive hero”. This article suggest that there are better cultural-social analogies, i.e., David as a “goodfellan”while in exile from Saul and in the land of the Philistines, and upon accession to the throne, “The Godfather”.

This article also has, as a part of its purpose, the intent to unmask some of the behavior of David and of monarchy for what they are: essentially organized crime maintained in large part by the use of indiscriminate violence-supported by nonsensical myths and obvious hypocrisy.

Cross-cultural comparisons are made throughout between the David stories, gangster movies and systems of monarchy—especially the ad hoc feudal type. Historical questions aside: The David stories can be “cross-culturally” compared with gangster films as “art”.     

Solomon and His Empire: Fact or Fiction?

Abstract

The essay examines the plausibility of a “Double Monachy,” a large state, under a king Solomon in the 10th century with Jerusalem as its capital. First, all texts in the Old Testament are mentioned, and it is pointed out that no extrabiblical texts from the period mention such a state. In the next paragraph the archaeological finds from the period are examined whether they may allow the existence of such a state, and it is concluded that it is improbable. Also from historical knowledge of the period in the Levant as well as Solomon’s name it is concluded that there was not a large kingdom in Jerusalem under a king of that name.

In the rest of the essay I try, from the story in the Bible, to date the various elements of the story, and comparing them with other legendary kings (e.g. Sargon of Akkad) to find a suitable period when such a legend could be construed, I point to the second half of the 7th cent. BCE as the best possibility for the story’s date.     

Albert Wendt and the Problem of History

Poet and fiction writer Albert Wendt has taken on the task of correcting colonialist representations of the Pacific from an insider perspective. This involves him in questions of historical record and modes of recording history. The role of memory becomes central to the artist transposing oral traditions into written forms. Trained as an historian, Wendt progressively blurs the boundaries between imaginative and factual, personal and public re/constructions, aware of the illusions of both nationalistic nostalgia for lost perfection and colonialist 'objective' encyclopaedism. History both liberates and traps; in the poem 'Inside Us the Dead' and novels Pouliuli and Black Rainbow , Wendt looks for a postcolonial dynamic between postmodern deconstruction and representational texts that can be seen in terms of de Certeau's ideas of tactics and strategies.     

'Political' personae: the poem from prison of Michael Glykas: Byzantine literature between fact and fiction

Abstract

Byzantine vernacular literature, much of it in verse, has long been seen as material for Quellenforschung into the historical or social conditions of its time. Following the precepts for literary history set down by such pioneers of Byzantine studies as Karl Krumbacher, the study of these texts has concentrated on authors rather than on the texts themselves as autonomous objects of historical study, whose form and content should guide our understanding of their original intention and reception by Byzantine audiences. The 'Poem from Prison' by Michael Glykas illustrates both the shortcomings of the focus on authors and the alternative potential for renewed engagement with Byzantine texts as objects of imagination and creativity.     

Perfectly absent: the emergence of the Modern Greek perfect in Early Modern Greek

Abstract

This paper traces the emergence of the Standard Modern Greek perfect ?χω + infinitive in the Early Modern Greek period. It shows that the construction appears in written sources towards the very end of the seventeenth century. Special attention is given to ‘phantom’ perfects, which can be found in editions of sixteenth- and seventeenth-century literary and non-literary texts as well as in the bibliography and which distort the picture of its emergence.     

Lying and deception in the Biblical and post‐Biblical Judaic tradition

Abstract

A great variety of cuneiform texts have been found within the precincts of the high priest's building complex in ancient Ugarit. Some of the texts are letters, others are lexical texts and others again are ritual texts. The great epics of aqht and krt are best described as literary texts. Some of the texts, however, do not unambiguously belong to one group only: Some scholars would construe the Baal‐cycle as a ritual text or at least a text somehow connected with the cult performed in the temples; others would describe the Baal‐cycle as pure literature. Similarly the enigmatic text about Shachar and Shalim (abbreviated SS) apparently contains cultic and literary elements. Is this text then a cult‐text or a piece of literature? The aim of the article is to investigate if from the archaeological evidence we can add an argument to the on‐going debate about the Sitz im Leben of the Ugaritic Baal‐cycle: Were the clay tablets in the high priest's building distributed according to their content? The answer seems to be yes. The Baal‐cycle was in fact stored with other literary texts in the high priest's building whereas SS has been kept in the room of the ritual texts. This fact might give us a hint as to how to interpret these two texts.     

Verbal Creation: From Linguistic Feature to Literary Motif in Genesis 1-11

The book of Genesis opens with the creation of the world by means of speech. “God said: ‘Let there be light,’ and there was light” (Gen 1,3). Scholars have considered this creation through speech a prototypical speech act. However, the recurrence of this motif in later chapters of the book is often overlooked. This article argues that the “speech as a means of creation” paradigm functions as a literary motif in subsequent stories of the Primeval History. The discussion will revolve around the initial appearance of the paradigm, its later manifestations, and the relationship between them, focusing in particular on the formal realization of the linguistic category of the speech act as a literary motif.     

The evolution of the concept of synesthesia in the nineteenth century as revealed through the history of its name

ABSTRACT

Synesthesia is a rare perceptual condition causing unusual sensations, which are triggered by the stimulation of otherwise unrelated modalities (e.g., the sensation of colors triggered when listening to music). In addition to the name it takes today, the condition has had a wide variety of designations throughout its scientific history. These different names have also been accompanied by shifting boundaries in its definition, and the literature has undergone a considerable process of change in the development of a term for synesthesia, starting with “obscure feeling” in 1772, and ending with the first emergence of the true term “synesthesia” or “synæsthesiæ” in 1892. In this article, we will unpack the complex history of this nomenclature; provide key excerpts from central texts, in often hard-to-locate sources; and translate these early passages and terminologies into English.     

The man behind the syndrome: Argyll Robertson,Scotland's ambassador extraordinary in the realm of ophthalmology

Abstract

The aim of this study is to find out whether bromide was able to cause conversion of epilepsy to psychosis i.e., so‐called paradoxical normalization such as has been seen in treatment with modern antiepileptic drugs. Spontaneous conversion has been known for three hundred years. Locock introduced bromide in the treatment of epilepsy in 1857. Belgrave wrote in 1868 on its effect on epileptic attacks and concommitant insanity. In 1868 Holm observed reduction of the frequency of seizures at the same time as psychotic symptoms or just dysphoria. In 1875 Voisin described a dose‐dependent intoxication with psychosis and/or neurological signs. Stark in 1875 and Bannister in 1881 were the first to clearly describe the antagonism between epileptic seizures and psychotic symptoms, an antagonism or conversion described by many authors, both in cases with high and low dosage, and with and without intoxication. Thus, the title of this paper should be answered in the affirmative.

Bromide has been used as a sedative and has rarely caused intoxication. Thus the presence of epilepsy is not a condition for the development of bromide intoxication. A case with epilepsy and fatal massive bromide intoxication is reported. It is discussed whether the pathological findings give support to Wolf's hypothesis of latent epileptic activity in subcortical pathways during “normalization”;.     

Protestantism and liberty: Catharine Macaulay’s politics of religion as a response to David Hume

ABSTRACT

Catharine Macaulay’s History of England from the Accession of James I (1763–1783) was intended by its author and received by its audience as, in part, a response to David Hume’s History of England. Macaulay’s writing has been read as a Whig counter to Hume’s Tory interpretation of England’s seventeenth-century history; more recent work has explored whether Macaulay or Hume has a better claim to be considered an “enlightenment historian”. This article will suggest that Macaulay’s views on the role of England’s Protestant belief and practice in the development and maintenance of the nation’s liberties contained, in the earlier volumes of her History, some of her substantive and important refutations of Hume’s arguments, and, further, that Macaulay’s well-argued claim that Protestantism was instrumental in the formation of England’s national character and potential enjoyment of political liberties was received by her readers as a particularly valuable part of her historical argument. Her accounts of Roman Catholic violence against Protestant victims at the Siege of La Rochelle and in the Irish Massacre of 1641 became some of the most quoted parts of her historical writing.     

TEXTS AND TRADITIONS IN CHINESE AND COMPARATIVE PHILOSOPHY

This article considers Quentin Skinner's critique and methodology in his seminal essay “Meaning and Understanding in the History of Ideas” vis-à-vis the current methodological debates in Chinese and comparative philosophy. It surveys the different ways in which philosophers who work with ancient Chinese texts in those related fields deal with the tension between textual contexts and autonomy and how some of the errors criticized by Skinner under the mythology of coherence, mythology of doctrines, mythology of parochialism, and mythology of prolepsis might apply to those fields. It argues that Skinner's insistence that understanding a text requires recovering its author's intended meaning by studying its linguistic context has limited application to Chinese and comparative philosophy because those fields’ most important texts are not best understood as means of communication by specific historical authors with intended messages to convey to readers. These texts are instead the means by which Chinese traditions perpetuate their respective beliefs and practices. Instead of being circumscribed by authorial intent, the meanings of traditional texts are dynamic and co-created in the process of producing, reproducing, and consuming texts as well as in the evolution of practices that also constitute each tradition. The meanings received by the audience are never exactly what authors or transmitters intended but have been transformed by each audience's own concerns and interests, even if the audience attempts to grasp what the former intended. Using the Five Classics and the Analects as examples, this article illustrates how such texts’ purposes to teach and perpetuate the practices that constitute a way of life determine their meanings. Understanding is not merely cognitive but practical as well. The meanings of such texts are not static but dynamic as traditions evolve. The debates about methods of reading and interpreting ancient Chinese texts are also debates about the nature of Chinese traditions and struggles over their futures.