Topoiesis del espacio textual

ABSTRACT

The concept of topoiesis of textual space addresses an analysis of the spatial elements that tend to provide a meaning to the literary text. Based on textual semiotics where there is an organized relational system of meanings, in this article we propose that it is possible to determine the function of space as a meaning issue from three different literary text instances (event or motive; character; and object). This distinction will permit a deeper interpretation of the sense of space in the literary text.     

Topoiesis de las instancias enunciativas

ABSTRACT

The literary text is a communicative situation that involves a sender, a message, and a receiver. Literary theorists and critics have extensively studied the different instances of enunciation, making it clear that the author of a literary text is not the enunciator of it. This article intends to show that each one of them belongs to a distinctive level: those of the communicative situation and the enunciative situation. This article intends to show the space-time axis related to the situations mentioned above. This would allow the researcher to find the mechanisms of power that lie behind the authorization or discredit of a speech. By doing so, we intend to extend the analysis of the literary work, including the context of creation of the literary text. We would like to focus our attention on three aspects related to the enunciator: topoiesis of the communicative situation, topoiesis of the enunciative frame, and topoiesis of the writing individual.     

The meaning of El Roi and the mythological dimension in Genesis 16

Abstract

This article discusses the literary debt of the story of Hagar in Genesis 16 to the Ugaritic text KTU 1.23, suggesting that behind the present tale lie ancient royal ideological motifs. These have a bearing on the present form of the story, ans suggest a message of hope to an exilic readership. The divine epithet Roi is explained as “seen”, expressing Hagar's surprise at surviving a vision of God.     

Bild und text: Mediale und historische perspektiven auf das alttestamentliche bilderverbot

This essay is trying to shed new light on the prohibition of cultic images in the Hebrew Bible. The first part shows the relationship between written texts and images when viewed as media of the divine or the divine will. It is important to note that the prohibition of cultic images in the Pentateuch is closely related to the concept of Moses'/Gods' writing down the divine revelation. In the second part the paper is dealing with the main function of cultic images in the society's system of religious symbols, i.e. as representations of Gods in a full sense. The third part tries to outline how the written text more and more replaces cultic images as manifestations and media of God and his commandments. The fourth part concludes with the assumption that public reading, recitation and enactment of holy texts generate a new mystery - the mystery of the divine body and form.     

‘Each fantasy chosen begin’: the music of The Divine Comedy

This article considers the cultural and social context for the music of the Northern Irish band The Divine Comedy. It focuses on three mid-1990s albums – Liberation (1993), Promenade (1994) and Casanova (1996) – and debates the significance of this performance of alternative Ulster masculinity during the peace process. It will detail the lyrical obsession with a very particular type of imagined Anglo-Irishness during the first two of these albums, and then consider the complicated uses of the ‘Britpop’ genre in Casanova. This music is baroque, literary and written by an Anglican bishop's son, Neil Hannon, who grew up in Enniskillen during the Troubles. It will consider how Hannon cobbles together an acceptable identity through the use of literary pretentiousness and a carefully crafted pop persona.     

Topoiesis: Procesos de espacialización en la literatura (crítica y metodología)

ABSTRACT

Space in literary texts has been widely studied but poorly systematized. There is no valid method of analysis that gives space a critical meaning. For instance, critics have eluded the fact that time and space cannot be considered separately. On the other hand, they have used concepts or methods from disciplines aside literature such as anthropology, biology, psychology, or geography that do not help clarify the meaning or signification of a literary text. We begin this article by giving a review of the main theoretical and critical positions regarding space in literature from the second half of the twentieth century. We do this in order to evaluate the main results those studies have attained. Later on, we propose a methodology that may clarify the significance of space in a literary text. The concept topoiesis (as far as we know, it has not been used in the humanities) represents for us a key word. It helps us to distinguish one main process where space can turn from a signification practice to the production of meaning in a literary text.     

Lying and deception in the Biblical and post‐Biblical Judaic tradition

Abstract

A great variety of cuneiform texts have been found within the precincts of the high priest's building complex in ancient Ugarit. Some of the texts are letters, others are lexical texts and others again are ritual texts. The great epics of aqht and krt are best described as literary texts. Some of the texts, however, do not unambiguously belong to one group only: Some scholars would construe the Baal‐cycle as a ritual text or at least a text somehow connected with the cult performed in the temples; others would describe the Baal‐cycle as pure literature. Similarly the enigmatic text about Shachar and Shalim (abbreviated SS) apparently contains cultic and literary elements. Is this text then a cult‐text or a piece of literature? The aim of the article is to investigate if from the archaeological evidence we can add an argument to the on‐going debate about the Sitz im Leben of the Ugaritic Baal‐cycle: Were the clay tablets in the high priest's building distributed according to their content? The answer seems to be yes. The Baal‐cycle was in fact stored with other literary texts in the high priest's building whereas SS has been kept in the room of the ritual texts. This fact might give us a hint as to how to interpret these two texts.     

Hosea: a Schizophrenic Prophet

ABSTRACT

In this literary analysis of Jer 13,1-11, various suggestions are discussed in regard to the intention of the author, the peculiarity of God’s commands in the story, the identification of Perath, the choice for a linen gir-dle, the relation between the narrative part and the prophecies at the end of the passage, the symbolic meaning of the river Euphrates, and the hidden meaning of the text as a whole. Discarding existing less probable interpreta-tions, the author offers a new reading of the text and clarifies its place within the book of Jeremiah as a literary composition.     

The Book of Job – The Cyclical Progression of the Aporia

ABSTRACT

This article explores the relation between aesthetics and theology in the Book of Job. The overall aim of the article is to explain the relationship between centre and periphery (poetry and prose) and its significance for the theology of the book. The article claims that Job's problem is not the attainment of wisdom but how to reconcile wisdom with suffering—how to relate to suffering. And this theological theme is propagated through aesthetics—including stylistic, narrative, compositional and structural features.

It is impossible to point out a preferential reading in the Book of Job because of the fundamental and structural dissonance of the text. This destabilized, ambiguous, paradoxical, ironical and dissonance-producing text is the hermeneutical starting point. Qua dissonance-producing text this feature is used as foundation for the interpretative task. And to get a comprehensive grip on the book two instruments are used: the literary and compositional means are analyzed, and the structural elements are evaluated in their relation between frame and centre. Following this line of interpretation reveals that the stylistic differences of the work manifest crucial theological distinctions. In the book of Job, shape and aesthetics are meaning and theology.     

A Byzantine hagiographical parody: Life of Mary the Younger

Abstract

In this paper, it is argued that The Life of Mary the Younger, an anonymous Byzantine text of the eleventh century, has a conscious intertextual dialogue with the oldest Byzantine Life venerating a holy woman, the Life of Macrina written by her brother, Gregory of Nyssa, between 380 and 383. The intertextual relation between these two female Lives takes the form of parody. Following Linda Hutcheon's theory of parody, this article shows how the anonymous hagiographer of Mary reworks Gregory's authoritative text to create a new work, a parody in terms of postmodern literary criticism, whose aim was to criticise old and contemporary customs, conventions and ideologies. In other words, the present article approaches and decodes the literariness, the function and ideology of Mary's Life in the light of Macrina's Life.     

At the origins of a tenacious narrative: Jacob Thomasius and the history of double truth

ABSTRACT

This article enquires into the origins of the historiographical notion of double truth, a prominent and controversial category in the modern study of medieval philosophy. I believe that these origins are to be found in a short text by Jacob Thomasius from 1663, entitled De duplici & contradictoria veritate, which stands as a very early and highly original example of a history of double truth. I propose a detailed analysis of this document in order to shed light on the mechanisms that transformed duplex veritas from a keyword in Thomasius’s Protestant milieu into a historiographical category. As I show, the De duplici & contradictoria veritate provides a historical legitimation of Thomasius’s own brand of Lutheran Aristotelianism. It does so in a highly ambiguous fashion, namely by bringing together the Lutheran theologian and proponent of double truth Daniel Hofmann with anonymous medieval “Averroists”. I venture an explanation for Thomasius’s line of action by uncovering two of his implicit sources.     

The playful mode of writing in Psycharis's To Tαξíδι μoυ (1888)

Abstract

The aim of this paper is to discuss the literary qualities of Psycharis's To Tαξíδι μoυ, in particular, to analyse specific examples that demonstrate its playful mode of writing. Firstly, it will attempt to place the text in the literary context of its period by discussing its conception and significance for Modern Greek literature. Secondly, it will focus on the element of humour in the text, which can best be described as a playful mode of writing. The playfulness can be explained as raising false expectations in readers in a way that does not become obtrusive or unpleasant, but aims to entertain through the effects of surprise. This mode of writing is created mainly through intertextual allusions, incongruous juxtapositions, and comical, satirical or parodic undertones.     

Topoiesis de los dispositivos de registro del texto literario

ABSTRACT

Never before have the layout, the text format, and support been as important as they are today. Studies reflecting on the relationship between the meaning of the literary text and its form have rapidly increased. This kind of study has focused mostly on the history of the reading process and the history of the book as well as on the possibilities of new technologies in the literary field. However, none of these approaches has reached the point of creating a comprehensive methodology for the analysis of the relationship between the message and its channel. This work is intended to propose a methodology of analysis based on some concepts such as peritexts (Genette) and visuo-graphic zone (Cárdenas).     

Dominican Dignitaries and Private Preaching at Papal Avignon Part I: The Sermon by Pierre de Palme (12 March 1340)

ABSTRACT

Private preaching at papal Avignon (or in general, for that matter) has yet to receive much scholarly attention, in part because the texts of private sermons are not always easy to come by. The survival of two private sermons, both by Dominican dignitaries and both delivered to the same audience (a cardinal and his familia) in the same venue during the same Lenten preaching cycle, provide an opportunity to explore the phenomenon of private preaching at the Avignonese curia. In the first article of a three-part series, I present the edited text of the sermon by Pierre de Palme, Prior of the Dominican Province of France; the second text will appear in part II, with analysis and observations in the third and final part.     

Lactantius’s Power Struggle

Abstract

During the Diocletianic Persecution and at the dawn of Constantine’s rise to power, Lactantius penned Book V of the Divine Institutes, in which he offers a striking account of Church-state relations. For Lactantius, imperial power is at odds with the Christian “course of life.” To be a people of virtue, Christians must perform justice from below, under the rule of a secular state whose gaze is fixed on its self-preservation at all costs. Lactantius makes clear that if Christians collude with the power of the state, exercising power from above, justice becomes an impracticable virtue. Not only would Christianity’s transition to the imperial seat alter the material conditions which best form Christians in virtue, it would, in Lactantius’s view, cultivate lives of vice and alienation from God. This essay contends that in Book V of the Divine Institutes, Lactantius employs Christian reasoning to demonstrate how secular politics are antithetical to Christian discipleship.     

The Aramaic Levi—Comparing the Qumran fragments with the Genizah text

ABSTRACT

Among the extra-biblical texts from Qumran we find the so-called Aramaic Levi, which can be described as a somewhat different variant of the “Testament of Levi,” a part of the larger Greek text “The Testament of the Twelve Patriarchs.”

Aramaic Levi, however, was already known from the Cairo Genizah. The following article is a linguistic comparison between the Qumran text and the version from the Cairo Genizah.

As Klaus Beyer has noticed, there are a lot of non-Hasmonean spellings and words in the Genizah text, but most of Beyer’s examples are from parts of the text that are not preserved in the Qumran fragments. Comparing the two versions, we now note that the deviations are of two kinds. As expected, the Genizah text often follows a later language than Qumran. This applies in particular to orthographic features and the use of status emphaticuswithout the definite sense. But in other places the Genizah text represents a language older than Hasmonean Aramaic, which we interpret as an adaptation to Bibli-cal Aramaic and sometimes to Hebrew.     

“Celticism,ballad transmission,and the schizoid voice: Ossianic fragments in Owenson,Yeats, Joyce,and Beckett”

ABSTRACT

This essay surveys responses to Macpherson’s Ossian in Irish literature, alongside analysis of the development of literary Celticism. Despite being a key text behind the development of Celticism in Irish writing, Ossian is consciously rejected in Irish Romanticism and in the Celtic Revival. However, Ossian becomes a symbol of literary recycling and mental fragmentation in Irish Modernism. Texts studied in this essay include Owenson’s The Wild Irish Girl, Joyce’s Finnegans Wake, and Beckett’s Murphy.     

The Mongol invasions of Europe

ABSTRACT

This article argues that Zionist Christianity emerged in South Africa out of the peasant revolt that occurred in the Boer Republics during and after the South African War. Using the experiences of early Zionist leaders Daniel Nkonyane and Engenas Lekganyane, the article demonstrates the continuity of their theology with the ideology of the ‘Rebellion From Below’ first described by Jeremy Krikler. The early Zionists, like their predecessors, were primarily interested in recreating a world based on communal politics and land ownership – a world without rents, landlords, or white supervision.