Nietzsche's Political Critique of Modern Science

Abstract

Contrary to the claims that The Brothers Karamazov is a polyphonic novel, in which the author's own views are irrelevant to its interpretation, and that Dostoevsky himself was unable to furnish an adequate defense of Christianity after Book V, the author shows how Zossima's doctrines of active love and responsibility for all are the interpretive keys to the novel. This so-called “unity in diversity” in Bakhtin's literary criticism thereby provide a compelling alternative vision of community from the Grand Inquisitor's.     

2. THE VICTIM'S VOICE AND MELODRAMATIC AESTHETICS IN HISTORY1

Saul Friedländer's recent Nazi Germany and the Jews: The Years of Extermination offers a brilliant new literary mode for historical representation of extreme events such as the Holocaust. He has produced an authoritative historical narrative of the Holocaust, within which he integrates the victims' authentic voices, as recorded (mostly) in their contemporary writings. This article offers a comparative assessment of Friedländer's achievement with regard to the integration of Jewish sources into the historical account. It begins with a contextualization of Friedländer's book within a framework that compares the ways in which Jewish sources are addressed by different historiographical approaches. In the second part it seeks to contextualize analytically and critically Friedländer's concept of “disbelief”—a concept by which he defines the role of the “victims’ voices” in his narrative. I claim that in our current “era of the witness,” set within a culture addicted to the “excessive,” the voices of the victims and the witnesses appear to have lost their radical political and ethical force. They seem no longer to bear the excess of history, and can thus hardly claim to be the guardians of disbelief. Excess and disbelief have thus become the most commonplace cultural topos. In our current culture, I contend, the excessive voices of the victims have, to some extent, exchanged their epistemological, ontological, and ethical revolutionary function for an aesthetic one. They operate according to the pleasure principle in order to bring us, the consumers of Holocaust images, the most expected image of the “unimaginable,” which therefore generates a melancholic pleasure and involves the narrative in melodramatic aesthetics. The article concludes by briefly suggesting some guidelines for an alternative approach to the study of contemporary Jewish Holocaust sources.     

The Book of Job – The Cyclical Progression of the Aporia

ABSTRACT

This article explores the relation between aesthetics and theology in the Book of Job. The overall aim of the article is to explain the relationship between centre and periphery (poetry and prose) and its significance for the theology of the book. The article claims that Job's problem is not the attainment of wisdom but how to reconcile wisdom with suffering—how to relate to suffering. And this theological theme is propagated through aesthetics—including stylistic, narrative, compositional and structural features.

It is impossible to point out a preferential reading in the Book of Job because of the fundamental and structural dissonance of the text. This destabilized, ambiguous, paradoxical, ironical and dissonance-producing text is the hermeneutical starting point. Qua dissonance-producing text this feature is used as foundation for the interpretative task. And to get a comprehensive grip on the book two instruments are used: the literary and compositional means are analyzed, and the structural elements are evaluated in their relation between frame and centre. Following this line of interpretation reveals that the stylistic differences of the work manifest crucial theological distinctions. In the book of Job, shape and aesthetics are meaning and theology.     

Intimations of democratic impatience: The Book of Job

This article challenges democratic theorists’ disregard for democratic impatience by showing that the Book of Job not only defends impatience but that it intimates the merits of democratic impatience. Job is impatient along four dimensions that should speak to democratic theorists: he refuses to suffer, identifies his suffering as unjust, seeks to hold arbitrary power accountable, and recognizes patience’s irrationality in the face of injustice. Critically, I demonstrate that Job remains impatient in his mind, and thus does not abandon impatience – not even in an epilogue designed to stifle his impatient voice. While Job’s impatience is justified, it is not yet democratic, for it reneges on broader democratic claims, is not shared, and is undermined by his social privilege. I thus turn to Job’s wife – who is “Everywoman” both in a feminist and more generally democratic sense – to more fully develop a concept of democratic impatience.     

“Make Hell While the Sun Shines”: Proverbial Rhetoric in Winston Churchill's The Second World War

M.M. Bakhtin's social construction of Renaissance carnivals, and his views on carnival in general, encounter trouble when tested against a presentday enactment, the Cajun country Courir de Mardi Gras, a processional begging ritual celebrated in southern Louisiana. The living festival reveals structures missing from Bakhtin's élite sources and consequently from his writings: structures that articulate the folk community's autonomous values and cooperative survival strategies. As long as literary studies based on Bakhtin find in carnival only that which opposes élite culture, they will fail to recognise the dimensions of community selfcelebration and self-definition essential to many folk festivals.     

Divine wrath and the conceptual coherence of the book of Nahum

Abstract:

In the recent scholarly discussion on the Book of Nahum two views stand juxtaposed: (1) The Book is a unity, written by a seventh century BCE prophet; (2) the Book as it stands is the outcome of a complex process of redaction implying a Persian period date for the final form. Starting from the final form of the book, it is concluded that, from the point of view of structural‐literary analysis, the book can be seen as unity. The redaction historical approach to the Book of Nahum assumes a distinction between lofty theological language in the hymn (Nah. 1,2–8) and the more realistic language expressing nationalistic feelings in the rest of the book. This distinction is the starting point for a literary‐critical division. However, an analysis of the theme “divine wrath” leads to the conviction that both parts of the book share a common ideology. “Wrath” in the Book of Nahum should be interpreted within the framework of covenant‐theology and as a provoked reaction. The Assyrians are depicted as the “enemies of God”. The doom that is predicted for them can be seen as God's response to their conduct. In this connection it should be observed that several allusions to ancient Near Eastern treaty clauses can be found in Nah. 2,4–3,19. This observation leads to the assumption that the relation between YHWH and the Assyrians is seen as some form of vassaldom. All these observations make a literary‐critical division less plausible. Finally, a seventh century BCE date for the composition of Nahum is proposed.     

The Myth of the Pacific Society: Quebec's Contemporary Strategic Culture

In Margaret Laurence's The Stone Angel, hymns define one context in which Hagar lives, and one voice that she might claim as her own. However, because singing unites many voices into a single voice, when Hagar challenges the words of hymns or connects with only a few of the hymn's words, hymns introduce paradox and ambiguity into her quest, and blur her supposed epiphany when the minister sings “All People that on Earth Do Dwell.” Although hymns may assist a character to transcend self and be subsumed into a spiritual community, hymns may also be part of a process of discovering the sound of an individual voice.     

Tocqueville on Pantheism,Materialism, and Catholicism

Abstract

It is widely acknowledged that Leo Strauss was an extraordinary scholar and teacher who strove to open up forgotten vistas of philosophical inquiry. Gigantic controversy rages, however, about the sorts of political and social changes, if any, that he hoped to promote. The fire has been fueled by the alleged contributions of Straussians to the Iraq War—and by the publication of Strauss's 1933 letter that commended “fascist, authoritarian, and imperial” principles. This article reviews and then updates the assessments proffered in my 2009 book (Straussophobia) about the state of the “Strauss Wars.” Critics such as Shadia Drury continue to embarrass themselves in prestigious venues, but newer voices are using innovative strategies to argue that Strauss was attempting to undermine the principles of American democracy. Whereas William Altman relies on “esoteric interpretations” of Strauss's writings, Alan Gilbert illuminates Strauss's behind-the-scenes efforts regarding policy disputes. Although I maintain that Gilbert and especially Altman have made invaluable contributions, I argue that they both overreach.     

The grotesque in the plays of Enda Walsh

This article attempts to outline the aesthetic of Enda Walsh's dramatic oeuvre, viewing it as fundamentally grotesque. Plays such as The New Electric Ballroom, The Walworth Farce, and Penelope have generally enjoyed a most enthusiastic reception; however, reviewers and critics have remained largely baffled as to where exactly these intoxicating pieces have left them. A plausible way of addressing the distinctive combination of citationality, the intermingling of genres, linguistic brilliance, circuitous structure, pathological interaction between characters, and the darkest humour, may consist in juxtaposing Walsh's technique with concepts of the grotesque as outlined, alternately, by Mikhail Bakhtin and Wolfgang Kayser. The consequent observations on the grotesque in Walsh's plays are followed by a query as regards the moral dimension of Walsh's aesthetic, focusing on their position in relation to Bakhtin's assertion of the liberating potential of the grotesque as opposed to Kayser's insistence on the grotesque coming across as essentially bleak and hopeless.     

BLOOD FOR THE GHOSTS: READING RUIN'S BEING WITH THE DEAD WITH NIETZSCHE

A focus on roots, localizations, usurpations, and obliterations together with commemoration and different fields of scholarly research, along with a thematic focus on Homer's Nykia, permit Hans Ruin to revisit the foundations of history in Being with the Dead. Ruin draws on cultural sociology, including the work of Alfred Schütz, as well as Heideggerian historicity and the dead of the distant past, including archaeology and ethnography, paleography and physical anthropology. Ruin also engages Michel de Certeau's Writing of History and its focus on the other in a necropolitical account tracked through interdisciplinary fields. In my reading I supplement Ruin's critical focus on Homer scholarship beyond the twentieth century with a return to Nietzsche's nineteenth-century emphasis on the “blood” needed to bring the voices of the past to speak in his own reading of Homer. To do this, I note the dead-silenced (“zombie”) scholarship haunting Nietzsche's voice in his field of classical philology in addition to Nietzsche's source scholarship and his hermeneutic methodology of historiographical research for the sake of ethnography, archaeology, and Nietzsche's lectures on pre-Platonic philosophy.     

The Role of Non-Human Creatures in the Book of Jonah: The Implications for Eco-Justice

Previous studies on the Book of Jonah often concentrated on God, Jonah, and the people of Nineveh. This article takes a different approach by focusing on the roles of all “non-human creatures” in the Book of Jonah—the great Storm, the great fish, the animals of Nineveh, the worm, the land and the kikayon plant. This approach reveals something new about the role of non-human creatures in the book and the implications thereof for the amelioration of today’s ecological crisis. It highlights the beauty of all elements of nature working together with humanity for the good of all: a clear indication of the ecological vision implicitly proposed by the Book of Jonah. In this regard, YHWH’s attitude to every creature in the book is exemplary, to him every creature is in itself valuable and fulfills a particular important role in nature and existence.     

Chronotope,Story, and Historical Geography: Mikhail Bakhtin and the Space‐Time of Narratives

Abstract: This article studies space‐time as revealed in narrative, especially narrative intended to validate truth claims. Narrative plot is uniquely suited to capturing truths about time, causal complexity, and space. Bakhtin's “chronotope” (space‐time), which bridges plot, narrated events, and the real world, is critical to understanding this capacity, whether in fiction, in histories, or in didactic stories, myths, and parables. The chronotope is underutilized in the social sciences, but disputes over indigenous land in Canada exemplify its potential applications. To fully capture these heteroglot (“many‐voiced”) conflicts, factual verification should not be the only test of a narrative's truthfulness.     

Drug or medicine? China's experience of Marx's opium thesis on religion

This paper tracks the changes in the influence of Marx's celebrated opium thesis in China. Marx's view that religion is “the opium of the people” was first introduced into China through propaganda associated with the Russian revolution. It became very influential among Chinese intellectuals and dominated the religious policy of the CCP for a long period. However, as the revolutionary party became the party in power after 1949, it was obvious that the opium thesis alone would be insufficient to deal with the religious situation in a socialist country. Although the “five natures” of religion thesis was proposed to explain the persistence of religion in socialist China, the opium thesis proved more powerful politically and resulted in a general attack on religion during the Cultural Revolution. Not until the era of reform and “opening up” was the opium thesis questioned. After the release of a major document entitled “The Basic Viewpoint and Policy on the Religious Question during our Country's Socialist Period” in 1982, the opium thesis was viewed as too simplistic an instrument for understanding “the problem of religion.” Scholars have argued that religion contains important cultural elements and can make a positive contribution to a socialist society in certain respects. After lengthy discussion, a consensus was reached that Marxist views on religion should keep up with the times and that the opium thesis was no longer compatible with contemporary Chinese society. Although different voices can still be heard on the issue, religion is no longer viewed as just a “drug” but rather as a kind of “medicine.” Marx's opium thesis has been replaced in China by a new theory, one that emphasizes that religion should and can adapt to the needs of a socialist society.     

Bakhtin,Boredom, and the ‘Democratization of Skepticism’

This article examines recent scholarly work on boredom by drawing on Mikhail Bakhtin’s account of modernity, irony, and mass skepticism. In The Arcades Project, Walter Benjamin noted that, beginning in the 1840s, Western societies had been gripped by an “epidemic of boredom.” He was referring to a peculiarly modern form of mass boredom, associated with the “atrophy of experience” in a mechanized and urbanized social life—a boredom Elizabeth S. Goodstein has characterized as the “democratization of skepticism.” Although Bakhtin says little about “boredom” directly, he probes the sociocultural conditions that give rise to it. Bakhtin, for example, celebrates the liberatory and egalitarian promise of modern vernacular speech, which displays a healthy suspicion of “monotonic” qualities of elite genres, and which springs not from the pulpit or the palace, but from the street, the marketplace and the public square. Bakhtin is concerned about the nihilistic implications of this disenchantment of the world and the threats it poses—indifference, reification and alienation—to the “participative” mode of social life he favours.     

Canadiana Abroad: The Department of External Affairs' Book Presentation Programmes, 1949–1963

This article examines one aspect of Canada's early cultural diplomacy. During the late 1940s, the Department of External Affairs frequently received requests for Canadian books from foreign libraries. At the same time, many officials were eager to promote Canadian culture abroad. The Annual Book Presentation Programme was inaugurated with the intention of creating “repositories of Canadiana” which might stimulate interest in Canada among foreign readers. Although the budget for the program was always modest, over the years the department's book gifts did fulfill their aim, creating a basis for the later growth of Canadian studies in universities abroad.     

PUTTING WOMEN IN THEIR PLACE: THE CARNIVAL AT GREENHAM COMMON*

In this paper I examine reactions to the Greenham Common Women's Peace Camp. I argue that the media, local and government responses to the Greenham women reveal geographical assumptions about “normality.” The peace women, by living away from home, on the edge of a military (and therefore masculine) establishment challenged accepted patriarchal understandings of “women's place” and were thus described as “out of place.” More specifically, the women were referred to in terms of hygiene, inadequate culinary ability, sexuality and hysteria. Each of these implies a gendered form of disorder in which social, cultural and geographical boundaries have been transgressed. These reactions are placed within the context of Bakhtin's formulations of the carnivalesque and grotesque realism. I suggest that the women, through their highly visible opposition to a patriarchal military establishment, represent a threat to neatly bounded official culture which finds its geographical expression in the formal territories of the courtroom and the air base. In conclusion this illustration is placed in the wider context of cultural/political protest. I argue that transgression, while serving to reveal normally assumed hegemonic landscapes, is restrained by already existing boundaries.     

2. IN DEFENSE OF PROVINCIALIZING EUROPE: A RESPONSE TO CAROLA DIETZE

This response to Carola Dietze's critique of Provincializing Europe takes up for examination three key expressions or ideas on which the original argument of the book was founded: hyperreal Europe, historicism, and political modernity. I appreciate the spirit of Dietze's engagement with the book, but I show that her critique is based on a degree of misapprehension of these three central ideas. While clarifying the details and the degree of my disagreement with Dietze, I provide my own critique of Dietze's proposal of “equal histories” by arguing that Dietze has not named or explained the unit with respect to which different histories could be considered equal. I also argue that Dietze's proposals about judging societies only by their “own” standards, and basing human dignity on the idea of a “human nature” that could be seen as a “constant,” do not solve the problems she sees with my book and are themselves open to some serious historical and logical criticism.     

Jean Lemaire de Belges's Rhetorical Masks in L’Amant Vert and “Les Regretz de la Dame Infortunée”

A prominent feature of the poetry of Franco-Burgundian poet and rhetorician Jean Lemaire de Belges (1473–1524) is his use of a rhetorical mask—a persona—through which to proffer his utterances and assert his identity. Because the early sixteenth-century court poet's financially and politically subservient position vis-à-vis powerful aristocratic patrons demands an encomiastic rhetoric that leaves little room for the poet's self-assertion within the body of the poetic text, Lemaire must employ the indirect means of a narrative mask to assert his own existence and concerns. This article examines first the narrative mask of the parrot-lover in the 1505 Epîtres de l’Amant Vert, through which Lemaire is able to voice concerns about his precarious position as a writer almost entirely at the mercy of his patron's good health and good will. A discussion of “Les Regretz de la Dame Infortunée” (1506) follows, in which Lemaire takes an intriguing narratological stance that unites his voice to that of his patroness, Margaret of Austria (1480–1530), ultimately forging an authorial je that speaks for both poet and patron. This nearly mystical union of narrative voices allows Lemaire to express his own concerns about the volatility of the patronage system while concomitantly giving voice to Margaret's mourning at the death of her brother, Philip the Handsome (1478–1506).     

Reading trade in the wealth of nations

Economic analysis identifies comparative, rather than absolute, advantage as the basis of international trade, a distinction first thought to have been clearly made by David Ricardo in his Principles of Political Economy and Taxation (1817). Adam Smith's Wealth of Nations (1776) is thought to have failed to make this distinction, instead treating foreign trade principally as a “vent” for surplus domestic produce. However, Smith's underlying argument in favour of a “system of natural liberty” made his name synonymous with open seas and free markets, and the economist most closely linked to free trade. This paper suggests that Smith advanced a rather more sophisticated analysis of the gains from trade than this textbook understanding would suggest, but that his line of reasoning has long been obscured by the long-established habit of reading Wealth of Nations as a work whose first two books contain the important analytical elements that the later books merely elaborate. It is demonstrated that Smith's analysis of the gains from trade derives from his discussion of capital, and that therefore a reader needs to begin at the end of Book II, and not with the principles of exchange outlined in Book I.     

THE TIME OF THE SELF AND THE TIME OF THE OTHER

What is time? This essay offers an attempt to think again about this oldest of philosophical questions by engaging David Hoy's recent book, The Time of Our Lives: A Critical History of Temporality, which proposes a “history of time‐consciousness” in twentieth‐century European philosophy. Hoy's book traces the turn‐of‐the‐century debate between Husserl and Bergson about the different senses of time across the various configurations of hermeneutics, deconstruction, poststructuralism, and feminist theory. For him, what is at stake in such a project is to distinguish between the scientific‐objective “time of the universe” and the phenomenology of human temporality, “the time of our lives.” Hoy's approach is to organize his book around the three tenses of time—past/present/future—and to view objective‐scientific time as derived from the more primordial forms of temporalizing lived experience that occur in our interpretation of time. In my reading of Hoy's work, I attempt to explore how “time” (lived, experiential, phenomenological) can be read not in terms of “consciousness” (Hoy's thematic), but in terms of the self's relationship with an Other. That is, my aim is less to establish a continental tradition about time‐consciousness, understood through the methods of genealogy, phenomenology, or critical theory, than it is to situate the problem of time in terms of an ethics of the Other. In simple terms, I read Hoy's project as too bound up with an egological interpretation of consciousness. By reflecting on time through the relationship to the Other rather than as a mode of the self's own “time‐consciousness,” I attempt to think through the ethical consequences for understanding temporality and its connection to justice.