Fathers,food practices and the circuits of intimacy in families in Northern England

Informed by a ‘theories of practice’ approach and moving beyond accounts that emphasise domestic foodwork as a wholly feminised task, this article draws upon a series of ethnographic studies undertaken in Northern England to examine men’s frequently overlooked contributions to feeding the family. Deploying the idea of ‘circuits of intimacy’, it specifically highlights how shopping, cooking and eating form part of the daily emotional practices through which contemporary fathering is negotiated, contested and resisted. In doing so, it contributes to debates concerning fathering and the spaces in which it is undertaken – areas of enquiry that have, until recently, remained relatively hidden in geographical research – as well as addressing the issue of feeding and family intimacy which has been underexplored within studies of fathering.     

Philology in Six Categories: A Chinese Perspective

This article serves to analyze the role and history of philology within modern Chinese humanities-based scholarship, using the work of Fu Sinian and the establishment of the Institute of History and Philology as a framework with which to observe the changing status of philology as a practice within contemporary Chinese humanities. Despite its critical function within the Western scholarship and cultural development that inspired modern Chinese scholars as well as its centrality to Fu Sinian’s groundbreaking efforts, philology has been all but ignored in recent years, and its purpose has been rendered niche and peripheral. Additionally, the ambiguity that has surrounded the term “philology” itself since its earliest days within the Chinese academic world has only intensified over time, thereby exacerbating the field’s marginalized status. The author’s goal is to call attention to the complexity and importance of philology that has been so critically overlooked in recent times by outlining six distinct yet interrelated categories of philology/philological study, ranging from a basic academic “love of words, text, and learning” to a broad life view. By providing a detailed, segmented glimpse into the otherwise vaguely-defined phenomenon of philology, its vital function as mankind’s sole means of comprehending the past is made clear, and a “return to philology” is advocated in order to preserve those specific academic fields that draw their origins from philology and avoid a collapse of scholarly humanities study as a whole.     

Self,Consciousness and Agency in The Egoist

This article re-reads representations of the self and agency in George Meredith’s The Egoist (1879) by drawing new connections between the novel and Victorian psychological theory. Critical discussions of The Egoist and psychological themes have rightly stressed the many ways in which, in Meredith’s novel, impersonal forces, biological, physiological and ideological, threaten to obliterate any notion of the self as discrete and autonomous. Yet Meredith maintains a strong ethical investment in individual agency. Comparing metaphors of fluidity, used to describe the self and consciousness in Meredith’s text, with similar images taken from the work of G. H. Lewes and James Sully, I argue that Meredith presents the self’s plasticity as crucial to its individuation and potential autonomy, even while that same plasticity also underlines the self’s vulnerability to social and ideological forces which threaten its independence. Clara’s individuality and agency take on distinctive political significance by challenging oppressive gender norms. Yet the vulnerabilities and bewildering complexities of individual subjective life, expressed in Meredith’s extravagant extensions of psychological metaphors, mean that any one self’s moves towards greater freedom must be fraught with uncertainty. The final part of the essay draws new connections between the psychological imagery that I have been exploring and Meredith’s engagement with human evolution. Clara’s individuation and capacity for autonomous action give the lie to Willoughby’s pseudo-Darwinian schematisation of her identity, yet the relationship between self and evolution remains a serious and complex issue in the novel.     

Edna O'Brien and narrative diaspora space

Given the persistent presence of migration in the work of Edna O'Brien, it is surprising how marginal a theme it is in critiques of her work. This article explores how questions of diaspora have reached a renewed level of depth and intensity in her novel The Light of Evening (2006) and the related short story ‘My Two Mothers’ (2011). Looking, in particular, at how letters play a central role in the relationships of three generations of Irish women across three countries, it analyses how issues of mother(land), diaspora and belonging are mediated through migrant fiction. It draws on the work of Avtar Brah and Paul Ricoeur to argue that, along with related forms of textuality within O'Brien's oeuvre, letters represent a ‘narrative diaspora space’ which illuminates the relationship between mothers, daughters and writing in Irish migrant experience.     

The European Sky-God.

Traditional beliefs and customs concerning pregnancy and childbirth are still numerous and vivid in Romania and among Romanian inhabitants in neighbouring countries. Fieldwork on this theme carried out over several decades has resulted in a large body of material showing the special position of a pregnant woman in traditional Romanian society. This paper deals specifically with Moldovan birth tradition and concentrates on society's view of the pregnant woman and her unborn child as indicated by the large variety of beliefs and traditions aimed at protecting her and her child. It is evident from this material, that both the prospective mother and society are expected to be aware of, and to engage with, traditional precepts concerning the healthy development of the foetus and the achievement of an unblemished birth. It is also clear that the role and influence of the former untrained midwife in the magical protection of the mother and her child are still part of cultural memory in Moldova. The idea that a pregnant woman has the ability to bring rain in times of drought seems to emanate from a traditional perception of her as embodying fertility powers linked or analogous to the earth's germinative capacity.     

On Not Reading The Soldier’s Pocket-book for Field Service

This essay focuses on Garnet Wolseley’s controversial war instruction manual, The Soldier’s Pocket-book for Field Service (1869). While the Pocket-book’s contribution to discussions of reading and soldiers’ education has carved out a significant place for it in Victorian military history, in its day it was constantly contested and undermined by contradictory representations, as a book much talked about but little read. This essay is an exercise in tracing these eccentric reception histories, as an acute reminder that books may well have vibrant intellectual lives without actually being read. To examine the literary and material circulation of the Pocket-book in the late nineteenth century, it draws on archival research in the Macmillan Archive and Wolseley’s private papers to discuss the genesis of the text not just as a compendium of information but also as an object that is handled, carried, and exchanged. I juxtapose these considerations with episodes in the representation of the Pocket-book: in an anti-war pamphlet; an anonymous satirical drawing found in Wolseley’s personal scrapbooks; and in Kipling’s short stories about British soldiers in colonial South Asia. In all of these, the Pocket-book is characterized as a dubious, even dangerous text – one that was neither read, nor should be. The examples demonstrate three of the different trajectories through which the Pocket-book emerged as an unread book in the Victorian imagination: through encouragements not to read, rejection, and misappropriation.     

"良妻贤母"与"贤妻良母"的不同命运——近代中日女子教育比较

“良妻贤母”曾经是近代日本女子教育的代名词,有知识、有文化,始终是近代日本妇女的“贤”与“良”的主要标准之一。其时的中国也曾受其影响,以培养“贤妻良母”为目标。然而,近代以后半封建、半殖民地的社会状况使中国妇女不可能像日本妇女那样,在相对安稳的环境下去接受教育和知识的熏陶。日本的“良妻贤母”与中国的“贤妻良母”不仅有着不同的内涵,也面临着完全不同的命运。     

Alice Munro’s Narrative Historicism: “Too Much Happiness”

Alice Munro’s “Too Much Happiness” relates the final years of its subject Sophia Kovalevsky (1850–1891), a nineteenth-century Russian mathematician, writer, and subsequent feminist icon. Munro’s narrative here does not always fit with her earlier fictional practice. By examining Munro’s earlier work, and glancing at a later sequence of narratives with regard to her uses of historical matters, this discussion outlines the generic implications of “Too Much Happiness” and their effect upon our estimation of the remainder of Munro’s fiction.     

中国户籍制度现代化演进路径的历史考察(1908—1949)

中国户籍制度的现代化转型是从清末民初开始起步的,当时的执政者把推行现代户籍制度作为实现宪政的一项基本制度条件。国民党执政时期,国民政府把户政建设视为"庶政之母",列为"训政时期"基础性的国家政治建设,即使八年抗战时期也没有停顿,从而构建了一套比较完备的现代户籍法律体系。但是,这个制度建设的步伐在实践中受阻于战乱,到1949年以后则完全中断了。新中国的户籍制度建设走上了另一条路线——计划经济的人口统制管理方式,在各种因素的影响下,最终形成了城乡二元户籍制度。     

Tehran’s subway: gender,mobility, and the adaptation of the ‘proper’ Muslim woman

Tehran’s subway, the most affordable means of public transportation in the city, offers a useful context to study the relationship between women’s spatial mobility, the construction of self, and social production of space. This study focuses on Line 1 of Tehran’s subway that connects Tehran’s Bala Shahr (Northern Tehran) and Paeen Shahr (Southern Tehran) neighborhoods. This study draws upon 46 semi-structured interviews with women who were using subway Line 1 in the fall and winter of 2012. The average hour-long interviews examine how women’s emotional states as well as their perceptions of self and space vary as they traverse the city on Line 1. Representing a cultural as well as a spatial transect through the city, the perceptions of women on subway’s Line 1 convey the repudiation of the state’s attempt to promote a singular Muslim female identity. The findings suggest that similar to women’s perception of space, their gendered identities are constantly changing through the enhanced mobility that is facilitated by Tehran’s subway system. In contrast to what is presumed in the West, with a simple change in their hijab style or make-up, Iranian women innovatively negotiate contrasting spaces.     

Molly Bloom’s nostalgic reverie: a phenomenology of Modernist longing

ABSTRACT

I propose to reverse the prevailing understanding of the novel’s concluding episode, “Penelope,” as affirming and optimistic, and instead situate it as the wellspring of Modernist nostalgia. This darker reading of Molly Bloom’s nostalgic reverie depends, as we will see, upon Molly’s resonant psychological ties to her mythological antecedent: Homer’s Penelope. Despite Molly’s manipulative, contradictory, and at times self-deceptive consciousness, scholars still tend to read her famous final utterance as one of firm affirmation. Taking into consideration her semblance to Homer’s Penelope, Molly’s final “Yes” is likely less sanguine than previously considered. And even my own “reading” may confine her role too narrowly. Nevertheless, we should establish this countersign as a means of exploring the consequences of her nostalgic reverie.     

“An Adamless Eden” in Ingonish: what Cape Breton's archives reveal

This essay reads the archived life of a Sydney-based woman - Ella Liscombe (1902–69) - as it was recorded in her diaries, notebooks, and especially her photograph album of a 1927 camping excursion to Ingonish, Cape Breton Island. This album features pictures of women in "cross-dress," and the writings that gloss these camping records express Ella Liscombe’s erotic same-sex feelings about her female companions. As this essay explores Liscombe’s sartorial and emotional aesthetics, it also makes distinctions between "mannish" behaviour and "boyish" performance/costume, ultimately suggesting that Ella and her friends indulged in "twilight moments" to escape the strictures of domestic femininity.     

《推定儿女法》与中古辨胎术

《推定儿女法》为俄藏黑水城出土金代占卜类写本文献,其文本来源于《孙子算经》,特殊性在于通过算术方法并结合阴阳五行思想卜算胎儿性别。以《推定儿女法》为代表的祈男辨胎思想和孕育信仰曾长期流行于中国古代社会,是研究古代社会民生与民间信仰的珍贵资料。在历史发展过程中,《推定儿女法》逐渐渗透到医学与命理学文本书写中,反映了阴阳五行思想主导下,中国古代数术、巫术与医学思想的相互影响与交流融合。     

Qian Mu’s Guoshi dagang : Reflections on a Modern Chinese Conservative

This paper examines the predicament of modern Chinese conservatism. I use the eminent historian Qian Mu (1895-1990) as an example to show that under the influence of modernity and in an effort to preserve tradition, a prominent conservative like Qian needed to “modernize” Chinese tradition so that it could be saved. I will examine Qian’s reconstruction of Chinese history, which was not just a reiteration of China’s past, but a new type of understanding of Chinese tradition influenced by modern Western concepts. By focusing on Qian’s most prominent work, Guoshi dagang, we can get a sense of the struggle of modern Chinese conservatives as they tried to fend off the detractors of Chinese tradition.     

Education for what? Shaping the field of climate change education with children and young people as co-researchers

ABSTRACT

Children and young people are often positioned as the next generation of leaders in whom the public imagines or expects to overcome the legacies of climate and environmental inaction. Increasingly analyses of progress in environmental education independently identify the need for researchers and teachers to ‘listen to children’s voices’. In this paper we argue that climate change education presents a significant platform not only for youth voices, but also for a genuine activation of children’s political agency in schools, universities, and the public domain. In so doing, we draw upon the government funded project Climate Change?+?Me, which has involved working with 135 children and young people from across Northern NSW, Australia as co-researchers investigating young people’s voices in climate change. We conclude that climate change education can open up an entirely new field of educational experience and inquiry when it is inclusive of and led by young people.     

Texts,topoi and the self: a reading of Alfredian spirituality*

Challenging the allegation that Alfred's spirituality as Asser presents it is no more than a string of textual fictions, this article outlines a context for understanding Alfred's spirituality as a functional process of living texts, or of ‘textualizing’ the self. The discussion first draws support for this view from the history of early medieval spirituality and then demonstrates the theme's relevance both to Asser's representation of Alfred and to the king's own writings. Attention is given especially to the congruence between Alfred's depiction in the Life and Gregory the Great's teachings on the ideal rector as propounded in the Pastoral Care, a text carefully read and famously translated by Alfred himself. The comparison suggests that the main spiritual models for Alfred's kingly piety may be understood to reside in, and to involve assimilation of, this work of Gregory, making it possible to conceptualize the king's self‐presentation in terms of a conscious project to ‘live’ Gregory's text by bringing the ideals of the Gregorian rector to life in his own person. Such an argument helps to explain Alfred's interest in Gregory, to account for his concern to translate the Pastoral Care, and to legitimize the predominant images associated with the king's spirituality as indicative of a kind of functional piety grounded in the reading of texts, rather than simply reflected, perhaps falsely, in Asser’s Life.     

语图关系视野下的《列女传》文本及其图像

西汉刘向的《列女传》以其传、颂、图三位一体的编撰方式在中国古代典籍中别具一格,正因为如此,《列女传》文本及其图像在后世流传过程中,必然涉及到其文本（语言文字）与图像的关系问题。不同时代,不同类型的《列女传》文本与图像中,其语图关系的紧密程度也有所区别。一方面,《列女传》中语象与图像在这种相互模仿、相互斗争的模式中共同发展、共同进步;另一方面,语象与图像结合程度的不同也带来了叙事强度上的区别。     

Walking,mothering and care: a sensory ethnography of journeying on-foot with children in Wollongong,Australia

This article presents a material feminist perspective into motherhood and walking. Our aim is to explore the process of women ‘becoming mothers’ through journeying on-foot somewhere with children in car-dependent cities. To do so we utilise empirical material gathered as part of a walking sensory ethnography with families living in Wollongong, New South Wales, Australia. Drawing on Deleuze and Guattari’s assemblage thinking and a feminist care ethics we argue that entanglements with bodies and materials alongside ideas, emotions and affects shape how motherhood becomes and is felt on-the-move through ‘moments of care’. We discuss five moments where care emerges not just as a gendered practice, but as an affective force and embodiment of motherhood; these include: preparedness, togetherness, playfulness, watchfulness, and attentiveness. Instead of assuming the figure of the mother is a given identity; insights are provided into how the dilemmas of becoming a ‘good’ mobile mother are felt through moments of care.     

Nostalgia or das Heimweh: Homesickness and the Press-ganged Soldier in Sylvia’s Lovers (1863)

This article argues that Elizabeth Gaskell’s historical novel Sylvia’s Lovers (1863) uses nostalgia as a literary aesthetic and historical context to articulate a narrative of disorientating epochal change. Gaskell’s novel draws on nostalgia’s roots as a psychosomatic disease afflicting soldiers displaced by international conflicts to reassert the traumatic roots of a familiar feeling often understood as superficial and insignificant. Nostalgia began as a disease brought on by migration and only later came to be thought of as a type of sentimental memory; first home was far away and then it was long ago. Gaskell’s novel incorporates both, mingling longing for a place with longing for a past. This double distancing articulates an experience of transition within her historical novel. She draws on an eighteenth-century trope used by figures such as Jean-Jacques Rousseau and William Wordsworth, repurposed for the demands of prose fiction. The homesick soldier who was the first sufferer with pathological nostalgia is cast as the central protagonist of historical transformation and an emblem of uneasy transitions. Sylvia’s Lovers has received scant critical notice to date and, perhaps for this reason, its explicit allusions to nostalgia, and the role they play in Gaskell’s historical imagination, have been left entirely unremarked.