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Under the name of ‘Blockupy’ the city of Frankfurt am Main witnessed major social protests between 2012 and 2015 against the European crisis management and its devastating impacts on the livelihoods of people all over Europe. By assuming a Gramscian perspective, with a special focus on struggles over hegemony in the realm of coercion itself, this paper, analyzes the early Blockupy movement from 2012 to 2013, and argues that these protests were able to successfully challenge the neoliberal hegemonic story of EU austerity politics in Germany for two main reasons. First, Blockupy at that time was able to avoid criminalization by practicing a professionalized politics of hegemony that actively sought to intervene in public debates and by establishing a code of conduct shared by all participating groups. Second, Blockupy's geography and its place-based, multi-scalar and networked character were crucial, in that they drew on spatial strategies derived from the traditions and experiences of different social movements. Blockupy was multi-scalar and networked in that it brought together national, local and European movements by networking across scales, and it was placebased in two respects: it used and reignited the urban social movement infrastructure that was in place in Frankfurt after decades of social struggles within and against global city formation; and it strategically used Frankfurt's material and symbolic status as a global city.  相似文献   

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“The Joy of Normal Living” is at once the motto and the ideology of Kurihara Harumi, Japan’s best-known charisma housewife and icon of domesticity. This article looks at the relationship between “normal living” and the promise of happiness, as formulated in postwar Japan. Beginning with the government’s promotion, in the early postwar period, of the idea of akarui seikatsu (bright new life) as related to the typical suburban middle-class family of salaryman husband and full-time housewife, the article goes on to look at the cultural idea of “being happy as a woman” in contemporary Japan. Based on in-depth interviews with full-time housewives, and an analysis of popular women’s magazines, this article seeks to decipher what constitutes the idea of happiness for these women and for their generation.  相似文献   

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The Social Exclusion Unit (SEU) of the British Government is a recent and innovative response to social problems in the UK. Through an examination of selected publications of the SEU, the article highlights some of the representations of family, work and gender which provide the discursive context in which the SEU operates and to which it, in turn, contributes. The article suggests that perspectives found in the post-1945 welfare state continue to influence approaches to problems of exclusion. Whilst there are areas in which current political thinking shows evidence of sensitivity to the social recomposition that has attended economic restructuring since 1970, it is argued that there remain tendencies within SEU discussions which reinforce a more nostalgic constitution of work, family and gender relations. Consequently, the article concludes that the potential of the social exclusion debate to grasp fundamental issues is yet to be fully realised.  相似文献   

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In this article, we examine and compare historical changes in girls’ home-based education in nineteenth-century Germany and China. In many ways, girls’ home-based education in these two historical contexts exhibited differences, including the relationship between formal schooling and home education, and the role that new genres played in shifting tradition and structuring girlhood. However, we argue that more commonalities between the German and Chinese cases emerge. By analyzing the relation between talent and virtue, the writing of exemplary lives, and family dynamics, we see that in both cases the home was the critical site for valorizing and reproducing the class-bounded ideology of domesticity and identification for girls as home-based education constituted the means by which knowledge, morality, and practical skills were produced and transmitted from generation to generation.  相似文献   

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Abstract

The Mandragola is a microcosm of Machiavelli's thought. As a comedy, every detail is under Machiavelli's control, and there are no losers: private vices yield public benefits. All Machiavelli's characters are not equal in either the choice worthiness of their goals or abilities. Who is the hero of this comedy? Machiavelli's clues prompts exploring his allusions to classical and patristic sources but, most importantly, to Livy. Parallels in The Mandragola and Livy connect Nicia with the Roman founder, Brutus. In his ambitious goal, freedom from conventional shame, and consequent triumph over misfortune, Nicia emerges as exemplifying Machiavellian virtue.  相似文献   

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This article demonstrates the reconceptualisation of female criminality in interwar British popular culture. It argues that in fiction and the popular press, the period signalled the rise of the strategic female career criminal who challenged traditional gendered patterns of law-breaking, appropriated wider notions of fashionable modernity and transgressed social and geographic boundaries as poorer women embraced new opportunities for masquerade and used crime for upward social mobility. The article shows that the modern female criminal reflected broader shifts and changes in opportunities and roles for women, suggesting that she functions as a prism through which to explore wider debates and anxieties around femininity, 1918–1939.  相似文献   

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