Simone Weil's Political Theology

This article suggests that Simone Weil's political theology is characterized by the idea of labor and the event of laboring. I begin by arguing that her thinking is shaped by a materialist reading of Christianity that employs Marx's concepts — labor, capital and alienation — to examine the political implications of three theological ideas, fall, slavery and sin. Next, I suggest that although laboring should be understood as a creative endeavor, Weil argues that it is always conditioned and constrained by a force she terms social matter. This constraint produces what Marx called alienation and Weil will refer to as enslavement (and even sin). Finally, I contend that Weil's idea of labor — and its call for a minimization of constraint — provides a counter-force to social matter. I conclude by suggesting that Weil's labor provides a different way of conceptualizing not just the political subject, but political theology itself.     

Grief as method: topographies of grief,care, and fieldwork from Northwest Arkansas to New York and the Marshall Islands

Abstract

When we grieve during fieldwork, our grief forms new geographies of knowledge production and emotion. In this article, I use autoethnography to theorize my grief during fieldwork following the death of my sister. I examine grief’s methodological implications using the concept of ‘grief as method,’ an emotionally-inflected practice that accounts for the vulnerability produced by grief. By centering vulnerability, ‘grief as method’ also urges researchers to consider the practices and politics of ‘caring with’ our research subjects and caring for ourselves, raising larger questions about the role of care in research. Furthermore, this article demonstrates how grief’s geographical features—its mobility, its emergence in new sites and landscapes, and its manifestation as both proximity and distance—shape ‘grief as method’ profoundly. I examine grief’s spatial implications by building on Katz’s ‘topography’ to theorize a ‘topography of grief’ that stitches together the emotional geographies of researchers, blurring both spatial divisions (‘the field’ vs. ‘the not-field’) and methodological ones (the ‘researcher-self’ vs. the ‘personal-self’). If we see grief as having a topography, then the relationships between places darkened by grief come into focus. Moreover, by approaching grief methodologically, we can better understand how field encounters—relationships between people—are forged through grief. ‘Grief as method,’ in offering a spatial analysis of grief’s impact on fieldwork, envisions a broader definition of what engaged research looks like and where it takes place.     

The Italian Enlightenment and the Rehabilitation of Moral and Political Philosophy

ABSTRACT

By reconstructing the eighteenth-century movement of the Italian Enlightenment, I show that Italy’s political fragmentation notwithstanding, there was a constant circulation of ideas, whether on philosophical, ethical, political, religious, social, economic or scientific questions, among different groups in various states. This exchange was made possible by the shared language of its leading illuministi—Cesare Beccaria, Ludovico Antonio Muratori, Francesco Maria Zanotti, Antonio Genovesi, Mario Pagano, Pietro Verri, Marco Antonio Vogli, and Giammaria Ortes—and resulted in four common traits. First, the absence of a radical trend, such as the French materialist-atheist trend and, British Deism. Second, the rejection of inhumane laws and institutions, capital punishment, torture, war and slavery. Third, the idea of public happiness as the goal of good government and legislation. And fourth, the conception of the economy as a constellation where social capital, consisting of education, morality, and civility, plays a decisive role. I conclude that the Italian Enlightenment, not unlike the Scottish Enlightenment, was both cosmopolitan and local, which allowed its leading writers to develop a keen awareness of the complexity of society alongside a degree of prudence regarding the possibility and desirability of its modernization.     

Placing Plato in the history of liberty

ABSTRACT

This paper explores and reevaluates the place of Plato in the history of liberty. In the first half, reevaluating the view that he invents a concept of ‘positive liberty’ in the Republic, I argue for two claims: (1) that he does not do so, insofar as this is not the way that virtuous psychological self-mastery in the Republic is understood, and (2) that the Republic works primarily with the inverse concept of slavery, relying on entrenched Greek ideas about the badness of the status of being a slave and the actions and dispositions associated with it. Turning in the second half to seek Platonic innovation not in the domain of ‘positive liberty’ but in reflection on liberty as a political value, understood as the liberty of action of citizens within the laws, I argue for two further claims: (3) that as such a political value, liberty is limited and reshaped in both the Republic and the Laws to be compatible with obedience to rule / willingness to be ruled, ideally willing obedience; and (4) that for this limited and reshaped value to be secured, such obedience must be manifested not only in regard to a constitution’s laws, but also to the magistrates who hold office within it.     

Disruptive marginality: The representation of wildness in Lope de Vega’s Baroque dramatic art

Abstract

The theatrical production of Baroque Iberia exhibits an obsession with wildness that remains to be fully explored. By the time Segismundo takes the stage dressed in animal pelts in Calderón’s La vida es sueño, the wild figure had already enjoyed a long history on the Spanish stage, first appearing in Lope de Vega’s El nacimiento de Ursón y Valentín in 1588. Enduring popularity until Bances Candamo’s 1693 comedia, La piedra filosofal, this steady preoccupation with the concept of wildness offers unique insights on the evolving landscape of Baroque ideologies over time, which are rarely considered diachronically. Dramatic representations of wildness signify the transgression of a prescribed norm—be it social, political, racial, or otherwise—which leads to its necessary elimination to resolve the conflict of a given play. In this article, I will plot the trajectory of dramatic conventions in their diminishing ability to resolve the recurring problem of wildness, thus offering a literary history of the comedia’s social efficacy as it struggled to sustain the weight of its own ideological commitments. Furthermore, I will examine the implications of my approach on longstanding debates on the ideological function of Baroque Iberian drama by analyzing the theoretical problem inherent in the existence of the marginal terrain wildness inhabits. My approach considers who stands to benefit from social order and those who, like the wild figure, find themselves excluded. At a time of renewed energy for exclusionary ideologies, aspirations of encompassing the marginalized are as important today as they were in 1588.     

A Note on the Meaning of Ḥamas in Ezekiel

ABSTRACT

The entries for ?amas in the biblical lexicons read “violence, wrong”; “treat violently”; or “theft, exploitation, social oppression;” namely, this word is understood as referring to the social sphere. On this basis, in the usual exegesis of the verses in which it appears in Ezekiel, ?amas is understood to refer to social violence. I suggest, however, that a closer examination of each of the seven occurrences of this term in Ezekiel indicates that it refers to the sins of the people that led to the destruction of the Temple—including idolatry and bloodshed—and that Ezekiel utilized and adjusted this pentateuchal concept to his prophetic needs.     

Much Ado About Dugald: The Chequered Career of Dugald Stewart's Letter to Sir William Forbes on James Beattie's Essay on Truth

Summary

Although Sir William Forbes of Pitsligo's An Account of the Life and Writings of James Beattie has long served as an invaluable resource for those interested in Beattie's life and thought, there has been little scholarship on the genesis of Forbes's book. This article considers the role played by Dugald Stewart—as well as that of his friend, Archibald Alison—in the making of Forbes's Life of Beattie. It also examines the reasons for Forbes's decision not to print Stewart's letter in its entirety in the Life of Beattie and explores the letter's significance for understanding Stewart's philosophical development.     

Illustrations of the History of Knitting Selected from the Collection of the Victoria and Albert Museum

Abstract

Based on new archival findings, this essay maps the life and business strategies of Brussels tapissiers Albert Auwercx and Judocus de Vos. It shows that categorising Auwerxc as a minor tapissier — a label he was assigned in the past — ignores the underlying structure and dynamics of the industry. Brussels tapissiers created an intricate web of social networks that generated trust, which paved the way for semi-structured and flexible cooperation between small firms. Judocus de Vos also belonged to the Brussels social and production networks but made his name as a commercial link and broker between Brussels, the Antwerp-Oudenarde production and trading complex, and the European élite — particularly after 1719 when he handed over the reins and assets of the De Vos workshop to his brother Jan-Frans.     

Mobile Media as New Forms of Spatialization

Abstract

The physical space has historically served as an important support for human expression. However, the production of location-based information has been consciously used as means of social control by the hegemonic power, which decides what can be publicly displayed, and what should be hidden. With the development of mobile media, space has gained new dimensions, resulting in a sort of hybrid space where digital information overlays the physical space revealing what was previous unknown about a place. As mobile devices become increasingly present in our society, they should be understood as a social interface to our experience of space, serving not only as means to consume information, but also tools for communication. This paper discuss the current mobile media practices, such as mapping, urban electronic annotations, location-based mobile games, and smart mobs, which creates opportunities for new forms of human expression, reappropriations of space, and contestation of hegemonic power.     

Bradley Holt,Thirsty for God: A Brief History of Christian Spirituality

Abstract

In this essay, I consider the relationship between more radically open conceptions of democracy and the recent "return of religion" as the return of distinct, particular religions. The radical democracy of figures such as Derrida, Badiou, and Hardt and Negri is found to be not radical enough to be open to the particular religious other. Derrida's "religion without religion" does violence to the particularity of concrete religious traditions, Badiou appropriates Paul's universalism while abandoning the particularity and difference in his conception of collective identity, and Hardt and Negri advocate a "politics of love" while severing that love from its ground— namely, God. I then show a way of rethinking both society and Christianity so that Christianity finds a place in society and society makes room for Christianity. A radical Christianity devoid of self-privilege and triumphalism provides a model for an intersubjectivity of love in which the other really comes first. Paul's radical conception of membership in the body of Christ accomplishes precisely what radical democracy fails to do: it allows for heterophony as well as polyphony, and incoherence as well as commonality. It is only when church and society allow the possibility of incoherence and heterophony that they are truly open to the other, and it is only when they are truly open to the other that they satisfy the demands of a truly radical democracy and radical Christianity.     

Globalisation Lived Locally: A Labour Geography Perspective on Control,Conflict and Response among Workers in Kerala

Abstract: Supported by the labour geography framework, I analyse how spatial practices of labour shape the economic geography of capitalism, by looking into a model not at a global but at a very local scale of organisation and showing its effectiveness while confronting social actors organised at global or extra‐local scales. Questioning global stereotypes on economic responses to globalisation, I argue that labour becomes actively involved in the very process of globalisation and the expansion of capital, empirically demonstrating the relevance of this in the globalisation literature. I deal with one region—Kerala—and processes in its labour markets, taking the case of apparel workers in an export‐promoting industrial park.     

Sami subsistence activities—spatial aspects and Structuration

In the social sciences, spatial aspects of reality have been rediscovered. I will use certain concepts to describe and clarify the spatial organization of Sami subsistence activities. In this paper, ptarmigan trapping is taken as an example of “situated activities” which, according to Anthony Giddens, characterizes social systems. The siida as old hunting territory is also discussed. I will show that the Sami notions of place are not fixed in temporal and spatial terms. Moreover, I want to emphasize the dynamics of Sami subsistence activities. My claim is that they act as re/producers of Sami traditional ways. These traditions are undermined by the overall mission of the state and its agents of power. Still, the perdurability of the Sami subsistence hunters and their activities help to maintain and develop the old Sami ways in terms of spatiality and social organization.     

Universal,acid: Houellebecq’s clones and the evolution of humanity

ABSTRACT

This article examines Houellebecq’s two genomics novels, Les Particules élémentaires and La Possibilité d’une île and elaborates their relationship with Neo-Darwinian evolutionary naturalism and neoliberal capitalism. In these works, the mutual interdependence of these two regimes of thought both necessitates and makes possible the technology of human cloning, which promises humanity an escape from the misery of its own biological, political predicament. Houellebecq’s work, I show, problematises this dialectic, and in doing so offers an incisive critique of utopian posthumanism, providing instead only an aporetic—but rigorously materialist—form of hope.     

The Tywerrenge as an Artefact of Rule: The (Post) Colonial Life of a Secret/Sacred Aboriginal Object

In this article, I examine an Aboriginal ritual object, the secret/sacred tywerrenge which in many respects lies at the heart of Central Australian Aboriginal religious belief. Given its ritual power, the tywerrenge has always held a special place in the administrative rationalities of both colonial and post-colonial authorities. For certain missionaries, the tywerrenge was seen as an object to be eliminated as it constituted an impediment to Aboriginal “salvation”. For early anthropologists such as Baldwin Spencer, they offered material evidence supporting social evolutionist theories regarding the “staged” transformation of “primitive” religious beliefs into science. More recently, tywerrenge have been subject to an intensive regime of inspection and evaluation by government authorities, museums, and land councils. Indeed, they have come to play a significant role in the enforcement of Australian law under the Aboriginal Land Rights Act since the possession of a tywerrenge can decide the ownership of traditional lands. In short, these religious objects—and the beliefs associated with them—have been co-opted and employed by a variety of authorities in order to achieve a range of governmental ends. In this sense, tywerrenge have been transformed into instruments of colonial and post-colonial rule.     

Public Challenges and the Private Ways of State Archaeology: the Case of Greece

Abstract

Since its emergence Greek archaeology has been run exclusively by the state for political and economic reasons. The relevant legislation has always granted the Archaeological Service enough power to establish it as one of the most authoritative services in the public sector. I argue that the conditions under which archaeology is practised in Greece are increasingly changing. Agents operating at an international, national and local level are challenging the exclusive rights of the state in archaeological heritage management and demanding their views on protection are acknowledged. An overview of recently undertaken initiatives and research projects, as reported in the press and on websites, demonstrates an increasing demand for a more inclusive and public approach to the management of archaeological heritage. I also argue that Greek archaeologists are aware of the potential value of a public engagement with the discipline, but for different reasons — such as conservatism, bureaucracy and lack of means — do not act on it to the extent that they should. Finally, the paper confronts Greek state archaeology as an exclusive system of archaeological heritage management, and puts forward the importance of the local rather than the global public (i.e. tourism — where the emphasis of archaeological management in Greece currently lies).     

The Tenco effect. Suicide,San Remo,and the social construction of the canzone d'autore

Abstract

Canzone d'autore is an indigenous expression that has no precise equivalent in other languages. Its social use identifies a genre of popular song that presuppose the existence of an ‘autore’ taken in its most vigorous sense, meaning a ‘creator’, an ‘artist’– but how did this claim to artistry originate? How did it insinuate itself into the world of song, a genre that by definition belongs to the realm of what is traditionally called in Italian ‘musica leggera,’ with unmistakably pejorative connotations? In this essay, I will put forward a sociological interpretation of the genesis of the canzone d'autore, using as a strategic conceptual device the idea of cultural trauma. The traumatic event that I propose to explore, making use of this concept and its analytical machinery, is the suicide of the singer-songwriter Luigi Tenco during the seventeenth San Remo ‘Festival della Canzone’ (‘song festival’) – that is the best-known, most controversial, and most influential single event in the field of Italian ‘musica leggera’, an annual event regularly attended every year – via radio, television, or audience participation – by millions of Italians. Through a reconstruction of that suicide and above all of the public and dramatic events that followed in response to it, the paper examines the social process that transformed an individual tragedy into a collective, social drama, a process that not only produced a new musical classification, but also a new cultural and aesthetic category.     

Ghwair I: A Small,Complex Neolithic Community in Southern Jordan

Abstract

The past several years have witnessed exciting developments in defining the transition to food production in the Near East. In particula1; the documentation of large mega-sites has caused considerable revision in our comprehension of the trajectory of early Neolithic village life. At the same time, recent excavations at smaller villages have also provided considerable new data. One such site is Ghwair I, a small but exceptionally preserved Pre-Pottery Neolithic B (PPNB) village located in the Wadi Feinan of southern Jordan.

This paper summarizes the results of interdisciplinary archaeological investigations at Ghwair I, One of the project's primary research objectives was to examine if a “rural” and “turban” (or “core/periphery”) distinction could be made between Ghwair I and mega-sites. Our findings suggest that Ghwair I was not a peripheral village linked to larger sites. Rathe1; it was an unexpectedly complex settlement that may have served as a local regional center. we also sought to precisely define the site's chronology, artifactual variability, village development, and social structure. Our results show that Ghwair I isfirmly dated to the Middle PPNB; that artifactual diversity and variability is considerable, especially amongst chipped and ground stone; that the village became increasingly complex throughout its occupation; and that social o1lJanization was sophisticated as reflected by artifacts, burials and both residential and non-residential architectural features. Finally, initiated an ecologicalstudy to determine if small settlements such as Ghwair I caused the same negative efficts as have been proposed for some larger sites. The evidence here is ambiguous, but does not suggest the same degree of human effict as at larger settlements. This paper concludes with a discussion of Ghwair I's place within the wider Neolithic world.     

The Military and Edinburgh Society, 1660–1760

Abstract

The most terrible words in all writing used to be ‘There they crucified Him’, but there is a sadder sentence now—‘I know not where they have laid Him’…Surely ‘missing’ is the cruelest word in the language. (Anonymous, To My Unknown Warrior, 1920.)     

From Organismic Biology as History and Philosophy to the History and Philosophy of Biology—the Work of Hans-Jörg Rheinberger in the German Context**

In this paper, I ask about the broader context of the history and philosophy of biology in the German-speaking world as the place in which Hans-Jörg Rheinberger began his work. Three German philosophical traditions—neo-Kantianism, phenomenology, and Lebensphilosophie—were interested in the developments and conceptual challenges of the life sciences in the late nineteenth and early twentieth centuries. Their reflections were taken up by life scientists under the terms theoretische Biologie (theoretical biology) and allgemeine Biologie (general biology), i. e., for theoretical and methodological reflections. They used historical and philosophical perspectives to develop vitalistic, organicist, or holistic approaches to life. In my paper, I argue that the resulting discourse did not come to an end in 1945. Increasingly detached from biological research, it formed an important context for the formation of the field of history and philosophy of biology. In Rheinberger's work, we can see the “Spalten” and “Fugen”—the continuities and discontinuities—that this tradition left there.