2. NOSTALGIA AND THE TURBULENCE OF TIMES

The concept of nostalgia has an invaluable advantage: In contrast to other cultural concepts, it has an exact date of birth. It was in 1688 when the medic Johannes Hofer published a thesis in which he described an illness he termed with the neologism “nostalgia.” But instead of following the academic and larger cultural discourses that evolved from this starting point until the present, the question that deserves some attention is which temporal setting goes along with the concept of nostalgia. Most of the experts on nostalgia as a sickness during the last three and a half centuries did not diagnose themselves but others, quite often patients from rural areas who had to leave home to work abroad, where they became nostalgic. With this diagnosis these experts also established a certain time‐model, because they separated a “modern” time‐model of irreversibility from a “nostalgic” time‐model of reversibility. If we take a closer look at the nostalgia diagnosis and its consequences, we might also gain some ideas for our thinking about the theory of history.     

全球化背景下的城市怀旧现象及地理学研究视角

现代化、全球化和城市化催生了当代的怀旧现象,城市怀旧已成为一种极其普遍的社会文化景观,并成为国内外学界关注的重要话题。通过对国内外文献的分析,总结了国内外城市怀旧现象的研究状况,以及文化地理学视角的研究进展。研究表明,城市怀旧研究已经渗透至诸多学科领域,国外文化地理学者从多个角度开展了城市怀旧的研究,但该研究在国内还十分鲜见。文章指出可以结合文化地理学及相关理论,从人地关系角度,分析城市怀旧文化的形成发展及其与城市文化生态环境的互动作用,探讨城市怀旧空间的生成、类型、特征、时空演变及其动力机制,解读城市怀旧文化景观对于城市怀旧空间的诠释以及地方认同的影响,以揭示在城市怀旧空间形成和演变过程中,城市记忆、地理想象、地方认同和建构的互动作用机理。认为城市怀旧的地理学研究将拓展我国城市文化地理学的研究视野,并对城市更新、历史街区的保护和复兴提供重要的理论支撑和决策依据。     

The sound of yesteryear on display: a rethinking of nostalgia as a strategy for exhibiting pop/rock heritage

The increasing presentation of popular music culture as heritage is manifested in the recent proliferation of museums of pop/rock culture. This calls for an examination of the current practices of disseminating pop/rock heritage through exhibitions. Two trends have been identified and criticised by previous commentators: first, the prominence of nostalgia in exhibition narratives and second, that exhibitions of popular music tend to display ancillary objects rather than music itself. This article offers a rethinking of nostalgia as a strategy for disseminating pop/rock heritage and explores the potential of music as a trigger for nostalgic experiences in exhibitions. While agreeing with much of the critique levelled at the nostalgic approach to pop/rock culture, we suggest that with a more nuanced conception of reflective nostalgia, the affective appeal of the nostalgic approach can be harnessed without giving in to glamourised oversimplifications of the past. Further, we suggest that mediated memories can form the basis of nostalgic feelings and thus enable the nostalgic approach to span the generational gap and engage visitors who do not have a lived experience of pop/rock heritage. We will illustrate this by contrasting our approach to that taken at ABBA The Museum.     

Assembling nostalgia: devices for affective captation on the re:heritage market

This article builds on the current rethinking of nostalgia in heritage studies and an increasing amount of research that explores the formatting of customer – producer relationships in terms of ’market attachments’ to analyse how nostalgia is performative on the market for retro, vintage and second hand, what we call the re:heritage market. Based on a multi-sited study including offline and online ethnographic observations, photography and qualitative interviews with shop owners and staff at a selection of central streets in Gothenburg, Sweden, the article explores the way shop owners work with nostalgia in order to attract, or ‘captate’, the public, through engaging affective market devices. Our particular contribution is to show how the re:heritage market contribute to our understanding of an alternative of cultural heritage, through configuring exchange and value, and details how ‘affective captation’ adds conceptual strength for understanding the emotive and sensate pull of certain market-based heritage practices. Staging nostalgic encounters involves practices of selecting, collecting, displaying and preserving for the future: practices that are vital for all heritage-making. A variety of actors are involved in this unconventional of heritage at safe a distance from traditional heritage practices.     

NOSTALGIA AND (PRE-)MODERNITY

This article argues that, in the fourteenth century, there was a wave of nostalgia that was provoked by extreme structural change: this was a moment of demographic catastrophe (with famine and plague), endemic warfare, economic fluctuation, intensified urbanization, and intellectual and spiritual novelties. Yet scholars from a range of disciplines have assumed that nostalgia and modernity are intimately connected. Given these framings of nostalgia as a modern phenomenon, this article seeks to explore the implications of premodern nostalgia. It begins by setting out the arguments for the intertwining of nostalgia and modernity. Some have argued that modernity brings a sense of rupture and that this produces nostalgia. Others, relatedly, have argued that modernity seems to speed up our experience of time and that this produces a nostalgia for a slower-paced and more predictable past. I juxtapose these arguments with evidence of fourteenth-century outpourings of nostalgia across a range of contexts in England, Italy, and France. I analyze examples of nostalgia in political contexts (both radical and reactionary), nostalgia for apparently lost economic orders, nostalgia for a lost set of chivalric values, and nostalgia for disrupted social orders. I then suggest that these fourteenth-century manifestations of nostalgia were actually produced by precisely the features of the period that are usually deemed to be exclusive to modernity: it was rapid, rupturing structural change that provoked nostalgic regret. Nostalgia, then, would seem to indicate that there are features of the fourteenth century that might be deemed modern. However, rather than simply trying to therefore push back the moment of the birth of modernity, I argue that nostalgia is indicative of the problems of periodization. The presence of nostalgia across epochs—these echoes across the webs of time—suggest that lines of periodization, birthing moments, need to be treated with extreme caution. And it is appropriate that such a reminder should come from a phenomenon such as nostalgia, which is, after all, about resonances and echoes across time—resonances that are amplified, distorted, whispered even, but that all challenge and complicate any straightforward sense of either linear or cyclical time.     

城市怀旧空间演变与多元主体的建构——以佛山市通济桥为例

通济桥是一座佛山明代古桥,有正月十六"行通济"的走桥民俗,构成了佛山城市的怀旧空间。通过文本分析、深度访谈等研究方法,从多元主体的视角,分析城市怀旧空间的建构。研究表明,怀旧存在过去、现实与未来的相互交织。从建桥、毁桥到重建,经历了原初怀旧空间、反思性怀旧空间到重建性怀旧空间的演变,在怀旧空间的演变过程中,并非简单的二元关系,官方与非官方、重建与反思、内生与外生等怀旧形式并存,官方主导的重构行为与民间有关过去价值之间存在复杂且相互依存的关系,从而带来地方性的重构。研究结论丰富了怀旧空间的地理学研究成果,并对思考当下城市历史文化保育与怀旧空间的实践都具有重要的现实意义。     

怀旧情感对历史文化街区游客环境责任行为的影响研究——感知价值和地方依恋的中介作用

伴随着历史文化街区旅游可持续发展的现实需要,本研究从怀旧情感出发,以感知价值和地方依恋为中介变量,构建历史文化街区游客的环境责任行为影响机制,以广州市荔湾区历史文化街区为例,运用结构方程模型的方法对346份有效问卷进行分析,结果表明：①游客怀旧情感并未对其环境责任行为产生显著的直接影响;②游客怀旧情感对其环境责任行为的影响机制主要是通过“怀旧情感→地方依恋→环境责任行为”和“怀旧情感→感知价值→地方依恋→环境责任行为”两条间接路径实现;③感知价值在怀旧情感与环境责任行为之间不存在单独中介效应。研究对历史文化型旅游地游客环境责任行为的形成机制进行有益探讨,并为改善历史文化街区的卫生环境提供了有意义的管理建议。     

Les Hommes nouveaux (Marcel L’Herbier, 1936): Nostalgia,masculinity and the French colonial film of the 1930s

This article examines the meaning of nostalgia and some of the reasons why the France of the 1930s was prone to nostalgic longings. It then considers why the colonial film lends itself to the expression of these nostalgic feelings whilst also pointing to some of the paradoxes attached to such an endeavour. Finally, the article offers a study of Les Hommes nouveaux which focuses exclusively on the ‘biopic’ element of the film and on the kind of past that is reconstructed through the figure of Marshal Lyautey, as well as on the exclusions necessary for the preservation of ideological harmony.     

Engendering New Labour's Workfarist Regime: Exploring the intersection of welfare state restructuring and labour market policies in the UK

This article deconstructs New Labour's emerging workfarist regime to reveal the complex and contradictory gender relations embodied in and through its work–welfare policy. Starting from the decline of manufacturing employment within the UK, it traces the deregulation of the labour market and the range of structural and social changes initiated by this process. Noting, in particular, how the ‘feminisation of the economy’ is connected to the changing characteristics of employment and women's socio-economic positions, the article identifies the manner in which the growing labour market participation of women is serving to (further) entrench gender inequality. Against this background, it proceeds to raise issues regarding the increased expectation to enter the labour market observed within programmes such as the New Deal for the Unemployed, which stipulates that the receipt of state benefits ought now to require a labour input. The crux of analysis is on the policy and political discourses that award priority to paid work in the formal labour market, whilst simultaneously neglecting the gendered divisions of labour around unwaged care work and domestic tasks. In suggesting that gender remains a key form of political-economic organisation in the contemporary period of after-Fordism, this article argues that (further) attention must be given to the ways in which its socially constructed properties are manifest within work–welfare policy and the ramifications of this embedding for social and economic equality.     

A Vietnamese Flag and a Bowl of Australian Flowers: Recomposing racism and sexism

This paper looks at the relationship between the discourses of racism and sexism and the configuration of school space in an Australian high school. I argue that school space is proliferative of racialised and sexualised divisions. Divisions can be identified between groups of 'Asian' girls, between 'Asian' girls and 'Asian' boys, and between 'Asian' students and 'non-Asian' students. While these divisions are legislated by discourses of racism and sexism, this paper focuses attention on 'Asian' girls response to this situation. I argue that against the experience of social marginality 'Asian' girls tactically reproduce differences. By highlighting the changing dynamics of spatial-social divisions in school, I show how 'Asian' girls contest and rework racialising/sexualising discourses to recompose 'Asian'/femininity.     

The Time and Place of Nostalgia: Re-situating a French Disease

The history of nostalgia as a clinical category has many highly specific national stories. This paper traces an aspect of this history, examining aspects of nostalgia's changing meanings in nineteenth-century France. Nostalgia was a disease triggered by displacement, which became medically and politically important after the French Revolution, when military surgeons encountered epidemics of nostalgia in the armed forces. Understood as a form of pathological homesickness, the category straddled environmental medicine and emerging ideas about insanity. The diagnosis became particularly important to Idéologue writers as a case study in regulating and redirecting the emotions, demonstrating the efficacy of their new "moral" treatments and an ability to generate patriotic attachment to the new nation state. Over the course of the century, nostalgia disintegrated as a medical condition reflecting a decline in environmental explanations for disease within medicine, and increasingly plastic meanings attached to nostalgic desire.     

Local history as productive nostalgia? Change,continuity and sense of place in rural England

Local history groups are often negatively associated with a tendency to indulge in nostalgic practices that yearn for a romanticized past and propagate resistance to change. Their role in local politics and power networks (particularly in relation to planning and development processes) has also been critiqued as exacerbating issues of social inequality and exclusion. While not contesting the realities of such arguments, this paper adds nuance to such debates using the notion of ‘productive’ or ‘mobile’ nostalgia to explore possibilities for more positive renderings of local history and heritage activities. Empirical evidence from qualitative research in a rural village in Norfolk, England, is drawn on to demonstrate the role of these practices in providing a sense of continuity amid a continuously changing locale through the reassertion of place identities and attachments. Although by no means apolitical, this process need not necessarily be one of preservationism and resistance to change, but can be a mechanism through which residents are able to accept, or even welcome, changes to the social and physical constitution of their village. The paper also critically considers the value of productive nostalgia as a concept through which to explore local history practices and wider heritage movements.     

Whitewashed empire: Historical narrative and place marketing in Vienna

ABSTRACT

The historical narrative of Habsburg grandeur has played a decisive role in branding the Austrian capital of Vienna. While scholars have situated place-marketing strategies within de-historicized frameworks of the neoliberal city, the nostalgic framing of imperial spatial assemblages should be critically interpreted from a historical vantage point. In tourist spaces such as the Kaiserforum, urbanists, museum curators, right-wing groups, and real-estate investors employ the discourse of Habsburg patrimony to leverage past spatial inequalities for contemporary purposes. Such nostalgic narratives obfuscate the historical material conditions of their making. I argue that this very obfuscation constitutes a continuing legacy of empire. I call this process ‘whitewashed empire,’ the redeployment of imperial structures through the preservation, renovation and assemblage of material heritage. As a memorial assemblage of narrative selection and a political economic relation of exploitation, imperial nostalgia extends the work of Habsburg spatial production into the present.     

Nationalism and nostalgia: the case of radical Basque nationalism*

Abstract. This article argues that the myth of the Golden Age is a key mobilising element within radical Basque nationalism. By using an ethno‐symbolist approach, this article argues that nostalgia, a catchword for looking back, usually relates to an idealised past. It then proceeds to explain how ETA in particular has domesticated the past to justify its political violence which is currently exalted as a means of honouring the fighting spirit of their ancestors. From this perspective, violence is presented as a redemptive act that can stop the decay of the Basque nation and bring a new political future in which the inspiring ancient virtues will be rediscovered. This nostalgic gaze upon the past continually ‘reminds’ radical Basque nationalists of an imaginary, yet familiar, past which can only be regained by using revolutionary violence.     

国内外乡愁相关研究进展及启示

对国内外已有的乡愁相关研究进行了梳理,并结合自身学科背景,从旅游地乡愁建设角度,提出几点未来研究方向。研究发现,对乡愁内涵的认识,经历了从单纯可治愈的生理病症、到复杂的心理学现象、再到对现代话反思三个阶段。国外从心理学、神经科学、经济学、社会学、消费者行为学、文学、民俗学、地理学等角度,已形成对乡愁情感本身、乡愁的触发要素、影响乡愁体验的因素、乡愁在实践中的应用的系统研究。我国乡愁研究起步较晚,早期主要集中在文学和社会学领域,2013年后,乡愁逐渐得到地理学、建筑学、民俗学等多学科的关注,目前在乡愁的概念界定、乡愁的理论化、乡愁的触发要素识别、乡愁价值开发等方面形成了初步成果。     

Miyazaki Hayao and the Aesthetics of Imagination: Nostalgia and Memory in Spirited Away

Miyazaki Hayao has achieved international renown for a succession of feature-long animations that have been noted for their visual flair and highly imaginative world-constructs. Many of the narratives in these films have been situated in fantasy worlds with often only a tenuous representation of the world as experienced in some conventional contemporary (or historical) sense. Yet beyond the surface of these figures and fantastical plot devices there is a clearly discernible stream of engagement with the past. Focusing primarily on Sen to Chihiro no Kamikakushi (Spirited Away) of 2001, this paper critically engages with the leading commentaries on nostalgia and memory in Miyazaki’s work, contrasting the “culturalist” approach of Susan Napier with the “machinic” approach of Thomas Lamarre. In turn, the aesthetic theory of R.G. Collingwood, in particular his concept of “magic”, is employed to demonstrate how certain aesthetic devices within the film facilitate an imaginative engagement with the past, one that is subtle but nonetheless highly evocative of distinctive nostalgic emotions.     

El padre transgresor: Crisis familiar y crisis social en el teatro popular bonaerense, 1896–1934

This article analyzes how five exemplary works of Argentine popular theater (1896–1934) construct unconventional readings of a perceived social crisis during Argentina's insertion into the global capitalist market. While dominant discourses focused on women's “errant” sexuality as the source of social demise, these works place the father figure —metaphor for social leadership— at the center of the debate to explore the chain of factors that hinder these fathers from fulfilling their “proper” gender roles, which ultimately causes the so-called social crisis. This focus on the paternal figure allows these plays to posit that social crisis stemmed from a destructive capitalistic logic based on the circulation of money, fraud, competition, and theft rather than from “errant” women. The recovery of these unconventional perspectives contributes to a more complex understanding of discourses on gender in the period, as well as of the relationship between discourses on everyday life and modernization.     

Sharing What Can Be Sold: Women Haus Maket Vendors in Port Moresby's Settlements

Dominant narratives of the economy, as well as policy discourses in Papua New Guinea (PNG), tend to separate the ‘formal’ from the ‘informal’ economy. Concurrently, there is a development policy emphasis on women's economic empowerment. In urban areas this has meant a policy focus on larger market places as sites where women need support for economic engagement. Within these policy discourses, one activity in urban areas usually relegated to the ‘informal’ economy is small home‐based market stalls, referred to in this paper as haus maket. Located at homes or on nearby roads, haus maket are prolific and available to the public, and as such provide a similar function to public market places as spaces to make money. This paper considers these public yet intimate spaces as sites where vendors, usually women, embody and lead contestations between money and moral value spheres. At a time when the policy emphasis is on the formal economy and larger market places in PNG, why do such small market places persist? The first aim of this paper is to establish the role of haus maket as a site where spheres of value intersect. Rather than being ‘informal’ and peripheral, I seek to foreground its centrality to the economy but also as a site where economic and social moral values conflate. The second aim of the paper is to examine the role of sharing as a form of transaction in its own right distinct from exchange as a transaction between two actors. Haus maket stalls are sites of sharing and of moral action and value where forms of value in the settlement are shaped and negotiated.     

1. THE MEANINGS OF NOSTALGIA: GENEALOGY AND CRITIQUE

Nostalgia has become a new master narrative both in public discourse and academic research, serving as an explanation for trends in fields as different as popular culture, fashion, technology, and politics. This essay criticizes the wide‐ranging use of the term. It argues that nostalgia often does not adequately describe the diverse uses of the past to which it is applied. It does this by historicizing the nostalgia discourse with particular emphasis on the 1970s, when dictionaries first noted a semantic shift from homesickness to a sentimental yearning for the past, and intellectuals discussed a widespread, pathological “nostalgia wave.” After the introduction, the second section looks at the changing meanings of nostalgia, the third examines how the “nostalgia wave” was seen to manifest itself and who was thought to be afflicted by it, and the fourth discusses contemporary explanations. Building on this, the final section critically examines the nostalgia discourse before evaluating its continuing influence.