家之物品、情感与意义——以火灾后的贵州温泉苗寨为例

本文选取火灾后的贵州温泉苗寨为案例地,通过实地访谈调研,应用质性研究方法,来探讨家之物品、情感与意义。研究发现：家中的重要物品、所连接的情感与意义在灾难后得到凸显。家中物品是人们生存所需和人生意义的体现,越重要的物品则其所承载的情感与价值意义越具有独特多重性。情感和意义不仅是时间的积淀,还存在事件发生后的流变,人类通过获得物质能量和心理能量处于饱含无意识的\"居家感\"状态。以期通过本文的探讨,丰富家的研究内容并进一步挖掘家的深层意义,且对各种灾后救助研究、优化安抚与重建措施有一定的参考价值,更希望能在民族文化理解与精准救灾方面发挥一定的具体效应。     

‘I'm protective of this yard’: long-term homeless persons' construction of home place and workplace in a historical public space

Though research has examined the ways homeless persons work to be in public space, less research covers tying these ways to personal and social needs associated with home place and workplace. Additionally, scholars have given less attention to how central public spaces may not only be integral to long-term homeless persons' daily paths but also how they may be employed differently from marginal public spaces. In this article, I explain how long-term homeless persons attempted to make a historical-tourist public space, the Jackson Square area in New Orleans' French Quarter, personally and socially meaningful as home place and workplace. Drawing from participant observation and observation, I examine long-term homeless persons' attachment to Jackson Square. I argue that the Square's historical and tourist attraction status actually supported long-term homeless persons' desire and ability to occupy it in significant ways. This status along with long-term homeless persons' negotiating practices and inconsistent practices of authority and policing by those with (more) power made it possible for the Jackson Square area to become long-term homeless persons' home place and workplace.     

青年类家消费空间的生产——家的批判地理学视角与YOU+青年社区案例

家的缺失以及消费时代青年文化发展促使以“家”为营销主题的青年类家消费空间应运而生。本文基于家的批判地理学,以YOU+国际青年社区为例,从家的日常生活实践以及家的归属感与身份认同两方面探讨了青年类家消费空间进行“家”的再造过程。研究表明,青年类家消费空间通过物质空间与想象、青春化的日常生活实践以及社会网络的拓展与重构,将住房建构为充满社会与情感意义的地方,以“类家庭”的形式弥补了都市青年家庭生活和眷属关系的缺失,促进其身份认同和归属感的形成与表达。结合本土社会文化语境,本文从青年视角对家的批判地理学进行补充,亦弥补了地理学对家与青年文化空间研究的不足。     

城市边缘区域“家”到“商业的家”的空间演变——以西双版纳景洪市为例

在全球化和流动性视野下,“家”是近年来西方地理学研究的重要的新兴话题。本文以西双版纳景洪市的曼景法村和曼弄枫村为案例,展示了位于城市边缘区域的“家”到“商业的家”的空间演变过程与结果。研究发现：城市边缘区域“商业的家”从初始阶段就有相对严格的边界,且边界愈来愈严格。主要原因有：传统宗教信仰与现代游客失序行为的冲突、不同的旅游参与方式及现代化的影响。空间边界严格这一特点所带来的结果是城市边缘区域中民族“商业的家”逐渐失去吸引力和市场。     

第二居所居民对“家”的感知与认同研究

流动性语境下的\"家\"不再被视为稳定不变的概念,而是被不断建构的社会空间。第二居所赋予了传统社会中的\"家\"更丰富的动态内涵与独特的象征意义。文章以避暑旅游地重庆仙女山镇为例,研究第二居所避暑居民对\"家\"的空间想象与感知,及产生的特定认同。研究认为,第二居所避暑居民实现了对舒适空间的功能认同、对精英空间的社会认同及对家庭空间的情感认同,三者凸显出家的休闲属性、社会属性与日常属性的有机统一。第二居所表明了一种逃离现代性及满足休闲需求的旅游形式,也是一种规律性、重复性和循环性的生活方式,同时彰显出对身份、情感及真实性的渴望。第二居所的居住过程是家的解构与重构的过程,与第一居所及流动空间一起,构成了完整的\"家\"。     

Experiencing ‘moments of home’ through diaspora tourism and travel

Whilst the relationship between diasporic communities and tourism has been explored in the tourism literature, it has generally been underpinned by a limited consideration of the notion of home. Based on ethnographic research with an Iranian diasporic community in the South Island of New Zealand, this paper explores the different ways in which this diaspora community engages with travel and tourism to (re)produce and taste ‘home’. It is argued that the notion of home should be viewed as incomplete, contingent and fleeting, rather than fixed and permanent, specifically within the tourism context. The concept of ‘moments of home’ is presented to illustrate how diasporic communities use travel and tourism to find, maintain or make home when away from their original homeland. Thus, ‘moments of home’ is proposed in order to allow a more complex and dynamic understanding of the relationship between diaspora tourism and home.     

‘Looking alright,feeling alright’: emotions,sizing and the geographies of women's experiences of clothing consumption

Recent work within geographies of consumption has focused on the practices of consumption as a means to find out ‘what people do when they go shopping’. This paper argues that few of these accounts of consumption have considered the significance of emotions in understanding the intricacies of consumer experience. Drawing on material from research about women's experiences of clothes shopping this paper, therefore, utilizes recent work in the social sciences which understands emotions not as inherent or as induced by practices or commodities and instead emphasizes the intersubjective nature of emotions whereby emotions ‘are self‐reflective, involving active perception, identification and management on the part of individuals’ (Lupton : 16). In short, this view posits that the consumer has the capacity to ‘manage’ or to experience and re‐experience emotions in particular consumption moments. Such an understanding offers a conceptualization which does not conceive of women's engagements with consumer culture within a victim/resistance dichotomy, instead uncovering geographies of consumption in which women may feel uncomfortable or depressed in a particular moment but then engage in practices through which they experience that moment differently. These emotional experiences are explored through considering the significance of the spatialities of the changing room, shop floor and the corporeal space of the ‘sized’ body, and the consumption practices of cheating, coping and connecting.     

Changes in children's nature-based experiences near home: from spontaneous play to adult-controlled,planned and organised activities

A qualitative case study from Brumunddalen, Norway, indicates that children's use of nature areas near their homes have changed substantially from being spontaneous and self-initiated to being part of planned, organised and adult-controlled activities. This study explores the association between changes in outdoor play and wider patterns of change in childhood today, as increasing amounts of play time is spent in institutions and organised activities, or occupied by computer and internet usage. The paper discusses these effects in terms of social relations as well as children's identity formation. The subject was investigated through adults' memories of their own childhood and their observations of children's practices.     

Towards a history of emotion, 1562–1660

Abstract

This article examines uses of the word emotion during the seventeenth century, arguing that the term's meaning at this time was in flux. OED gives three principle definitions of emotion, the first as meaning ‘political turmoil or agitation’, the second as meaning literally ‘movement or motion’, and the third as meaning ‘strong feelings or passing’. I argue that a great many uses of emotion during the seventeenth century apply the word in the second sense to the physiological movements of humours. This being so, I suggest that in emotion's seventeenth-century uses it is possible to read a transition in the word's meaning. Through its frequent use with references to humours in motion, the word begins to take on the characteristics which would allow it to develop into meaning ‘feelings or passions’.     

Making connections and thinking through emotions: between geography and psychotherapy

The current upsurge of interest in emotions within geography has the potential to contribute to critical perspectives that question conventional limits to scholarship. Three precursors of emotional geographies are discussed in this context (humanistic, feminist and non-representational geographies). Connections between emotional geographies and psychotherapy are explored with a view to resisting the equation of emotion with individualized subjective experience, and developing situated, relational perspectives. Psychotherapy is approached as a theory of practice that accords central importance to affective qualities of relationships, which is shown to be directly relevant to geographical engagements with emotion. The distinction between feelings and representations of feelings is revisited through a discussion of psychotherapeutic meaning-making.     

蔡元培的博物馆美育思想研究

著名的教育家、思想家蔡元培先生非常重视美育对培养健全人格以及促使人的全面发展的重要作用。他认为,在实施美育教育中,博物馆丰富的艺术藏品为美育教育提供了重要的物质基础;藏品的直观性成为美感的最佳培养形式;具有强烈融入感的博物馆陈列语言以及博物馆教育的公众性特征与美育教育的特点相得益彰。由此进一步认为博物馆是美育教育的重要媒介和载体之一。关注博物馆建设,既是关注社会美育教育的具体表现,同时也符合美育发展之公例。     

Shame and the Embodiment of Boundaries

ABSTRACT Attention to the debilitating feelings of unease, discomfort and anxiety which are the concomitants of everyday encounters and negotiations of Kooris at the mainstream interface brings an appreciation for the lived experience of the colonised minority and throws into relief complex struggles over meaning, manners, personal values, social allegiance and cultural survival. This paper focuses on the habituation and strategic deployment of shame at the racial divide. Koori subjectivities, bodily dispositions and emotional registers are found to be informed both by traditional orientations and by the hegemonic ends of the dominant order.