Reformulating Identities: British Settlers in Early Nineteenth-Century South Africa

This paper examines the formation of a colonial identity among settlers from the British Isles who were relocated to the eastern frontier of the Cape Colony in 1820. It suggests that material aspirations united certain of the settlers in a political programme, and thus began the erosion of imported class (and other) divisions. However, it argues that their establishment as a capitalist colonial class is an insufficient explanation for their construction of a shared and emotive British settler identity. The settlers modified their inherited discourses of class, race, gender and nationality in order to forge solidarity, and the imperative for solidarity derived not so much from their mutual desire for accumulation, but from a corresponding collective insecurity. Not only were settlers afraid of Khoikhoi labour rebellion and Xhosa reprisals for land loss; they also feared abandonment by a seemingly unsympathetic metropole. Their aggressive capitalist endeavour, and collective fear of its destabilizing consequences, were two sides of the same coin, informing the development of a unifying social identity. The paper goes on to consider the mechanisms through which that identity was sustained, including acts of landscape representation, the textual generation of collective memory and the practice of communally binding, quotidian, gendered routines.     

The Archaeology of the Disenfranchised

The question of multivocality has been much explored and debated in recent archaeological publications. Clearly, the objective of such work is to assure the inclusion of the views of disadvantaged minorities and disenfranchised peoples in the presentation of their own pasts. This objective has not been achieved with much success, however, partly because mainstream archaeologists have had some difficulties in grappling with what appear to be a proliferation of alternative archaeological theories. Few discussions have approached alternative archaeologies as constituting a definable archaeological paradigm that might be termed The Archaeology of the Disenfranchised. Four different models within this paradigm are discussed and a strategy for a more widespread inclusion of alternative archaeological discussions and projects is suggested.     

The aeromobile tourist gaze: understanding tourism ‘from above’

ABSTRACT

While the impact of aeromobility on the growth of tourism and its destinations is well documented, the role of aeromobility in the process of experiencing and shaping place with specific regard to tourist destinations has received little attention from scholars. With the growth of commercial aviation and the increasingly mundane nature of the experience within mass tourism, I draw attention to the touristic experience of flying as the activity beyond its role in arriving at the destination. After a brief review of the genealogy of aeromobility and tourism, I reflect on examples of tourist aeromobility in Cape Town, South Africa in order to theorise the aeromobile tourist gaze. This paper analyses mobile testimonies from online travel reviews from airborne tourists performing helicopter ‘flips’ over Cape Town. Results highlight the need to focus on flying as tourism itself while they illustrate the role it plays in the aeromobile tourist gaze, a unique perspective and experience of the tourism destination as ‘tourism from above’ that emerges from the touristic dimensions of flight including the destination, the flying device and flight route. The findings underscore the role of flying-as-tourism. The aeromobile tourist gaze thus spectacularises the destination and disrupts the relationship between tourists and place.     

国外人文地理学关于记忆研究的进展与启示

记忆是当前西方人文社会科学的一个重要概念。记忆是与时间和空间密不可分的,空间是承载记忆的容器。二战以来,西方社会文化史家从时间的角度对记忆进行了大量研究。21世纪以来,关于记忆的研究也日益成为西方人文地理学者关注的领域。本文是对国外(主要是欧美)人文地理学者关于记忆研究的文献回顾,文章首先对记忆的相关概念进行阐释,然后从研究方法和研究主题的角度探讨了国外记忆地理的研究进展,探讨了国外人文地理学者关于记忆的研究内容以及对国内研究的借鉴与启示。总体来看,地理学的记忆研究还未形成固定的范式,研究的内容和方法体系都有待进一步完善。     

Obituary: 1899

Work by historians, geographers and others has examined the role of memory and of commemoration in understanding social meaning and identity. Memory has been shown to be an active constituent of the ways in which meaning is invested in space and place. This paper examines the appeal to memory in Donald MacLeod's Gloomy Memories in the Highlands of Scotland, a text written to understand social and geographical change in the nineteenth‐century Scottish Highlands and, in revised form, to counter the alternative views expressed in Harriet Beecher Stowe's Sunny Memories. In discussing MacLeod's use of memory in Highland history and with reference to examples of memory's use in texts and other representations, the paper contributes to debates on how memory ‘works’ in geography and in history.     

快速城市化背景下佛山传统祠堂文化景观变化以及地方认同的建构

祠堂曾经是佛山标志性的文化景观,但随着城市化的快速发展,祠堂文化景观也发生了改变。在对佛山市区现存祠堂景观全面普查的基础上,选择位于城乡边缘带和城中村的典型社区进行深度访谈。研究表明,佛山传统祠堂文化景观在空间和功能上都发生明显变化。尽管其呈现出现代化、多元化的倾向,但通过集体记忆和怀旧空间的地方形塑,仍然强化了以祠堂为中心的地方认同感。而且,在快速城市化、全球化过程中,地方与认同的关系既受到外生文化渗透的影响,又有内生文化认同作用的增强。祠堂文化景观的改变,一定程度上反映了当前地方社会关系的急剧变化,与之相应,地方认同也正在重新构建。     

Historical writing? – Richard Wilton’s “Booke of particular remembrances”, 1584–1634

ABSTRACT

Francis Bacon’s Advancement of Knowledge shaped contemporary and modern conceptions of historical writing and culture which historians have only begun to re-examine more recently. This case study of the “notebook” of Sir Richard Wilton demonstrates the fruitfulness of considering non-narrative texts as “historical”. Wilton self-fashioned his identity from the ideals of gentry culture and his Protestant faith. Wilton’s personal memory was influenced by the Reformation which led to forms of commemoration in texts. He also used elite knowledge networks to negotiate historical networks that were fundamentally oral and local. Finally, early modern historical writing found in personal accounts, commonplace books, and remembrance books could be fluid and dynamic, and it appropriated forms of writing that were highly accessible in the day-to-day lives of the writers that compiled them. The decision to use particular forms of writing was intrinsically associated with the utility and meaning of these forms.     

“Land of Unfinished Monuments”: The Ruins-in-Reverse of Nineteenth-Century America

Abstract

By focusing on the design and reception of successfully completed monuments, historians have overlooked the presence in nineteenth-century America of monuments that were left unfinished for decades, or even aborted altogether. This article recovers numerous such monuments, and shows how contemporaries seized on them not merely for their aesthetic value as homegrown ruins to be visited and sketched, but also for their rhetorical value as expressions of unfinished political and social struggles. In refashioning these incipient historical memorials as ironic anti-monuments to contemporary problems, diverse groups – radical workingmen and conservative Whigs, female activists and chauvinist newspapermen, patriotic Americans and critical Englishmen, proslavery southerners and abolitionist northerners – elaborated a broader discourse of unfinishedness. The fragments of these monuments could even figure the nation itself as a work-in-progress, contrary to current arguments about the construction of national identity through notions of organic wholeness. The article also questions scholars' assumption that monuments inevitably promote a culture of forgetting by projecting images of consensus and closure. In turning to the reception of monuments during their often-lengthy construction, we can perceive their more complex relationship to dominant ideologies and narratives of the nation-state.     

Representing Science that Isn’t: Harvest as Science Fiction Theatre

Abstract

Engaging with the difficulty of plausibly staging scientific developments that have not yet been realized (or even those which might never occur), Manjula Padmanabhan’s 1997 play Harvest relies upon science fictional developments in two technologies, communications and medicine. Rather than merely working around them, Padmanabhan’s play makes use of the challenges inherent in staging a fictional future, calling both representation and power into question. In so doing the play exemplifies the increasing openness of science drama to science fictional ideas.     

哈德逊河画派与美国自我意识的崛起

国内学者对美国文化研究的视角主要集中在政治经济领域,鲜有从艺术活动的角度考察美国文化的意义。在某种层面上,艺术活动可以反映一个时期国家占主导地位的意识观念。从19世纪中期流行于美国的哈德逊河画派的风景画的剖析入手,可以洞察这一时期美国的主流意识观念。从中可以看出,美国在文化上的自我意识最早出现于19世纪中叶。在这个阶段,美国不仅加强了国家认同,而且意识到在文化上需要脱离欧洲的影响,形成独立的美国文化。     

Migration and the built environment: a spatial analysis of resettlement in Çeşme,Turkey

At the beginning of the twentieth century, the retreat of the Ottoman Empire caused a massive scale migration in the Aegean regions. This process was furthered by the Treaty of Lausanne (1923) between the Turkish Republic and Greece. Gradually, more than one million people were formally exchanged under the control of the respective national authorities. This study shows that the predictions made by political authorities regarding the expected adaptation and homogenization based on religious affiliations failed to materialize; instead, the process of migration generated its own unique and autonomous processes derived primarily from cultural aspects and social origins. This research examines the materialization of the migrants’ adaptation practices and the spatial transformations in the built environment at both urban and domestic level, in order to indentify spatial and related social conflicts that arose as a result of socio-cultural mixing through a case study of the Çe?me Peninsula, Turkey. The study concludes that the relationship between social space and the physical environment is intertwined, with spatial transformations based on residents’ home of origin, professions and economic prosperity positioned in a clearly defined hierarchy of meaning.