Musical memory,heritage and local identity: remembering the popular music past in a European Capital of Culture

This paper explores the relationship between rock music, collective memory and local identity, by focusing on events connected to Liverpool's status as European Capital of Culture 2008. The first part of the paper describes these events and how memories of local rock music were attached to heritage and local identity and mobilised to validate Liverpool as a capital of culture, whilst in turn the city's Capital of Culture status served to validate particular ways of remembering the local musical past. The second part of the paper considers the broader significance of these events by relating them to three pan-European trends in cultural policy: the development of the cultural and heritage industries; the protection and promotion of local culture and identity; and the fostering of cultural diversity and integration. It highlights the general significance of the popular music past for cultural policy in Europe, but also the politics of popular music memory and how it involves a complex and dynamic process of negotiation that relates to cultural policy in particular ways. The paper concludes by arguing that popular music offers a specific and productive focus for research on cultural policy, heritage and local identity in Europe.     

‘The Sun Always Shines in Perth’: a Post‐Colonial Geography of Identity,Memory and Place

In this paper I explore some of the textual possibilities of post‐colonial geography. Using the conceptual tool of place as a palimpsest, I trace some geographies of memory across selected colonial and post‐colonial texts. By focusing on the relationship between representations of ‘sunny Perth’ and ‘Nyungah Perth’, I tease out some of the more general theoretical issues which pertain to a politics of place and space within this (post)colonial Australian context. The nexus of memory, place and cultural identity is central to my analysis. I give particular attention to the ways in which cultural memories are inscribed in some very specific and very ordinary places, and how these places become site‐markers of the remembering process and of identity itself.     

Re-using ‘uncomfortable heritage’: the case of the 1933 building,Shanghai

This paper opens up a discussion over the processes of forgetting and remembering that occur in the adaptive reuse of quite commonplace buildings that, nevertheless, have been classified as ‘heritage’. For most buildings survival depends upon finding a new economic use once original use has ceased. At this point decisions are also made about what stories are carried forward from the building’s past. The principal case study discussed in this paper is the former Shanghai Municipal Abattoir, a modernist concrete sculpture now branded 1933 Shanghai. The paper delineates how a process of ‘strategic forgetting and selective remembrance’ has been undertaken, negotiating the bloody nature of the building’s past, in its reuse as an upscale commercial venue. Reuse is further considered within the wider frames of a 1920–1930s Shanghai urban branding ‘imaginary’ and as a ‘building of control and reform’ – a category of buildings developed from the eighteenth-century European Enlightenment-thinking. In reflecting upon this negotiation in the heritage making process with potentially difficult past events, we propose the category of ‘uncomfortable heritage’, as part of a wider spectrum of ‘dark heritage’, and conclude with a final reflection upon 1933 Shanghai as a heterotopic space.     

Time as told: Telling the past in Kyrgyzstan

This paper addresses Kyrgyz ‘time-telling’, exploring how Kyrgyz herders and villagers ‘tell’ of their experience of time through genealogies, family stories and epic poetry. The author takes a phenomenological approach, drawing on different forms of narrative; interweaving history, myth and story; revealing the life within the past, as genres mesh (and not always seamlessly). She argues that the lived experience of ‘time-telling’ works through narrative, memory, sound, performance, and poetics, providing a matrix through which the past is continuously brought to life for performers and audience alike. The paper is in three parts. The first sets the scene, exploring three interwoven, kin-related Kyrgyz genres – family trees, genealogies, and epic poetry. The second looks at diverse manifestations of the Kyrgyz epic Manas, and its interpenetration with social life. The third reveals how different forms of performing and remembering the epic bring the past to life through the act of performance.     

Disciplining Memory: Heritage Tourism and the Temporalisation of the Built Environment in Rural France

This article presents an ethnographic case study of the relationship between the development of heritage tourism, and the role of material culture in memory practices in rural Southern France. Drawing on anthropological fieldwork in the village of Monadières, it provides an analysis of how artefacts in the locality's built environment have been renovated and revalued in a climate of historical change. This was the consequence of varied acts of commemoration by both independent individuals and the local council in which heritage tourism development was not necessarily the end‐goal. Nevertheless, these acts were implicated in the council's ‘disciplinary programme’ to produce a local infrastructure for heritage tourism. The article therefore explores how this industry co‐habits with and colonises modern memory practices at a micro‐level. To this end it adapts analytical tools from the anthropology of time, which enable an integrative analysis of these differing ‘temporalisations’ of the past.     

Remembrance as a Tool for Reflecting a National Identity: A Cuban Punk Approach

This paper takes several examples from the work of one Cuban punk band – Porno Para Ricardo – to assess the use of memory as a tool for reflecting fragments of a national identity which is both quotidian and contemporary. This singular case study is chosen not for their pertinence within Cuban culture, or even within Cuban alternative music, but rather as an exemplar of the assertion that popular music, rather than changing identities, often reflects aspects of identity and how they manifest in the everyday. Porno Para Ricardo are one such point of reflection. However, their remembrances often stray into areas too traumatic or politically admonished to be ‘remembered’ as part of a more rigid revolutionary history. By remembering the cultural (and thus, vicariously, the political) legacy of the Soviet Union within Cuba, and by re-personalising (or personifying) the traumas of mass generational exodus experiences in the early 90s, Porno Para Ricardo both augment the space of collective Cuban memory, and thus identity, but also attempt to reconnect the slabs of Cuban history often cleaved into evental epochs after which a ‘new way of being’ is constructed, as a means to better make sense of, and better reflect, contemporary Cuban identity.     

Re-imagining the kitchen as a site of memory

Extending the focus of previous geographical research on public spaces of remembering, this paper demonstrates the ways in which memory work also takes place in private domestic spaces. The paper draws on a combination of life history and ethnographic research undertaken in Northern England, examining kitchens as a specific lieu de mémoire, showing how they serve as places where valued items are displayed and material artefacts are curated as part of the construction and reproduction of personal memories and familial identities. Using ethnographic and visual evidence from two case study households, the paper demonstrates the role of material artefacts in curating the past and materialising memory. Additionally, life history interviews with older women reveal narratives of everyday cooking practices which seemingly contradict popular discourses of the past, questioning conventional ideas about the distorted nature of nostalgia. In combination, our data represent complex narratives in which the past can be seen as infusing the present, and where present-day concerns are revealed as actively shaping public discourses which favour a return to an idealised past, which may have little bearing on people’s actual lived experience.     

From Coombs to Crean: popular music and cultural policy in Australia

The many bodies administering Australian arts activity were incorporated within the Australia Council, established in 1973 by the Whitlam Labor Government to oversee Commonwealth arts policy under the direction of H.C. ‘Nugget’ Coombs. This article takes the establishment of the Australia Council as a starting point in tracing changing attitudes towards the practices and funding of popular music in Australia and accompanying policy discourses. This includes consideration of how funding models reinforce understandings of ‘high’ and ‘low’ art forms, the ‘cultural’/‘creative’ industries debates, and their effects upon local popular music policy. This article discusses the history of local music content debates as a central instrument of popular music policy and examines the implications for cultural nationalism in light of a recent series of media and cultural reports into industries and funding bodies. In documenting a broad shift from cultural to industrial policy narratives, the article examines a central question: What does the ‘national’ now mean in contemporary music and the rapid evolution of digital media technologies?     

Meeting the demand for meat?

Renewed fears expressed by the United Nations about worldwide population growth have coincided with international concerns about the increased consumption of meat. This article, which draws upon long‐term fieldwork in the Guatemalan highlands and ongoing scientific research in the Netherlands, examines the ways in which global organizations are framing and responding to these concerns. Economists generally address the problem of increased meat consumption through the language of ‘demand’, while nutritionists adopt the rhetoric of nutritional ‘needs’. Not only do these approaches tend to present meat – which in practice takes many forms – as a single substance, but they also flatten the nuanced relationships that exist between the eater and the eaten, while overlooking the diverse contexts in which ‘meat’ eating takes place. This article addresses the question how anthropologists might approach the topic of increased meat consumption, suggesting that an analysis of the ways in which global actors approach this topic can help the discipline of anthropology to re‐engage with historic debates about the role of ‘the material’ and ‘the symbolic’ in relation to eating practices and to move these debates in new and productive directions.     

‘It’s good but it’s not enough’: the relational geographies of social policy and youth mentoring interventions

Developing a critical analysis of the relational and situated practices of social policy, this paper draws on an evaluation of an early intervention project in Scotland (UK) where volunteer adult mentors supported young people ‘at risk’ of offending or antisocial behaviour. Contributing to ‘enlivened’ accounts of social practice, we explore how practices of mentoring developed through the co-presence of mentor and young person in the often transitory spaces of care which characterized the ‘diversionary activities’ approach in the project. We expand the notion of the relational in social practice beyond the care-recipient dyad to include wider networks of care (families, programme workers, social institutions). The paper explores how such social interventions might both be ‘good’ for the young people involved, and yet recognize critiques that more individualized models of intervention inevitably have limitations which make them ‘not enough’ to deal with structural inequalities and disadvantages. Acknowledging the impacts of neoliberalism, we argue critical attention to diverse situated relational practices points to the excessive nature of engagement in social policy and provides scope for transformative practice where young people’s geographies can be ‘upscaled’ to connect to the realms of social policy and practice.     

There's No‐Place Like Home: emotional geographies of researching ‘race’ and refuge provision in Britain

In this article we draw on feminist and psychodynamic theory to discuss processes of researching service provision for minoritised women escaping domestic violence. Our aim is to take seriously the ways particular contexts, in this case as produced by the process of researching this topic, elicit specific responses. In particular we offer some conceptual tools for analysing the emotions generated in these geographies. Taking the ‘space’ of the research team as our focus, we analyse how culturally defined meanings of ‘home’, community and refuge that were the focus of our research topic also functioned as a lens through which tensions and dynamics within the project team could be understood. Just as secrecy, silence and shame figured in our participants' accounts, so they circulated between the team. Drawing on the motifs of the intersection of ‘space’ and ‘place’ (as they occur within discourses and practices around domestic violence and minoritisation) as well as the psychodynamic notions of ‘mirroring’ and ‘parallel process’, we consider the extent to which the combined racialised, gendered and institutional relationships structuring the research team constituted it as a ‘non‐place’. This is because it was a space produced by the research process which, other than this, had no acknowledged tradition of history or memory to anchor it. We discuss how this space functioned paradoxically to foster creativity and innovation in generating discourses and practices working across difference, as well as inevitably at times recapitulating prevailing power (including racialised) relationships. We end by evaluating the usefulness of such concepts for wider analyses of intercultural and antiracist feminist practice.     

Community Collaboration and Other Good Intentions

Collaborative and community-based archaeological research encompasses a broad spectrum of approaches; however, there are often discrepancies between how researchers ‘sell’ the collaborative endeavour in theory and how it is actually practised. Over the past several years, I have had the opportunity to participate in several projects, ranging from those that claimed to be ‘truly collaborative,’ to research that maybe should have asked, ‘what community?’ These experiences raised difficult and disturbing questions concerning the nature and practice of collaborative and community-based archaeology. In this paper, I confront these issues as I have experienced them personally. While community-based practices aim to redress a historical and ongoing power imbalance between the researcher and the researched, constant vigilance is required lest the ‘good intentions’ of anthropologists inadvertently mask an exploitation that may be inherent in the structure of research itself. In considering the corporate nature of academia, I query whether the collaborative research model represents a break with the past, or is instead simply the same old practice dressed up in fashionable new language.     

Going ‘mainstream’: evaluating the instrumentalisation of multicultural arts

This paper considers how debates over the instrumentalisation of the arts have informed the cultural production of an Australian arts organisation – Multicultural Arts Victoria (MAV). In an effort to make multicultural arts more ‘mainstream’, MAV has increasingly adopted market‐based rationales for its work – particularly the use of ‘audience development’ policy frameworks. It is easy to evaluate this marketisation of multicultural arts negatively as an acceptance of neoliberal policy agendas and as a weakening of its commitment to ‘cultural development’ goals. This paper suggests, however, via a critique of Ghassan Hage’s analysis of multiculturalism, that such accounts do not consider how economic rationales actually sit in practice with MAV’s other (cultural development) agendas. Such critiques, therefore, preclude an affirmative reading of the instrumentalisation of multicultural arts. An alternative analytical framework is proposed – one which can more readily account for multicultural arts as a set of practices informed by diverse agendas, and which acknowledges how such practices might both contest and converge with official government policies.     

Unmanaging the past: Truth,data and the human being

Management systems in archaeology seek to impose the scientific objective‐reductionist paradigm on archaeologists and their data. This orthodoxy has been enshrined in English Heritage's document Management of Archaeological Projects (English Heritage 1991) which prescribes rigorous application of a standardized methodology. MAP II, as it is known, is based on a processual model in which ‘data’ enter at one end and valuable archaeology emerges at the other. Such a view not only lacks any appreciation of the distinctions between ‘data’ and ‘information’ but also fails to acknowledge the beliefs and values which underpin the decision‐making criteria crucial to the model. In this paper we argue for an approach which un‐manages the past — by building relativistic humans into our strategies for dealing with the past. Examples are given which demonstrate how such an approach might work in practice.     

How ‘creative’ is remembering? Culture-led regeneration and the politics of memory in Bogota,Colombia

ABSTRACT

Recently, Colombia’s post-conflict transition has experienced strong international attention. In Bogota, commemorative politics of the conflict insert themselves in complex processes of place branding: employing culture to rescale the city image from unsafe and violent to culturally vibrant. However, how to reckon with the country’s violent past in the culture-led renaissance of Bogota? Based on the author’s four-month of in-depth qualitative fieldwork on the main street Avenida 26 – at the center of both branding strategies and politics of memory – this paper shows the failure of institutional efforts to promote a brand of Bogota as a ‘City of Memory’. Socio-political divisions over the interpretations of the country’s past result in multi-scalar conflictive negotiations between politics and practices on the street: they reveal the tight link between memory, social justice, and urban segregation while denouncing the exclusionary visions of citizenship bared in political efforts to display memory as a territorial mark.     

Two models of universalizing memory practices

Abstract

This essay conceptualizes ‘universalizing memory practices’ that are at the centre of the present special issue on ‘European Memory: Universalizing the Past?’. By comparing the case studies, the article brings out two models of universalizing memory practices that either establish equivalence among different interpretations of the past or coordinate between them. First, actors establish equivalence by defining rules under which heterogeneous memories can be subsumed. Equivalence decontextualizes memories and divests them of temporal references. Here, the integration of mnemonic difference expands a mnemonic realm from its centre. Second, through coordination, memory actors connect different layers of interpretation that all refer to their own time and context. By rendering explicit the implicit rules of how those interpretations compete, actors open up a general standpoint of multiple temporalities. From this standpoint, reinterpretations can stretch the boundaries of mnemonic realms.     

ARCHITECTURAL GEOGRAPHIES OF THE AIRPORT BALCONY: MOBILITY, SENSATION AND THE THEATRE OF FLIGHT

Contemporary studies within the apparent ‘mobility turn’ focus upon airports as sites indicative of our mobile world, yet they tend to forgo investigations of the contextual architectural geographies that shape and inflect these mobilities. This paper examines the relationship between the architecture of the airport balcony and practices of seeing. While recent scholarship has taken airports to be incredible symbolizers of power and places of heightened visual scrutiny, the paper explores how through the architectural mediation of seeing, early airports were designed to instil specific inspirations, beliefs and messages within the airport user – constructing a new and modern experience. Far from a blank space evacuated of social presence and meaning, the paper investigates how airport design interacts with and shapes social experience. By examining the mobile practices and experiences of inhabiting the airport balcony, the paper advances conceptualizations of moving and seeing by complicating their practice as ‘collective individuations’ of social, architectural and sensual engagements, registers, and percepts.     

Australia's Global Memory Footprint: Memorial Building on the Western Front, 1916–2015

Shortly after the First World War ended, Australian authorities erected memorials in France and Belgium in memory of the Australian Imperial Force. Decades later, during the so-called ‘second generation of memory’, Australians again engaged in planting memorials on sites of memory on the Western Front. This article compares the two periods of memorial building, contrasting the sites that were chosen for commemoration and examining what these suggest about the difference between past and contemporary modes of remembering the First World War. It highlights the growing importance, in extra-territorial commemoration, of memorial diplomacy and the development of a shared memory between Australians and the communities which host their memorials.     

Beyond ‘Culture’ as an explanation for intimate violence: the politics and possibilities of plural resistance

This article interrogates simplified culturalist explanations of gendered violence, which evoke timeless ‘tradition’ and religiosity to locate violence in racialized places and upon ‘othered’ bodies. I examine structural processes that shape women’s experiences of and vulnerability to intimate violence. My analysis complicates culturalist narratives, but engages critically with culture as one context within which violence is embedded. Drawing on field research within Muslim communities in Hyderabad, India, I discuss the complexities of interwoven experiences of structural, state, and intimate gender violence. I draw attention to how anti-violence organizations working in marginalized communities theorize these complexities, and practices of what I am calling ‘plural resistance,’ which these organizations enact through equally complex responses to such violences. Plural resistance describes community-based strategies that simultaneously reject both gender violence and other forms of systemic violence, such as poverty born of uneven development. Embodied resistance to gender violence provides a critical lens for understanding articulations between regional patriarchies, exclusionary state practices, uneven development, and Islamophobia.     

From ‘flight and expulsion’ to migration: contextualizing German victims of forced migration

Abstract

The forced migration of twelve million Germans was central to German memory after 1945, and reflects fundamental changes in remembering the Second World War, that is, refocusing from German victims, such as expellees, to the victims of Germany in the Holocaust. Within this discourse, ‘flight and expulsion’ demonstrates Germany’s entangledness with her eastern neighbours and is turned into a European and transnational mnemonic discourse with the debates over a ‘Centre against Expulsions’ in the 2000s. This article studies ‘flight and expulsion’ between two mnemonic patterns, that is, the loss of the homeland against migration. After the collective imagination of a lost homeland in the east, the emerging Holocaust memory both marginalized ‘flight and expulsion’ in the late 1970s and introduced new patterns of commemoration. These patterns enabled a turn toward individual victimhood and the decontextualization of ‘flight and expulsion’ from the Second World War. The ‘Centre against Expulsions’ project demonstrates the coordination of the German example with other cases of forced migration and the claim for a universal commemoration of past expulsion and the condemnation of any future attempts. The case of Syrian civil-war refugees, however, reveals that such forms of decontextualization only in part transfer into humanitarian imperatives.