Time protagonists: student migrants,practices of time and cultural construction of the Singapore-educated person

This paper analyses the cultural production of the ‘educated person’ through student migrants' engagement with ideas and practices of time. In particular, it pays attention to how these young people negotiate identities and develop unique strategies to achieve personal goals of education. Drawing on the works of Pierre Bourdieu and Michael Flaherty, I conceptualise time as both a discursive structure and cultural resource to forward two interrelated arguments. First, I argue that time is an important discourse in the ways that ideas about education and becoming educated are imagined, performed and negotiated. Second, I suggest more attention needs to be placed on time as a central facet of cultural (re)production. This study focuses on one particular student flow from Southeast Asia to Singapore as a case to illuminate the role of time in cultural production, based on research with thirty students conducted between 2010 and 2011 primarily through biographical interviews.     

Relics of Empire Underground: The Making of Dark Heritage in Contemporary Japan

This paper examines civil activities to protect and conserve the underground war-related sites in contemporary Japan. Conservation movements rooted in local communities and centred on the Japanese Network to Protect War-Related Sites are making efforts to transform the dark heritage of war-related sites into cultural property in an attempt to integrate diverse wartime experiences. In delving into the heritage-making practices, I introduce local movements in Okinawa and Okayama. Okinawa hosts the first underground war-related site to become a cultural property, the Haebaru Army Hospital Bunkers, while Okayama struggles to create another one by making the Kamejima Mountain Underground Plant a dark heritage site. I argue that these conservation movements are challenging the homogenising national war memory by attaching ethnically diversified vernacular memories to the underground sites. In doing so, these underground war-related sites have become public spaces where new forms of social engagement are negotiated and contested.     

The dark side of cultural policy: economic and political instrumentalisation,white elephants,and corruption in Valencian cultural institutions

Cultural policy is usually assessed as a positive element for socio-economic development and therefore, its criticism is generally confined to poor implementation and discussion of its social effects. However, it is occasionally analysed as an instrument that produces unsustainable development, as a generator of white elephants, or as a means of waste, corruption, and clientelistic domination of the political sphere. This is what we might call the ‘dark side’ of cultural policy. Our case study of the city of Valencia (Spain), focussing on two of its major cultural institutions, the Valencian Institute of Modern Art and the Palace of Arts, exemplifies this cultural policy dimension. This article aims to analyse the systemic and contextual causes of this phenomenon of cronyistic behaviour and to elucidate in what sense it can be understood as a contingent drift specific to a particular territory or as a structural condition of cultural policy.     

Working Borders: The Contexts of Copán Archaeology

The work of archaeologists and the knowledge they produce both help create, and are conditioned by, a variety of kinds of borders, including political, academic, and cultural. In this article I review a series of borders that shape and determine the social conditions in which archaeology at the well-known site of Copán in western Honduras takes place and takes on meaning. I argue that the histories of these borders, their construction, and their crossings reveal structural tensions in the overlapping registers of academia, public history and popular discourse, in which archaeological knowledge circulates. These histories must be consciously interrogated in order to be negotiated. I suggest that by becoming fluent in the cultural conversations ongoing in a place, archaeologists are best able to begin productive collaborations and make informed choices about how they participate in the border-making processes of their work.     

Drinking in the dark: shedding light on young people’s alcohol consumption experiences

Abstract

This paper draws on 12 months of ethnographic research to explore the drinking experiences of young people, aged 15–24, living in the suburban case study locations of Chorlton and Wythenshawe, Manchester, UK. This paper moves beyond the contemporary geographical imaginary of alcohol consumption as a city centre issue, to explore suburban indoor and outdoor drinking cultures. Through paying attention to atmospheres of darkness and lightness, I show how drinkscapes are active constituents of young people’s drinking occasions, rather than passive backdrops. More than this, I illustrate how young people transform dark and light drinkscapes, thereby shaping the drinking practices of themselves and others. Through looking at the interplay between the curating of an atmosphere, and the experience of that atmosphere when bodies, and practices are inserted into it, this paper offers a different take on the ‘drinking at home is bad, drinking in public spaces is good’ argument, with original policy suggestions.     

Affective spaces,sensuous engagements: in quest of a synaesthetic approach to ‘dark memorials’

Although relatively recent, the concepts of ‘dark tourism’, ‘difficult heritage tourism’ and ‘Holocaust tourism’ have already been approached from historical, cultural, sociological, anthropological and managerial perspectives. The article offers a philosophical inquiry of ‘dark attractions’, inspired by Deleuze and Guattari’s work on aesthetics, with an aim of divorcing the term ‘dark tourism’ from its typically negative valance. It makes use of a synaesthetic understanding of experience and relies on an enlarged idea of perception conceptualised as a dynamic continuity between bodily/affective and intellectual cognitive faculties that are activated in the vibrant interaction with the architectural landscape of the ‘dark site’. The emphasis on immediate perception necessarily implies formulation of a concept of ‘affective aesthetics’ which refers to bodily process, a vital movement that triggers the subject’s passionate becoming-other, where ‘becoming’ stands for an intensive flow of affective (micro)perceptions. Such an approach sheds a different light on ‘Holocaust tourism’ and the ‘pleasures’ associated therewith, especially because it provides an explanation to a situation (common at many Holocaust memorials) when visitors are pleased, or positively affected, with representation/image/expression of sadness/atrocity. The synaesthetic operations of ‘dark attractions’ will be briefly illustrated with an example of the Holocaust memory site in Be??ec, Poland.     

Regimes of Ethical Value? Landscape,Race and Representation in the Canadian Diamond Industry

Abstract: Canadian diamonds are marketed as “ethical” alternatives to notorious “blood diamonds”. This paper analyzes the specific matrices through which ethical consumption as a discourse is being mobilized to sell diamonds. I argue that consumption operates as a system of social signification in which consuming subjects are positioned as moral subjects. Moreover, I argue that historically accumulated symbolic power, in the form of imagined geographies of benevolent colonialism in the Canadian North versus the exploitation of “dark” Africa, pristine, “white” northern landscapes, modernization via commodity production, and national identity, creates the very field of meaning within which the consuming subject is positioned. The ethicalization of Canadian diamonds also has important normative implications both in terms of the cultural politics of ethical consumption and social and environmental justice in the Canadian North.     

Historic and symbolic violence in the Romani Fuenteovejuna by TNT-El Vacie: Gender,ethnicity, and interculturalism

Abstract

I address here the performance of Lope de Vega’s Fuenteovejuna undertaken by TNT-El Vacie, giving particular consideration to the ways in which Antonio Álamo’s adaptation, Pepa Gamboa’s direction, and the staging of El Vacie, a company composed exclusively of Roma women, constitute a site of resistance as well as a performance of gender, identity, and place. From this vantage point, I wrestle with issues of agency, dialogism, and intercultural communication to make sense of ontological as well as hermeneutic aspects of the performance text: deletions and additions; orality and authority; meta-theatricality and self-reflexivity; acting and becoming. In addition, I bring to bear the fact that the name of the company, El Vacie, bears witness to the impoverished settlement or shantytown where the women reside, which stands within a mere two hundred yards of the theater where the play is performed. The name of the company signals the identification of the actresses with the marginal space in which they live, enriches the text, and further complicates their reading of Fuenteovejuna by adding levels of referentiality and indexicality that redefine boundaries as well as processes of exclusion and inclusion. While this is not the first collaboration between TNT and El Vacie—it was preceded by the successful and award-winning 2009 staging of La Casa de Bernarda Alba—I consider this performance a particularly important contribution to the construction of a historicized cultural politics of identity that makes the Romani community visible by positioning the women of El Vacie center stage as participants, creators, and interpreters of the national cultural patrimony. Through this cultural intervention, certain spaces and markers of the Roma community acquire visibility as they get inserted into a national historical discourse from which they previously had been historically excluded.     

The limits of cultural nationalism: Italian Switzerland from a risorgimento perspective*

ABSTRACT. This article critiques the ‘cultural turn’ in Italian Risorgimento historiography by examining Italian Switzerland, and specifically Ticino. This area paradoxically aided and abetted Italian patriots, especially Giuseppe Mazzini, yet rejected becoming part of the Italian national project. This paradox is heightened by the fact that the vast majority of the Italian nationalist literary canon, as identified by Alberto Maria Banti, was republished in Ticino. The paradox is explained in terms of the conflict between long‐standing traditions of local autonomy and the idea of any form of uniform or centralised control, as originally represented by the Cisalpine Republic and then by both versions (Napoleonic and Piedmontese) of the Kingdom of Italy. However, I also use Banti's cultural concepts to demonstrate the creation of a powerful counter‐myth of Italian Swiss nationalism in the character of William Tell.     

Independent creative subcultures and why they matter

Independent creative subcultures, in their various hybrids of music, theatre, art, and new and old media, are the primordial soup of cultural evolution. They have the capacity for a highly definitive influence on their participants – catalysing the transition from consumer to producer for instance – often conferring much broader cultural and social benefit. Creative subcultures make continuing, well-documented, contributions to established city cultures for relatively low outlay. Indie creative activities in particular do not make much money and they do not cost much to set-up. They tend to cluster in areas characterised by low rents and non-residential uses such as retail and industrial areas, but as third wave gentrification reaches into the dark pockets of many cities, cheap rental properties are becoming scarce. This article uses time-series maps of inner Melbourne to show a pattern of tighter and tighter clustering of indie cultural activities as alternative spaces disappear. It looks at where they are going and why, considers the implications of this pattern for the ‘creative city’, and suggests some policy initiatives to help maintain and nurture independent creative scenes. As Melbourne’s live music scene is particularly vulnerable to displacement from increasingly dense and contested inner-urban space, the article focuses on interventions relating to music venues.     

党报要积极应对网络媒体的挑战

网络媒体的迅速发展,使传统媒体的生存与发展面临着日益严峻的挑战和考验。在当代日趋剧烈的市场竞争态势下,如何以应时创新的姿态求得自身的发展与壮大,不断满足人民群众日益增长的精神与文化需求,这是党报工作者必须进行深入思考的现实课题。     

THE PROBABILITY OF THE IMPROBABLE: SOCIETY–NATURE COEVOLUTION

This article aims to show how evolutionary theory, social‐metabolism and sociological systems theory can be utilized to develop a concept of society–nature coevolution. The article begins with a conception of industrialization as a socio‐metabolic transition, that is, a major transformation in the energetic and consequently material basis of society. This transition to industrial metabolism was essential for the emergence and maintenance of industrial societies and is at the same time the main cause of global environmental change. The article proceeds by asking what the notion of society–nature coevolution can potentially contribute to understanding environmental sustainability problems. An elaborated concept of coevolution hinges on (1) a more precise and sociologically more meaningful concept of cultural evolution and (2) understanding how cultural evolution is linked to the environment. Next I briefly outline major lines of thought and controversies surrounding the idea of cultural evolution. The direction proposed here commences with an abstract version of Darwinian evolution, which is then re‐specified for social systems, understood as communication systems, as developed by Luhmann. The re‐specification implies three important changes in the theoretical outline of cultural evolution: first, shifting from the human population to the communication system as the unit of cultural evolution and to single communications as the unit of cultural variation; second, shifting from transmission or inheritance to reproduction as necessary condition for evolution; and third, shifting from purely internal (communicative) forces of selection towards including also environmental selection. Adopting elements from the work of Hägerstrand and Boserup, the primary environmental selective force in cultural evolution is conceptualized as the historically variable constraints in human time–space occupation. In the conclusions I tie the argument back to its beginning, by arguing that the most radical changes in human time–space occupation have been enabled by major socio‐metabolic transitions in the energy system.     

Difference

Speaking in particular of Oceanic societies, my intention is to reverse the gestalt of Le totemisme aujourd'hui to foreground the role of difference as a fundamental condition of the possibility of society – difference between as well as within societies. I take the point that difference is not just an historical circumstance but that it is indeed a positive value. Accordingly, differentiation is not so much a natural process as it is a cultural intention.     

Creating the cultures of the future: cultural strategy,policy and institutions in Gramsci

Gramsci’s writings have rarely been discussed and used systematically by scholars in cultural policy studies, despite the fact that in cultural studies, from which the field emerged, Gramsci had been a major source of theoretical concepts. Cultural policy studies were, in fact, theorised as an anti-Gramscian project between the late 1980s and the early 1990s, when a group of scholars based in Australia advocated a major political and theoretical reorientation of cultural studies away from hegemony theory and radical politicisation, and towards reformist–technocratic engagement with the policy concerns of contemporary government and business. Their criticism of the ‘Gramscian tradition’ as inadequate for the study of cultural policy and institutions has remained largely unexamined in any detail for almost 20 years and seems to have had a significant role in the subsequent neglect of Gramsci’s contribution in this area of study. This essay, consisting of three parts, is an attempt to challenge such criticism and provide an analysis of Gramsci’s writings, with the aim of proposing a more systematic contribution of Gramsci’s work to the theoretical development of cultural policy studies. In Part I, I question the use of the notion of ‘Gramscian tradition’ made by its critics, and challenge the claim that it was inadequate for the study of cultural policy and institutions. In Parts II and III, I consider Gramsci’s specific writings on questions of cultural strategy, policy and institutions, which have so far been overlooked by scholars, arguing that they provide further analytical insights to those offered by his more general concepts. More specifically, in Part II, I consider Gramsci’s pre-prison writings and political practice in relation to questions of cultural strategy and institutions. I argue that the analysis of these early texts, which were written in the years in which Gramsci was active in party organisation and leadership, is fundamental not only for understanding the nature of Gramsci’s early and continued involvement with questions of cultural strategy and institutions, but also as a key for deciphering and interpreting cultural policy themes that he later developed in the prison notebooks, and which originated in earlier debates. Finally, in Part III, I carry out a detailed analysis of Gramsci’s prison notes on questions of cultural strategy, policy and institutions, which enrich the theoretical underpinnings for critical frameworks of analysis as well as for radical practices of cultural strategy, cultural policy-making and cultural organisation. I then answer the question of whether Gramsci’s insights amount to a theory of cultural policy.     

Diversity and cultural policy: cultural citizenship as a tool for inclusion

At the crossroads of citizenship, cultural and diversity studies, I enter in the emerging debate on cultural citizenship. Culture is seen as a channel for diversity inclusion, and cultural policy carries the function of enhancing citizenship. My reasoning will follow two steps. First, in overviewing the recent literature, I identify two main drivers making cultural citizenship: the democratic/equality and the identity/national drivers. However, I will note that the debate is concentrated in the plurality of meanings of ‘culture’, and not, as I will argue as a second step, in the plurality of citizenship traditions: a liberal, a communitarian and a republican one. This view is at the basis of different approaches of cultural policies when we focus on them as enhancing cultural citizenship in diversity contexts. At the end, I will also contend that this can ground an interpretative framework capable of distinguishing current social practices and policies.     

Cultural censorship in defective democracy: the South Korean blacklist case

ABSTRACT

This paper attempts to understand the cultural censorship practiced in contemporary South Korea, a liberal democracy, where cultural quangos were established after political democratization, following the arm’s length model. I will focus on the analysis of cases from the film industry which has been central to the censorship debate historically in Korea because of its popular appeal. The establishment of arm’s length cultural organizations laid the foundation for freedom of cultural expression which had been seriously curtailed under military rule. However, recent revelations of cultural blacklist cases under the two previous administrations are baffling to understand since rampant political censorship was practiced through ostensibly autonomous cultural organizations. The paper examines the ways in which the state constructed a ‘system of ideological censorship’ by using not only cultural quangos but non-cultural state apparatuses. In so doing, the paper emphasizes the role of non-cultural policy state institutions in the operation of cultural policy and the effect of state systems on cultural organizations. I draw upon the concept of defective democracy to understand the socio-political condition where these cultural organizations exist.     

THE MEANING OF CULTURAL FESTIVALS

Cultural festivals and events are increasingly becoming arenas of discourse enabling people to express their views on wider cultural, social and political issues. Often the debates polarise into those advocating change and those wishing to preserve “traditional” or “local” culture in the face of modernisation and globalisation. This article analyses the discourse on cultural festivals from the perspective of stakeholders involved in traditional and popular culture events in Catalunya. There is generally a high level of agreement about the aims of cultural events and the cultural content that is appropriate for them. In particular, the importance of cultural events in underpinning Catalan identity is seen as being important. However, stakeholders tend to differ more in the meanings attached to concepts such as identity, with policy makers exhibiting a greater emphasis on economic and political issues, whereas cultural producers are more concerned with social aspects of identity. However, the general consensus on the social role of cultural events between the different stakeholders may be one explanation for the relatively vibrant festival culture in Catalunya.     

20世纪90年代中国城市居民的文化消费——以北京为例

文化消费的比重较大是小康型消费结构的一个重要标志,20世纪90年代北京城市居民的生活水平率先实现了小康,在居民文化消费支出不断增加的基础上,文化消费的内容日渐丰富,其中最为突出的是教育消费比重增长迅速、书报杂志消费异军突起、文娱消费浪潮不断高涨、旅游消费持续升温、休闲消费成为时尚。随着人们的视野开阔和思想解放,文化消费的领域仍在扩展之中。与乡村居民和其他城市居民相比较,北京城市居民的文化消费水平处于一个较高的位置。     

Festschrift

By working largely unaware of the huge literature in anthropology and certain other social sciences on ethnogenesis, Western cultural/historical and ethnic geographers remain aside from the mainstream in this inquiry and in fact do not address the topic as often as one might expect. Anthropologists have dominated ethnogenetic research for decades in North America. We further marginalize our work on ethnogenesis by ignoring completely the work of the Russian Leo Gumilev, a fellow geographer who devoted his career to the study of this subject. I le remains virtually unknown in the West in spite of English translations of a number of his works. This neglect of the works of anthropologists and Gumilev leads Western geographers to deal with ethnogenesis infrequently and somewhat naively. Hie authors suggest that by becoming familiar with these valuable sources and by applying existing, well-developed cultural geographical themes and concepts, such as homeland, diffusion, landscape, preadaptation, and incremental change, Western cultural geographers can more abundantly and significantly join the debate on ethnogenesis, building upon Gumilev's foundation and offering a humanistic, particularistic, and holistic alternative perspective largely absent in anthropological and other nongeographical studies.     

Landscape, ideology, and religion: a geography of Ocean Grove, New Jersey

In this paper, I examine Ocean Grove, New Jersey, a religious community established in 1869 by the Methodist Church as a camp meeting site. The founders selected a location and designed the physical and cultural landscapes according to an ideology of perfectionism, autonomy, exclusion, and homogeneity. Even though the community has experienced dramatic changes in the last fifty years, I argue that the physical, cultural, and political geography of Ocean Grove has served to perpetuate this ideology. However, I also argue that even though it is such a singular place, in accordance with Harvey's claim that all places must accommodate to capital accumulation, Ocean Grove's history shows examples of some quite familiar responses to a larger system of political, social, cultural, and economic circumstances.