PARKOUR: CREATING LOOSE SPACES?

Parkour is a spectacular and highly mediatized new way of movement that challenges conceptions of acceptable or appropriate behaviour in urban public space. This article will examine the potential of parkour to “loosen” urban spatial texture by applying recent thinking on loose and tight space by Karen A. Franck and Quentin Stevens to data gathered through in‐depth interviews with parkour practitioners (traceurs) in two Finnish cities. When practising in urban public spaces, the traceurs we interviewed often caused confusion among other people. We explore how they negotiate their right to public space in the face of these reactions, either by evasion or with a combination of legal and moral arguments. We argue that parkour is not only a playful and confrontational practice with a potentially subversive character, but that the process of loosening space constitutes a complex dialectic, which may also involve a certain degree of tightening in the public space for other unexpected or unintended activities.     

Virtual Poaching and Altered Space: Reading Parkour in French Visual Culture

Parkour has emerged in the last decade as a significant cultural practice, both in France, where it originated, and internationally. The cultural resonance of parkour—a form of street gymnastics combining acrobatic agility with a creative approach to urban space—is emphasised through its presence on numerous internet sites, as well as representations in advertising media, the bande dessinée, and films. While the prevalence of parkour as a practice is widely known, these numerous manifestations within culture have not been widely theorised. This article focuses primarily on parkour's representations in visual culture, especially in cinema, and considers the associations made in two films between parkour and the banlieue. Analysing both the legitimacy and potential problems in making the banlieue a stage for parkour performance and big-screen entertainment enables us to reconsider the notion of the film banlieue, as well as the political possibilities of a ‘parkour film’. Lastly, reflecting on the circumstances of contemporary cinema and the role of the internet, the article considers philosophical aspects of the ‘parkour film’, as well as seeking parallels between parkour's spatial practices and the practices of cinematic and online production and distribution.

La dernière décennie a vu apparaître le parkour en tant que pratique culturelle significative, en France, où il a son origine, mais aussi au niveau international. L'impact culturel du parkour – une gymnastique de rue qui unit l'agilité acrobatique à une attitude créative envers l'espace urbain – est souligné par sa présence sur nombre de sites Web, dans la publicité, la bande dessinée, et dans certains films. Alors que la popularité du parkour comme pratique est reconnue, ces représentations culturelles ont suscité moins d'intérêt théorique. Cet article porte sur les représentations du parkour dans la culture visuelle – principalement dans le cinéma – et examine les rapports établis dans deux films entre le parkour et la banlieue. En se demandant s'il est ou légitime ou problématique de se servir de la banlieue comme scène pour la célébration du parkour ou pour les super-productions cinématiques, on peut réexaminer le concept du ‘film banlieue’, et considérer les possibilités politiques d'un ‘film parkour’. Finalement, en réfléchissant sur la situation contemporaine du cinéma et le rôle de l'Internet, l'article considère les aspects philosophiques du film parkour; en même temps, il cherche à établir des correspondances entre les pratiques spatiales du parkour et les pratiques de production et dissémination cinématiques et numériques.     

Border Anxiety in Palestine–Israel

In this paper, I deal with representations of Palestinian women and their experiences with Israeli national security. In particular I explore how the political philosophy of Agamben and feminist psychoanalytic ideas of “abjection” could assist in understanding the nature and flexibility of the power relationships between Palestinian women and the Israeli state. I pay specific attention to moments when women carry out suicide attacks or when pregnant women in labour are forced to give birth at the checkpoint. I argue that, from a Western perspective, pregnant and exploding women's leaky bodily boundary embodies Israeli fears about the leakiness of the border between Israel and Palestine, fears which necessitated the construction of a so‐called “security fence” in order to create a hermetic border. As such, I emphasize women's capacity to produce, heighten and dissolve boundaries, bodily and political, thereby advancing a radically different kind of political geography.     

Decolonizing cartography and ontological conflict: Counter-mapping in Colombia and “cartographies otherwise”

Discussions in decolonial literature have recently drawn on the concept of “ontological conflict” to reflect on the conflictual entanglements of diverse cosmologies. In Latin America (as elsewhere) these conflicts are frequently of a territorial nature, with indigenous and black communities making claims to communal land rights as indispensable part of their respective ways of being-in-the-world, which the post-colonial state has increasingly begun to acknowledge, often in the form of new political constitutions. In this article I examine the role of cartography in the resolution of such ontological conflicts; in particular a participatory mapping exercise in Colombia known as “social cartography,” which aims to challenge dominant cartographic representations and empowering local communities vis-à-vis the state. At the same time, I reflect on the limits of such an emancipatory vision and on the ways in which Colombia's version of counter-mapping has been coopted by dominant power. Inspired by the Modernity/Coloniality/Decoloniality framework, I contextualize this experience within other radical mapping exercises, or “cartographies otherwise,” in places such as Australia, Palestine and the Straits of Gibraltar, to finally suggest that the art of decolonizing cartography may be seen as a tool of Hardt & Negri's project of a multitude in resistance.     

Images of Europe around the Crisis

In this article I examine the extent to which the European crisis has debunked certain images of Europe and spread other new ones. I will try to summarize the stages of this symbolic tour through (1) furtive and mechanical Europe; (2) the remoteness of non-salient Europe; (3) the Europe that hopes and the Europe that fears; (4) headstrong Europe, which claims that crises are necessarily opportunities; and then (5), the Europe with which I identify the most: contingent Europe, which could be or not be, or be in another fashion, whose interest lies in that it is an uncertain product of our conditioned freedom and which, for that very reason, we can consider (6) a politicized Europe.     

Military Anxiety and Genocide: Explaining Campaigns of Annihilation (and Their Absence)

When and why do states launch campaigns of genocide against minorities? In 2017, in a violent campaign increasingly described as genocide, the Myanmar military drove almost 700,000 Rohingya from Rakhine State into Bangladesh killing an estimated 6,700 in the first month and an unknown number overall. This assault is particularly puzzling given the international goodwill and economic benefits the regime was accruing since it opened its political system after decades of isolation. Scholars have identified a number of causes of genocide yet this literature requires development in two areas. First, few studies compare cases of genocide with situations of lower level political violence, meaning it is difficult to distinguish between societies that are simply violent from those which are genocidal. Second, despite the central role played by militaries in genocide, most studies have treated the institution as simply a tool of nationalists and other genocidal leaders rather than as actors with their own incentives and fears. In this study, I develop an explanation of genocide that places militaries at its centre. I contend that armed forces sometimes choose genocide during periods of rapid political change when they perceive a serious threat to their political and economic interests or self-appointed status as “guardian of the nation.” My study begins with a comparison between Rakhine State, Myanmar and a similarly volatile region that has avoided genocide, Assam in Northeast India. In a later stage of theory testing I examine another case of genocide, Indonesia in 1965/66.     

The Buffalo Nations/Luxton Museum: Tourism,Regional Forces and Problematising Cultural Representations of Aboriginal Peoples in Banff,Canada

This paper examines the cultural representations of Aboriginal peoples at the Buffalo Nations/Luxton Museum in Banff, Canada. The museum has been part of the cultural landscape of the tourism industry in Banff since 1952. Using interviews, newspaper articles and analyses of the exhibits, I problematise the museum's representations of Aboriginal peoples by focusing on the challenges associated with navigating regional power relations while participating in forms of capitalist exchange. My findings suggest that the museum's representations engender complex readings of Aboriginal peoples that need to be interpreted considering the processes of production, but also the broader conditions that are embedded in this history. This paper puts cultural representations of Aboriginal peoples into socio‐economic, political, cultural and historical contexts in ways that may interest scholars and practitioners from diverse disciplines and specific fields such as museum, recreation, tourism, heritage and Indigenous studies.     

‘Of place’ or ‘of people’: exploring the animal spaces and beastly places of feral cats in southern Ontario

Feral cats are contentious and transgressive, with opposing views on whether to classify them as abandoned pets, wild animals, or invasive species. Concerns about their welfare often conflict with fears that they are impacting native fauna. This paper presents the results of a case study of human–feral cat relations that took place in southern Ontario, Canada in 2014. This research investigates the discursive constructions of feral cats and their ‘animal spaces’ using the results of 40 semi-structured interviews. Following recent calls to move beyond human representations of animals and better integrate animals’ geographies, this study also explores the ‘beastly places’ of feral cats using the results of field observations of 20 feral cat colonies and anecdotal evidence from colony caretakers. The results emphasize the diversity of free-living contexts and the complexity of management options. This paper ends by discussing the place-making practices of cats, along with their potential ethical ramifications. Overall, it illustrates the importance of spatial factors in understanding the complex social and ethical dynamics of human–animal relations, and advances an understanding of nonhuman animals as inhabitants of personally meaningful homes.     

Developing geographies of intersectionality with Relief Maps: reflections from youth research in Manresa,Catalonia

The conceptualisation of intersectionality has been one of the most important contributions to feminism, as it allows for theorisation about multiple and intersecting oppressions. This contributes to a more complex and dynamic understanding of social relations and power structures, and it acknowledges the differences between categories, but it has no methodological direction. I try to take this debate a step forward, by developing what I have called Relief Maps: a new way of collecting, analysing and displaying intersectional data. I consider Relief Maps to be a sound tool for studying the Geographies of Intersectionality, as they show the relationship between three dimensions: power structures (the social), lived experience (the psychological) and places (the geographical). By showing some examples of them, I demonstrate how Relief Maps make empirical work on intersectionality possible and how they are able to take into account both privilege and oppression without using categories in a fixed and rigid way. Taking the spatial dimension as a central part of the analysis, they show how the relationship between power structures varies depending on places and also illustrate how subject formations are done and undone through everyday spaces. Relief Maps aim to take the potentialities of intersectionality and minimise its limitations: they intend to disrupt homogeneous categories while pointing towards the material consequences of oppression. Finally, Relief Maps also provide some insights on intersectionality itself, as they help to think about how power structures relate to each other and the role that experience and place play in these processes.     

‘The Sun Always Shines in Perth’: a Post‐Colonial Geography of Identity,Memory and Place

In this paper I explore some of the textual possibilities of post‐colonial geography. Using the conceptual tool of place as a palimpsest, I trace some geographies of memory across selected colonial and post‐colonial texts. By focusing on the relationship between representations of ‘sunny Perth’ and ‘Nyungah Perth’, I tease out some of the more general theoretical issues which pertain to a politics of place and space within this (post)colonial Australian context. The nexus of memory, place and cultural identity is central to my analysis. I give particular attention to the ways in which cultural memories are inscribed in some very specific and very ordinary places, and how these places become site‐markers of the remembering process and of identity itself.     

A bloodied bond: Fly River heads and body image in Beatrice Grimshaw's colonial landscapes

In a paper published previously in the Irish Studies Review I discuss the anthropomorphic features of Beatrice Grimshaw's landscapes in relation to colonial fears of the unknown. Following on from this I argue in the present work that this trope, ubiquitous in colonial literature, is exacerbated in Grimshaw's oeuvre by a body image or body image tendencies associated with penetrability, the foundations of which would have been laid long before she first saw the delphinium skies of the south. Grimshaw's body image, her realisation of her own physicality, is the primary focus of this essay. Drawing on the research of psychologists Seymour Fisher and Sidney E. Cleveland, I explore Grimshaw's conception of body boundaries, the boundaries of the touristic self and the indigenous Other. Such an analysis requires an examination not only of the body, and its extension dress, but also of physical terrain, the spaces and places, landscapes of the past and the present, home and the away, within which these cartographies of flesh and bone move.     

The Power of Place: Tourism Development in Costa Rica

Abstract

In this paper, I question how representations of tourist destinations color and are colored by development. Presenting the results of ethnographic fieldwork conducted on the southern Caribbean coast of Costa Rica, I find that the authenticity of portrayals of place is important not for its veracity, but for the social work it performs. Authenticity is not merely socially constructed but expressive of social relations which value people and places. Tourist perceptions of the caribe sur as genuinely underdeveloped—gauged by an analysis of photos and guidebooks as well as surveys—produce an approach to resource use within the community that is limiting. Because the value of the place is its underdevelopment, development itself constrains the possibility of sustaining further growth. Ultimately, reading development via place can be a guide for critically appreciating contemporary patterns of tourism and sustainable development in the caribe sur and elsewhere.     

Affective nationalism: Banalities of belonging in Azerbaijan

While Michael Billig’s ‘banal nationalism’ points to the significance of the trivial reproduction of national representations in everyday routines, feminist political geographers have highlighted how the nation is brought into being through embodied and emotional practices. Building upon and extending these notions of the nation as represented and embodied, the paper argues that the nation also takes shape through bodily encounters and joyful as well as painful affections. In what we call ‘affective nationalism’, the nation emerges in moments of encounter between different bodies and objects through embodying, sharing, enjoying or disliking what feels national. We combine a Deleuzian reading of affect that discloses the mechanisms of material becomings with feminist scholarship sensitive to how bodies affect and are affected differently by materially produced nationalisms. Based on ethnographic field research in Azerbaijan, which we present in three vignettes, we untangle the affective becoming of national bodies, objects and places during a publicly staged ceremony of the collective remembrance of martyr and the celebration of a national holiday within the realm of a family. The paper makes two contributions to researching affective nationalism. First, it enquires into how people identify with Azerbaijan through their capacities to affect and to be affected by what feels national and, second, it explores how affective nationalism can be captured through vignettes of affective writing.     

江南文化古镇居民旅游影响感知及其形成机理——以同里为例

本文以江南文化古镇同里为例,借助质性访谈与问卷调查探讨古镇居民对旅游影响的感知。结果表明:同里古镇居民对当地旅游发展存有正面和负面双重感知,主要体现在经济、社会、文化、环境等各个方面;具体感知维度可分为"原真性削弱与环境恶化"、"经济获益和生活改善"、"成本增加和分配不公"、"社会失序"、"地方认同与思想更新"、"文化传承和形象提升",整体上积极感知强于消极感知,但对地方旅游发展引发的负面效应感知日益增强;由此,从直接经验、社会互动以及媒体影响3个层面对古镇居民旅游影响感知形成机理进行深入剖析,并据此提出相应建议和对策。     

The Land of Allium: an exploration into the magic of place

Magical. A common adjective used to describe places. But does the magic of place spring from genius loci? Or could it be that we are the magicians, casting spells to transform places into what we desire (or what we fear)? Our sense of place is not a mirror on reality. We come to know places by inscribing our fantasies atop them, by writing onto the landscape our own imagined geographies. C.S. Lewis provides an intriguing glimpse into sense of place through the Pevensie children and their experience in The Lion, the Witch, and the Wardrobe: a mere wardrobe becomes a complex fantasy world in which the children play and interact. As adults, and as societies, we take real geographies and treat them as Lewis's wardrobe, creating Narnias in the depths of our most mundane landscapes. In this paper I explore the magic of place through an autobiographical photo essay set in a nature preserve in eastern Kansas. The stories I tell highlight in a literary and artistic way the phenomenological aspects of sense of place and the potential political import of the geographical imagination.     

Favelas and the divided city: mapping silences and calculations in Rio de Janeiro's journalistic cartography

This article aims to challenge the widespread consensus that Rio de Janeiro is a divided city by deploying two concepts in critical cartography: cartographic silences and cartographic calculations. As a kind of unconquered territory, a terrae incognitae, favelas were silenced on many of Rio de Janerio's maps over the last century. When these places began to be mapped, and converted to terrae cognitae, power relations often become even more apparent because of the intention to make it legible for purposes of intervention. By analyzing maps published in the mainstream Brazilian press throughout the last century, this article explores how national press often portrays Rio de Janeiro as a city divided between formal neighborhoods, where the state apparatus can ensure the rule of law, and favelas, where parallel politics enforce local forms of governance. In order to disseminate this image of the city, maps can play an important role, locating different urban zones and reinforcing old stereotypes. Despite many studies that focused on both material and embodied forms of state presence within favelas, maps can be an important source of information to understand persistant representations of favelas as excluded and divided places.     

The landscape of Metztitlan,Mexico: Power and control in a sixteenth century Spanish administrative painting

ABSTRACT

The concept of landscape has been studied mostly as the view of a space with particular interest in its aesthetics, originating at the turn of the sixteenth century. However, I argue that in fourteenth century northern Europe, the concept was focused on polity rather than aesthetics. This article examines this lesser-known tradition by analysing the painting of Metztitlan, a sixteenth century town in Mexico, and arguing, first, that unlike all the other representations in the Relaciones Geográficas to which it belongs, it is the only landscape, and second, that this painting is associated with an administrative procedure common in Spain to gain control over imperial lands. I review European practices regarding the representation of towns under the Spanish Crown. Then, I present the results of the fieldwork carried out to locate several heights which probably served as vantage points to paint the landscape. Based on this research, I analyse the intentions of the painter to argue that it should be considered within the same tradition as the paintings made in Spain by Flemish painter Anton van de Wyngaerde, as part of the Spanish Empire's Germanic tradition of describing places with the intention of exerting control over them.     

Selective Saber Rattling by Iraqi Politicians

Former Prime Minister Iyad Allawi stunned the Iraqi and American political establishment with his comeback success in Iraq's 2010 election. Speculation immediately began to focus on how his coalition could have won the most seats, focusing on disaffection with the status quo. But the answer could come from a tactic Allawi has repeatedly used: tying his domestic political opponents to countries that Iraq has clashed with in the past, to reignite old hatreds and fears. This article investigates, not only how Allawi and even his rivals have adopted such a strategy, but also how our current understanding of the diversionary theory of conflict needs to be modified to see how politicians in other places play this wag the dog game.     

Hindus: A Superior Race

Abstract. In this contribution I want to first examine some aspects of the influence of Orientalism and Christianity on the construction of a notion of Hinduism which could serve as the basis for nationalism. Second, I want to explore two influential claims about the uniqueness and superiority of the Hindu religion and its practitioners. The first claim is that Hinduism is the religion of a superior race, namely the Aryan race. The second claim is that Hinduism is a religion which is spiritually superior to other religions. These two claims are never completely separate from each other, but are differently emphasised by different Hindu movements.