Reading,tourism, and geography consumption in literary places

Literature and geography are closely related in the worlds of consumption and mobility, and literature is often used as a resource for the tourism industry. The reading and consumption of literature, therefore, are related to visitation of a real place, and the roles of readers and tourists merge. The case of one literary tourism site, the San Mao Teahouse in the ancient town of Zhouzhuang in China, is selected to explain the complexity of reading and geography consumption in literary tourism. Observations and in-depth interviews were used to collect the data, and then the thematic analysis method was used. The study finds that tourists can also actively participate in the construction of literary places at destinations where relevant texts do not exist. In this kind of literary place, consumption occurs in multiple spaces as a result of tourists’ reading combined with geographical consumption. This study proposes a conceptual framework to analyze the geography consumption of literature in tourist destinations. The results show that the main geography consumption is reflected in three aspects, namely text, reality, and imagination. Based on their previous reading experiences, readers explore both the literary text and the reality. In this process, their imaginations always have an effect. Two distinguishing features have been found: first, through actively reading and decoding literary geography, the readers recreate a new fictionalized reality based on their imaginations. Second, the readers pursue the imaginative process from the real Zhouzhuang back to an imagined place that San Mao wrote about. The study contributes to the current literary geography research field, especially from the perspective of consumption. The study also provides a new perspective on literature in the modern world and practical implications for the design of literary tourist products and literary heritage conservation.     

男王后:从历史叙事到文学叙事

男王后的故事源于《陈书.韩子高传》,随着时代的变迁,韩子高从历史走进了文学,他的姓氏、身份及人生际遇亦随之改变,一个青年骁将在文人的想象中逐步蜕变为王世贞《艳异编》中的帝王男宠,最后又被王骥德定格为以色事君的男王后。男王后故事的演变不仅形象体现了历史叙事与文学叙事之间的巨大差别,更折射出晚明男风盛行的社会状况以及男尊女卑性别霸权在男人内部的戏拟与复制。     

A masculinist northern wilderness and the emancipatory potential of literary irony

There has been an increasing body of critical research in modern literary geography claiming that forms of social oppression and injustice can become established through the institution of literature. It has also been stated that literature can equally well act as an emancipatory ‘tool’ through which subjugated histories are rewritten. This article is concerned with the colonialist history of Finnish northern literature, Lapland romanticism, the exoticism of nature and the interrelations of these with masculinism and sexist oppression. It discusses how northern nature is romanticized through literary stereotypes based on masculinist values and a multidimensional social process of sexism, and how the regional marginalization of northern Finland has been justified at the same time. The primary focus is on the emancipatory potential of untraditional northern literature, on a northern female author, Rosa Liksom, who through her unconventional literary irony has functioned as an emancipatory ‘project’ against the masculinist stereotypes of the northern wilderness. Liksom's literary irony serves as a metafictive ‘method’ working in pursuit of revealing its own discursive structure, as a strategy through which literary conventions and their wider social context become deconstructed.     

Time–geography,gentlemen, please: chronotopes of publand in Patrick Hamilton’s London trilogy

This paper considers the time and the place of drinking in modern British life, as represented in Patrick Hamilton’s trilogy of novels set in the publand of London’s West End in the interwar years, through Mikhail Bakhtin’s concept of the chronotope and with critical nods to Hagerstrand’s time–geography corpus. The chronotopes of pubs and their neighbourhoods, which we term ‘publand’, are discussed initially in their novelistic presentation in Twenty Thousand Streets Under the Sky (1935), and then in relation to the ‘character zones’ of the novels’ principal protagonists. The key themes, defined in the paper, are the asynchronicity of personal and social relations, the dialogic construction of heterochronicity, and the presentation of a prosaic chronotope. Though the paper is a contribution to literary geography, we aim to contribute to the cultural geographic understanding of the time–space rhythms and routines of everyday leisure drinking, making claims for the wider significance of chronotopic analysis.     

国家空间分异与国家空间视角的中国城市研究思路初探

中国城市研究的主流理论视角一直忽视国家的内部空间分异,国家空间理论的发展为从理论上重新审视国家的空间分异提供了的可能。在此基础上,介绍了国家空间视角的内涵及其在海外地理学研究中的发展与应用,分析了中国城市内部的国家空间组织的独特性及国家空间重构实践的丰富性,指出这种理论视角在中国城市研究中具有显著的应用可能性和必要性,并基于中国城市的政治经济背景提出了中国化的国家空间概念与分析框架。在此基础上,探讨了基于国家空间视角的重要城市研究议题及其可能面临的挑战与局限性。     

浅谈美术地理的地域空间性

本文从地理学的角度,用地域空间和历史的观点对美术的地域性进行了论述,提出了美术地理学的研究范畴。全文从横向地域性、纵向地域性、地域空间的扩散性三个方面对美术的地理特性进行了研究。通过大量的分析,作者认为地理环境对美术风格具有决定性的影响。文章所提出的观点可以看作是对文化地理理论的一种补充与印证。     

人文地理学空间思想的几次重大转折

理解空间思想的演变及其与人文地理学的关系具有重要意义。从思想史角度出发,可将人文地理学空间思想的演变划分为起、承、转、合四个阶段。康德从哲学角度第一次系统地界定地理学为专门的空间科学,抬升了地理学的学科地位。赫特纳-哈特向承袭康德的空间观,将空间科学的抽象规定与方志传统的实际历史结合,把地理学研究对象归约为区域。其后,人文地理学的空间思想出现了四次重大转向,分别是空间几何学、人文空间性、激进的空间、空间的生产;它们体现了人文地理学与数学、哲学和其它社会科学的紧密关联与交叉。20世纪80年代以来兴起的后现代空间思想某种程度上契合康德空间观,但在哲学理念和侧重点上存在很大差异。由于不同空间认识论都有其价值,价值大小也难以评估,所以人文地理学学科地位与身份问题的争论已趋于淡化,这提示了人文地理空间研究可采取多重面向。哲学和其他学科在为人文地理提供依据和工具,使得人文地理学身份陷入迷离的同时也为其增添了活力和魅力,这是人文地理学面临的最大机遇与挑战。     

历史货币地理研究刍议

作为历史经济地理学的重要分支,历史货币地理研究迄今未引起学术界的充分关注。围绕历史货币地理研究的理论体系进行建构,无疑是非常有意义的尝试。我们对历史货币地理研究的对象、具体内容、与其他学科的相互关系、研究方法等问题进行了理论探讨,并提出了开创中国历史货币地理研究的建议,主张对先秦以来中国货币制度中长期存在的货币地域性问题进行全面而系统的研究。     

犯罪地理学的理论研究

目前,国内外学术界还没有建立起真正意义上的犯罪地理学,因此,犯罪地理学的理论研究就显得特别重要。为此,本文系统地探讨了犯罪地理学的理论体系,认为犯罪地理学的理论体系含有:①地理环境决定论;②环境论(月相说、星相说、地域说、犯罪地形说、折衷主义学派环境论);③犯罪时日论;④芝加哥学派的犯罪同心圆论;⑤犯罪区位论。通过犯罪地理学理论体系的研究,希望有益于犯罪地理学的创建和发展。     

古陶瓷研究中的地理学视角

探讨文化地理学、区域观察方法在古陶瓷研究中的运用。文化地理学中的景观理论、文化的时间与过程、技术传播理论适用于古代瓷器手工业地理研究。区域的地理特性可以分为自然和人文两个方面,它们与区域瓷业特色的形成和兴衰有着密切的关联性。     

人文主义地理学与地理学人本传统的复兴

实证主义地理学是通过\"认识论翻转\"确定均质化空间而保证其有效性的,这在根本上规定了实证主义方法论中人文世界的隐没。人类科学理性的缔造经过\"认识论翻转\",确保了其割裂人文世界的普世价值观,并随着实证主义在近现代的成功和学科建制化而得到制度保障。这一历程在显示实证主义对地理学神圣指导作用的同时,暗含了其对地理学分工的不适。在\"认识论翻转\"层面上,人文主义地理学对地理学研究传统进行了\"否思\":①重新评估了地理学的本体论问题,使人文世界定位于地理学研究领域之内;②发展了针对人文世界的整体主义方法论,但并非对实证主义的反判;③人文主义地理学的立足点伦理和价值是内在的而非实证主义外在的;④人文主义地理学讨论的知识论要求\"本体论-认识论与方法论-价值论\"的联通以获得具有人性的世界图景。     

The spaces of Australian capitalism: Making “place” out of “space” in The Unknown Industrial Prisoner

Radical geographers have emphasised the centrality of class relations to the production of social space. In particular, this literature makes the distinction between the homogenising “abstract space” of global capital and meaningful, specific social “places.” The tension between the two expresses itself in spatial forms, creating the landscapes of capitalism. This political-economic conception of space and place is generally under-explored in the Australian context, particularly regarding the highly important post-World War II Long Boom period. This article interrogates the spatiality of this epoch through David Ireland's award-winning novel The Unknown Industrial Prisoner. Rooted in the notion of literary geography, which argues that literature “knows” things about the space of the society into which it is born, the article argues that Ireland portrays and handles in a particularly vivid and powerful way the dialectical articulations, simultaneously contradictory and intertwined, of space and place in the spatiality of Australian capitalism. Whilst he ultimately concludes that the powers of capital's abstract space dominate, he nevertheless demonstrates that through explicitly spatial projects of place-making, workers can attempt to impose their own political economy on the spatial form.     

西方舞蹈地理研究进展：从非表征争议到创意地理实践

作为早期非表征理论构建的主要场景,舞蹈是特定想法—行为的表达与实践,有助于探察身体动作在理解和创造表达上的潜能,而舞蹈正式进入文化地理学视域的时期也正好是非表征理论对传统文化地理学的挑战接近成熟的关键时期。随着展演的身体成为分析对象以及编舞成为地理研究中新的非表征方法概念,舞蹈作为社会跨学科实践和工具受到越来越多关注。本文以非表征理论引发的诸多争议为基本背景,力求全面呈现如下两个转变过程：①舞蹈如何从关于身体、展演性、认同等地理学话题,逐渐演变为检测动作节奏、感觉、生成空间的地理实践和方法;②舞蹈地理研究经历如何从批判的舞蹈文化政治学,逐渐转向实践性的展演艺术与创意地理学。文章认为,非表征思想有望用于解决表征之外可能存在的开放性实践难题,丰富调节实践的情感维度,并拓展分析情感交缠的物质主义话语,而转变后的西方舞蹈地理研究对于理解我国现当代文化政治经济的情感属性、思考艺术影响下城市公共社区的差异化也就具有明确的启发价值。     

‘It was entirely his fault’: constructing white masculinities and the Haga Man assaults in Umeå, Sweden 1998–2006

Several cases of single repeat offenders in urban space have raised public concern in Sweden during recent decades. Few studies have been conducted on the consequences of the ‘hostage situations’ that emerge when one individual offender causes fear and affects a large group of people in a specific place. The concern of this article is to examine consequences of the Haga Man phenomenon: the case of a serial rapist operating between 1998 and 2006 in Umeå, a medium-sized Swedish city. The article focuses on the construction of white masculinities among male respondents in Umeå during the time of the attacks. I examine how men positioned themselves in relation to the public image of the offender as a ‘normal Swede’ and how they related to women's increasing fear of violence in urban space. Three prominent constructions of masculinity emerged from the research data: the dangerous stranger, the suspect and the protector. These three constructions of masculinity were not clear-cut and did not ‘belong’ to specific men – several of the interviewees articulated various forms of masculinities but stressed them in different ways depending on, for instance, age and/or ethnicity/race. I conclude that men largely positioned themselves as protectors as a strategy to distance themselves from the perpetrator (the image of the ‘normal Swedish man’ performing the rapes) and to ensure that they would not be perceived as suspects. However, men largely perceived that women's increased fear of crime was ‘one man's fault’ and broader issues about gendered power relations in space were not raised.