Gallantry on the Shankill road: the British ‘soldier-hero’ and state-media relations in Northern Ireland, 1969-1979

ABSTRACT

The study of the British ‘soldier-hero’ as a political and cultural icon after 1945 has been largely confined to literature concerned with the memory of historical figures. Rarely have scholars considered how post-war military deployments not only created contemporary soldier-heroes, but also transformed their place within politics and society as the moral interrogation of these wars threatened to encroach upon the prestige of these icons. This article examines how the soldier-hero interacted with one of Britain’s most contentious deployments, Northern Ireland, and how politicians sought to control narratives surrounding this figure to avoid public relations controversy in unusual political conditions.     

Following the caterpillar fungus: nature,commodity chains,and the place of Tibet in China's uneven geographies

Following caterpillar fungus as it travels from the Tibetan Plateau to wealthy Chinese consumers, this article makes several interventions into geographical studies of commodity chains. First, it argues for an expansion beyond the usual call to connect the political economy of production with cultures of consumption; the cultural politics of production and political economies of consumption must also be considered. Second, it argues for bringing together political economy and more-than-human analytical approaches to commodity chains, showing how nature and the nonhuman play a key role in an assemblage that has allowed Tibetans to navigate livelihoods in a rapidly changing economy. This challenges a tendency to assume a universal figure of ‘the human’ in more-than-human geographies. Third, by connecting the erasure of Tibetans from representations of various natures used to sell caterpillar fungus with the broader politics of Tibetans within the People's Republic of China, we show that commodity fetishism can conceal not just labor relations, but also political struggles not reducible to class. Finally, we show that following a small fungus can shed light on the unevenness of China's capitalist development obscured in monolithic narratives of China's rise, demonstrating the value of expanding commodity chain studies beyond those that end with Western consumers.     

Rethinking Twentieth‐Century Guadalajara

This paper discusses the impact of the conference ‘Las Olvidadas: Gender and Women's History in Post‐Revolutionary Mexico’ that took place at Yale University in May 2001, into my own work on women's political mobilisations. It points out from where I departed and how it changed my perspective from women's history to gender history by focusing on women workers in the tortilla industry, a union cacicazgo (political bossism), civic culture, narratives, cultural memory and female political trajectories after the granting of women's suffrage in 1953 in Jalisco.     

Mata'uvave and 15th Century Ha'apai: Narrative accounts and historical landscapes in the interpretation of classical tongan history

Abstract

Mata'uvave is a minor chiefly title from the northern Ha'apai Islands, Kingdom of Tonga. Traditional Tongan history, however, suggests this chief held a pivotal role in the assertion of political authority over this region by Tu'i Tonga Kau'ulufonuafekai in the mid‐15th century A.D. Published narratives and genealogies, recently collected oral accounts, place names, and archaeological sites, provide a basis from which this history is interpreted. These sources reveal much about the events and socio‐political processes of pre‐contact chiefly polity in Tonga. The account of Mata'uvave further illustrates the potential of historical landscapes as a supplementary order of data for traditional history in general. Through construction of monumental archaeological sites and through commemoration of associated activities in place names, Mata'uvave transcribed himself onto the cartography of northern Ha'apai. This landscape composes a mnemonic index by which oral accounts may be accessed and evaluated.     

THE ENDURING PUBLIC STRUGGLE TO CONSTRUCT,CONTROL, AND CHALLENGE HISTORICAL MEMORIES

Sumit Guha's History and Collective Memory in South Asia, 1200–2000 develops important arguments about the public significance of historical knowledge and the essential role of historians in public life. All societies need collective memories to sustain their cultural identities, as Guha shows in this wide‐ranging account of how such memories have been constructed in South Asian societies since the thirteenth century. The knowledge of historical experts is increasingly challenged or derided by contemporary social groups and political activists, who circulate their own historical narratives via new networks of communication. Political uses of historical knowledge are not new, however, as Guha shows in detailed accounts of how Hindu, Muslim, and British imperial regimes all used historical narratives to justify their own power. He also explains how other social groups challenged official historical narratives with their own popular stories about the past. This book contributes to recent work in global intellectual history by comparing similarities in the historical practices of premodern Europe and South Asia, discussing the cross‐cultural exchanges in colonial‐era institutions, and describing postcolonial challenges to European ideas. Guha thus offers an insightful analysis of how social and political forces influence and respond to the cloistered institutions that produce historical knowledge and construct collective memories. He concludes that evidence‐based historical narratives must be continually defended amid current public assaults on historical knowledge in both South Asia and the United States. More generally, Guha's book suggests the need for ongoing analysis of how public events, social conflicts, and new communication systems can reshape or discredit the work of historical experts.     

Urbanity, Sociability, and Commercial Exchange in the Barbados Sugar Trade: A Comparative Colonial Archaeological Perspective on Bridgetown, Barbados in the Seventeenth Century

In one of the most notable studies on the political economy of the modern Atlantic world, Sidney W. Mintz (Mintz, Sweetness and power: the place of sugar in modern history. Penguin, London, 1985) explored the rise of sugar production in the Caribbean and emphasized Barbados’ role in shaping the trajectory of the sugar industry in the seventeenth century. Yet, while sugar was certainly the defining commodity of the Barbadian economy, not all of the island’s citizens were directly involved in the sugar production process. Residents of the island’s main urban center, Bridgetown, lived at the interface between producers of sugar on rural estates in Barbados and consumers of sugar in metropolitan Europe. They were the glue that held the emerging Atlantic sugar business together and their efforts to develop a functioning urban infrastructure in Barbados helped fuel the trade in this valuable commodity.     

Networks and place in Montreal's independent music industry

The significance of networks for independent music producers has been well established in the urban‐economic geography literature and the literature centred on cultural industries. In this article, we seek to build on this literature by considering how place‐based attributes mediate network development; that is to say, how the unique characteristics of place (such as historical and cultural attributes) determine networking outcomes among spatially proximate actors. Specifically, we consider the importance of place through an examination of Montreal's independent music industry. Drawing on 46 semi‐structured interviews with key actors in the industry, we illustrate how Montreal's bilingual identity contributes to network dynamics within the industry.     

Emplacing Current Trends in Feminist Historical Geography

In this article, the authors assess some of the major trends within anglophonic feminist historical geography appearing in the decade since Rose & Ogborn called for the development of an explicitly feminist approach to the subfield. In examining the 'geography' of feminist historical geographies, three main categories of scholarship are evident: a 'new' historical geography of North America, portions of which are informed by feminist theories and methods; a British school of feminist historical geography with a focus on the discipline of geography, geographical knowledges and colonialism/imperialism; and feminist historical geography interventions in cultural politics of space and place. A diversity of feminist methods and epistemologies appears across the literature. In an attempt to avoid a reading of these trends as better or worse approximations of historical 'progress', the authors conceptualize them as emplaced within a number of specific social and spatial contexts. Most recent work is concerned with the production of gender differences as they are worked through economic, political, cultural and sexual differences in the creation of past geographies. The continued need simply to write women into historical narratives and geographies, however, is also evident. The work of feminist historical geography questions and challenges geography's masculinist historical record.     

Cultural policy as mythical narrative

ABSTRACT

In this paper, we argue that policy assumptions are shaped by mythical narratives carrying underlying beliefs and values. Drawing on narrative studies, organisational theory and Gramsci’s cultural hegemony theory, we examine how sense-making narratives create consensus, how they imply causation and individual agency, and finally how narratives fragment to reveal alternatives to hegemonic ‘common sense’ assumptions. Applying this framework to cultural policy we examine the place of mythic, sense-making narratives in the historical development of foundational national cultural policies in the UK and Mexico – respectively, narratives of ‘the civilising mission’ and ‘social transformation’. We then consider narrative emplotment and individualisation underpinning assumptions about individual creativity in the UK creative industries policy. Finally, we address the postmodern turn in narrative studies, showing how fragmented, polysemous narratives fracture cultural policy into ‘personalised truths’ and give voice to other, counter-hegemonic perspectives. We conclude by proposing an agenda for narrative research in cultural policy.     

Monkfish Mysteries. A Narrative Analysis of Place-making and Knowledge Production among North Norwegian Fishermen

Abstract

In this article, major focus is on creative production of knowledge needed to outsmart the monkfish at deep seafloor locations. This production is examined through narrative analysis. Narratives link individual human actions, events and experiences into interrelated aspects of an understandable composite. This is a cumulative process that shows some of the complexity and contextuality of everyday meaning-making. One recurrent question is, how do fish think? How fishermen construct narratives about the behavior of marine animals and their preferred underwater habitats is presented and analyzed. Some narratives are contested but all the same influence human–animal interaction. Narrative work further establishes and confirms common ideas, informed by marine biological science, fishermen's experiences, creative imagination and hopes. These narratives address topics also related to overfishing and resilience.     

Hegel and Historicism

Abstract

This article summarises the story of the production of the historical volumes by the South African Democracy Education Trust (SADET). SADET was established after former president Thabo Mbeki expressed concern that there was very limited research done on the achievement of a peaceful political settlement in South Africa after decades of violent conflict. SADET's mission is, and has been to conduct a major study of South Africa's political history between 1960 and 1994. The focus of the article is on the project's editorial structure and on its research methodology, particularly the benefits and limitations of the use of oral interviews as the main research tool.     

Claims to Place: The public art of Sue Jane Taylor

This paper explores the ways through which the public art of Scots artist Sue Jane Taylor and the practices associated with it both unsettle narratives of globalisation and conjure in their stead new narratives of place. With reference to the stories of five works/workings of art—Glencalvie and Borgie in the Highlands, Aberdeen (the onshore site for the North Sea oil industry) and Clydebank, and Lower Pultneytown, Wick—I show how the art, as evidence of a deeply politicised aesthetics, makes visible not only the specificities of historical and contemporary struggle, but is also bound up with creating and imagining new political possibilities. Art and artistic practices are understood not simply in terms of shaping meanings but as constitutive of processes of subject formation and of the ‘becoming’ of place.     

El Roto: A political cartoonist in late capitalist Spain

ABSTRACT

Under the pseudonym of El Roto, Andrés Rábago draws editorial cartoons for El País newspaper on an almost daily basis. Unlike other cartoonists, his political satire rarely depicts real politicians or celebrities but instead focuses on social types. This technique helps him to distance himself from current events as presented by the media and signal the more general causes of political conflicts. This article explores cartoons from recent years in which El Roto represents and interprets manifestations of the economy in everyday life. I show that his editorial cartoons aim to unmask the ideological narratives that attempt to naturalize capitalism as the only possible economic system. His “ideology critique” can thus be described as a political intervention to interrupt the creation and shaping of systems of representation that legitimize this economic and cultural hegemony. This article offers a content analysis of some of El Roto's most relevant cartoons, identifying the most recurrent themes and techniques used in order to consider his position as a cartoonist in Spanish politics.     

Political economy and global repercussions: reflections on past and present in global historical archaeology

SUMMARY: The seven articles of this special issue of Post-Medieval Archaeology provide a background to this paper. Their various interpretations and operationalizations have provided a plethora of perspectives and localities concerning past political economies. This paper aims to further the discussion of political economy and its relevance in historical archaeology. The very many connections between economy, identity, culture, production, mentality and perception are the foundations of this special issue and also of this article. The paper starts by looking back at how Friedrich Engels and Karl Marx used the concept of political economy and what it might mean in an archaeological context today. The examination then follows three brief cases of individuals in the early modern period and how they related to, and interacted with, the political economy of their time and space. The paper concludes by emphasizing the importance of putting material culture and spatial studies into the discussion in order to trace entanglements and connections of political economies of past societies.     

Cultural governance and creative industries in Singapore

Singapore, a leading country in the Asia‐Pacific region, is currently attempting to transform its cultural industry into creative economy. Creative economies capitalise on how knowledge can be marketed by merging arts, technology and business. They ensure a nation's competitiveness within an integrated global economy. This paper critically examines Singapore's recent cultural policy developments in tourism, broadcasting and new media. It argues that new creative industries have produced new consumption patterns and identities that harness the place‐branding of “New Asia” as a form of cultural capital and a strategy of regional dominance. Cybernetics is proposed as an approach to frame creative cultural governance and consumption in Singapore.     

“Land of Unfinished Monuments”: The Ruins-in-Reverse of Nineteenth-Century America

Abstract

By focusing on the design and reception of successfully completed monuments, historians have overlooked the presence in nineteenth-century America of monuments that were left unfinished for decades, or even aborted altogether. This article recovers numerous such monuments, and shows how contemporaries seized on them not merely for their aesthetic value as homegrown ruins to be visited and sketched, but also for their rhetorical value as expressions of unfinished political and social struggles. In refashioning these incipient historical memorials as ironic anti-monuments to contemporary problems, diverse groups – radical workingmen and conservative Whigs, female activists and chauvinist newspapermen, patriotic Americans and critical Englishmen, proslavery southerners and abolitionist northerners – elaborated a broader discourse of unfinishedness. The fragments of these monuments could even figure the nation itself as a work-in-progress, contrary to current arguments about the construction of national identity through notions of organic wholeness. The article also questions scholars' assumption that monuments inevitably promote a culture of forgetting by projecting images of consensus and closure. In turning to the reception of monuments during their often-lengthy construction, we can perceive their more complex relationship to dominant ideologies and narratives of the nation-state.     

FROM REVOLUTION TO MODERNIZATION: THE PARADIGMATIC TRANSITION IN CHINESE HISTORIOGRAPHY IN THE REFORM ERA

Chinese historiography of modern China in the 1980s and 1990s underwent a paradigmatic transition: in place of the traditional revolutionary historiography that bases its analyses on Marxist methodologies and highlights rebellions and revolutions as the overarching themes in modern Chinese history, the emerging modernization paradigm builds its conceptual framework on borrowed modernization theory and foregrounds top‐down, incremental reforms as the main force propelling China's evolution to modernity. This article scrutinizes the origins of the new paradigm in the context of a burgeoning modernization discourse in reform‐era China. It further examines the fundamental divides between the two types of historiography in their respective constructions of master narratives and their different approaches to representing historical events in modern China. Behind the prevalence of the modernization paradigm in Chinese historiography is Chinese historians' unchanged commitment to serving present political needs by interpreting the past.     

Two flags in the sand: anti-Communism in early Cold War Northern Ireland

ABSTRACT

This article reveals how the Cold War impinged upon not just national, but local political considerations and became woven into communal narratives. It contributes to the examination of religion in the conflict, adds to the historiography of Britain and the Cold War, and provides a context by which British Cold War experience and responses can be assessed. With Northern Ireland’s political similarities to Great Britain, its consistency with European norms and its overlaps with popular sentiment in the United States, Northern Ireland offers a gauge to better understand the nature of anti-Communism in the Cold War’s first decade and offers an unexplored perspective on the conflict.     

‘The rainha is the boss!’: On Masculinities,Time and Precolonial Women of Authority in Northern Mozambique

This article focuses on the oral historical narratives about precolonial women of authority (or rainhas in Portuguese) to explore the deeper history of gendered power in northern Mozambique. History-telling is a gendered practice, and nowadays male elders are usually the ones most knowledgeable in these narratives. Moreover, telling these tales - which in interview situations involves personal interpretations and comments - the men also story gendered temporal worlds. This article looks more closely at two seemingly clashing (and incompatible) storylines that emerge in the oral history material. One tells of women's spiritual-political power in the Yaawo chieftaincies in precolonial times, while the other tells a narrative of masculinised power and woman's subordinate position in relation to male leaders. The article focus's especially on how the male narrators talk about masculinity and how different models of masculinity in turn shape the historical narratives they tell. As the author's analysis demonstrates, these models have different temporal origins; yet they intertwine in present time-space, interacting also with newer notions (e.g. the ‘new man’ of the socialist period). The article thus shows how various models of masculinity linked to different temporalities and different imaginings of the relationality between femininity and masculinity coexist and shape male gendered identities as well as the histories men tell about the past and gendered power.