Consumption,Environmental Sustainability and Human Geography in Australia: a Missing Research Agenda?

‘Consumption’ is a central concept in the global environmental sustainability agenda. However, one important argument from Agenda 21 — that all social actors must now practise ‘sustainable consumption’— has been publicly and politically marginalised in high‐income countries such as Australia. Geographers potentially have a role in bringing consumption back onto the agenda by constructing a critical geography of consumption. Such research can help understand how the contextual use of natural resources is perceived and practised, and how consumption helps to shape contemporary social relations. This body of knowledge is vital for building sustainable development into everyday lives. Yet a focus on urban consumption perceptions and practices appears somewhat lacking in Australian geography. Ways forward can be drawn from international geography, such as in the United Kingdom where a substantial body of work has drawn a complex picture of contemporary consumption and environmental understanding. It has also challenged prevailing ‘ecological modernisation’ policy approaches, which ignore consumption's cultural facets. In sum, considering consumption in Australia can offer insights into cultural practices expressed through consumption; can challenge and add to European geographical literatures, and can also contribute to sustainability debates by offering alternatives to currently ineffective policy discourses.     

The Turnbull government’s ‘Post-multiculturalism’ multicultural policy

ABSTRACT

The Turnbull government presented Australia’s fifth national multicultural policy statement in March 2017. This article analyses the policy statement and argues that it represents the most significant change to Australian multicultural policy in four decades. Among other things, it abandons the language of government responsiveness to cultural diversity that previously defined Australian multiculturalism. The 2017 policy amounts to a new form of post-multiculturalism—different from earlier conservative, neoliberal and centre-left versions—in that it seeks to ‘mainstream’ multicultural policy on the grounds that Australian multiculturalism has succeeded in its intended task. While a mainstreaming strategy of this sort is, I argue, theoretically consistent with Australia’s liberal nationalist approach to cultural diversity, the institutional and attitudinal conditions that it presupposes are yet to be fully realised in Australia. More multicultural work needs to be done before this kind of post-multiculturalist approach is practicable.     

Human rights in a global ecumene

How should we understand the cultural politics that has surrounded the development of international human rights? Two perspectives frame contemporary debate. For ‘cultural particularists’, human rights are western artefacts; alien to other societies, and an inappropriate basis for international institutional development. For ‘negotiated universalists’, a widespread global consensus undergirds international human rights norms, with few states openly contesting their status as fundamental standards of political legitimacy. This article advances an alternative understanding, pursuing John Vincent's provocative, yet undeveloped, suggestion that while the notion of human rights has its origins in European culture, its spread internationally is best understood as the product of a ‘universal social process’. The international politics of individual/human rights is located within an evolving global ecumene, a field of dynamic cultural engagement, characterized over time by the development of multiple modernities. Within this field, individual/human rights have been at the heart of diverse forms of historically transformative contentious politics, not the least being the struggles for imperial reform and change waged by subject peoples of diverse cultural backgrounds; struggles that not only played a key role in the construction of the contemporary global system of sovereign states, but also transformed the idea of ‘human’ rights itself. In developing this alternative understanding, the article advances a different understanding of the relation between power and human rights, one in which rights are seen as neither simple expressions of, or vehicles for, western domination, nor robbed of all power‐political content by simple notions of negotiation or consensus. The article concludes by considering, in a very preliminary fashion, the implications of this new account for normative theorizing about human rights. If a prima facie case exists for the normative justifiability of such rights, it lies first in their radical nature—in their role in historically transformative contentious politics—and second in their universalizability, in the fact that one cannot plausibly claim them for oneself while denying them to others.     

Multicultural iteration: Swedish National Day as multiculturalism‐in‐practice

This paper examines the creation of ‘national day’ in Sweden in order to understand how such a holiday works to shape the Swedish nation's relationship with diversity. Analyzing parliamentary debates and press coverage, the author finds that official national day coverage tends to invest the nation with progressive and multicultural meanings, foregrounding immigrant voices. However, this multiculturalism is polysemic, vague and subject to contestation, both from far right ‘traditionalists’ seeking to ‘protect’ Swedishness from outside influences and cosmopolitans who see the nation as outdated and dangerous. The creation of a new national holiday can be seen as a ‘democratic iteration’ wherein democracy is restated and reinvested with meanings, and new lines of cleavage are drawn, and also as a ‘multicultural iteration’ where multiculturalism is invested with new meaning. Finally, the author argues that multiculturalism benefits from polysemy in that the concept can then adapt to changing circumstances, and, thus, survive.     

Historical and Dialectical Perspectives on the Archaeology of Complexity in the Siin-Saalum (Senegal): Back to the Future?

Drawing on recent critiques of evolutionism, this article reviews the history of Iron Age studies in Siin-Saalum (Senegal) to examine the construction of African archaeological knowledge. From the 19th century to the 1980’s, analyses of complexity in Senegal have been animated by developmentalist views that have portrayed the regional past as a stagnant backwater. In the past 25 years, however, archaeological research has sought to redress these inaccuracies by exploring the diversity and idiosyncracy of African histories, and the processes behind sociopolitical change. These critical agendas can help us exploit the analytic potential of material culture to reincorporate African societies into the stream of world history, and to use the African past to reevaluate current scenarios of complexity and their applicability to various regions of the globe. To achieve these goals, however, and develop a fully self-reflexive archaeology in Senegal, researchers must eschew moral celebrations of African distinctness and strive instead to document how local pasts owe their particular qualities to complex political-economic articulations with other world societies. Concurrently, we must also attend to the dynamics of historical production in and out of guild circles, and consider our entanglement in the making of contemporary ‘culture wars.’ Because it is ideally suited to probe the historical and material depth of cultural differences and inequalities, archaeology must take a leading role in dispelling essentialist readings of Africa and promoting democratic knowledges about the continent.     

British Muslims,multiculturalism and UK foreign policy: ‘integration’ and ‘cohesion’ in and beyond the state

After the 7 July and 21 July 2005 attacks on London the government‐sponsored effort to ‘prevent extremism together’ has repeatedly acknowledged the central role of anger at UK foreign policy in the radicalization of some British Muslims. This acknowledgement has been incorporated into a ‘comprehensive framework for action’ centring upon the need for increased ‘integration’ and an effort, critically, to re‐work British multiculturalism as a means to combat terrorism. Examining the history of multiculturalism in Britain and the tradition of living and acting ‘together’ that it suggests, however, raises a set of questions about the society into which integration is supposed to occur, what integration might involve and its real efficacy for combating terrorists. In addressing these issues, this article suggests that the debate over contemporary multiculturalism should be situated within a much wider social and political crisis over the meaning of ‘community’ in the UK, to which questions of global order and foreign policy are central. Comparing the ‘ethical’ basis of Al‐Qaeda's attacks with Tony Blair's invocation of ‘values’ as the foundation for military intervention reveals that both seek to realize models of community through violence and a shared process of ‘radicalization’ which in both cases precedes 9/11 and which might be traced back to the Gulf War of 1991. The article concludes that debate over the future of multiculturalism in the UK is being conducted alongside and is implicated within a second, violent global conflict over community: one which is central to, but essentially unarticulated within the domestic context.     

Filipinos settle in the Canadian North: unsettling a gendered frontier

This paper explores how contemporary accounts of Filipino settlement in the Yukon articulate with the imaginative project of a ‘frontier Yukon.’ Since 2007, Whitehorse, Yukon has been as a prominent site of settlement for Filipino newcomers to Canada. This has been supported by the implementation of a new immigration policy–the Yukon Nominee Program (YNP)—inaugurated to address shortages in the territory’s service sector labour market. What happens, we ask, to frontier narratives when they are put into conversation with bodies, peoples, places, and collective experiences that they were never meant to narrate? We discuss how hegemonic notions of race, gender, and frontier masculinity are reworked and unsettled in emerging narratives of Filipino settlement. In working through multiple and contested notions of the frontier, we play on varying meanings of the verb “to settle.” Frontier mythologies seek to settle the disruptive potential of Filipino workers and families as they newly inhabit borderline spaces. At the same time, the hard work of “settling" into a foreign environment is set both within and against the hegemonic facade of frontier mythology. We find that while the examined discourses of arrival in the Yukon reinforce hegemonic accounts of the Yukon’s settlement, and obscure histories of settler colonialism through their celebration of multiculturalism and diversity, they also contain moments of ambiguity that “unmap” hegemonic frontier narratives.     

Aims and contradictions of cultural diversity policies in the arts: a case study of the Rich Mix Centre in East London

In recent years, the concept of diversity has become prominent in cultural policy, echoing community arts philosophies of the 1960s and 1970s that questioned the notion of universal artistic value and argued for greater recognition of the relationship between cultural identity and inequality. Cultural diversity policies today implicitly challenge the liberal‐humanist discourse of ‘the best’, and emphasise what is ‘relevant’ to particular communities. Official policy rhetoric can often hide contradictions that are only apparent in practice. How does ‘diversity’ shape the way organisations engage with audiences and does this contradict the still present discourse of ‘universalism’, with its emphasis on value judgements? This paper explores this tension through the study of Rich Mix, a multi‐functional arts centre in London's multi‐ethnic East End. It argues that Rich Mix is caught between discourses of universalism and diversity, leading to confusion over the project's rationale and ambivalence amongst artists about how their art is judged.     

Cosmopolitan nationalism: ordinary people making sense of diversity†

ABSTRACT. This article challenges the theoretical opposition between nationalism and cosmopolitanism with empirical research on the ways in which a group of ordinary Australians talked about multiculturalism in the 1980s and again in the 2000s. It shifts attention from identity work to the understanding of day‐to‐day social relations: it finds that they are strongly nationalist and yet also display a cosmopolitan embrace of the benefits of cultural diversity. They draw on the inclusionary resources of Australian nationalism and its history to strengthen their cosmopolitanism and calm their anxieties about living with diversity. Their commonsense conceptualising of Australia's contemporary multicultural society in terms of a mix of individuals rather than an ensemble of groups is crucial to understanding why cultural diversity has been embraced within the framework of the nation.     

‘An Old Carriage with New Horses’: Nietzsche’s Critique of Democracy

Debates about Nietzsche's political thought today revolve around his role in contemporary democratic theory: is he a thinker to be mined for stimulating resources in view of refounding democratic legitimacy on a radicalised, postmodern and agonistic footing, or is he the modern arch-critic of democracy budding democrats must hone their arguments against? Moving away from this dichotomy, this article asks first and foremost what democracy meant for Nietzsche in late nineteenth-century Germany, and on that basis what we might learn from him now. To do so, it will pay particular attention to the political, intellectual and cultural contexts within which Nietzsche's thought evolved, namely Bismarck's relationship to the new German Reichstag, the philological discovery of an original Aryan race, and Nietzsche's encounter with Gobineau's racist thought through his frequentation of the Wagner circle. It argues that Nietzsche's most lasting contribution to democratic thinking is not to be found in the different ways he may or may not be used to buttress certain contemporary ideological positions, but rather how his notions of ‘herd morality’, ‘misarchism’ and the genealogical method still provides us with the conceptual tools to better understand the political world we inhabit.     

Towards ‘Embedded Non-creative Work’? Administration,digitisation and the recorded music industry

Abstract

For contemporary cultural policy, ‘non-creative’ work continues to form a conceptual blindspot: a foil to define and value creativity against. This paper develops existing categories to augment the task-focused notion of ‘embedded creativity’ with a more situated view of work’s cultural and institutional embedding. It first interrogates this ‘embeddedness’, taking a ‘cultural economy’ approach to intermediation and administrative support. Drawing on observations from an in-depth qualitative study of employees in major record labels, the second part articulates the heightened importance of ‘admin’ to recorded music industries, after ‘digital disruption’. Routine bureaucratic labour presents an atypical example, revealing much about the hidden relational and identity work that goes into constructing ‘creative industries’ as such. The intention is not to show that ‘embedded non-creative workers’ are in fact ‘creative’ but, on the contrary, to articulate the distinct contributions and value of support work in this context, questioning a persistent reliance on creative/non-creative dualisms. Policy research would benefit from enriched understanding of culture's assembly in marketable objects, reorienting understandings of ‘cultural’ labour markets and careers, and reimagining the role of traditional cultural ‘administration’ in the contemporary ‘creative economy’.     

Because Pigs Can Fly: Sexuality,race and the geographies of difference in Shyam Selvadurai's Funny Boy

This article explores the ways that the popular diasporic novel Funny Boy, set in Sri Lanka but written from Canada by an exiled Sri Lankan born Tamil, intervenes in the country's contemporary geographies of difference. The novel itself explores a Tamil boy's struggle to negotiate life in Sinhala-dominated Colombo while also coming to terms with his emergent same-sex desire. By focusing specifically on the writing of two familiar middle-class Sri Lankan spaces central to the novel's narrative—the family home and the school—the article shows how these everyday geographies regulate and normalise carnal desire in a society which still operates anti-homosexual legislation. It also suggests how the erosion of the meanings of these familiar spaces is a tactic central to the main protagonist's sexual liberation. By reading these sexualised geographies through the polemic racialised Sinhala/Tamil divisions in contemporary Sri Lankan society, the paper shows how the novel makes an important political intervention in contemporary Sri Lankan politics where devolution and federal solutions to recent civil unrest have produced territorialised geographies of difference that prescribe ‘places for races’. By evoking the Funny Boy's fictive and sexualised geographies of exclusion and resistance, this article unsettles the logic that binds intra-racial solidarity, its cognate geographical modelling, and instead highlights the exclusions that exist at all levels in Sri Lankan society.

Amma held up her hand to silence us. ‘That's an order,’ she said.     

Constructing Gendered Workplace ‘Types’: The weaver–millworker distinction in Dundee's jute industry,c. 1880–1910

Victorian and Edwardian Dundee was labelled a ‘woman's town’ due to the high proportion of women who worked in the city's staple jute industry. In this article, drawing on a range of contemporary sources, I use the work of feminist historians and Foucauldian notions of discourse to interrogate this label and explore why and how working women came to be marked as particularly problematic. Further, in questioning this label, I demonstrate how two specific workplace ‘types’—the weaver and millworker—were identified and constructed in contrast to one another. This article probes the processes through which these two ‘types’ were created, contested and performed in relation to the segregations and working conditions of their respective workplaces, and argues for a markedly spatial interrogation of gender identities and the category ‘working woman’.     

John Stuart Mill’s Political Pessimism

John Stuart Mill devoted much of his life to developing a ‘science of morality’ to enhance the social, moral and intellectual character of individuals and society as a whole. His liberal aspirations included the reform of legal and political institutions according to utilitarian principles and consistent with personal liberty, and the development of a diverse and creative culture. Paradoxically, Mill, the liberal optimist, was also a pessimist about achieving these goals. This article argues that Mill’s pessimism reveals an intellectual depth and forthright political realism about England’s parliamentary democracy and the political and cultural consequences of growing affluence and social equality. Mill’s critiques of liberalism and socialism in their original emergence point the way to explaining why his ideas remain provocative and profoundly illuminating in contemporary debates concerning multiculturalism and human rights.     

Inventing Australia: a Critique of Recent Cultural Policy Rhetoric

This paper provides a critical analysis of the cultural and arts policies released by the Keating Labor government of the early 1990s and the current Howard Coalition government. While official definitions of Australian national identity promoted multiculturalism, analysis of Creative Nation, Labor's 1994 cultural policy, and recent statements from the Coalition, exposes the partiality of recent constructions. Both Labor and the Coalition's constructions of identity were based on an economism that was linked to traditional, masculine myths of egalitarianism and ‘mateship’. Such constructions show that neither party has embraced multiculturalism to the degree suggested by policy rhetoric.     

Multiculturalism in Europe and America

Abstract. Although there is a popular discourse about multiculturalism in Europe and North America which suggests that there is a single set of problems, the political problems which multiculturalism addresses are different in these two contexts. As outlined here the problem in Western Europe is that in liberal democracies and social democratic welfare states two questions have to be addressed. One is that of equality, the other the recognition of cultural diversity. As is shown here a number of important European social scientists have feared that the acceptance of cultural diversity will actually undermine important and valued political structures without improving the condition of minorities. In the United States a different set of problems has arisen. While the Civil Rights movement appeared to be helping Blacks to achieve equality in the sixties, by the late eighties there was a sense of disillusion about this process and the emergence of ideologies based upon separatism which appeared to point to the ‘disuniting’ of America. Some of these ideologies were what was being discussed under the heading of multiculturalism. A further contrast has to be made with Canada which is often thought of as an arch-exponent of multiculturalism, but in which all problems of ethnic equality are tied up with the specific problems generated by Quebecois nationalism.     

What else? some more ways of thinking and doing ‘Children's Geographies’

‘Children's Geographies’ could do more. In this paper we present a succession of key ideas currently arising in and of new and emergent theoretical, philosophical and conceptual work in the Social Sciences. We invite reflection upon each of these ideas in turn, with a mind, specifically, to ‘Children's Geographies’. In so doing, we make two broad claims. First, that greater engagement with some or all of these ideas might prove useful, enabling, thought-provoking, profound, constructive, challenging, telling, or interesting to ‘Children's Geographers’. Second, that—particularly given the nature of its extant concerns and efforts— ‘Children's Geographies’ could do much more to speak back to (these) wider contemporary lines of thought.     

Suburban Identity in Paul Maitland's Paintings of Cheyne Walk

The aim of this article is to consider the extent to which Paul Maitland's paintings of Cheyne Walk addressed the problem of establishing suburban identity at the end of the nineteenth century. The emergence of the modern suburb during this period presented a particular problem with regard to how this form of urban living might be defined, understood and experienced. As part of a group of artists that could loosely by described as British Impressionists, Maitland was among the first to engage in a close study of this subject. This article situates Maitland's visual project within its wider cultural context, comparing his work with that of associated artists also interested in the suburban subject and in Cheyne Walk in particular and with a range of contemporary texts that addressed the complex problem of Chelsea's place identity, including guidebooks, letters, novels and the work of local historians. Drawing on the methodology of cultural and historical geography, this article highlights the extent to which place identity changes through time and how its formulation is based upon the economic and social structures of those who ‘live’ the place. Adopting and elaborating a range of visual signifiers associated with the modern suburb, including both its rural and working aspect, Maitland's paintings of Cheyne Walk provide a valuable and subtle insight into how this new urban space was being conceptualized at the end of the nineteenth century.