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The Black Men of Labor is a local social club whose parade marks the beginning of New Orleans' parading season on Labor Day weekend. Coincidentally, the homosexual, predominantly White male Southern Decadence party and parade is that same weekend—hosted by a large gay community living primarily in New Orleans' French Quarter. Although these two parading groups appear outwardly different, both parades make claims to the same street at different times. We call their politics ‘parallel politics’ because the parades have similar political motivations, yet they literally parade in parallel, and therefore fail to connect and protest their socio-spatial marginalization together. This missed opportunity led us to consider how these two parades territorialize space and project a unified community identity. Territoriality, according to Sack (1983 Sack, R. 1983. Human territoriality: a theory. Annals of the Association of American Geographers, 73: 5574. [Taylor &; Francis Online], [Web of Science ®] [Google Scholar]), is an attempt to control a geographic area and establish differential access to it. Moving beyond previous work on parades as observed performances, boundary markers or negotiated representations, we show how parades create a territorially-based identity through cultural nodes, and how their exclusivity is both a process and outcome of territoriality. We argue that territoriality and identity are fused, which forecloses the possibility of collective action between these two communities. We find that parade territorialities simultaneously and complexly establish both social and spatial claims.  相似文献   

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Boundary spanning in social and cultural geography   总被引:1,自引:0,他引:1  
This article situates interactions between German- and English-language social and cultural geographies since the mid-twentieth century within their wider intellectual, political and socio-economic contexts. Based on case study examples, we outline main challenges of international knowledge transfer due to nationally and linguistically structured publication cultures, differing academic paradigms and varying promotion criteria. We argue that such transfer requires formal and informal platforms for academic debate, the commitment of boundary spanners and supportive peer groups. In German-language social and cultural geography, these three aspects induced a shift from a prevalent applied research tradition in the context of the modern welfare state towards a deeper engagement with Anglophone debates about critical and post-structuralist approaches that have helped to critique the rise of neoliberal governance since the 1990s. Anglophone and especially British social and cultural geography, firmly grounded in critical and post-structuralist thought since the 1980s, are increasingly pressurized through the neoliberal corporatization of the university to develop more applied features such as research impact and students’ employability.  相似文献   

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Controversy has erupted in Selma, Alabama, over recent efforts to commemorate the career of Nathan Bedford Forrest, a Confederate cavalry officer and founding member of the original Ku Klux Klan. More generally, the controversy in Selma is emblematic of an enduring regional pattern in which contests over the future are couched in terms of the past. Relative to other media, monuments appear to be trustworthy and lasting. Despite this appearance of historical consensus and stability, the city's public spaces are the product of and conduit for ongoing politics. The current conflict pits memorial activists associated with the Civil Rights Movement against neo‐Confederates. Interpreted in the context of Selma's increasing promotion of Civil Rights heritage and the recent election of the city's first African American mayor, the Forrest affair highlights the utility of the concept of symbolic accretion for understanding the complexities of commemorating antagonistic histories in the same place. Symbolic accretion describes the appending of commemorative elements onto already existing memorials. The situation in Selma suggests two different types of symbolic accretion, allied and antithetical. More generally, the act of commemoration itself may be understood as a process of accretion in that heretofore anonymous spaces are formally recognized via the grafting of memorial elements.  相似文献   

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This paper contributes to debates on the empirical and conceptual potentials of anti-essentializing notions such as ‘thirdspace’ with the aim to open new epistemological and political grounds. Based on the findings of ethnographic research, I critically examine two spatial strategies (the deliberate creation of an ethnic neighbourhood, and the securing of a community centre) that Latin American immigrants in Toronto, Canada, developed to appropriate urban space and lay claims to equal rights. The case of Latin Americans' struggle for belonging in Toronto serves to reflect on how and why new immigrant groups today (re)construct collective identity spatially. I argue that immigrants strategically essentialize their identities in and through place in order to make themselves visible and their voices heard. Ethnic places represent sites of resistance and creation where immigrants construct their own subjectivities while also redefining dominant notions of inclusion and citizenship. Although locally grounded, these new immigrant identities remain fluid and engage with multiple forms of exclusion

[The] situation is simply sad; the [Latin American] community … is one of the most orphan communities … in [Toronto] … [We] don't even have a place where to dig our own grave basically. If there is need to get together … a meeting … there is no place. We have to be looking for a basement … for a recreational centre to give us a room … If there is a social or cultural event, we do not have a place where … we can present what we have … [It] is sad and it is a reality. (Cesar Palacio, city councillor candidate to Toronto's 2003 municipal elections, interview, 2 May 2003, translated from Spanish)  相似文献   

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In the Netherlands, human geography has traditionally been an applied, practical science. Close ties have always existed with spatial planning and regional-economic policy. With good reason, the first generation of planning specialists—in the 1960s—consisted largely of people trained as geographers. Geographers were also the socio-spatial engineers of the welfare state (de Pater 2001b; de Pater and de Smidt 1989).  相似文献   

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This article provides an overview of the recent development of social and cultural geography in China. It discusses six major bodies of work: cultural areas, cultural diffusion and cultural integration; geographies of ethnic cultures; cultural landscape and cultural economy; place and place-based cultural politics; marginal social groups; and geographies of social injustice. Although social and cultural geography is still located on the periphery of the disciplinary landscape of Chinese human geography, it is nonetheless developing into a noteworthy field of research. We start this review by calling attention to some problems in epistemologies and analytical approaches. Social and cultural geography in China often suffers from an analytical separation between environment and culture as ontologically enclosed entities. Also, it pays insufficient attention to the mutually constitutive relations between the social and the spatial. However, more recent studies have begun to engage with constructionist/poststructuralist approaches, and develop less positivist interpretations of space, social relations and cultural meanings. This review suggests that social and cultural geography in China needs to develop broader research scopes and strengthen theoretical frameworks. It concludes by calling for constructive dialogues between Chinese and Western human geographical scholarships.  相似文献   

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The Western film genre fosters the mythic view of America as a feminized Eden where one can regenerate or recreate oneself. Westerns typically depict the American countryside as though it were simply a gorgeous framing device for the film's male protagonist whose primary function is to introduce the rough wilderness to the pioneers (or cinematic viewers) who will follow him. In contrast, in the rural femalecentered films of American life— such as Daughters of the Dust, Places in the Heart, Bagdad Cafe, and The Spitfire Grill—the landscape plays a central role. Nature, in fact, generally replaces the powerful male protagonist of the Western. Unlike European movies that also highlight nature's regenerative power, the American films discussed here center on the transformation of the woman. They highlight the Jeffersonian ideal of America as a garden community—one where the female protagonist is regenerated by her ties to the land and by her relationship with those labeled “Other.” She does not conquer or traipse through the cowboy's wild Eden. Rather, she inhabits a nurturing cinematic place that celebrates community and embraces difference.  相似文献   

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