Writing Scottish Parliamentary History,c.1500–1707

In the 19th and 20th centuries, scholarship on the Scottish parliament was heavily informed by a narrative of ‘failure’, directed at explaining why its members voted it out of existence in 1707. Part of the problem was the tendency to see any deviation from the practices of the Westminster parliament as weakness. By reappraising parliament in terms of its utility to those who comprised its membership, notably the titled peerage and the monarch, historians have revealed its adaptability and inventiveness, especially in times of crisis. This essay considers how fresh approaches both to what constituted the parliamentary record and what can – and cannot – be found within it have exerted a transformative influence on our understanding of parliament's evolving role in Scottish political life. Although the Reformation crisis of 1560 and the accession of the ruling house of Stewart to the English throne in 1603 effected profound changes on parliamentary culture, this essay emphasises how parliament sustained its legitimacy and relevance, in part, by drawing on past practices and ideas. Historians have become more attentive in recent years to the means by which social groupings ordinarily excluded from formal parliamentary activity were nonetheless able to engage with, and influence, its proceedings. Gaps remain in our knowledge, however. Some periods have been more intensively studied than others, while certain aspects of parliamentary culture are understudied. The writing of Scottish parliamentary history will continue to offer rich possibilities in future.     

The Palace of Westminster: Another Window of Opportunity?

The Palace of Westminster is in need of urgent, substantial repairs. This provides a ‘window of opportunity’ for change. This essay traces the restoration and transformation (or lack of) that the Palace of Westminster has seen in the last half a century, before assessing its current state, and considering whether parliament is fit for purpose. It provides a ‘long‐view’ understanding of previous missed ‘windows of opportunity’. The essay focuses on drawing insights from history in order to add a depth of understanding to the contemporary issue. An understanding of the preceding renewal and restoration projects enables us, potentially, to avoid some of the problems that have been previously experienced, and finally seize this opportunity to build a parliament which is fit for purpose.     

Parliament,the Church of England and the Last Gasp of Political Protestantism, 1963–4

Political protestantism has been an enduring theme in parliamentary and ecclesiastical politics and has had considerable influence on modern Church and state relations. Since the mid 19th century, evangelicals have sought to apply external and internal pressure on parliament to maintain the ‘protestant identity’ of the national Church, and as late as 1928, the house of commons rejected anglican proposals for the revision of the prayer book. This article examines the attempts by evangelicals to prevent the passage through parliament of controversial measures relating to canon law revision in 1963–4. It assesses the interaction between Church and legislature, the influence of both evangelical lobbyists and MPs, and the terms in which issues relating to religion and national identity were debated in parliament. It shows that while evangelicals were able to stir up a surprising level of controversy over canon law revision – enough for the Conservative Party chief whip, Selwyn Lloyd, to attempt to persuade Archbishop Ramsey to delay introducing the vesture of ministers measure to parliament until after the 1964 general election – the influence of political protestantism, and thus a significant long‐term theme in British politics, had finally run its course.     

The Politics of Chivalry: Sir Robert Walpole,the Duke of Montagu and the Order of the Bath

This article explores the complex circumstances surrounding the foundation of the order of the Bath in 1725, and seeks to correct the commonly‐held view that it was initiated by Walpole simply to augment the patronage available to his supporters in parliament. The proposal for a new order of chivalry based on the medieval ‘knighthood of the bath’ in fact emanated from the court, having been prompted by one of its central figures, the duke of Montagu. Walpole and his colleagues were by no means oblivious to the practical political value of such a move, but having only lately consolidated their position at court, their main priority was to seize a unique opportunity to flatter the new royal dynasty and garner popularity for it through the medium of the order's rediscovered history. The ministers selected the order's 36 founder‐knights with considerable input from senior courtiers, but ensured that those nominated were mostly peers and MPs who could evince ministerially useful connections between court and parliament. Though the order was later derided as a symptom of Walpoleian corruption, its foundation can be regarded as something of a turning point in Walpole's rise to power.     

STORY MAKES HISTORY,THEORY MAKES STORY: DEVELOPING RÜSEN'S HISTORIK IN LOGICAL AND SEMIOTIC DIRECTIONS

This essay will argue that the traditional opposition between narrative and theory in historical sciences is dissolved if we conceive of narratives as theoretical devices for understanding events in time through special concepts that abridge typical sequences of events. I shall stress, in the context of the Historical Knowledge Epistemological Square (HKES) that emerged with the scientization of history, that history is always narrative, story has a theoretical ground of itself, and scientific histories address the need for a conceptual progression in ever‐improved narratives. This will lead to identification of three major theoretical levels in historical stories: naming, plotting (or emplotment), and formalizing. We revisit Jörn Rüsen's theory of history as the best starting point, and explore to what extent it could be developed by (i) taking a deeper look into narratological knowledge, and (ii) reanalyzing logically the conceptual strata in order to bridge the overrated Forschung/Darstellung (research/exposition) divide. The corollary: we should consider (scientific) historical writing as the last step of historical research, not as the next step after research is over. This thesis will drive us to a reconsideration of the German Historik regarding the problem of interpretation and exposition. Far from alienating history from science, narrative links history positively to anthropology and biology. The crossing of our triad name‐plot‐model with Rüsen's four theoretical levels (categories‐types‐concepts‐names) points to the feasibility of expanding Rüsen's Historik in logical and semiotic directions. Story makes history, theory makes story, and historical reason may proceed.     

Toward a Received History of the Holocaust

In this article, I examine both the problem of so-called postmodern history as it relates to the Holocaust and suggest the ways that Saul Friedlander's recent work successfully mediates between the somewhat overly polemicized positions of “relativist” and “positivist” history. In this context, I find that in his search for an adequately self-reflexive historical narrative for the Holocaust, Hayden White's proposed notion of “middle-voicedness” may recommend itself more as a process for eyewitness writers than as a style for historians after the fact. From here, I look at the ways Saul Friedlander's reflections on the historian's voice not only mediate between White's notions of the ironic mode and middle-voicedness, but also suggest the basis for an uncanny history in its own right: an anti-redemptory narrative that works through, yet never actually bridges, the gap between a survivor's “deep memory” and historical narrative. For finally, it may be the very idea of “deep memory” and its incompatibility to narrative that constitutes one of the central challenges to Holocaust historiography. What can be done with what Friedlander has termed “deep memory” of the survivor, that which remains essentially unrepresentable? Is it possible to write a history that includes some oblique reference to such deep memory, but which leaves it essentially intact, untouched and thereby deep? In this section, I suggest, after Patrick Hutton, that “What is at issue here is not how history can recover memory, but, rather, what memory will bequeath to history.” That is, what shall we do with the living memory of survivors? How will it enter (or not enter) the historical record? Or to paraphrase Hutton again, “How will the past be remembered as it passes from living memory to history?” Will it always be regarded as so overly laden with pathos as to make it unreliable as documentary evidence? Or is there a place for the understanding of the witness, as subjective and skewed as it may be, for our larger historical understanding of events? In partial answer to these questions, I attempt to extend Friedlander's insights toward a narrow kind of history-telling I call “received history”—a double-stranded narrative that tells a survivor-historian's story and my own relationship to it. Such a narrative would chart not just the life of the survivor-historian itself but also the measurable effect of the tellings—both his telling and mine—on my own life's story. Together, they would compose a received history of the Holocaust and its afterlife in the author's mind—my “vicarious past.”     

Science and secularization

ABSTRACT

According to a long-standing narrative of Western modernity science is one of the main drivers of secularization. Science is said to have generated challenges to core religious beliefs and to have provided an alternative, rational way of looking at the world. This narrative typically relies on progressive and teleological understandings of history, and commitment to some version of an ongoing struggle between science and religion. By way of contrast, recent theories of secularization, such as that of Charles Taylor, have suggested that the role of science in secularization has been greatly exaggerated. This article also offers a critique of the standard “science causes secularization” story. But in contrast to other critiques of this kind, it suggests that science nonetheless has a significant role in secularization – one that can be maintained without a commitment to a crude progressivist history or a narrative of science-religion conflict.     

Black Rod and the Office of Usher of the Parliament Chamber

The gentleman usher of the black rod has long been acknowledged as an officer of the house of lords. Yet he was in origin an officer of the order of the Garter with no necessary connection with parliament. This note aims to throw light on the process whereby this association came about. By 1509, the house of lords had the services of an usher of the parliament chamber, a post always held in conjunction with an office in the royal household. By 1558, this post was being exercised by one of the gentlemen ushers daily waiters, who had been granted the office of black rod as an additional perquisite in 1554. From this point it became customary for the offices of black rod, daily waiter and usher of the parliament chamber to be held by one man. This association was broken in 1620, when the then usher relinquished the office of daily waiter but retained his parliamentary functions together with the office of black rod. In 1631, a decree was promulgated annexing the office of black rod to that of one of the gentlemen ushers daily waiters but it was only from 1660 that this became fully effective.     

The Last September: Irish modernism,narrative deferral,historicist determinism

This article questions the idea that Irish literary modernism is defined by Irish postcoloniality. The continued influence of historicist approaches in literary studies have inspired an understanding of Irish modernism as determined by material base. An oversight of such approaches, however, is that much of the respective fiction which constitutes Irish modernism resists representing the cultural circumstances from which it emerges. Particular to this predicament is Elizabeth Bowen’s The Last September given that it is the novel which is often read as representing Ireland’s transition from colonial to postcolonial status. Through an analysis of its fractured, and thus typically modernist, narrative strategy, this article argues that colonial history is an absent presence which lacks constitutive meaning in this fiction, and thus suggests that Irish literary modernism does not neatly correspond to or reflect the story of Irish monumental history.     

BALANCED TRUTH: STEVEN SPIELBERG'S SCHINDLER'S LIST AMONG HISTORY,MEMORY, AND POPULAR CULTURE1

Looking at the public reaction to it, one might say that Steven Spielberg's Schindler's List is undoubtedly the most successful film about the Holocaust. The film's success in the U.S. and other Western countries can be traced back mainly to the fact that it creates the impression of telling a true, apparently authentic, story. This essay investigates how this impression of historical truth and authenticity emerges in a fiction film. For this purpose the essay reverts to a concept developed by Jörn Rüsen, which distinguishes among three dimensions of historical culture, namely political, aesthetic, and cognitive. In addition to the historical context that serves as a specific precondition for the film's success, the essay primarily investigates the strategies of authentication Spielberg applied at both the visual and narrative levels. The investigation concludes that the impression of evidence produced by the movie is significantly a result of the sophisticated balancing of the three dimensions mentioned above. The film utilizes artifacts of an existing and increasingly transnational (visual) memory for the benefit of a closed, archetypical narrative. It follows the aesthetic and artistic rules of popular narrative cinema, and largely recurs to conventions of representation that were common in film and television programs of the 1990s. Although these forms condense the historical course of events, the film manages to stay close to insights gained by historiography. The hybrid amalgamation of history and memory, and of the imaginary and the real, as well as the combination of dramaturgies of popular culture with an instinct for what can (not) be shown—all of these factors have helped Schindler's List to render a representation of the founding Holocaust myth in Western societies that can be sensually experienced while being emotionally impressive at the same time.     

History, the Referent, and Narrative: Reflections on Postmodernism Now

This essay surveys the present position of postmodernism with respect to the effect of its ideas upon historiography. For this purpose it looks at a number of writings by historians that have been a response to postmodernism including the recently published collection of articles, The Postmodern History Reader . The essay argues that, in contrast to scholars in the field of literary studies, the American historical profession has been much more resistant to postmodernist doctrines and that the latters' influence upon the thinking and practice of historians is not only fading but increasingly destined to fade. The essay also presents a critical discussion of the current philosophy of postmodernism in its bearing upon historiography, directed chiefly against its claim that the world has undergone an epochal transition from the modern to a postmodern age; its theory of language and linguistic idealism; its opposition to historical realism and denial of the actuality of the past as a possible object of reference; and its theory of historical narrative as unconstrained fictional construction. This discussion includes a consideration of the work of postmodernist thinkers such as J.-F. Lyotard, of the recent books by David Roberts and Robert F. Berkhofer, Jr. which espouse a postmodernist theory of history, and of the narrativist theory of Hayden White. The essay also notes some of the reasons for postmodernism's appeal; and while it does not deny that postmodernist philosophy may have served a useful purpose in provoking historians to be more self-critical and aware of their presuppositions and procedures, it maintains that its skeptical and politicized view of historical inquiry is deeply mistaken, out of accord with the way historians themselves think about their work, and incapable of providing an understanding of historiography as a form of thought engaged in the attainment of knowledge and understanding of the human past.     

Constitutionalists,Despots, Whigs,and Revisionists: Tudor Parliamentary History in the 20th Century

The 20th century was the great age of Tudor parliamentary history. This essay examines the contributions and profound changes to the field made by the leading historians of the era, especially Sir John Neale and Sir Geoffrey Elton. Taking as its starting point the whiggish ideas of Stubbs's Constitutional History of England, it traces the impact of A.F. Pollard, G.M. Trevelyan, and Sir Lewis Namier on the field. At its core, though, lie the often acrimonious differences of opinion between Neale and his pupil, Elton. For Neale the Elizabethan parliaments were characterised by an increasingly puritanical Commons eager to wrest control of debates on religion and the succession away from the queen. In so doing this created a constitutional clash that would eventually lead to civil war in the mid 17th century. This ‘orthodoxy’ was savagely critiqued by a revisionist ‘school’ led by Elton that dismantled the interpretation of Neale and replaced it with an institution that was not dominated by political conflict but by largely consensual politics. It was also a position that gave equal weight to the Lords and to the importance of the business of parliament – legislation. The revisionists were masters of critique and highly effective at demolishing Neale, but did little to replace his theories or to explain religio‐political conflict – in doing so it could be argued that they killed the subject. The essay ends by suggesting some new approaches to Tudor parliaments that could help revitalise the subject.     

St Stephen's in War and Peace: Civil Defence and the Location of Parliament, 1938–51

This essay takes a new look at the destruction and the rebuilding of the house of commons during the 1940s. It argues that behind the home front bravado of the Palace of Westminster steadfastly enduring the blitz lay secret plans for rehousing MPs away from aerial bombardment, contingency scenarios that were then updated after 1945 in the event of attack on London by atomic weapons. The essay also suggests that threats to the security of parliament, together with the necessity to rebuild the Commons, were turned by the coalition government into an opportunity to refashion parliamentary politics in such a way that the two‐party system was restored, along the traditional lines of government and opposition that had become blurred since 1931.     

The monuments of Kings Cross: a visit to the new ruins of London

In his 1967 photo essay “The monuments of Passaic” the American land artist Robert Smithson presented a New York suburb as a seedbed of urban entropy. His research methods, publication strategies and reflections on decline provided a touchstone for the generation of cultural mappers that followed. But have theoretical expectations of metropolitan space perhaps shifted? Is it not in the city centre, rather than periphery, that decay is thought to set in? In which case, what forms – material, cultural, political – does it assume? And what, meanwhile, has become of the suburbs? In an inversion of the Passaic essay, this narrative takes the reader, first by train and then on foot in search of new ruins at the heart of a metropolis. The city is London and the destination Kings Cross, the largest building site in Europe and marketed as tomorrow’s neighbourhood of leisure and information. By way of an art practice, and through the lens of an art and architectural history, the paper reports on the site – its structures and objects, as well as the acts and interventions that the Kings Cross marketing machine has failed to sublimate.     

“Rooted in Demographic Reality”: The Contribution of New World Censuses to Indigenous Survival

One of the most powerful narratives deployed by colonists in the nineteenth century was that the colonized natives were inherently too weak to survive contact with those who were colonizing them—the Dying Native story. I argue that to understand the history of this story, we should differentiate between three senses in which it could be taken as true or false: physical destruction, genetic adulteration and loss of distinct culture. The physical destruction version of the “Dying Native” was contested by some settler-colonial governments as they developed the capacity to manage and measure the numbers of those whom they classified as “Indian” or “Māori” or “Aboriginal”. However, the “Dying Native” story persisted as a narrative of these peoples' loss of genetic and/or cultural distinction. One strategy of Indigenous intellectuals has been to assert that they have survived as “populations” by adapting as “peoples”. In this paper, I show how an authoritative demography of colonized Indigenous populations in North America and New Zealand afforded discursive opportunities to some Indigenous intellectuals.     

In the Shade of the Oaks of Mamre: Hospitality as a Framework for Political Engagement between Christians and Muslims

Abstract

This essay is the initial sketch of a theological framework for political dialogue based on traditions of hospitality. This essay is intended to further a normative commitment to pluralism by creating a space for Christians and Muslims to engage in political dialogue on issues of governance. Using the story of Abraham and the three strangers, the essay analyzes hospitality as a possible model for interreligious political dialogue. The essay follows the narrative of the story recounted in Genesis 18 and Surah 51 of the Qur'an focusing on Abraham's greeting of the strangers as expressing a "duty of hospitality"; the "sharing of a meal" as an act of mutual vulnerability; and the gift of Isaac as exemplary of hospitality's possibility for grace and transformation. The goal is to show that a shared theological tradition could be the basis for political dialogue.     

Interpreting the Moon Landings: Project Apollo and the Historians

By focusing on the key book‐length studies of the Apollo program that landed American astronauts on the Moon in the 1960s and 1970s, this essay seeks to evaluate the historiography about Apollo in the first decade of the twenty‐first century, dividing the subject into five major areas. The first area is the foreign policy and public policy antecedents of Apollo and its immediate ramifications; some of these efforts have yielded significant studies. The second area involves the evolution of space hardware, in many instances these are overwhelmingly detailed studies of rockets and other space flight technologies. Third, there is a great fascination with the astronauts and their actual flights, and a rich tradition of memoir and narrative exists in this arena. The fourth area receiving attention from historians of Apollo and the lunar voyages emphasizes the history of science, in which much of the focus is on the scientists, scientific findings from the voyages of discovery, and the use of this evidence in developing larger theories about the origin and evolution of the solar system. Finally, and increasingly so in the last 20 years, the Apollo story has been recontextualized through social and cultural investigations of its meaning in modern America. Assessing the five major areas enumerated above, this essay also offers some possibly fruitful avenues of future research.     

A.F. Pollard*

A.F. Pollard is now better remembered for founding the Institute of Historical Research than he is for his scholarship. In his heyday, however, Pollard was a formidable and prolific historian, primarily of parliament and the Tudor period. Pollard has been characterised both as a modernist and as a whig historian. Rejecting romantic invocations of liberty, he extolled instead the sovereign nation state, pinpointing the 16th century as the moment when it was achieved. Pollard rejected anachronistic accounts of parliament's development: for him, the assembly had grown by accident (out of the medieval king's council), rather than by design. This adaptability had ensured parliament's longevity and would preserve it into the future. Pollard revered the English parliament all the more for its embodiment of this national good fortune. Pollard helped to professionalise the discipline of history, but his own writings could be found wanting when measured against the standards that he had advocated. Criticism of his approach and assumptions comes easily now. Yet, upon reacquaintance, historians of parliament may find enduring interest in Pollard's shrewd and extensive work.     

Verbs,Voyeurism, and the Stalker Narrative in Cortázar's "Continuidad de los parques"

Julio Cortázar's "Continuidad de los parques" can be described as a stalker narrative in two different senses. Not only is it a story about a stalker with murderous intentions, it is also a story in which the reader is turned into a stalker.

Modalization in verbs, or the use of the subjunctive and qualifiers, has been discussed by critics such as Tzvetan Todorov as a characteristic of the fantastic in literature. What has not been studied is the alternating use of aspect in the past, here between the verb tenses the preterite and the imperfect, as a technique that aids in the subtle creation of the reader as a stalker. Cortázar uses these two verb tenses to form and shape the narrative, moving it in the desired direction and, in the process, aiding in his creation of the image of the stalker. Both the careful manipulation of the preterite and the imperfect and the careful interplay between the two are the vehicle of invasion, an invasion perpetrated by the stalker, in which the reader is made complicit.