Difficult heritage and digital media: ‘selfie culture’ and emotional practices at the Memorial to the Murdered Jews of Europe

ABSTRACT

This article sheds light on the entanglements of difficult heritage and digital media through an ethnographic analysis of digital photography and social media practices at the Memorial to the Murdered Jews of Europe in Berlin. After a discussion of the project ‘Yolocaust’, through which an artist publicly shamed the ‘selfie culture’ at the memorial, the article argues that the sweeping condemnation of digital self-representations in the context of Holocaust remembrance remains simplistic. Instead, many visitors explore and enact potential emotional relationships to the pasts that sites of difficult heritage represent through digital self-representations. This observation raises critical questions about the role of digital media in current transformations of touristic memory cultures.     

Feminist digital geographies

At a moment when disciplinary attentions are turning to the digital as a subject and object of geographic inquiry, we consider enduring contours and new directions in feminist digital geographies scholarship. We revisit the centrality of feminist critiques of Science to critical digital geographies and their predecessors, identifying axes of scholarly engagement that have emerged from feminist theory and praxis. Simultaneously, we acknowledge the resounding whiteness and heteronormativity of these theoretical origins. In the second half of the article, we trace new horizons of contemporary digital geographies scholarship that engage queer and critical race theory, postcolonial feminism, and black and queer code studies. These theoretical moves give voice to longstanding silences and are indispensable to a political and ethical digital geographic scholarship and praxis, as well as to re-making our technologies and ourselves as digital subjects.     

Autoconstruction 2.0: Social Media Contestations of Racialized Violence in Complexo do Alemão

Activists and journalists in Complexo do Alemão, Rio de Janeiro are using social media to intervene in the violence that shapes their communities. In this article I draw on critical urban and digital media theory to understand how militarized policing, the spatialization of race, and discourses of criminalization influence favela populations. I examine how these discursive and material violences are motivating residents to autoconstruct new digital communities. Through digital autoconstruction, journalists and activists are using social media technologies to safely direct mobility, to witness police violence, and to unsettle socio‐spatial imaginaries of endemic crime. As such, they are deploying digital practices to disrupt material, epistemological, and discursive mechanisms of social control. These actions show that digital technologies are always‐already embodied and take shape through material histories, such as those of racialized state violence. Journalists and activists in Complexo do Alemão ultimately demonstrate that targets of violence are not simply victims of digital and violent surveillance, but are active in creating new digital relationships of care across diverse scales, transforming these technologies in the process.     

Cultivating digital mediation: The implementation of publicly funded digital museum initiatives in Denmark

ABSTRACT

The aim of this article is to review and re?ect on the factors defining the expected benefits that have influenced the implementation of digital mediation initiatives in publicly funded museums over the course of the last 20 years. The expectations directed towards digital museum mediation are established by taking a closer look at Danish cultural policy implementation and socio-technological development. Examples from a review of cultural policy documents, funding applications and reports, supplemented by articles from a museum practice journal illustrate trends and developments in digital museum mediation. This article identifies a development of digital museum mediation in three phases, from providing access to digitized cultural heritage to more user-oriented communication strategies such as personalization and participation. The analysis shows that, in a cultural political context, the adoption of digital mediation in institutions is part of a higher strategy where technological development acts as a catalyst for innovation in the cultural sector.     

Networks of Speculation: Making Land Markets on Myanmar Facebook

Digital platforms have changed how property is sold and valued in the Global North, yet little is known about digital tools in emerging land markets. Drawing on in situ and digital ethnography, we argue that Facebook plays a key role in making a new kind of market in Myanmar, one in which land is transformed into a speculative asset, exchanged across ever-expanding networks. While commodification is familiar within longer histories of capitalism, this case highlights the significance of digital platforms to the contemporary remaking of property relations. Unlike classic cases of market-making enabled by active state regulation, Myanmar’s digital land markets were forged in the context of state absence by brokers who harnessed the technological affordances of social media to increase the scale, scope and speed of transactions. This creative re-appropriation of the platform forged new, unregulated digital markets that ultimately accumulated corporate profits and intensified participant risk.     

New Frontiers of Philanthro‐capitalism: Digital Technologies and Humanitarianism

Digital technologies that allow large numbers of laypeople to contribute to humanitarian action facilitate the deepening adoption and adaptation of private‐sector logics and rationalities in humanitarianism. This is increasingly taking place through philanthro‐capitalism, a process in which philanthropy and humanitarianism are made central to business models. Key to this transformation is the way private businesses find supporting “digital humanitarian” organisations such as Standby Task Force to be amenable to their capital accumulation imperatives. Private‐sector institutions channel feelings of closeness to aid recipients that digital humanitarian technologies enable, in order to legitimise their claims to “help” the recipients. This has ultimately led to humanitarian and state institutions re‐articulating capitalist logics in ways that reflect the new digital humanitarian avenues of entry. In this article, I characterise this process by drawing out three capitalist logics that humanitarian and state institutions re‐articulate in the context of digital humanitarianism, in an emergent form of philanthro‐capitalism. Specifically, I argue that branding, efficiency, and bottom lines take altered forms in this context, in part being de‐politicised as a necessary condition for their adoption. This de‐politicisation involves normalising these logics by framing social and political problems as technical in nature and thus both beyond critique and amenable to digital humanitarian “solutions”. I take this line of argumentation to then re‐politicise each of these logics and the capitalist relations that they entail.     

Digital gravity? Firm birth and relocation patterns of young digital firms in Germany

This paper analyses the spatial patterns of young (<10 years) digital firms in Germany between 2008 and 2017 on county level. Determinants of firm birth locations as well as relocations are considered jointly to understand differences in location choices within firms' life cycles. I match commercial register data of 107,321 firms with county-level administrative data to capture local characteristics. Using an OLS model with fixed effects, I find that the local knowledge base—that is, universities, research institutes, and colocated incumbents—are significant key determinants of digital firm birth when controlling for a host of local characteristics. My results indicate that for five firms per 1000 inhabitants, there is around one firm birth. Second, using a fixed effects gravity model for the analysis of relocations, I find that the most dominant explanatory factor for firm relocation across specifications is distance, that is, relocation costs. Relocation flows are more than twice as high to neighboring counties relative to other locations which shows that digital firms are not as footloose as their business model may suggest. Jointly, my results reflect economic activity's regional persistence, particularly for new firms. My paper provides evidence for policies targeting homogenous digital clusters based on strong colocation and that digital economic activity is not shifted over long distances, but the regional entrepreneurship capital is crucial for local growth.     

Critical spatial learning: participatory mapping,spatial histories,and youth civic engagement

As digital technologies become ubiquitous in many places, scholars of civic engagement, youth and political life, and geographic education have explored the potential of teaching critical and spatial thinking through digital technologies. This paper examines interactive digital mapping as a technology environment for teaching and practicing critical spatial thinking, in relation to civic engagement. From this participatory and dialogic mapping project with teenage girls in Seattle, Washington, we develop a conceptualization of critical spatial thinking that emphasizes how social and spatial processes intertwine to generate societal inequalities and show how this learning informs students’ social and spatial civic responses. We show how interactive digital mapping pedagogies offer students an opportunity to develop awareness of what happens in their urban geographies, but also how and what they might do to intervene.     

Digital humor against essentialization: Strategies of Baltic Russian-speaking social media users

This paper asks what happens to the civic identity of people who have hybrid, transnational identities during times of geo-political tensions when the interests of individuals' historical/symbolic homeland clash with those of individuals' country of current residence. We focus our inquiry on the digital spaces where much of identity work and exercise of citizenship takes place today. Inspired by the concepts of “digital acts of citizenship” (Isin & Ruppert, 2015) and “affective publics” (Papacharissi, 2015), we report the results of a case study that explores the performative, playful forms of digital citizenship enacted by members of the Russian-speaking audiences in the ex-Soviet, Baltic countries of Estonia and Latvia. Against the backdrop of the on-going crisis in Ukraine, members of this group tend to use these forms of digital citizenship to resist the emotionally charged pre-election discourse of essentialization and securitization, and to de-politicize complex, painful issues of geo-politics and nation-building. The strategies utilized by them reveal that transnational audiences actively employ digital devices in order to maintain their hybrid identity, and civic autonomy and dignity and to “make peace” during times of geo-political conflict.     

Making digital heritage about people’s life stories

Abstract

Actively creating new digital heritage content about people’s life histories is part of the democratisation of heritage engagement with the public. The approach of documenting unofficial histories is supported by a growing literature. Unofficial stories contribute new perspectives on the heritage identity of a region. The case study of the ‘Local People’ exhibition, curated by the author in 2013 in the North West of Ireland, is used to discuss the methodology of a digital curatorial process, www.localpeopleireland.com. This article argues that gathering and presenting unofficial histories of individuals' life experiences, can disrupt official narratives of The Troubles and challenge a regional identity based on conflict and division. The making of digital history is analysed as a curatorial process, rather than the ease of use of technology. The methods used included: filmed interviews, new portrait photography and the digitisation of family photograph albums. A virtual exhibition was produced and new digital historical sources were created that transform intangible heritage by crystallising people’s voices and images into ‘tangible’ digital objects. ‘Local People’ utilised Facebook https://www.facebook.com/localpeopleproject/?fref=ts and Vimeo https://vimeo.com/album/2518991. It is argued that the digital space provides a ‘virtual contact zone’ in which diverse, unofficial and personal narratives can be presented together.     

On-Site Recording of Excavation Data Using Mobile GIS

Abstract

Archaeologists have embraced new technologies in many aspects of research, but reliance on paperbased recording has impeded development of excavation recording methods. The digital recording of spatial provenience for artifacts and features, together with complex attributes during excavation, while not problem-free, provides a streamlined recording process. This article describes a digital interface that links precise spatial provenience with digital forms and geo-referenced photographs during excavation at a colonial site in highland Peru. A customized version of ESRI ArcPad provides the means to create and to explore spatial and attribute data in the field and laboratory as GIS data, which in turn can be integrated with ArcGIS for post-field visualization and analysis.     

Introduction to the themed section ‘digital heritage and the public’

Abstract

This introductory essay for the themed issue “Digital Heritage and the Public” begins by alluding to the profound effect of the digital revolution in how society manages the production, administration, publication and access to information. The effect on heritage is noticeable in all fields. The process of digitalisation, traceable from the early days in the 1960s, is increasingly impinging on the relationship between the professionals and the public. Critics have debated on the advantages and challenges of the digital revolution in the heritage field. Related to that discussion, in this themed issue the first article by Taylor and Gibson questions whether the assumption often made inextricably linking the digital media with democracy is correct. This contribution is followed by two others in focusing on case studies of use of digital media in heritage. Mazel explains about three projects in which their use has facilitated access and encouraged public participation to rock art sites in Northern England. In the last article of this issue, Purkis argues that in the ‘Local People’ exhibition she organised in Derry/Londonderry, digital media allowed the creation of heritage out of people’s ordinary lives. This way of disrupting ideas of heritage also turned the museum into a contact zone, a place for cultural and social mediation.     

Digital harm and addiction: An anthropological view

A broad trend of anti-tech rhetoric has raised fears about the dangers of digital overuse and reliance and suggests that technology is addictive, unnatural or harmful. Some people have limited their hours of ‘screen time’ or resorted to the practice of ‘digital detoxing’ – a catch-all term to describe temporarily ‘leaving’ the digital world. Using her ethnographic work in a North American digital detox retreat, the author considers an anthropological approach to digital harm and addiction that emphasizes their socially constructed nature. Following Horst and Miller (2012) and the view that digital harms are socially constructed, she argues that digital technology will be removed in different places for different reasons, and that geographically bound cultural values are vital to understanding how digital harms come to be imagined and counteracted. Whether or not digital use will ever be proven to be clinically harmful, digital harm is best viewed as a ‘social fact’.     

THE ARCHAEOLOGY OF COMMUNICATIONS’ DIGITAL AGE

Abstract

This paper reviews the history of the digital age of communications that began with the invention of the stored program computer in 1948 and is today realised by the World Wide Web, super fast broadband and the smart phone. Taking a predominantly UK focus, the paper examines the key technological advances that were made, where they occurred and what archaeological evidence remains of their existence. The paper begins by examining how digital technology was applied to the telephone network, how that network then provided the means by which early computers could be connected together, and from there to subsequently offer access to information services. Packet switching, the home computer, modems, optical fibre and the Internet are reviewed in terms of their importance in the creation of and growth in the World Wide Web. Finally, the application of digital technology to the mobile phone is discussed in terms of the development of mobile networks and the evolution of the handset into today’s smart phones. The paper concludes by recognising that much of the archaeological evidence of communication’s digital age has already been lost and that urgent action is needed to put in place appropriate preservation strategies.     

Access culture: Web 2.0 and cultural participation

This article applies aspects of Jürgen Habermas, Manuel Castells and Lawrence Lessig’s theories to demonstrate how digital communication and new media platforms enhance cultural participation as well as how cultural policy affects the cultural behaviour of users who produce and are consumers in a digital convergence culture. The digital platforms and new media used in the analysis include an open source animated short film, Elephants Dream, the social networking sites YouTube and MySpace, and the BBC’s Creative Archive. The aim of this article is to study how cultural policy makers can learn from these examples and how they can make use of the participatory, self‐publishing characteristics of Web 2.0 in order to create accessible digital cultural public spheres.     

An Informational Right to the City? Code,Content, Control,and the Urbanization of Information

Henri Lefebvre talked of the “right to the city” alongside a right to information. As the urban environment becomes increasingly layered by abstract digital representation, Lefebvre's broader theory warrants application to the digital age. Through considering what is entailed by the urbanization of information, this paper examines the problems and implications of any “informational right to the city”. In directing Tony Benn's five questions of power towards Google, arguably the world's most powerful mediator of information, this paper exposes processes that occur when geographic information is mediated by powerful digital monopolies. We argue that Google currently occupies a dominant share of any informational right to the city. In the spirit of Benn's final question—“How do we get rid of you?”—the paper seeks to apply post‐political theory in exploring a path to the possibility of more just information geographies.     

Facetiming common worlds: exchanging digital place stories and crafting pedagogical contact zones

ABSTRACT

Children, educators, and researchers at a child care center in Victoria, Canada and Melbourne, Australia have been collaborating on an early childhood education pedagogical inquiry project that grapples with children’s relations with place and technologies. Resisting narratives of environmental stewardship and instrumental digital education that dominate in the settler colonial contexts of contemporary Canadian and Australian early childhood education, this article shares stories, practices, questions, and tensions generated within the inquiry. After outlining how we think with Facetime on iPhone within a common worlds pedagogies framework, we detail two practices generated in the inquiry: (1) exchanging digital place stories and (2) crafting pedagogical contact zones with place and technologies. These practices, we argue, make visible how our collaboration reconfigures children’s relationships with place and technologies in consequential ways, and risks generating uneasy, unfamiliar, and tentative pedagogies that respond to messy entanglements within digital, more-than-human common worlds.     

Enacting nationalism through youthful mobilities? Youth,mobile phones and digital capitalism in a Lao‐Vietnamese borderland

Mobile phone use has become a defining feature of what it means to be young, and the relatively remote Lao‐Vietnamese borderland area that is the focus of this study is no exception. Drawing on Benedict Anderson's Imagined Communities, this article investigates the interplay between the everyday styles of being young, the forces of digital capitalism and the enactment of nationalism. We do this with a focus on ethnic minority youth's appropriation of the mobile services offered by Viettel, the most popular mobile services provider in the study area and owned by the Vietnamese Ministry of Defence. We suggest that the everyday performances of being young, revolving around the mobile phone, are affected by the forces of digital capitalism. We further suggest that the cultural context of Viettel's digital capitalism is embedded in a fabric of Vietnamese nationalism, leading ethnic minority youth, consciously and unconsciously, to enact nationalism through their everyday styles of being young.     

A feminist perspective on digital geographies: activism,affect and emotion,and gendered human-technology relations in Australia

Feminist digital geographies are an important part of the digital turn currently underway in geographic scholarship. At the same time, feminist movements are taking advantage of, and emerging from, digital spaces. This article considers how the digital intersects with gender and what opportunities the digital affords feminist movements. We do so by drawing on a case study of feminist activism within Destroy the Joint (DTJ), an online social media activist group, and build a qualitative analysis of a dynamic, reflexive digital space. Qualitative studies of emotion, affect and the power of digital geographies, including social media spaces populated by groups like DTJ, demonstrate how cultural and social practices are changing along with technologies. This research does not draw on a techno-deterministic approach to digital geographies but forwards a feminist perspective that critically engages with the constraints and possibilities of the complex, paradoxical and contingent within the digital.